Peace and War - Omnibus (91 page)

What Marty had done was set things up so that at the push of a button all five guard mechanics in the basement of Building 31 would be switched off from their soldierboys, and simultaneously, control of the machines would be switched over to five members of Julian's platoon, with Julian being the only person in Building 31 in a position to notice.

The most aggressive thing they did, immediately after taking over, was to pass on an 'order' from Captain Perry, the guard commander, to the five shoe guards, that they had to report immediately to room 2H for an emergency inoculation. They went in and sat down and a pretty nurse gave them each a shot. Then she stood quietly behind them and they all fell asleep.

The rooms 1H through 6H were the hospital wing, and it was going to be busy.

At first, Marty and Megan Orr could be doing all the jack installations. The only bedridden patient in H wing, a lieutenant with bronchitis, was transferred to the base hospital when the order came down from the Pentagon to isolate Building 31. The doctor who normally came around every morning couldn't have access.

Two new doctors came in, though, the afternoon after the morning coup. They were Tanya Sidgwick and Charles Dyer, the jack team from Panama who had a ninety-eight percent success rate. They were mystified over their orders to come to Portobello, but sort of looked forward to the vacation – they'd been installing jacks in POWs at the rate of ten or twelve a day, too fast for comfort or safety.

The first thing they did after settling into their quarters was to go down to the H wing and see what was happening. Marty got them comfortable on a pair of beds and said they had to jack with a patient. Then he plugged them into the Twenty, and they instantly realized just what kind of a vacation they were in for.

But after a few minutes of deep communication with the Twenty, they were converts – in fact, they were a lot more sanguine about the plan than most of the original planners were. That simplified the timing, because it wasn't necessary to humanize Sidgwick and Dyer before putting them on the team.

They had sixty-four officers to deal with, and only twenty-eight of them were already jacked; only two of the eight generals. Twenty of the fifty NCOs and privates were jacked.

The first order of business was to get the ones who were already jacked into bed and plugged in with the Twenty. They lugged fifteen beds into the H wing from the Bachelor Officer Quarters. That gave forty spaces in H; for the other nine, they could install jack interfaces in their rooms.

But the first order of business for Marty and Megan Orr was to restore Julian's lost memories. Or try.

There was nothing complicated about it. Once Julian was under, the procedure was totally automated and only took forty-five minutes. It was also totally safe, in terms of the patient's physical and mental health. Julian knew that.

What he didn't know was that it only worked about three quarters of the time. About one in four patients lost something.

Julian lost a world.

I
felt refreshed and elated when I woke up. I could remember the mind-numbed state I'd been in for the past four days, and could also remember all the detail that had been taken away from me – odd to feel happiness at being able to remember a suicide attempt and the imminent danger of the world coming to an end – but in my case it was a matter of providing actual
reasons
for the sense of unease that had pervaded my world.

I was sitting on the edge of the bed, looking at a silly Norman Rockwell print of soldiers reporting for duty, remembering furiously, when Marty walked in looking grim.

'Something's wrong,' I said.

He nodded. From a black box on the bed table he unreeled two jack cables and handed one to me, wordlessly.

We plugged in and I opened up, and there was nothing. I checked the jack connection and it was secure. 'Are you getting anything?'

'No. I didn't in post-op either.' He fed his cable back in, and then mine.

'What is it?'

'Sometimes people permanently lose the memories we removed–'

'But I've got it all back! I'm certain!'

'–and sometimes they lose the ability to jack.'

I felt cold sweat prickling on my palms and forehead and under my arms. 'It's temporary?'

'No. No more than it is with Blaze. It's what happened to General Roser.'

'You knew.' The sick feeling of loss was turning into rage. I stood up and towered over him.

'I told you you might lose … something.'

'But you meant
memory
. I was willing to give up
memory
!'

'That's an advantage to jacking one-way, Julian. Two-way, you can't lie by omission. If you had asked me, "Could I lose the power to jack?" I would have told you. Fortunately, you didn't ask.'

'You're an MD, Marty. How does the first part of that oath go?'

'"Do no harm." But I was a lot of things before I got that piece of paper. A lot of things afterward.'

'Maybe you better get out of here before you start explaining.'

He stood his ground. 'You're a soldier in a war. Now you're a casualty. But the part of you that died –
only
a part – died to shield your unit, to get it safely into position.'

Rather than hit him, I sat back down on the bed, out of range. 'You sound like a goddamned warboy. A warboy for peace.'

'Maybe so. You must know how badly I feel about this. I knew I was betraying your trust.'

'Yeah, well, I feel pretty bad about it, too. Why don't you just leave?'

'I'd rather stay and talk to you.'

'I think I have it figured out. Go on. You have dozens of people to operate on. Before the world has the slightest chance of being saved.'

'You do still believe that.'

'I haven't had time to think about it, but yes, if the stuff you put back in my mind about the Jupiter Project is true, and if the Hammer of God is real, then something has to be done. You're doing something.'

'You're all right about it?'

'That's like being "all right" about losing an arm. I'm fine. I'll learn to shave with the other hand.'

'I don't want to leave you like this.'

'Like
what
? Just get out of my sight. I can think about it without your help.'

He looked at his watch. 'They
are
waiting for me. I have Colonel Owens on the table.'

I waved him away. 'So go do it. I'll be all right.'

He looked at me for a moment and then got up and left without a word.

I fished around in my breast pocket. The pill was still there.

B
ack in Guadalajara that morning, Jefferson had warned Blaze to stay out of sight. That was no problem; she was holed up with Ellie Morgan several blocks away, working on the various versions of the paper that would warn the world about the Jupiter Project.

Then Jefferson and Cameron sat for a few hours in the cantina, a small camera on the table between them, watching the elevator doors.

They almost missed her. When she came back down, her silky blond hair was tucked under a wig of black ringlets. She was dressed conservatively and had toned her visible skin to a typical Mexican olive hue. But she hadn't disguised her perfect figure or the way she walked.

Jefferson froze in mid-conversation and surreptitiously slid the camera around with his forefinger.

They had both idly watched her exit the elevator. 'What?' Cameron whispered.

'That's her. Made up like a Mexican.'

Cameron craned around in time to see her glide through the revolving door. 'Good God, you're right.'

Jefferson took the camera upstairs and called Ray, who, along with Mendez, was coordinating things in Marty's absence.

Ray was at the Clinic. He downloaded the pictures of her and studied them. No problem. We'll keep an eye out for her.'

Less than a minute later, she walked into the Clinic. The metal detectors didn't catch either of her weapons.

But she didn't pull out a picture of Amelia and ask whether anyone had seen her; Gavrila knew that Amelia had been in this building, and assumed it was enemy territory.

She told the receptionist she wanted to talk about a jack installation, but she refused to talk to anyone but the top man.

'Dr Spencer's in surgery,' she said. 'It will be at least two hours, maybe three. There are plenty of other people–'

'I'll wait.' Gavrila sat down on a couch with a clear view of the entrance.

In another room, Dr Spencer joined Ray looking at a monitor watching the woman watching the entrance.

'They say she's dangerous,' Ray said: 'some sort of spy or assassin. She's looking for Blaze.'

'I don't want any trouble with your government.'

'Did I say she was government? If she was official, wouldn't she produce credentials?'

'Not if she was an assassin.'

'The government doesn't
have
assassins!'

'Oh, really. Do you also believe in your Santa Claus?'

'I mean, no, not for
us
. There's a crackpot religious group that's after Marty and his people. She's either one of them or she was hired by them.' He explained about her suspicious activity at the hotel.

Spencer stared at her image. 'I believe you are correct. I have studied thousands of faces. Hers is Scandinavian, not Mexican. She probably has dyed her blond hair – or no, she's wearing a wig. But what do you expect me to do about her?'

'I don't suppose you could just lock her up and throw away the key.'

'Please. This is not the United States.'

'Well … I want to talk to her. But she may be really dangerous.'

'She has no knife or gun. That would have registered as she walked through the door.'

Don't suppose I could borrow a guy with a gun to watch over her while we talked?'

'As I said–'

"'This is not the United States." What about that old
hombre
downstairs with the machine gun?'

'He does not work for me. He works for the garage. How dangerous could this woman be, if she has no weapon?'

'More dangerous than me. My education was sadly neglected in the mayhem category. Do you at least have a room where I could talk to her and have somebody watching, in case she decides to tear off my head and beat me to death with it?'

'That's not difficult. Take her to room 1.' He aimed a remote and clicked. The screen showed an interview room. 'It's a special room for
seguridad
. Take her in there and I will watch. For ten or fifteen minutes; then I will ask someone else to watch.

'These
ultimodiadores –
you call them Enders – is that what this is all about?'

'There's a relation.'

'But they are harmless. Silly people, and what, blaspheming? But harmless, except to their own souls.'

'Not these, Dr Spencer. If we could jack, you'd understand how scared I am of her.' For Spencer's protection, no one who knew the whole plan could jack with him two-way. He accepted the condition as typical American paranoia.

'I have a male nurse who is very fat … no, very large – and who knows, who grasps, a black belt in karate. He will be watching along with me.'

'No. By the time he got down the stairs, she could kill me.'

Spencer nodded and thought. 'I'll put him in the room next door, with a beeper.' He held up the remote and pushed a button. 'Like now. This will call him.'

Ray excused himself and went to the bathroom, where he was unable to do anything but catalogue his weapons: a key ring and a Swiss Army knife. Back in the observation room he met Lalo, who had arms the size of Ray's thighs. He spoke no English and moved with the nervous delicacy of a man who knows how easily things break. They walked downstairs together. Lalo slipped into room 2, and Ray went into the lobby.

'Madame?' She looked up at him, targeting. 'I'm Dr Spencer. And you?'

'Jane Smith. Can we go someplace and talk?'

He led her to room 1, which was larger than it had seemed in the camera. He motioned her to the couch and pulled over a chair. He straddled it, the chair back a protective shield between them.

'How may I help you?'

'You have a patient named Blaze Harding. Professor Blaze Harding. It is absolutely imperative that I speak to her.'

'In the first place, we don't give out the names of our clients. In the second place, our clients don't always give us their real names. Ms Smith.'

'Who are you, really?'

'What?'

'My sources said Dr Spencer was Mexican. I never met a Mexican with a Boston accent.'

'I assure you that I am–'

'No.' She reached into her waistband and pulled out a pistol apparently made of glass. 'I don't have time for this.' Her face became grim, set; totally mad. 'You are going to quietly take me from room to room until we find Professor Harding.'

Ray paused. 'And if she's not here?'

'Then we'll go to a quiet place where I will cut your fingers off, one by one, until you tell me where she is.'

Lalo eased the door open and swung in with a large black pistol coming up to aim. She gave him an annoyed look and shot him once in the eye. The glass pistol was almost completely silent.

He dropped the gun and fell to one knee, both hands over his face. He began a girlish keening but her second shot sheared off the top of his head. He toppled forward silently in a flood of blood and brain and cerebrospinal fluid.

Her tone of voice was unchanged: earnest and flat. 'You see, the only way you're going to live to see the night is to cooperate with me.'

Ray was struck dumb, staring at the corpse.

'Get up. Let's go.'

'I … I don't think she's here.'

'Then where–' She was interrupted by the rattling sound of metal shutters rolling down over the door and window.

Ray heard a faint hissing sound, and remembered Marty's story about the interrogation room at St Bart's. maybe they had the same architect.

She evidently didn't hear it – too many hours on the firing range – but she looked around and did see the television camera, like a stub of pencil pointed at them from an upper corner of the room. She jerked him around to face the camera and put the pistol to his head. 'You have three seconds to open that door, or I kill him. Two.'