Parallel Myths

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Authors: J.F. Bierlein

BOOK: Parallel Myths
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To my mother,

 

Veronica LaFleur Parrent Bierlein

 

(1931-1992),

 

and

 

Robert G. Hirschfeld

 
Contents
 

ACKNOWLEDGMENTS

PREFACE

PART ONE: AN INVITATION TO MYTH

1. An Introduction

What Is Myth?

Language and Myth

Time and Myth

History and Myth

The Civic Myth

Morality and Myth

The Sense of the Sacred

2. The Cast of Characters

The Greek and Roman Pantheon

The Norse Pantheon

The Gods of India

The Egyptian Pantheon

The Hawaiian Pantheon

The Aztec Pantheon

PART TWO: THE MYTHS

3. Beginnings—The Creation Myths

Creation Myths of India

The Creation Myth of Iran

The Norse Creation Myth

Greek Creation Myths

Creation Myths of Africa

Creation Myths of Egypt

The Creation Myth of Finland

The Chinese Creation Myth

The Creation Myth of Japan

The Polynesian Creation Myths

Creation Myths of the Americas

The Babylonian Creation Myth

The Biblical Creation Stories

The Talmudic Creation Story

“The Creation” by James Weldon Johnson

Some Notes on the Creation Myths

4. The Earliest Times

The Biblical Fall

The Talmudic Fall

The Story of Poia (Blackfoot Indian)

The Four Ages of Man (India)

The Five Ages of Man (Greece)

The Five Suns (Aztec)

The Five Worlds (Navajo)

North American Indian Myths of Emergence

Three Stories of Maui the Trickster (Polynesia)

Prometheus and Epimetheus (Greece)

The Origin of Medicine (Cherokee)

Murilé and the Moonchief (Kenya)

The Human Race Is Saved (Iroquois)

5. The Flood Myths

The Story of Noah

Manu and the Fish (India)

Utnapishtim (Babylonia)

The Flood Myth of Hawaii

Tata and Nena (Aztec)

Deucalion (Greece)

North American Flood Myths

The Flood Myth of the Incas

The Flood Myth of Egypt

6. Tales of Love

Greek and Roman Love Myths

Two Peruvian Love Stories

Angus Og (Scotland and Ireland)

Algon and the Sky-Girl (Algonquin Indian)

7. Morality Tales from the Myths

Morality Tales from the Mahabharata (India)

Anansi the Spider (West Africa)

Greek Morality Tales

8. Four Parallel Stories

The Story of Two Brothers (Blackfoot Indian)

The Story of Two Brothers (Egypt)

Bellerophon (Greece)

Joseph and Potiphars Wife (Genesis 39)

9. Some Brief Myths of the Hero

The Story of Siegfried (Norse/Germany)

Theseus (Greece)

Hiawatha Tarenyawagon (Iroquou)

The Myth of Sisyphus (Greece)

10. The Journey to the Underworld and the Path of Death

Ishtar in the Underworld (Babylonia)

Marwe in the Underworld (Kenya)

Savitri (India)

Pare and Hutu (New Zealand)

Sayadio in the Land of the Dead (Iroquois)

The Spirit Bride (Algonquin)

Osiris and Isis (Egypt)

Blue Jay in the Land of the Dead (Chinook)

The Greek and Roman Afterlife

Peruvian Death Myths

Socrates on the Greco-Roman Afterlife

Persian (Zoroastrian) Death Myths

Nachiketas (India)

Jewish Death Myth

Tibetan Death Myths

Baldur (Norse)

The Death of Moses (The Talmud)

11. The End—Visions of the Apocalypse

How Rudra Destroys the Universe (India)

The Persian Apocalyptic Myth

The Islamic Apocalyptic Myth

Maitreya (Tibet, Korea, Mongolia)

Ragnarok: The Twilight of the Gods (Norse)

North American Apocalyptic Myths

The Old Testament

The New Testament

PART THREE: THE MODERN READINGS OF MYTH

12. Views of Myth and Meaning

13. Parallel Myths and Ways of Interpreting Them

The Discovery of Parallel Myths

Myth as a History of Prehistory: The Matriarchal Theory

Transitional Thinking in the Interpretation of Myth

Psychological Theories of Parallelism in Myth

A Modern Nonpsychological Approach: Structuralism

Philosophical Perspectives on Myth

The “History of Religions” School of Myth

14.
Myth—Yours, Mine, and Ours

Modern Questions of Faith

The Demythologization of Judeo-Christian Culture

The Legitimacy of the Supernatural

NOTES

BIBLIOGRAPHY

Acknowledgments
 

My sincere thanks to:

My parents, John and Veronica Bierlein, for endless hours of dedicated editing, reading, moral support, and friendship above and beyond the call of parental duty;

My mother in her own right, as she died during the production of this book, for her gift to me of the love of reading and the life of the mind;

Robert G. Hirschfeld, for his consistent friendship and encouragement;

My wife, Heather C. Diehl;

Iris Bass and Lesley Malin Helm, my editors at Ballantine Books, for their assistance, advice, and consistently good humor;

My sister, Cheryl Bierlein Fowler;

Renee, for her encouragement and assistance;

My friends at the Hoyt Library, Saginaw, Michigan: Vi, Fay, Ernestine, Pat, and Kate, among others;

My high school English teachers: Kathy Hughes, John Kiley, Erik Swanson, and Art Loesel, for their introduction to the love of literature;

Many other friends, including Maggie Rossiter of the
Saginaw News
, Sam and Ilona Hirschfeld Koonce, Dr. Steven Hirschfeld, Dr. Bill and Darlene Underhill, and many others.

Preface
 

Myth is an eternal mirror in which we see ourselves
. Myth has something to say to everyone, as it has something to say about everyone: it is everywhere and we only need to recognize it.

This book is for the person who would not normally think about mythology, let alone read a book on the subject. Based on the premise that to understand myths is an important step toward understanding ourselves, it was written as an invitation to the reading of myths and recognizing the mythic in our daily lives.

Throughout the 1980s and into the present decade, popular interest in mythology has been continually on the rise. It is being discovered by a new generation, in the way it has spoken to countless generations past. The popularity of the books of Joseph Campbell, the televised Peter Brook dramatization of the Indian epic
The Mahabharata
, and the prominence of myth in such radio and television programs as “Northern Exposure” are all evidence of this current fascination.

There have been numerous studies of myth and mythology. However, many of them, though fascinating, scholarly, and comprehensive, are written in language not readily accessible to the average thinking reader. They are not presented in a way that speaks directly to the person who is only just discovering the subject. I have felt that a “reader-friendly” approach to the subject is necessary, though it is my hope that my book will not be the last stop in the reader’s exploration of myth, but a first step.

I have been intrigued by mythology since childhood. It began
many years ago when my teacher read to us from Thomas Bulfinch’s
Mythology
, and it grew through my high school and university years, and as I became acquainted with the writings of Joseph Campbell, Mircea Eliade, Paul Ricoeur, and others. This enjoyment has been complemented by a delight in opera; seeing the great myths presented in operatic form has made them more alive and given me new insights.

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