Paradise Park

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Authors: Allegra Goodman

BOOK: Paradise Park
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PRAISE FOR
Paradise Park

“In her arresting mix of innocence and worldliness, Sharon Spiegelman reminds me of another disaffected youth, Holden Caulfield.”


The Boston Globe

“Bellow found Augie March, and Roth hit upon Alexander Portnoy. Goodman gives the world Sharon Spiegelman.”


Time

“Goodman succeeds because she’s that rare thing—a writer whose keen observation and humor haven’t been blunted by her faith.”


San Francisco Chronicle

“Goodman’s hippie heroine is so endearing, so exuberant, so earnest, so amusing, so confused, you gotta love her.”


USA Today

“Like
Kaaterskill Falls
before it,
Paradise Park
turns out to be a literate, incisive examination of the nature of contemporary faith…. In her heroine, Goodman has created a spiritual guide for the modern age.”


Harper’s Bazaar

Please turn the page for more extraordinary acclaim….

“[A] marvelous new novel … [Sharon Spiegelman’s] voice, a pitch-perfect mix of irreverent vernacular punctuated by hyperbolic exhilaration, is a comic triumph. Readers will finish the novel feeling … sublime well-being and satisfaction.”


Publishers Weekly

“Self-delusion has rarely been so hilariously and poignantly embodied as in hippy-dippy dharma bum Sharon Spiegelman.”


The Wall Street Journal

“In the loving, sneaky, and immensely talented hands of novelist Allegra Goodman, Sharon tells her moving, hilarious story in such a compelling voice that she charms her way into your heart.”


The Plain Dealer
(Cleveland)

“This modern-day heroine’s journey tilts heavily toward the wild tales of Scheherazade…. It’s clear that this ardent Jewish-American woman is a member of the family Goodman. And as such, she’s a worthwhile family member to know.”


Entertainment Weekly


Paradise Park
never resorts to preachiness, thanks to Sharon’s ebullient personality. When at last she finds the best of all possible worlds, readers will feel much the way she does—relieved, satisfied, and wiser for having made the journey.”


US Weekly

“As a narrator, Sharon proves sympathetic and compelling…. [Goodman’s] writing is authoritative and original, carrying influences of everyone from Mona Simpson to Saul Bellow.”


The Village Voice

“A bold step forward … Sharon is a wonderfully complex, utterly believable character…. Brilliantly crafted and pitched perfectly.”


Kirkus Reviews

For Paula and Ernest

How long will I go on crying “tomorrow, tomorrow”? Why not now?

—A
UGUSTINE
Confessions 8:12

1
Honeycreepers

A
LL
this light was pouring in on me, and I started to open my eyes. I didn’t know where in the world I was, and I reached over, but no one was there. The room was empty, and I didn’t even know where the room was—it was all just floating in empty space, and I couldn’t say what planet or star I’d landed on. All that was running through me in that one second was the loneliness of being this tiny insignificant particle in the universe, and how a life weighs nothing in all that light. And what is that light compared to God? Then I woke up and it came back to me. That the guy, supposedly my boyfriend, who came out with me to this joint, a fleabag in Waikiki, was now gone, run off with a chick on her way to Fiji, and he—actually they—had left me with the hotel bill, which since I had no idea how to pay I was avoiding by just staying in the hotel and not checking out. But you know, the vision I had before, when I was just half awake, that was the important part. That was like the angels talking, when they speak to you and teach you right before you’re born, and then they put their fingers on your lips—Sh! don’t tell! You almost forget, but somewhere inside, you remember. At the time, that morning, I just lay there and had no idea what to do, not to mention I had never as far as I knew even believed in
the existence of God. But in my subconscious, and my unconscious, and everywhere else, I had all these questions and ideas about this higher power and this divine spirit, and maybe I would have been dealing with them if I hadn’t been so broke.

Finally I got up. I sat on the edge of the queen-size hotel bed. The bedspread was halfway off, sliding onto the floor, and the spread was green, printed yellow and orange with bird-of-paradise flowers so enormous they looked like some kind of dinosaur parts. The headboard was white rattan. So was the dresser and the mirror frame and the desk. There was no chair. Everything that could be nailed down was.

THERE
I was all by myself, yet it wasn’t exactly like I’d had some kind of one-night stand! We were folk dancers. That’s how my boyfriend and I had met a couple of years before. Gary and I were two of the original dancers that danced in Cambridge at MIT. Balkan on Tuesdays. Israeli on Wednesdays. This was in the seventies when the folk scene in Boston was just starting, and there was a group of us—it was our life. We’d gather together at night—guys in cutoff shorts and girls in Indian gauze skirts, tank tops. In winter we’d strip down out of our parkas and ski hats and wool socks, and unzip until we were barefoot. I had long straight hair, light brown, and I wore it loose down to my waist, and I lived to dance in Walker Gym with my hair flying around me and my shirt against my bare skin, and the smooth gym varnish on the floor like syrup to my toes.

The music came from a tape recorder mounted on a little wooden cart painted gypsy colors, yellow and red, and stenciled in fancy green:
MIT FOLK DANCE CLUB
. The names of the dances were scribbled in chalk on a green chalkboard wheeled in from one of the classrooms. Then, from seven to eleven at night, we circled and wheeled and flew. We would dance like this for Balkan: twenty at a time together with our arms linked in a line, and our legs kicking and feet moving to rhythms like 7/8 or 11/16. Like this for Israeli: in concentric circles, feet flying, every other person off the ground.

Gary and I were such a pair that everybody watched us. When we left the gym it was like after a performance, all those admiring eyes. We’d walk outside in winter, and shuffle through the snow with the heat still
on us, carrying our coats for blocks before we started to get cold. Just wandering in the slush and barely noticing that gradual little bit of freezing cold water that starts wicking in through the seams of your boots. We’d get home to Allston and run up the stairs to Gary’s apartment—a real find on top of a doddering Victorian house. We had a kitchenette wired up in half a hall, and a dormer bedroom, where we curled up in blankets. I used to sit for hours in bed playing my guitar, the radiator like drums behind me, bang banging away.

Originally he was the one with the traveling bug. Gary was one of those Vietnam-era graduate students, thirty-five at that time, which was ’74. He was still working on a government public health grant at Harvard, and he used to cart around boxes of those manila computer punch cards. Every once in a while the profs would fire up the old computer, and they’d input their data with a clicking and a clacking till the oracle spoke, spewing out numbers on that wide paper with pale-green and white stripes. Then Gary and the other grad students would all go back to their shared offices adorned with shag carpet remnants and cork bulletin boards, and they’d ponder the numbers. Gary had been doing this for years; and since it was a longitudinal study, which meant it didn’t ever end, he was getting kind of restless. But I, on the other hand, was really busy, since I was just twenty—in the middle of stopping out of college and getting seriously into dancing and my music—folk stuff on my guitar. I listened to Joni Mitchell and Carole King and Jackson Browne. And of course I was writing my own stuff, too, all in their same styles. I was biking over the BU Bridge to Central Square, where I was working for this antiwar, antinuclear couple, Vivica and Dan, who I’d met from dancing, and who had originally come from Berkeley. We were holed up, the three of us, in a little one-room office trying to put a stop to military spending. To me bringing peace about was pretty good. But Gary, being fifteen years older, had bigger ambitions for the planet. He started talking about how he wanted to go west.

The thing was I loved him. Not that he had a face to sink a thousand ships. He had fair skin, blinky brown eyes, shoulder-length hair, a Fu Manchu moustache. But he had beautiful feet, elastic arches. He had the longest arms of anyone I knew. And when he jumped! He could have been a pro. He could have traveled the world leaping in the air. That’s the way I pictured it, him leaping and me spinning at his side. I still
hadn’t gotten over it, being so much younger than he was, and him choosing me to be his partner—because my dancing was so good. And getting to live with him, which meant getting out of my dad’s house and my stepmother’s hair. And just realizing that Gary thought I was beautiful! It wasn’t like I was plain. I wasn’t plain at all. I was slender and had big black eyes, sleepy with eyeliner, and that shimmery loose hair, so when I danced I looked like a ballerina down at the hem. But I was young—not even one-and-twenty like the guy in the poem—and I couldn’t believe Gary with his long arms and his gorgeous feet and hard muscles in his calves actually thought that I was beautiful.

He had ideas about the environment and about the world and basically about cleaning up the oceans and saving the forests. He thought we’d go to Portland, Oregon, and fight the loggers and clean the rivers—finding big pipes sending poison into the fresh water—and we’d camp and explore all along the way. At that point in my life I was not much of a camper, and I’d never explored any strange places besides Cambridge. But I thought the oceans and the rivers were my causes too. And I knew Oregon wasn’t far from Berkeley—and since the couple I worked for, Vivica and Dan, had always described Berkeley to me as nirvana, I figured we’d get to Oregon and then go downstream to Berkeley and I’d work there for a while and get my California residency and continue my education at the university and on the streets. So we went.

We drove a Plymouth Fury, a cursed lemon that sputtered and spit its way across the country and probably vomited as many pollutants as some of those companies Gary wanted to go after. Starting in January, taking I-80 west—by Toledo the transmission was shot. Just past Des Moines the fan belt slipped. Then through Iowa our muffler was dragging. We had a slow leak in our front driver-side tire, so half the time we were stopping at service stations for air. It was more like biking cross country than driving. We spent all our money on repairs, including some we didn’t need. Those roadside mechanics looked at the two of us and my guitar in the back seat, and saw we were such a cliché we were begging to be ripped off. When we got out to the coast after three weeks, and we drove up to the Pacific Ocean, and we really saw it roaring all gray and restless in the rain, I almost cried with relief that there
was nowhere else to go. We were stiff and filthy from sleeping in the car, from breaking down and hitching rides for help and getting towed and getting lied to. I really thought I’d seen it all.

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