Prayers to Broken Stones (41 page)

BOOK: Prayers to Broken Stones
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“Just another minute …” began Kevin and froze. I felt my heart stop at the same instant.

A key rasped in the lock of the front door. There was a tall shadow thrown against the blind.

I turned to run, to escape, anything to get out of there, but Kevin clicked off the penlight, grabbed my sweatshirt, and pulled me with him as he crawled under one of the
high sinks. There was just enough room for both of us there. A dark curtain hung down over the space and Kevin pulled it shut just as the door creaked open and footsteps entered the room.

For a second I could hear nothing but the pounding of blood in my ears, but then I realized that there were
two
people walking in the room, men by the sounds of the heavy tread. My mouth hung open and I panted, but I was unable to get a breath of air. I was sure that any sound at all would give us away.

One set of footsteps stopped at the first chair while the other went to the rear wall. A second door rasped shut, water ran, and there came the sound of the toilet flushing. Kevin nudged me, and I could have belted him then, but we were so crowded together in fetal positions that any movement by me would have made a noise. I held my breath and waited while the second set of footsteps returned from the lavatory and moved toward the front door.
They hadn’t even turned on the lights.
There’d been no gleam of a flashlight beam through our curtain, so I didn’t think it was the cops checking things out. Kevin nudged me again and I knew he was telling me that it had to be Innis and Denofrio.

Both pairs of footsteps moved toward the front, there was the sound of the door opening and slamming, and I tried to breathe again before I passed out.

A rush of noise. A hand reached down and parted the curtain. Other hands grabbed me and pulled me up and out, into the dark. Kevin shouted as another figure dragged him to his feet.

I was on my tiptoes, being held by my shirtfront. The man holding me seemed eight feet tall in the blackness, his fist the size of my head. I could smell garlic on his breath and assumed it was Denofrio.

“Let us go!” shouted Kevin. There was the sound of a slap, flat and clear as a rifle shot, and Kevin was silent.

I was shoved into a barber chair. I heard Kevin being pushed into the other one. My eyes were so well adjusted to the darkness now that I could make out the features of the two men. Innis and Denofrio. Dark suits blended into black, but I could see the pale, angular faces that I’d been
sure had made Kevin think they were vampires. Eyes too deep and dark, cheekbones too sharp, mouths too cruel, and something about them that said
old
despite their middle-aged looks.

“What are you doing here?” Innis asked Kevin. The man spoke softly, without evident emotion, but his voice made me shiver in the dark.

“Scavenger hunt!” cried Kevin. “We have to steal a barber’s clippers to get in the big kids’ club. We’re sorry. Honest!”

There came the rifle shot of a slap again. “You’re lying,” said Innis. “You followed me on Monday. Your friend here followed Mr. Denofrio in the evening. Both of you have been watching the shop. Tell me the truth.
Now!

“We think you’re vampires,” said Kevin. “Tommy and I came to find out.”

My mouth dropped open in shock at what Kevin had said. The two men took a half step-back and looked at each other. I couldn’t tell if they were smiling in the dark.

“Mr. Denofrio?” said Innis.

“Mr. Innis?” said Denofrio.

“Can we go now?” said Kevin.

Innis stepped forward and did something to the barber chair Kevin was in. The leather armrests flipped up and out, making sort of white gutters. The leather strops on either side went up and over, attaching to something out of sight to make restraining straps around Kevin’s arms. The headrest split apart, came down and around, and encircled Kevin’s neck. It looked like one of those trays the dentist puts near you to spit into.

Kevin made no noise. I expected Denofrio to do the same thing to my chair, but he only laid a large hand on my shoulder.

“We’re not vampires, boy,” said Mr. Innis. He went to the counter, opened a drawer, and returned with the straight razor Kevin had been fooling around with earlier. He opened it carefully. “Mr. Denofrio?”

The shadow by my chair grabbed me, lifted me out of the chair, and dragged me to the basement door. He held me easily with one hand while he unlocked it. As he pulled me into the darkness, I looked back and caught a
glimpse of my friend staring in silent horror as Innis drew the edge of the straight razor slowly across Kevin’s inner arm. Blood welled, flowed, and gurgled into the white enamel gutter of the armrest.

Denofrio dragged me downstairs.

The barber finishes the shave, trims my sideburns, and turns the chair so that I can look into the closer mirror.

I run my hand across my cheeks and chin. The shave is perfect, very close but with not a single nick. Because of the sharpness of the blade and the skill of the barber, my skin tingles but feels no irritation whatsoever.

I nod. The barber smiles ever so slightly and removes the striped protective apron.

I stand and remove my suitcoat. The barber hangs it on a hook while I take my seat again and roll up my left sleeve. While he is near the rear of the shop, the barber turns on a small radio. The music of Mozart fills the room.

The basement was lighted with candles set in small jars. The dancing red light reminded me of the time Kevin took me to his church. He said the small, red flames were votive candles. You paid money, lit one, and said a prayer. He wasn’t sure if the money was necessary for the prayer to be heard.

The basement was narrow and unfinished and almost filled by the twelve-foot slab of stone in its center. The thing on the stone was almost as long as the slab. The thing must have weighed a thousand pounds, easy. I could see folds of slick, gray flesh rising and falling as it breathed.

If there were arms, I couldn’t see them. The legs were suggested by folds in slick fat. The tubes and pipes and rusting funnel led my gaze to the head.

Imagine a thousand-pound leech, nine or ten feet long and five or six feet thick through the middle as it lies on its back, no surface really, just layers of gray-green slime and wattles of what might be skin. Things, organs maybe, could be seen moving and sloshing through flesh as transparent
as dirty plastic. The room was filled with the sound of its breathing and the stench of its breath. Imagine a huge sea creature, a small whale, maybe, dead and rotting on the beach for a week, and you’ve got an idea of what the thing itself smelled like.

The mass of flesh made a noise and the small eyes turned in my direction. Its eyes were covered with layers of yellow film or mucus and I was sure it was blind. The thing’s head was no more defined than the end of a leech, but in the folds of slick fat were lines which showed a face which might once have been human. Its mouth was very large. Imagine a lamprey smiling.

“No, it was never human,” said Mr. Denofrio. His hand was still firm on my shoulder. “By the time they came to our guild, they had already passed beyond hope of hiding amongst us. But they brought an offer which we could not refuse. Nor can our customers. Have you ever heard of symbiosis, boy? Hush!”

Upstairs, Kevin screamed. There was a gurgle, as of old pipes being tried.

The creature on the slab turned its blind gaze back to the ceiling. Its mouth pulsed hungrily. Pipes rattled and the funnel overflowed.

Blood spiralled down.

The barber returns and taps at my arm as I make a fist. There is a broad welt across the inner crook of my arm, as of an old scar poorly healed. It
is
an old scar.

The barber unlocks the lowest drawer and withdraws a razor. The handle is made of gold and is set about with small gems. He raises the object in both hands, holds it above his head, and the blade catches the dim light.

He takes three steps closer and draws the blade across my arm, opening the scar tissues like a puparium hatching. There is no pain. I watch as the barber rinses the blade and returns it to its special place. He goes down the basement stairs and I can hear the gurgling in the small drain tubes of the armrest as his footsteps recede. I close my eyes.

I remember Kevin’s screams from upstairs and the red flicker of candlelight on the stone walls. I remember the
red flow through the funnel and the gurgle of the thing feeding, lamprey mouth extended wide and reaching high, trying to encompass the funnel the way an infant seeks its mother’s nipple.

I remember Mr. Denofrio taking a large hammer from its place at the base of the slab, then a thing part spike and part spigot. I remember standing alone and watching as he pounded it in, realizing even as I watched that the flesh beneath the gray-green slime was a mass of old scars.

I remember watching as the red liquid flowed from the spigot into the crystal glass, the chalice. There is no red in the universe as deeply red, as purely red as what I saw that night.

I remember drinking. I remember carrying the chalice—carefully, so carefully—upstairs to Kevin. I remember sitting in the chair myself.

The barber returns with the chalice. I check that the scar has closed, fold down my sleeve, and drink deeply.

By the time I have donned my own white smock and returned, the barber is sitting in the chair.

“A trim this morning, perhaps?” I ask.

“I think not,” he says. “Just a shave, please.”

I shave him carefully. When I am finished, he runs his hands across his cheeks and chin and nods his approval. I perform the ritual and go below.

In the candlelit hush of the Master’s vault, I wait for the Purification and think about immortality. Not about the true eon-spanning immortality of the Master … of all the Masters … but of the portion He deigns to share with us. It is enough.

After my colleague drinks and I have returned the chalice to its place, I come up to find the blinds raised, the shop open for business.

Kevin has taken his place beside his chair. I take my place beside mine. The music has ended and silence fills the room.

Outside, the blood spirals down.

Introduction to
“The Death of the Centaur”

I was a teacher for eighteen years. Not a college professor … not even a high school English teacher … “just” an elementary teacher. Over the years I taught third grade, fourth grade, and sixth grade, spent a year as a “resource teacher,” (sort of a lifeguard for kids in danger of going under because of learning problems) and ended my career in education by spending four years creating, coordinating, and teaching very advanced programs for “gifted and talented” (i.e., smart and able) students in a district with seven thousand elementary-aged children.

I mention all this as background to the next story.

Teaching is a profession which is not quite a profession. As recently as twenty-five years ago, teachers balanced their low pay with whatever satisfaction they could find in the job—and there is plenty for a good teacher—and by enjoying a certain indefinable sense of status in the eyes of the community.

Some years ago when I was a sixth grade teacher, I stepped outside one winter evening to see the Colorado skies ablaze with a disturbing light. It was the aurora borealis, of course, in what may well be the most dramatic display I’ll ever see from these latitudes.

As I stood watching this incredible light show, a young student of mine and her mother came down the street and asked what was going on. I explained about the aurora.

“Oh,” said the mother. “I thought maybe it was the end of the world like it predicts in Revelation, but Jesse said you’d know if it was something else.”

I think of that moment occasionally.

It used to be that teachers were—if not exactly the sages of society—at least respected as minor but necessary intellectual components in the community. Now, when parents go in to a parent/teacher conference, the odds are great that the parents are better educated than the teacher. Even if they’re not, they almost certainly make significantly more
money
than the teacher.

Of course it’s not just the low pay that is driving good people out of teaching; it’s not even the combination of low pay, contempt from the community, contempt from school and district administrators who see master teachers as a liability (they would rather have beginning teachers whose
tabulas
are perfectly
rasa
and ready to be programmed with whatever new district fads the administration is pushing), and the fact that many children today are not pleasant to be around. Perhaps it’s all this plus the reality that teaching is no longer a place for people with imagination. Creative people need not apply. Most don’t.

The point of all this is that just at the time when we most desperately need quality teachers, just when our intellectual survival now demands men and women in the classroom who teach so well and make our children
think
so well that we’ll have no choice but to pay that teacher the ultimate teacher’s compliment—condemnation to death by hemlock or crucifixion; just at the time now when families and all the other traditional institutions are abdicating their responsibilities in everything from teaching ethics to basic hygiene, abandoning the effort it takes to turn young savages into citizens; surrendering and handing these duties to
schools
 … that happens to be the time when the schools lack the small but critical mass of brilliant, creative, and dedicated people who’ve always made the system
work.

To compensate, teachers hang signs in their faculty
lounges. The signs say things like—“A teacher’s influence touches eternity.”

It may. It may. But take it from somebody who was in there pitching for eighteen years—good teachers are invaluable, more precious than platinum or presidents, but a bad teacher’s influence touches the same eternity.

The Death
of the Centaur

BOOK: Prayers to Broken Stones
7.82Mb size Format: txt, pdf, ePub
ads

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