Armed with Ladybird and the address of the Embassy Hotel, Max headed up the hill. Ladybird’s navy suit brought out the highlights in her blue-tinted hair. The jacket, edged with braided piping, reached the palms of her hands, the pleated skirt landing somewhere in the middle of her calves. At her throat, she’d fastened a mother-of-pearl cameo, and on her feet, she wore a good pair of orthopedics. She looked every inch the society matron—despite the shoes—like her namesake, Ladybird Johnson. Of course, Witt’s mother had been born with the name Ethel, a signature she hated and had somehow eliminated back in the sixties.