Read Poems That Make Grown Men Cry Online
Authors: Anthony and Ben Holden
A Blessing,
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A Call,
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Adlestrop,
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After Great Pain,
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All the Pretty Horses,
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A Meeting,
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Amor constante más allá de la muerte,
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and our faces, my heart, brief as photos
(extract),
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An End or a Beginning,
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An Exequy,
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A Poetry Reading
at West Point,
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Armada,
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A Summer Night,
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At Castle Boterel,
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Aubade,
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Bavarian Gentians,
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Bedecked,
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Brindis con el Viejo,
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Canoe,
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Canto LXXXI (extract from
The Pisan Cantos
),
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Canto LXXIV (extract from
The Pisan Cantos
),
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Character of the Happy Warrior,
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Crusoe in England,
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Dear Bryan Wynter,
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Do Not Go Gentle Into That Good Night,
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Dream Song 90: Op. posth. no. 13,
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Dulce et Decorum Est,
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During Wind and Rain,
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Eastern War Time (extract),
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Elegy,
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Elegy for Alto,
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End of Summer,
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Essay,
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eulogy to a hell of
a dame – ,
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Everyone Sang,
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Finnegans Wake
(extract),
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For Andrew Wood,
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For Julia, in the Deep Water,
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For Ruthie Rogers in Venice,
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Friday’s Child,
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Frost at Midnight,
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God’s World,
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God Wills It,
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Gone Ladies,
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Hokku,
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I Am,
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If I Could
Tell You,
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In Blackwater Woods,
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Injustice,
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In Memory of W. B. Yeats,
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I see a girl dragged by the wrists,
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Ithaka,
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It Is Here (for A),
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Keys to the Doors,
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Last Poems: XL,
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Last Sonnet (Bright Star),
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Let My Country Awake,
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Liberty,
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Long Distance I,
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Long Distance II,
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Love After Love,
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Love Constant Beyond Death,
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Lullaby,
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Midsummer:
‘Sonnet XLIII,’
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My Papa’s Waltz,
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Not Cancelled Yet,
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Of the Terrible Doubt of Appearances,
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On My First Son,
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Orpheus. Eurydice. Hermes,
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Out of Work,
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Over 2,000 Illustrations
and a Complete Concordance,
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Peer Gynt
(extract),
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Raising a Glass with My Old Man,
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Regarding the Home of One’s Childhood, One Could:,
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Remember,
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Requiem,
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Requiem for the Croppies,
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Sandra’s Mobile,
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Sonnet XXX,
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Surprised by Joy,
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The Broken Tower,
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The Book Burnings,
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The Cool Web,
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The Death of the Ball Turret Gunner,
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The Horses,
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The Lanyard,
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The Masque of Anarchy
(extract),
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The Meaning of Africa,
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The Message,
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The Mother,
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The Remorseful Day,
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The Soldier,
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The Voice,
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The Widower in the Country,
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The Wind, One Brilliant Day,
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Those Who Are Near Me Do Not Know,
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Unfinished Poem,
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Wandrers Nachtlied II,
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War Has Been Given a Bad Name,
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Wayfarer’s Night Song II,
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Abortions will not let you forget,
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A constant artist, dedicated to,
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Africa, you were once just a name to me,
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After great pain a formal feeling comes – ,
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Alone at the shut of the day was I,
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An agitation of the air,
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And now, when the soul has gone its way to judgment,
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AND THE HORN may now paw the air howling goodbye . . . ,
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‘And these words shall then become,’
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. . . and there was a smell of mint under the tent flaps,
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. . . and weary I go back to you, my cold father, my cold,
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A new volcano has erupted,
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As I drive to the junction of lane and highway,
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As you set out for Ithaka,
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Barely a twelvemonth after,
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Bent double, like old beggars under sacks,
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Bright star, would I were steadfast as thou art – ,
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Cerrar podrá mis ojos la postrera,
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Chicago’s avenues, as white as Poland,
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Children are dumb to say how hot the day is,
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Do not go gentle into that good night,
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Dragonfly catcher,
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Earth will turn against you,
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Ensanguining the skies,
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Everyone suddenly burst out singing,
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Farewell, thou child of my right hand, and joy,
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forget the plum tree,
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From my mother’s sleep I fell into the State,
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He disappeared in the dead of winter,
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Here I stand,
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He told us we were free to
choose,
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‘Hold on,’ she said, ‘I’ll just run out and get him,’
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Hush-by, Don’t you cry,
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I am told that the best people have begun saying,
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I am – yet what I am, none cares or knows,
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If I should die, think only this of me,
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I know that on Sundays, at around midday,
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I’ll get up soon, and leave my bed unmade,
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In a dream I meet,
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In the night-reaches dreamed he of better graces,
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In wet May, in the months of change,
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I loved your age of wonder: your third and fourth,
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I read to the entire plebe class,
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I see a girl dragged by the wrists,
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I squeezed up the last stair to the room in the roof,
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I work all day, and
get half-drunk at night,
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Just off the highway to Rochester, Minnesota,
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Lay your sleeping head, my love,
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Long, long ago,
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Look, the trees,
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Memory says: Want to do right? Don’t count on me,
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My prime of youth is but a frost of cares,
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Not every man has gentians in his house,
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Of the terrible doubt
of appearances,
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On my notebooks from school,
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Out on the lawn I lie in bed,
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Over all the hilltops,
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O world, I cannot hold thee close enough!,
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Remember me when I am gone away,
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Shoulders to cry on,
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So many poems about the deaths of animals,
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some dogs who sleep at night,
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Some honorary
day,
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Surprised by joy – impatient as the Wind,
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Tell me not here, it needs not saying,
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Tell me it’s wrong the scarlet nails my son sports or the toy,
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That was the deep uncanny mine of souls,
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The bell-rope that gathers God at dawn,
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The door that someone opened,
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The Frost performs its secret ministry,
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The instructor we hire,
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The other day I was ricocheting slowly,
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The pockets of our greatcoats full of barley . . . ,
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The time will come,
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The whiskey on your breath,
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The wind, one brilliant day, called,
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They sing their dearest songs – ,
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This is only a note,
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Those who are near me do not
know that you are nearer to me than they are,
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Though my eyes be closed by the final,
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Though my mother was already two years dead,
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Thus should have been our travels,
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Time will say nothing but I told you so,
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Über allen Gipfeln,
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Under the wide and starry sky,
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Well, I am thinking this may be my last,
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What reconciles me to my own death more than anything,
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What sound was that?,
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What thou lovest well remains,
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What would the dead want from us,
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When the Regime commanded that books with harmful knowledge,
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When to the sessions of sweet silent thought,
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Where in the world is Helen gone,
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Where the mind is
without fear and the head is held high,
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Whoever discovers who I am will discover who you are,
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Who is the happy Warrior? Who is he,
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Woman much missed, how you call to me, call to me,
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Yes. I remember Adlestrop – ,
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Yo sé que los domingos, casi al mediodía,
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Your bed’s got two wrong sides. You life’s all grouse,
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Note: The texts of those poems first written in languages other than English are included only at the specific request of the contributor or where the original text is
directly referenced within the relevant introduction.
The editors gratefully acknowledge permission to reprint copyright material in this collection as follows below.
Francisco de Quevedo, ‘Amor Constante más allá de la muerte’ English translation, ‘Love Constant Beyond Death’ by Margaret Jull Costa,
copyright © Margaret Jull Costa, 2014.
Ariel Dorfman’s introduction to ‘Amor Constante más allá de la muerte’ copyright © Ariel Dorfman, 2014.
Fukuda Chiyo-ni, ‘Hokku’, English translation by Boris Akunin, copyright © Boris Akunin, 2014.
Johann Wolfgang
von Goethe, translation of ‘Wandrers Nachtlied II’ copyright © Hyde Flippo, 2013.
Extract from
The Great War for Civilisation: The Conquest of the Middle East
by Robert Fisk, copyright © 2005, Robert Fisk. Reprinted by permission of HarperCollins
Publishers Ltd.
Henrik Ibsen, excerpt from
Peer Gynt: A Dramatic Poem
, translated by Christopher Fry. Copyright © 1970 by Christopher Fry and
Johan Fillinger. Reprinted by permission
of Oxford University Press.
A. E. Housman, ‘The Remorseful Day’ (‘How clear, how lovely bright’), ‘Last Poems: XL’, from
The Collected Poems of A. E. Housman
.
Copyright 1939, 1940 by Holt, Rinehart and Winston, Inc. Copyright © 1967 by Robert E. Symons. Reprinted by permission of Henry Holt and Company, LLC.
Antonio Machado, ‘Llamo a mi corazon,
un claro dia/ The wind, one brilliant day, called’, from
Times Alone: Selected Poems Of Antonio Machado
, translation
copyright © 1983 by Robert Bly. Reprinted by permission of Wesleyan University Press.
Rainer Maria Rilke, ‘Orpheus. Eurydice. Hermes.’ translation copyright © 1982 by Stephen Mitchell, from
The Selected Poetry Of Rainer Maria Rilke
,
translated by Stephen Mitchell. Used by
permission of Random House, an imprint of the Random House Publishing Group, a division of Random House LLC. All rights reserved.
C. P. Cavafy, ‘Ithaka’ copyright © C. P. Cavafy. English translation copyright © Edmund Keeley and Philip Sherrard. Reproduced by permission of the authors
c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN.
Extract from
Unacknowledged Legislation:
Writers in the Public Sphere
by Christopher Hitchens, reprinted by permission of Carol Blue Hitchens. Copyright © Christopher
Hitchens, 2000.
Siegfried Sassoon, ‘Everyone Sang’ copyright © Siegfried Sassoon, reprinted by permission of the Estate of George Sassoon.
Gabriela Mistral, ‘God Wills It’, from
The Selected Poems of Gabriela Mistral
, translated by Ursula K. Le Guin. Copyright
© University of New Mexico Press,
2003.
Robert Graves, ‘The Cool Web’, from
Poems 1914–1926
(London: William Heinemann, 1927). Later in
Complete Poems in One Volume,
edited by
Beryl Grave and Dustan Ward (Manchester: Carcanet, 2000), reprinted by permission of Carcanet Press Ltd and United Agents on behalf of the Trustees of the Robert Graves Copyright
Trust.