Poems That Make Grown Men Cry (37 page)

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Authors: Anthony and Ben Holden

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Index of Titles of Poems

A Blessing,
ref1

A Call,
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Adlestrop,
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After Great Pain,
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All the Pretty Horses,
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A Meeting,
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Amor constante más allá de la muerte,
ref1

and our faces, my heart, brief as photos
(extract),
ref1

An End or a Beginning,
ref1

An Exequy,
ref1

A Poetry Reading
at West Point,
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Armada,
ref1

A Summer Night,
ref1

At Castle Boterel,
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Aubade,
ref1

Bavarian Gentians,
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Bedecked,
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Brindis con el Viejo,
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Canoe,
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Canto LXXXI (extract from
The Pisan Cantos
),
ref1

Canto LXXIV (extract from
The Pisan Cantos
),
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Character of the Happy Warrior,
ref1

Crusoe in England,
ref1

Dear Bryan Wynter,
ref1

Do Not Go Gentle Into That Good Night,
ref1

Dream Song 90: Op. posth. no. 13,
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Dulce et Decorum Est,
ref1

During Wind and Rain,
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Eastern War Time (extract),
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Elegy,
ref1

Elegy for Alto,
ref1

End of Summer,
ref1

Essay,
ref1

eulogy to a hell of
a dame – ,
ref1

Everyone Sang,
ref1

Finnegans Wake
(extract),
ref1

For Andrew Wood,
ref1

For Julia, in the Deep Water,
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For Ruthie Rogers in Venice,
ref1

Friday’s Child,
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Frost at Midnight,
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God’s World,
ref1

God Wills It,
ref1

Gone Ladies,
ref1

Hokku,
ref1

I Am,
ref1

If I Could
Tell You,
ref1

In Blackwater Woods,
ref1

Injustice,
ref1

In Memory of W. B. Yeats,
ref1

I see a girl dragged by the wrists,
ref1

Ithaka,
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It Is Here (for A),
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Keys to the Doors,
ref1

Last Poems: XL,
ref1

Last Sonnet (Bright Star),
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Let My Country Awake,
ref1

Liberty,
ref1

Long Distance I,
ref1

Long Distance II,
ref1

Love After Love,
ref1

Love Constant Beyond Death,
ref1

Lullaby,
ref1

Midsummer:
‘Sonnet XLIII,’
ref1

My Papa’s Waltz,
ref1

Not Cancelled Yet,
ref1

Of the Terrible Doubt of Appearances,
ref1

On My First Son,
ref1

Orpheus. Eurydice. Hermes,
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Out of Work,
ref1

Over 2,000 Illustrations
and a Complete Concordance,
ref1

Peer Gynt
(extract),
ref1

Raising a Glass with My Old Man,
ref1

Regarding the Home of One’s Childhood, One Could:,
ref1

Remember,
ref1

Requiem,
ref1

Requiem for the Croppies,
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Sandra’s Mobile,
ref1

Sonnet XXX,
ref1

Surprised by Joy,
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The Broken Tower,
ref1

The Book Burnings,
ref1

The Cool Web,
ref1

The Death of the Ball Turret Gunner,
ref1

The Horses,
ref1

The Lanyard,
ref1

The Masque of Anarchy
(extract),
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The Meaning of Africa,
ref1

The Message,
ref1

The Mother,
ref1

The Remorseful Day,
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The Soldier,
ref1

The Voice,
ref1

The Widower in the Country,
ref1

The Wind, One Brilliant Day,
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Those Who Are Near Me Do Not Know,
ref1

Unfinished Poem,
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Wandrers Nachtlied II,
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War Has Been Given a Bad Name,
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Wayfarer’s Night Song II,
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Index of First Lines

Abortions will not let you forget,
ref1

A constant artist, dedicated to,
ref1

Africa, you were once just a name to me,
ref1

After great pain a formal feeling comes – ,
ref1

Alone at the shut of the day was I,
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An agitation of the air,
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And now, when the soul has gone its way to judgment,
ref1

AND THE HORN may now paw the air howling goodbye . . . ,
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‘And these words shall then become,’
ref1

. . . and there was a smell of mint under the tent flaps,
ref1

. . . and weary I go back to you, my cold father, my cold,
ref1

A new volcano has erupted,
ref1

As I drive to the junction of lane and highway,
ref1

As you set out for Ithaka,
ref1

Barely a twelvemonth after,
ref1

Bent double, like old beggars under sacks,
ref1

Bright star, would I were steadfast as thou art – ,
ref1

Cerrar podrá mis ojos la postrera,
ref1

Chicago’s avenues, as white as Poland,
ref1

Children are dumb to say how hot the day is,
ref1

Do not go gentle into that good night,
ref1

Dragonfly catcher,
ref1

Earth will turn against you,
ref1

Ensanguining the skies,
ref1

Everyone suddenly burst out singing,
ref1

Farewell, thou child of my right hand, and joy,
ref1

forget the plum tree,
ref1

From my mother’s sleep I fell into the State,
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He disappeared in the dead of winter,
ref1

Here I stand,
ref1

He told us we were free to
choose,
ref1

‘Hold on,’ she said, ‘I’ll just run out and get him,’
ref1

Hush-by, Don’t you cry,
ref1

I am told that the best people have begun saying,
ref1

I am – yet what I am, none cares or knows,
ref1

If I should die, think only this of me,
ref1

I know that on Sundays, at around midday,
ref1

I’ll get up soon, and leave my bed unmade,
ref1

In a dream I meet,
ref1

In the night-reaches dreamed he of better graces,
ref1

In wet May, in the months of change,
ref1

I loved your age of wonder: your third and fourth,
ref1

I read to the entire plebe class,
ref1

I see a girl dragged by the wrists,
ref1

I squeezed up the last stair to the room in the roof,
ref1

I work all day, and
get half-drunk at night,
ref1

Just off the highway to Rochester, Minnesota,
ref1

Lay your sleeping head, my love,
ref1

Long, long ago,
ref1

Look, the trees,
ref1

Memory says: Want to do right? Don’t count on me,
ref1

My prime of youth is but a frost of cares,
ref1

Not every man has gentians in his house,
ref1

Of the terrible doubt
of appearances,
ref1

On my notebooks from school,
ref1

Out on the lawn I lie in bed,
ref1

Over all the hilltops,
ref1

O world, I cannot hold thee close enough!,
ref1

Remember me when I am gone away,
ref1

Shoulders to cry on,
ref1

So many poems about the deaths of animals,
ref1

some dogs who sleep at night,
ref1

Some honorary
day,
ref1

Surprised by joy – impatient as the Wind,
ref1

Tell me not here, it needs not saying,
ref1

Tell me it’s wrong the scarlet nails my son sports or the toy,
ref1

That was the deep uncanny mine of souls,
ref1

The bell-rope that gathers God at dawn,
ref1

The door that someone opened,
ref1

The Frost performs its secret ministry,
ref1

The instructor we hire,
ref1

The other day I was ricocheting slowly,
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The pockets of our greatcoats full of barley . . . ,
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The time will come,
ref1

The whiskey on your breath,
ref1

The wind, one brilliant day, called,
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They sing their dearest songs – ,
ref1

This is only a note,
ref1

Those who are near me do not
know that you are nearer to me than they are,
ref1

Though my eyes be closed by the final,
ref1

Though my mother was already two years dead,
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Thus should have been our travels,
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Time will say nothing but I told you so,
ref1

Über allen Gipfeln,
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Under the wide and starry sky,
ref1

Well, I am thinking this may be my last,
ref1

What reconciles me to my own death more than anything,
ref1

What sound was that?,
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What thou lovest well remains,
ref1

What would the dead want from us,
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When the Regime commanded that books with harmful knowledge,
ref1

When to the sessions of sweet silent thought,
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Where in the world is Helen gone,
ref1

Where the mind is
without fear and the head is held high,
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Whoever discovers who I am will discover who you are,
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Who is the happy Warrior? Who is he,
ref1

Woman much missed, how you call to me, call to me,
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Yes. I remember Adlestrop – ,
ref1

Yo sé que los domingos, casi al mediodía,
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Your bed’s got two wrong sides. You life’s all grouse,
ref1

Credits, Copyrights, and Permissions

Note: The texts of those poems first written in languages other than English are included only at the specific request of the contributor or where the original text is
directly referenced within the relevant introduction.

The editors gratefully acknowledge permission to reprint copyright material in this collection as follows below.

 

Francisco de Quevedo, ‘Amor Constante más allá de la muerte’ English translation, ‘Love Constant Beyond Death’ by Margaret Jull Costa,
copyright © Margaret Jull Costa, 2014.

Ariel Dorfman’s introduction to ‘Amor Constante más allá de la muerte’ copyright © Ariel Dorfman, 2014.

Fukuda Chiyo-ni, ‘Hokku’, English translation by Boris Akunin, copyright © Boris Akunin, 2014.

Johann Wolfgang
von Goethe, translation of ‘Wandrers Nachtlied II’ copyright © Hyde Flippo, 2013.

Extract from
The Great War for Civilisation: The Conquest of the Middle East
by Robert Fisk, copyright © 2005, Robert Fisk. Reprinted by permission of HarperCollins
Publishers Ltd.

Henrik Ibsen, excerpt from
Peer Gynt: A Dramatic Poem
, translated by Christopher Fry. Copyright © 1970 by Christopher Fry and
Johan Fillinger. Reprinted by permission
of Oxford University Press.

A. E. Housman, ‘The Remorseful Day’ (‘How clear, how lovely bright’), ‘Last Poems: XL’, from
The Collected Poems of A. E. Housman
.
Copyright 1939, 1940 by Holt, Rinehart and Winston, Inc. Copyright © 1967 by Robert E. Symons. Reprinted by permission of Henry Holt and Company, LLC.

Antonio Machado, ‘Llamo a mi corazon,
un claro dia/ The wind, one brilliant day, called’, from
Times Alone: Selected Poems Of Antonio Machado
, translation
copyright © 1983 by Robert Bly. Reprinted by permission of Wesleyan University Press.

Rainer Maria Rilke, ‘Orpheus. Eurydice. Hermes.’ translation copyright © 1982 by Stephen Mitchell, from
The Selected Poetry Of Rainer Maria Rilke
,
translated by Stephen Mitchell. Used by
permission of Random House, an imprint of the Random House Publishing Group, a division of Random House LLC. All rights reserved.

C. P. Cavafy, ‘Ithaka’ copyright © C. P. Cavafy. English translation copyright © Edmund Keeley and Philip Sherrard. Reproduced by permission of the authors
c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN.

Extract from
Unacknowledged Legislation:
Writers in the Public Sphere
by Christopher Hitchens, reprinted by permission of Carol Blue Hitchens. Copyright © Christopher
Hitchens, 2000.

Siegfried Sassoon, ‘Everyone Sang’ copyright © Siegfried Sassoon, reprinted by permission of the Estate of George Sassoon.

Gabriela Mistral, ‘God Wills It’, from
The Selected Poems of Gabriela Mistral
, translated by Ursula K. Le Guin. Copyright
© University of New Mexico Press,
2003.

Robert Graves, ‘The Cool Web’, from
Poems 1914–1926
(London: William Heinemann, 1927). Later in
Complete Poems in One Volume,
edited by

Beryl Grave and Dustan Ward (Manchester: Carcanet, 2000), reprinted by permission of Carcanet Press Ltd and United Agents on behalf of the Trustees of the Robert Graves Copyright
Trust.

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