Paradiso (183 page)

as thematic in Mercury,
VI.121
;
VII.20

earthly justice as reflective of divine,
XIX.1–6
,
28–30

God’s justice as inscrutable,
XIX.79–90
,
97–99
;
XX.67–72

Jupiter and justice,
XVIII.115–117

personal justice in a ruler,
XX.61–66
;
XXX.133–138

Justinian:

his speech as “mini-epic,”
VI.1

inspired by the Holy Spirit,
VI.11–12
,
22–24
,
88

originality of Dante’s view of,
VI.13–18

Lactantius,
X.118–120
;
XXIII.1–12

Lancelot du lac
,
XVI.13–15

Latin,
I.97
;
IV.25
;
VII.1–3
,
1–15
;
IX.29–30
;
XII.144
;
XV.28–30
;
XVI.33
;
XVII.34–35
;
XXV.1
,
1–9
,
8
,
9
;
XXVII.1–3
;
XXIX.15
;
XXXI.9
;
XXXII.1
;
XXXIII.1

Latona,
XXIX.1

latria
,
dulia
, and
hyperdulia
,
XXXIII.10–12

Leah, as the active life,
XXXII.8

light, infinite speed of,
XXIX.26–27

loquacity of Cacciaguida,
XIV.10–18
;
XVIII.36

loquacity of Thomas,
XIV.52–57
,
XVIII.36

Lucan,
I.16–18
;
VI.55–72
,
61–63
,
75
,
80–81
;
IX.93
;
XI.67–69
;
XVI.10–12
;
XVIII.73–78
;
XX.67–72

lucerna
, as replacement for
ombra
(and see
vita
),
VIII.19

Lucy, St.,
XXXI.65–69
,
102
;
XXXII.37–39
,
136–138

lume
vs.
luce
,
XXX.100

lumen
(as light of grace),
XXX.100

Macrobius,
I.78
;
XVII.24

mamma
, stylistic register of,
XIV.64
;
XXII.1–6
;
XXIII.121–126

Marco Polo,
IX.69
;
X.70–75

Marsyas, as figuring the low style,
I.20–21

Mary, Blessed Virgin,
IV.29
;
X.70–75
;
XIII.133–138
;
XV.133–135
;
XVII.89–90
;
XXI.84
,
91–102
,
111
;
XXII.28–29
,
58–60
,
121–123
;
XXIII.1
,
73–75
,
88–89
,
91–102
,
93
,
107–108
,
112–120
,
121–126
,
128
;
XXIV.13–18
;
XXV.98
,
112–114
,
122–129
,
124–126

masks, removal of,
XXX.91–96
;
XXXIII.28–33

materia
, as technical term,
I.10–12

memory, limitations of,
I.9
;
XXIII.50

metaphor,
IV.115–116
;
X.6

Milton, John,
IV.48

mimetic art and literary imitation,
XXX.64–66

Minerva,
I.20–21
;
XVIII.82

mirrors,
II.19–22
,
83–90
,
94–105
;
III.17–18
;
XIII.128–129
;
XVIII.16–18
;
XXI.16–18
,
34–42
,
49–50
;
XXIII.46–48
;
XXVI.107–108
;
XXVIII.4–9
;
XXIX.4–6

Montaigne, Michel de,
XXXII.9

Montefeltro, Guido and Buonconte,
XIII.133–138

mortals as obtuse,
I.100–102

Moses,
XXXIII.139–141

“Muse” or “muse”?
XII.7–8
;
XV.26
;
XVIII.33
;
XXIII.21–126
,
55–59

“Muses,” Christian identity of,
I.16–18
;
II.9

music of the spheres,
I.78

Mussato, Albertino,
IX.29–30
;
XV.28–30
;
XXV.7–9

names of God (according to Isidore of Seville),
XXVI.134

naming oneself,
XXXI.102

Narcissus,
III.17–18
;
V.100–104
;
XII.14–15

Nathan (prophet),
XII.136
;
XIII.140–142

neologisms,
Note on the translation

Neptune,
XXXIII.96

Nietzsche, Friedrich,
XV.48
;
XXXII.107–108

Nine Worthies,
XVIII.37–51

noon, as propitious time,
I.37–45

ombra
(shade), as used for saved soul (and see
lucerna
and
vita
),
III.34

Ordinamenti di Giustizia
,
XVI.61–63

organo and organi
(musical terms),
XVII.43–45

Origen,
XXVI.16–18

Orosius,
X.118–120
;
XXVII.82

Orpheus,
XXXIII.19–20

osanna
,
VII.1

Ovid,
I.13
,
20–21
,
25–27
,
28–33
,
67–72
,
68
,
73
,
109–111
;
II.1–18
,
17–18
;
IV.6
,
100–108
;
V.64–72
;
VIII.70
;
IX.97–102
;
XII.7–8
,
11–18
,
14–15
;
XIII.13–15
,
67–78
;
XV.13–24
,
25–27
;
XVI.28–32
;
XVII.1–6
,
27
,
31
,
43–99
,
46
,
46–48
,
55–57
,
111
;
XVIII.64–66
;
XIX.35
;
XX.22–29
;
XXI.5–12
,
136–142
;
XXII.142–143
;
XXIII.25–27
;
XXIV.26
;
XXV.4
,
7
;
XXVII.28–30
,
79–87
,
136–138
;
XXXIII.96
,
145

papacy:

popes, saved and damned,
XII.134–135

popes of Dante’s time mainly canon lawyers,
IX.133–135

years absent from Rome,
XXVII.22–24

Paradiso
:

as “completed
Convivio
,”
III.91–96

as Ovidian rather than Virgilian,
I.68

longest speeches in,
V.13–15

midpoint of,
XVII.1–12

program of song in,
XXI.58–60
;
XXXII.95

relation between planets and seven liberal arts,
VIII.136
;
XIV.97–102

stylistic range of,
Intro.
(4)

various meanings of,
XXIII.61

Pasiphae,
XXVII.136–138

Paul, St.,
I.4–6
,
5
,
13–15
,
73
,
136–141
;
III.7
,
29–30
;
IV.13–15
;
VI.55–57
;
VII.145–148
;
IX.118–119
;
X.70–75
,
87
,
115–117
;
XIV.83
;
XV.28–30
,
29
;
XVIII.91–93
;
118–136
;
130–136
,
131–132
;
XIX.7–12
,
79–81
;
XX.67–72
,
126
;
XXI.127–128
;
XXII.37–39
,
45
,
50
;
XXIII.4–6
,
45
;
XXIV.52–57
,
64–66
;
XXVI.6
,
9–12
,
80
;
XXX.49
,
61–66
;
XXXIII.52–54
,
139–141

Paulinus of Nola,
I.13–15
;
X.118–120

Pavia, where both Augustine and Boethius are buried,
X.128

Persephone, as Eve,
XXVII.136–138

Persius,
XI.1

Peter, St.:

among seven martyred popes,
XXVII.40–45

as
archimandrite
,
XI.118–123

as betraying Jesus,
XXIV.22
,
39

as first pope,
XXIV.34–36

as inspired by the Holy Spirit,
XXIV.31–33
;
XXVI.3

authority challenged,
XXIV.124–126

credentials to be examiner on Faith,
XXIV.62–63
,
108

Peter Damian, St.,
XXI.106–126
,
127–135
;
XXII.49

Peter Lombard,
XIV.34–36
;
XXV.67–69
;
XXIX.46–63
,
70–81

Peter the Sinner,
XXI.121–123

Petrarca, Francesco,
VIII.76–78
;
XVII.32
,
61–69
;
XXIII.104

Petrus Comestor,
XXIX.100

phantasy,
XIX.9
;
XXV.25

Philo Judaeus,
XVIII.91–93

piacere
, as meaning “beauty” or “pleasure,”
III.52–54
;
XVIII.16–18
;
XX.73–78
;
XXXIII.33

Plato,
III.1
;
IV.22
,
25
,
25–27
,
33
,
55–63
,
61–63
;
VII.64–65
;
VIII.34–39
,
112–114
;
IX.40
;
X.133–138
;
XVII.118

politics, in
Paradiso, Intro.
(5);
VI.1–27
,
134
;
VII.1–15
;
XXII.127–135

poppa
(poop deck),
XXVII.146

Primum Mobile as “acqueous sphere,”
XXIX.19–21

procession of the Spirit from both Father and Son,
X.1–3

Proclus,
IV.24
;
VIII.34–39

prologues to the three canticles,
I.1–36

prophecy,
XVII.43–99
,
78
,
91–93
,
94–96
;
XXII.13–15
;
XXVII.61–63
,
142–148

Proust, Marcel,
III.47–48
;
XXXIII.91–93

providence and predestination,
XXI.77

Prudentius,
XXVII.136–138

Ptolemy (astronomer),
IX.118–119
;
XIII.1–18

Rabanus (of England),
XII.139

Rabelais, François,
XV.87

Rachel, as the contemplative life,
XXXII.8

ragionare d’amore
(to speak of love),
XXVI.6

Ravenna,
XV.22–24
;
XVII.142
;
XXI.106–126
,
121–123
;
XXXI.1–3

reader:

addresses to,
II.1
,
10
;
V.64–72
,
73–84
,
109–114
;
IX.10–12
;
X.7–15
,
22–27
;
XIII.1–24
;
XV.7–12
;
XXII.106–111
;
XXIII.55–59
,
64–66

as listener,
II.2
;
XVII.139

Remigio dei Girolami,
X.133–138
;
XV.130–132

republic, Roman,
VI.43–45
;
XV.127–129
;
XXVII.61–63

resurrection of the flesh,
XXX.129

rhymes on
Cristo
,
XII.71–75
;
XIV.103–108

rhymes, identical,
XXX.95–99

Richard of St. Victor,
XV.74
;
XXI.34–42
;
XXIII.50
,
XXXII.8
;
XXXIII.139–141

Ripheus,
XX.67–72
,
103–105
,
126
;
XXXI.25–27

Ristoro d’Arezzo,
XII.26–30

Roman de la Rose
,
II.59–60
;
XXX.124

rose-wheel window,
XXXI.1–3

Rousseau, Jean-Jacques,
VIII.142–144

salute
(salvation),
XXXI.79–81

Samuel, as type of Christ,
IV.29

santo
(holy),
XXXII.1

Satan,
IX.127–129
;
XIX.46–48
;
XXVII.22–24

Saturn, as border of the higher realm,
XXI.13–15

saved, number of the,
XXX.103–108
;
XXXI.115–117

Scaligieri, succession of,
XVII.70–71

Scipio Africanus,
XXII.133–153
;
XXVII.61–63
,
145–148

Semele: a tragic tale turned comic,
XXI.5–12
;
XXII.58–60
;
XXIII.46–48

Seneca,
IV.6
;
IX.29–30

sermo humilis
(low style),
XIV.35
,
XXXI.1
;
XXXIII.2

Servius,
XXVII.136–138

similes,
I.49–54
;
II.106–111
;
XIV.118–123
;
XX.1–12
;
XXIII.1–12
,
49–51
;
XXX.58–66

sleep, Dante’s fascination with,
XXVI.70–75

smarrire
(to confuse),
XXVI.9

Solomon,
XIII.37–51
,
43–48
,
50–51
,
52–87
,
88–96
,
97–102
,
106–108
,
109–111
,
112–142
,
142
;
XIV.34
,
36
,
37–60
,
40–51
,
52–57
;
XVII.27
;
XVIII.28–36
,
91–93
;
XX.69
;
XXVI.135
;
XXVIII.133–135