Pere Goriot (34 page)

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Authors: Honoré de Balzac

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“You are not in the politest of humors to-day,” he remarked to the chief, and he held out his hands to the policemen with a jerk of his head.
“Gentlemen,” he said, “put on the bracelets or the handcuffs. I call on those present to witness that I make no resistance.”
A murmur of admiration ran through the room at the sudden outpouring like fire and lava flood from this human volcano, and its equally sudden cessation.
“There's a sell for you, master crusher,” the convict added, looking at the famous director of police.
“Come, strip!” said he of the Petite Rue Saint-Anne, contemptuously.
“Why?” asked Collin. “There are ladies present; I deny nothing, and surrender.”
He paused, and looked round the room like an orator who is about to overwhelm his audience.
“Take this down, Daddy Lachapelle,” he went on, addressing a little, white-haired old man who had seated himself at the end of the table; and after drawing a printed form from a portfolio, was proceeding to draw up a document. “I acknowledge myself to be Jacques Collin, otherwise known as Trompe-laMort, condemned to twenty years' penal servitude, and I have just proved that I have come fairly by my nickname.—If I had as much as raised my hand,” he went on, addressing the other lodgers, “those three sneaking wretches yonder would have drawn claret on Mamma Vauquer's domestic hearth. The rogues have laid their heads together to set a trap for me.”
Mme. Vauquer felt sick and faint at these words.
“Good Lord!” she cried, “this does give one a turn; and me at the Gaîté with him, only last night!” she said to Sylvie.
“Summon your philosophy, mamma,” Collin resumed. “Is it a misfortune to have sat in my box at the Gaîté yesterday evening? After all, are you better than we are? The brand upon our shoulders is less shameful than the brand set on your hearts, you flabby members of a society rotten to the core. Not the best man among you could stand up to me.” His eyes rested upon Rastignac, to whom he spoke with a pleasant smile that seemed strangely at variance with the savage expression in his eyes.—“Our little bargain still holds good, dear boy; you can accept any time you like! Do you understand?” And he sang:
“A charming girl is my Fanchette
In her simplicity. ”
“Don't you trouble yourself,” he went on; “I can get in my money. They are too much afraid of me to swindle me.”
The convicts' prison, its language and customs, its sudden sharp transitions from the humorous to the horrible, its appalling grandeur, its triviality and its dark depths, were all revealed in turn by the speaker's discourse; he seemed to be no longer a man, but the type and mouthpiece of a degenerate race, a brutal, supple, clear-headed race of savages. In one moment Collin became the poet of an inferno, wherein all thoughts and passions that move human nature (save repentance) find a place. He looked about him like a fallen archangel who is for war to the end. Rastignac lowered his eyes, and acknowledged this kinship claimed by crime as an expiation of his own evil thoughts.
“Who betrayed me?” said Collin, and his terrible eyes traveled round the room. Suddenly they rested on Mlle. Michonneau.
“It was you, old cat!” he said. “That sham stroke of apoplexy was your doing, lynx eyes! ... Two words from me, and your throat would be cut in less than a week, but I forgive you, I am a Christian. You did not sell me either. But who did?——Aha! you may rummage upstairs,” he shouted, hearing the police officers opening his cupboards and taking possession of his effects. “The nest is empty, the birds flew away yesterday, and you will be none the wiser. My ledgers are here,” he said, tapping his forehead. “Now I know who sold me! It could only be that blackguard Fil-de-Soie.
ce
That is who it was, old catchpoll, eh?” he said, turning to the chief. “It was timed so neatly to get the banknotes up above there. There is nothing left for you—spies ! As for Fil-de-Soie, he will be under the daisies in less than a fortnight, even if you were to tell off the whole force to protect him. How much did you give the Michonnette?” he asked of the police officers. “A thousand crowns? Oh you Ninon in decay, Pompadour in tatters,
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Venus of the grave-yard, I was worth more than that! If you had given me warning, you should have had six thousand francs. Ah! you had no suspicion of that, old trafficker in flesh and blood, or I should have had the preference. Yes, I would have given six thousand francs to save myself an inconvenient journey and some loss of money,” he said, as they fastened the handcuffs on his wrists. “These folks will amuse themselves by dragging out this business till the end of time to keep me idle. If they were to send me straight to jail, I should soon be back at my old tricks in spite of the duffers at the Quasi des Orfèvres.
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Down yonder they will all turn themselves inside out to help their general—their good Trompe-la-Mort—to get clear away. Is there a single one among you that can say, as I can, that he has ten thousand brothers ready to do anything for him?” he asked proudly. “There is some good there,” he said, tapping his heart; “I have never betrayed any one!—Look you here, you slut,” he said to the old maid, “they are all afraid of me, do you see? but the sight of you turns them sick. Rake in your gains.”
He was silent for a moment, and looked round at the lodgers' faces.
“What dolts you are, all of you! Have you never seen a convict before? A convict of Collin's stamp, whom you see before you, is a man less weak-kneed than others; he lifts up his voice against the colossal fraud of the Social Contract, as Jean Jacques did,
ch
whose pupil he is proud to declare himself. In short, I stand here single-handed against a Government and a whole subsidized machinery of tribunals and police, and I am a match for them all.”
“Ye gods!” cried the painter, “what a magnificent sketch one might make of him!”
“Look here, you gentleman-in-waiting to his highness the gibbet, master of ceremonies to the widow” (a nickname full of sombre poetry, given by prisoners to the guillotine), “be a good fellow, and tell me if it really was Fil-de-Soie who sold me. I don't want him to suffer for some one else, that would not be fair.”
But before the chief had time to answer, the rest of the party returned from making their investigations upstairs. Everything had been opened and inventoried. A few words passed between them and the chief, and the official preliminaries were complete.
“Gentlemen,” said Collin, addressing the lodgers, “they will take me away directly. You have all made my stay among you very agreeable, and I shall look back upon it with gratitude. Receive my adieux, and permit me to send you figs from Provence.”
8
He advanced a step or two, and then turned to look once more at Rastignac.
“Good-bye, Eugène,” he said, in a sad and gentle tone, a strange transition from his previous rough and stern manner. “If you should be hard up, I have left you a devoted friend,” and, in spite of his shackles, he managed to assume a posture of defence, called “One, two!” like a fencing-master, and lunged. “If anything goes wrong, apply in that quarter. Man and money, all at your service.”
The strange speaker's manner was sufficiently burlesque, so that no one but Rastignac knew that there was a serious meaning underlying the pantomime.
As soon as the police, soldiers, and detectives had left the house, Sylvie, who was rubbing her mistress' temples with vinegar, looked round at the bewildered lodgers.
“Well,” said she, “he was a man, he was, for all that.”
Her words broke the spell. Every one had been too much excited, too much moved by very various feelings to speak. But now the lodgers began to look at each other, and then all eyes were turned at once on Mlle. Michonneau, a thin, shriveled, dead-alive, mummy-like figure, crouching by the stove; her eyes were downcast, as if she feared that the green eye-shade could not shut out the expression of those faces from her. This figure and the feeling of repulsion she had so long excited were explained all at once. A smothered murmur filled the room; it was so unanimous, that it seemed as if the same feeling of loathing had pitched all the voices in one key. Mlle. Michonneau heard it, and did not stir. It was Bianchon who was the first to move; he bent over his neighbor, and said in a low voice, “If that creature is going to stop here, and have dinner with us, I shall clear out.”
In the twinkling of an eye it was clear that every one in the room, save Poiret, was of the medical student's opinion, so that the latter, strong in the support of the majority, went up to that elderly person.
“You are more intimate with Mlle. Michonneau than the rest of us,” he said; “speak to her, make her understand that she must go, and go at once.”
“At once!” echoed Poiret in amazement.
Then he went across to the crouching figure, and spoke a few words in her ear.
“I have paid beforehand for the quarter; I have as much right to be here as any one else,” she said, with a viperous look at the boarders.
“Never mind that! we will club together and pay you the money back,” said Rastignac.
“Monsieur is taking Collin's part” she said, with a questioning, malignant glance at the law student; “it is not difficult to guess why.”
Eugene started forward at the words, as if he meant to spring upon her and wring her neck. That glance, and the depths of treachery that it revealed, had been a hideous enlightenment.
“Let her alone!” cried the boarders.
Rastignac folded his arms and was silent.
“Let us have no more of Mlle. Judas,” said the painter, turning to Mme. Vauquer. “If you don't show the Michonneau the door, madame, we shall all leave your shop, and wherever we go we shall say that there are only convicts and spies left there. If you do the other thing, we will hold our tongues about the business; for when all is said and done, it might happen in the best society until they brand them on the forehead, when they send them to the hulks. They ought not to let convicts go about Paris disguised like decent citizens, so as to carry on their antics like a set of rascally humbugs, which they are.”
At this Mme. Vauquer recovered miraculously. She sat up and folded her arms; her eyes were wide open now, and there was no sign of tears in them.
“Why, do you really mean to be the ruin of my establishment, my dear sir? There is M. Vautrin——Goodness,” she cried, interrupting herself, “I can't help calling him by the name he passed himself off by for an honest man! There is one room to let already, and you want me to turn out two more lodgers in the middle of the season, when no one is moving——”
“Gentlemen, let us take our hats and go and dine at Flicoteaux's
ci
in the Place Sorbonne,” cried Bianchon.
Mme. Vauquer glanced round, and saw in a moment on which side her interest lay. She waddled across to Mlle. Michonneau.
“Come, now,” she said; “you would not be the ruin of my establishment, would you, eh? There's a dear, kind soul. You see what a pass these gentlemen have brought me to; just go up to your room for this evening.”
“Never a bit of it!” cried the boarders. “She must go, and go this minute!”
“But the poor lady has had no dinner,” said Poiret, with piteous entreaty.
“She can go and dine where she likes,” shouted several voices.
“Turn her out, the spy!”
“Turn them both out! Spies!”
“Gentlemen,” cried Poiret, his heart swelling with the courage that love gives to the ovine male, “respect the weaker sex.”
“Spies are of no sex!” said the painter.
“A precious sexorama!”
“Turn her into the streetorama!”
“Gentlemen, this is not manners! If you turn people out of the house, it ought not to be done so unceremoniously and with no notice at all. We have paid our money, and we are not going,” said Poiret, putting on his cap, and taking a chair beside Mlle. Michonneau, with whom Mme. Vauquer was remonstrating.
“Naughty boy!” said the painter, with a comical look; “run away, naughty little boy!”
“Look here,” said Bianchon; “if you do not go, all the rest of us will,” and the boarders, to a man, made for the sitting-room-door.
“Oh! mademoiselle, what is to be done?” cried Mme. Vauquer. “I am a ruined woman. You can't stay here; they will go further, do something violent.”
Mlle. Michonneau rose to her feet.
“She is going!—She is not going!—She is going!—No, she isn't.”
These alternate exclamations, and a suggestion of hostile intentions, borne out by the behavior of the insurgents, compelled Mlle. Michonneau to take her departure. She made some stipulations, speaking in a low voice in her hostess' ear, and then—“I shall go to Mme. Buneaud's,” she said, with a threatening look.
“Go where you please, mademoiselle,” said Mme. Vauquer, who regarded this choice of an opposition establishment as an atrocious insult. “Go and lodge with the Buneaud; the wine would give a cat the colic, and the food is cheap and nasty.”
The boarders stood aside in two rows to let her pass; not a word was spoken. Poiret looked so wistfully after Mlle. Michonneau, and so artlessly revealed that he was in two minds whether to go or stay, that the boarders, in their joy at being quit of Mlle. Michonneau, burst out laughing at the sight of him.
“Hist!—st!—st! Poiret,” shouted the painter. “Hallo! I say, Poiret, hallo!” The employé from the Museum began to sing:
“Partant pour la Syrie,
Le jeune et beau Dunois
...

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