Postwar: A History of Europe Since 1945 (114 page)

The significance of efforts to reconstitute civil society—a nebulous phrase describing an uncertain objective but one widely espoused by the intellectual opposition in Eastern Europe from the mid-Seventies onward—was that they recognized the impossibility after 1968 of trying to reform the Party-state. Few seriously expected Husák in Prague, or Honecker in Berlin (much less the Soviets themselves), to concede the logic of ‘rights-talk’ and take their own constitutions seriously. To speak of rights in theory was precisely to illustrate their absence in practice, to remind observers at home and abroad of just how un-free these societies actually were. Instead of engaging the Communist authorities, the new opposition was deliberately talking past them.

For dissidents like Haraszti, or Adam Michnik in Poland, whose 1976 essay ‘A New Evolutionism’ laid out much of the strategy of the Polish opposition in coming years, this was a radical departure from their youthful engagement with Marxism and its socio-economic priorities. For those who had never been remotely drawn to Marxist debates, like Václav Havel, the transition was much easier. The son of a wealthy Prague businessman whose family was dispossessed by the Communist government after 1948, Havel evinced none of the youthful revolutionary enthusiasm of his engaged contemporaries, nor did he play a very active part in their reformist efforts before 1968. Havel’s relationship with the Communist authorities was always antagonistic, thanks in large part to his bourgeois origins, but it had never been political.

In the course of the Seventies and Eighties, as he was harassed, arrested and ultimately imprisoned for his activities, Havel was to become a supremely political figure. But his ‘message’ remained resolutely un-political. The point, he insisted, was not to argue with those in power. It was not even primarily to
tell
the truth, though in a regime based on lies this was important. The only thing that made sense in the circumstances of the time, he wrote, was to ‘live in truth’, All else was compromise—‘The very act of forming a political grouping forces one to start playing a power game, instead of giving truth priority.’

The objective, as Havel explained in a 1984 essay reflecting on the goals and tactics of Czechoslovakia’s fragile intellectual opposition, should be to act with autonomy, whatever the regime tries to impose on you; to live
as if
one were truly free. This was hardly a prescription for most people, as Havel well understood: ‘These are perhaps impractical methods in today’s world and very difficult to apply in daily life. Nevertheless, I know no better alternative.’

Havel’s position was not without precedents, even in recent times. Ludvík Vaculík, addressing the Fourth Congress of the Czechoslovak Writers’ Union in June 1967, had recommended a similar ‘as if’ strategy to his colleagues even then. We should, he told them, ‘play at being citizens . . . make speeches as if we were grown-up and legally independent.’ But in the more optimistic atmosphere of the Sixties Vaculík and others could still hope for some accommodation and adaptation from those in power. By the time Michnik or Havel were espousing similar arguments, circumstances had changed. The point was no longer to advise the government how to govern, but to suggest to the nation—by example—how it might live.

In the circumstances of the Seventies, the idea that Eastern European intellectuals could ‘suggest to the nation’ how it should comport itself might appear more than a little ambitious—most intellectuals were in no position to suggest much of anything even to one another, far less to their fellow citizens at large. The intelligentsia in Hungary and Poland especially was largely ignorant of conditions and opinion in the industrial centers, and even more cut off from the world of the peasantry. Indeed it might be said that thanks to Communism—a political system which, in the words of the Hungarian dissidents Ivan Szelenyi and George Konrád, put ‘intellectuals on the road to class power’—the old Central-European distinction between ‘intelligentsia’ and ‘people’ (more applicable in aristocratic societies like Hungary and Poland than in plebeian ones like Czechoslovakia, but artificially instituted even there after 1948) had resurfaced in an acute form.

The first to bridge this gap were the Poles. In 1976, following a series of strikes protesting at sharp increases in the price of food, the regime struck back hard, beating and arresting workers in the industrial towns of Ursus and Radom. In a response that broke quite deliberately with the mutual indifference of worker and intellectual protests a few years before, Jacek Kuroń and a few colleagues announced the formation in September 1976 of KOR, an acronym for the Committee for the Defense of Workers. The object of KOR, and a Committee for the Defense of Human and Civil Rights (ROPCiO) founded a few months later, was to publicize the assault on workers’ civil liberties, assist in their legal defense, and form a common front. Three years later, in December 1979, the intellectual leaders of KOR—some Jewish, some Catholic, some former Communists, others not—would be responsible for the framing and publication of a ‘Charter of Workers’ Rights’.

The creation—or, rather, the assertion—of an autonomous civil sphere in Poland thus grew out of a social confrontation. Across the border in Czechoslovakia, in even less promising political circumstances, it was born of a legal opportunity. In January 1977 a group of Czechoslovak citizens signed a document (initially published as a manifesto in a West German newspaper) criticizing their government for its failure to implement the human rights provisions of the Czechoslovak Constitution, the Final Act of the 1975 Helsinki Accords, and United Nations covenants on political, civil, economic, and cultural rights, all of which Prague had signed—and, in the case of Helsinki Decree 120, formally incorporated into the Czech Legal Code.
²⁶¹

The signatories of this document (‘Charter 77’ as it became known) described themselves as a ‘loose, informal, and open association of people . . . united by the will to strive individually and collectively for respect for human and civil rights in our country and throughout the world.’ They took care to emphasize that Charter 77 was not an organization, had no statutes or permanent organs, and ‘does not form the basis for any oppositional political activity,’ a stipulation intended to keep their act within the bounds of Czechoslovak law.

Charter 77 was always the work of a tiny network of courageous indivuduals who represented no-one but themselves: 243 people signed the original document, and they were joined by just 1,621 others (in a population of 15 million) in the course of the next decade. The Charter’s first spokesmen were Havel, Jiří Hájek (the country’s foreign minister under Dubček) and the elderly Jan Patočka, Czechoslovakia’s leading philosopher, all of them isolated intellectuals without public standing or influence; but this did not stop the authorities reacting furiously to their manifesto, ‘an antistate, antisocialist, demagogic, abusive piece of writing’. Individual signatories were variously described—in language drawn verbatim from the show trials of the Fifties—as ‘traitors and renegades,’ ‘a loyal servant and agent of imperialism’, ‘a bankrupt politician’ and ‘an international adventurer’. Retaliation and intimidation were deployed against the signatories, including dismissal from work, denial of schooling for their children, suspension of drivers’ licenses, forced exile and loss of citizenship, detention, trial, and imprisonment.

The harsh treatment of the signatories of Charter 77 and the Czechoslovak government’s vindictive persecution of a new generation of young musicians (notably the rock group The Plastic People of the Universe) prompted the formation in April 1978 of a support group, the ‘Committee for the Defense of the Unjustly Persecuted’ (VONS), with goals similar to those of KOR. The response of the Prague regime to this latest development was to arrest six of the leading figures in VONS, including Havel, and try them for subversion the following year. In October 1979 they were sentenced to prison terms of up to five years.

In the wake of 1968 the Communist regimes had all (with the exception of Ceauşescu’s Romania) adopted in practice the approach of Kádár’s Hungary. They no longer even pretended to seek the genuine allegiance of their subjects, asking only that people proffer the outward symbols of public conformity. One goal of the Charter, like VONS—or KOR—was to overcome the resulting cynical indifference to public affairs among their fellow citizens. Havel in particular laid stress on the need to deprive governments of the satisfaction of seeing people heedlessly abase themselves in order to pass unnoticed. Otherwise, he wrote, the regime can count upon an ‘outpost in every citizen’—a theme illustrated in his classic essay ‘The Power of the Powerless’ by the example of the greengrocer who ritually hangs in his shop-window the sign ‘Workers of the World, Unite!’.

Some of the concerns of the dissenting intelligentsia were better adapted than others to this effort to overcome public apathy and fear. The emerging environmental catastrophe, already mentioned in Chapter 15, was one. In Slovakia, according to the regime’s own figures, 45 percent of the 3,500 miles of rivers in Slovakia were ‘dangerously’ polluted in 1982. Four-fifths of the well water in the eastern part of the republic was unusable for human consumption. This was largely due to the over-use of fertilizer on the collective farms of the area, leading to soil-poisoning and crop failures like those experienced in the black soil areas of the Soviet Union.

By the early Eighties northern Bohemia had the worst air pollution in Europe, thanks to the use of (cheap) brown coal in industrial and energy production there. Of 73.5 billion kwh of power generated in the region, 64 billion came from plants burning this high-sulphur fuel. As a result, by 1983 some 35 percent of all Czech forests were dead or dying, and one-third of all Czech watercourses were too polluted even for industrial use. In Prague itself the government was forced to set up a special hospital service dealing with the respiratory ailments of children. Ivan Klíma, in a short story called ‘
A Christmas Conspiracy’,
described stepping out into the streets of the Czech capital: ‘The dark, cold mist smelled of smoke, sulphur and irritability.’

Under Socialism it was the state that polluted. But it was society that suffered, and pollution was thus a subject about which everyone cared. It was also implicitly political: the reason that it was so hard to protect the environment was that no-one had an interest in taking preventive measures. Only effective and consistently applied official sanctions could have enforced improvements, and these would have had to come from the same authority which was encouraging the wastage in the first place. Any factory or farm manager imprudent enough to risk his ‘quotas’ by applying pollution-control measures on his own initiative would have been in serious trouble. The Communist economic system was inherently prejudicial to its environment, as more and more people came to appreciate.
²⁶²

Writers and scholars, reasonably enough, were preoccupied with censorship. The impediments to publication, or performance, varied considerably from one Communist country to another. In Czechoslovakia, since 1969, the authorities were unabashedly repressive: not only were thousands of men and women excluded from print or public appearance, but a very broad swathe of themes, persons and events could not even be mentioned. In Poland, by contrast, the Catholic Church and its institutions and newspapers provided a sort of semi-protected space in which a degree of literary and intellectual freedom could be practiced, albeit cautiously.

Here, as in Hungary, the problem was often one of
self
-censorship. In order to secure access to an audience, intellectuals, artists or scholars were always tempted to adapt their work, to trim or hedge an argument in anticipation of likely official objections. The professional and even material benefits of such adjustment were not to be neglected, in societies where culture and the arts were taken very seriously; but the moral cost in self-respect could be considerable. As Heine had written a hundred and fifty years before, in terms many Eastern European intellectuals would immediately have recognized, ‘these executioners of thought make criminals of us. For the author . . . frequently commits infanticide: he kills his own thought-child in insane terror of the censor’s mind.’

This was one kind of partial complicity. Silence—the internal emigration of the ‘Ketman’ in Czesław Miłosz’s
Captive Mind
—was another. But those who did speak out, circulating their work in illicit carbon copies, faced the gloomy prospect of near-invisibility, of having their ideas and their art confined to a tiny, closed audience—experiencing at best what one Czech intellectual morosely called the onanistic satisfaction of publishing
samizdat
for the same two thousand intellectuals, all of whom also write it.

Moreover, courage did not in itself ensure quality. The non-conformist, oppositional and frequently dangerous aspect of underground writing conferred on it (especially among its admirers in the West) an aura of romance and a sometimes overstated significance. Original and radical ideas could indeed blossom and thrive in the decaying compost-heap of the Soviet bloc—the writings of Havel and Michnik are the best but by no means the only instances of this, the
Fleurs du Mal
of Communism.
²⁶³
But for many others, being unpublished was no guarantee of quality. There is no ‘muse of censorship’ (George Steiner). Just because the regime didn’t like you doesn’t mean you were talented.

Thus the reputation of even some of the best known opposition intellectuals was to shrivel and shrink when exposed to a free market in ideas. Hungary’s George Konrád—whose rather self-indulgent essays on ‘Antipolitics’ were widely admired in the Eighties—was one of many who would drop from sight after 1989. Others, like the East German novelist Christa Wolf, understood well that it was the very difficulties of being a writer under Communism that furnished her with both subject matter and a certain energy (and public standing). That is one reason why many intellectuals in Communist societies preferred to forego the opportunity of emigration and exile—better to be persecuted and significant than to be free but irrelevant.