Phoenix Noir (23 page)

“Where are you?” The number and area code hadn’t come up on Monk’s screen.

“Sure, let me give you this address. I’m staying with a friend.”

The house was a neat little Craftsman not unlike those Monk was familiar with in the older parts of L.A. It was east of downtown in a mostly Latino section judging from the
Llantas
Goodyear and mini-mercado signs.

“Come on in,” a pleasant voice said on the other side of a screen door.

“Thanks,” Monk said, stepping into a freshly painted room with little furniture and no TV. The hardwood floors looked like they’d been recently refinished. The walls were bare.

“She’s getting some work done,” Burris Parchman remarked. The musician was a thin, medium-complexioned black man in his mid-sixties with a trim mustache and receding hairline. He wore wrinkled khakis, a short-sleeved shirt, and raggedy tennis shoes. “As you can see,” he continued, pointing at the open windows, “the air-conditioning hasn’t been put back in. But I have some iced tea. I was just about to have a glass. You?”

“Sure, that’d be great,” Monk said.

“Cop a squat,” Parchman said as he stepped into the kitchen. He soon returned with two glasses and put one before Monk on a side table. The coaster was already in place and was from the Raven’s Mill.

“So tell me about this project.”

Monk sipped his drink and began to speak, half rising from his chair to hand over the paperwork. His head suddenly felt light and he sat back down quickly, his mouth dry despite the liquid. Coltrane’s sax was moaning “Naima,” but he knew there was no music on. He drained his drink, his throat closing up. He stared at the residue in the bottom of the glass. Were those scales?

“Say,” Monk began, dropping the glass, his fingers telling him to do so. “Why would Minnie and Nazeen Love … Lo-venobody.” He giggled but it sounded like one of those demon clowns in a low-budget horror movie. “Why would they lie to me about where to find you?” Why was it so hard to get a sentence out?

“This is the West, Mr. Monk. We protect our legends around here.” Parchman seemed to be talking to him underwater. It was as if Monk were floating up to the moon and watching the earth recede beneath him. He stood but his shoes had ballooned way out of proportion like in a cartoon. He fell over and was quite content to lie there on his side, his ear to the floor listening for the
woo woo
of the Underground Railroad. He smacked his lips, tasting purple while he counted the infinite swirls and whirls within the wood floor. His heart beat rapidly and sweat doused his face and shirt front.

“How long will he be like that?”

“I don’t know but we need to get him out of here. Then wipe the house down for his prints and put the
For Sale
sign back up.”

Monk rolled over and glared hazily at the green Martians with their elongated heads discussing his fate. Through a window he could see a giant ant from
Them
looking at him too. He decided this was a party. Especially since Lee Dorsey was singing, “
Everything I do gohn be funky from now on
.” He sang along, trying to snap his fingers.

Hands lifted him off the undulating floor. The Martian with the fancy silver bracelet was talking again. “Check outside and we’ll put him in his car. Get his wallet.”

“We driving him away from here?”

“That’s too risky. It’s better to get him behind the wheel,” the silver bracelet said. Clearly, Monk cogitated, this one was the H.N.I.C., ah, the H.M.I.C. He giggled again. Kurt Vonnegut, the size of a fly with insect wings, landed on his arm. He said in a tiny voice, “Three to get ready and two to go, bro.” Kurt the Fly-Man flitted away. Monk was sad to see him go.

“He could hurt somebody,” one of them said.

“We’re in this too far now. We can’t have him hurt
her
,” one of the Martians said.

In a blue haze, they walked him to his car. Or was it a stagecoach? He squinted at the giant ants hitched and ready.

“Giddy-up!” he yelled. He went all rubber and, jerking his arms free, flopped to the ground. Time for a sit-down on these mufus, he reasoned. He had to catch his rocket to the moon. His honey would be waiting for him. “I got to call Jill,” he added, rolling around on the ground like a temperamental child.

“Get his ass up before somebody sees us.”

He was snatched upright and hauled to his car. Keys were plucked out of his pocket and he grabbed at them.

“Cut it out,” a nearsighted Martian said, hitting him in the face.

“We can’t leave marks or it won’t look right,” the H.M.I.C. warned.

“Good advice,” Monk said, trying to get out of the diving bell but forgetting how his legs worked. A jackrabbit with the head of a strawberry hopped onto the hood and quoted Wole Soyinka.

“
The human factor, alas, is a ponderous and imponderable factor of history
.”

“You got that right,” Monk mumbled. Transfixed by the literate rabbit, he became gradually aware that he was in motion. He had a hold of the steering wheel. The radio speaker fuzzed and Henry Ford spoke. No, Monk listened closer and realized it was Ann Sothern as
My Mother the Car.
She was trying to tell him something about pedestrians and traffic lights, but the horizon flipped over and everything came to a thundering halt.

Propelled forward, Monk cracked his head open on the windshield. Blood dripped into his eyes and he blinked them clear as he stumbled from the wrecked vehicle. The car had jumped the curb, plowed over a mailbox, and finally came to a stop when it smashed halfway through the side of a building. Martians and creatures with tentacles for arms lunged at him and he ran, so happy he remembered how to make his legs work. He knew what they really were beneath their disguises.

Canadians. Canadians terrified him. Sneaky infiltrating bastards. On he ran through the jungle and into the desert, his heart thudding in his ears, drowning out the sirens and the yelling and the cursing. He ran and ran and stared crying. Suddenly, he stumbled across an arid landscape where the snouts of crocodiles stuck out of the sand like cacti, their fearsome crooked teeth snapping expectantly.

Monk stepped tippy-toe around them and came upon the squatting marble statue of the Great Aztec Toad. Only it wasn’t a statue but the living toad god Tlaltecuhtli. The Earth Mother toad opened her maw, and after hesitating for a moment, the Canadians getting closer with their monkey sirens, he dove into the black. He swam and crawled through the murk, panicked that he’d never find his way out. It was then, at his lowest, that he saw his dead father, Sergeant Monk, Mechanic Monk, Husband Monk, stepping out of a door from nowhere.

Monk’s dad held out his big calloused hand. “Come on, Ivan, you can do it. Come on, son. Just a little further and you’ll be safe.”

“Wait for me, Pop.” Crying and bleeding, he ran and leapt through the doorway.

Dr. Justine Mumford’s private room at the Northcross Manor rest home smelled faintly of gardenias and hyacinths, her favorites. The flowers commanded the room in various baskets and vases, and her attendant had already filled three paper shopping bags with
Get Well
cards. There was to be no recovery for the civil rights icon, but just as she had confronted adversity, threats, and violence in her life, she faced death with bravery and aplomb.

“It’s going to be fine,” Mrs. Mumford said, her voice barely audible above the humming of the respirator.

Nazeen Loveless cried softly, holding onto the old woman’s hand. Age and illness had diminished the elderly woman’s physical shell but her voice yet reflected her power of conviction.

“It’s been three days and the cops are still looking for him,” Charles Estes whispered. He stood further back from the bed, where Loveless and Minnie Thaxton hovered. He switched off the radio he’d tuned to local news.

“Soon it won’t matter,” Thaxton said.

“What won’t matter?”

The three turned and stared mutely at Monk, who stood in the doorway. He had crashed his Galaxy 500 into some boarded-up storefronts, just down the block from the long-defunct Express Tracks recording studio. The police had been called but he’d run away howling before they arrived. He’d spent several hours hidden in a Port-a-Potty at a strip-mall construction site. At some point he pissed himself as the hallucinogen in his system wore off. Assuming the cops were looking for him, he’d waited until nightfall to sneak away. Monk had collect-called L.A. and asked Jill Kodama to wire him money for toiletries and a room at a hot-sheet motel, since it wouldn’t be safe to return to the Ramada Inn.

Estes started forward and Monk said calmly, “I’m not high now, Charles. You want to jump bad, I’ll be swinging back this time.” Estes paused. “We don’t want to disturb Mrs. Mumford, but you three need to do some ’fessin’.” There was complete silence other than the old woman’s breathing. “I do have a guess.” He pointed at her. “She killed her son, didn’t she? And you got Parchman to take the fall.”

The other three gaped.

“As I came down from my trip,” Monk continued sardonically, “a lot of clarity percolated up. I became fixated on comments from you two,” he indicated Thaxton and Loveless, “about when Mrs. Mumford had entered the studio that day.”

Loveless blurted, “We were exact.”

Monk replied, “That’s the point. Given the excitement of the moment, witnesses routinely don’t recall events in the same sequence. If it’s too tight, too rote, something’s up. And in both your accounts, to me and to the newspapers, you used identical phrasing.”

Loveless and Thaxton looked at each other.

Monk rubbed his lower jaw. “By the way, was that a Colorado River Frog at the gym? Used the toad skin as a chaser in the Timothy Leary cocktail you slipped me?” Not only had he reread the news accounts, but he’d also studied up on toads, frogs, and bufotenine, a hallucinogen the croakers and some plants produced, at the library. Monk found that if you were quiet, off in a corner doing your own thing, the library made for a nice hideout.

He came further into the room. “You must have also used some substance to get your witch’s brew into my bloodstream quicker. Now, you could have given me a heart attack or psychotic breakdown … But I ain’t mad at you,” he added sar-castically, suppressing his anger. “I suppose you brainiacs discussed my outright kidnapping first, huh? Anything to get me out of the way long enough for the lady here to pass on and any questions I raised to be discounted.”

Loveless deflated.

Mrs. Mumford moved and said, “Help me sit up.”

“Justine …” Minnie Thaxton started.

“No, no, please.” She held out a hand and Thaxton used the control to raise the top portion of the bed. “Come over here, young man.”

“Yes, ma’am.” He stood by the side of her bed, hands clasped before him.

“I did it,” Justine Mumford said, looking beyond the walls, then back at Monk. “I came down to the studio to talk with Hayzell that day. The drugs, the sex, those things of course disappointed me. But I knew at the bicentennial celebration, where his father and I were to be honored, he was going to sing that song.”

Monk frowned. “‘Blazin’ on Broadway?’”

She closed her eyes. “Yes, the damned hit of his. Part of the lyrics talk about a certain woman the singer meets and falls for. He was referring to a real woman. Someone his father knew …”

“Someone he had an affair with?” Monk hedged.

“It had happened in the early ’60s,” Minnie Thaxton said hoarsely. “She was a member of the church and a young widow. Her son and Hayzell went to Sunday school together, and the son had spied the reverend tippin’ in one night.”

Loveless glared at her for being so coarse in front of the dying widow.

“I forgave him,” Justine Mumford said, “but Hayzell never did. As he grew up and they grew more apart about everything from baseball teams to the Vietnam War, he wrote that section of the song to get back at the man he considered to be a hypocrite.”

“Justine hushed the affair up around the church,” Loveless said. “The woman and boy left town.”

“But the band knew, cause Hayzell made a point of telling us,” Thaxton added. “It was a big joke to him.”

“So it was you two arguing in the backroom of the studio?” Monk asked the old woman.

She gave a brief nod. “The church was the landlord of that property. Gospel used to be recorded there. Imagine. I had a key and came in the back way to try and talk to him away from the others. As we argued, Burris heard us and rushed in, trying to get him to calm down. Hayzell was medicated, as was usual then, and pulled his gun on Burris. They fought and the gun dropped to the ground.

“I picked that pistol up,” the old woman proclaimed. “I suppose I thought to scare him.” Her eyes got wet. “But he taunted me, belittled his father and spat on all that we’d worked so hard for. He said he was going to enjoy singing that song to all those who’d be there for his father, and he threatened to tell everyone how he came to write it … How could my own son be so hateful?” Thaxton handed her tissue paper. She sighed and said, “Yes, I killed him, murdered the flesh of my flesh. I committed the greatest sin there is.” She turned her head away to the wall.