Paint Your Dragon (2 page)

‘Morning. You open?'

‘I think so.'

‘That's fine. Large whisky, please, no ice.'

The customer had a fine thirst on him; ten large whiskies, one after another, appeared to have no more effect than airgun pellets fired at the side of a battleship. Ah well, thought the landlord, obviously a very lucky man. ‘Another?' he suggested.

‘Please,' the customer replied. ‘What's that one with the green and black label?'

The landlord peered. ‘Bourbon,' he replied, stating the brand name. ‘A hundred and five proof,' he added.

The customer smiled. ‘Ah,' he said. ‘That's what I call fire water. Make it a treble, and have one for yourself.'

Just as the customer said it, the landlord realised how much he needed a drink at precisely that moment. He reworked the optic, mumbled ‘Here's health,' and knocked back the glass, the contents of which did to his head what Guy Fawkes wanted to do to Parliament. ‘Good stuff,' he croaked.

‘Not bad, I suppose,' replied the customer. ‘Same again.'

It occurred to the landlord that it would only be polite to make a little conversation, and he asked the customer what line of business he was in. It seemed that he'd inadvertently made a joke, because the customer grinned.

‘Let's see,' he replied. ‘Let's say I'm a flier.'

‘Pilot, you mean?'

‘Sort of.' He felt in his top pocket, extracted a cigarette, drew on it heavily and exhaled. The smoke seemed to fill the bar.

‘Civil or military?' the barman asked.

‘Bit of both. What's that colourless stuff in the bottle with the red label?'

‘Kirsch.'

‘Treble of that, then, and next I'd like to try the other colourless stuff with the green label.'

‘That's Polish vodka, that is. Hundred and forty per cent proof. Beats me,' the landlord went on, ‘how something can be a hundred and forty per cent anything. I thought a hundred per cent was the limit; you know, like a hundred out of a hundred?'

Not long afterwards, the customer got up, thanked the landlord, and left him musing on three points that were puzzling him. Probably because his head was still glowing from the bourbon, he couldn't quite get a handle on any of them.

One; how come the man who had just left had managed to put away roughly ninety-seven centilitres of spirits in ten minutes and still been able to breathe, let alone walk jauntily out of the front door with no apparent impairment of his motor functions?

Two; the reason he had given for not paying had been utterly convincing, fair and square, no problems whatsoever on that score, but what had it been, exactly?

Three; just how in hell had he been able to smoke for five minutes without actually lighting the cigarette?

 

Bianca Wilson had first made her mark on Norton Poly-technic when she suddenly stood up in the middle of a class and put her clothes on.

Ignoring the comments, she then stepped down off the platform, took possession of the vacant easel and proceeded to paint a breathtaking still life of three herrings and a typewriter ribbon. After that, there was no question of mucking about with application forms; not only was she in the class, she was its star pupil. When asked what had prompted her to make the change from model to practitioner, she replied that it was warmer and you didn't have to keep still.

Sculpture proved to be her true medium. She stripped away marble as if it was cellophane wrapping to reveal the always implicit statue beneath. Once she'd learned the basics of the craft, such as how to sharpen a chisel and the best way to avoid clouting your thumb, it was obvious that there was nothing more that Norton Tech could teach her. Accordingly, she thanked them very much, gave up the day job by the simple but eloquent expedient of telling the office manager what he could do with it, and spent her last ten pounds on a ticket to London. She travelled, of course, in the guard's van; it had taken five porters, the conductor and three gullible Royal Marines to get her luggage on board, and the Spirit of World Peace had to make the journey with her left leg sticking out of the window.

Small-town girl in the big city; well, so was Joan of Arc, not to mention Boadicea. A talent like Bianca's is always hard to keep hidden, particularly when its manifestations are ten feet high and weigh close to a ton and a half. It took the proprietor of the Herries Street Gallery, stepping off the train at Paddington, fifteen seconds to recognise true genius when he saw it, three quarters of an hour to hire a suitably heavy-duty lorry, and six weeks of humiliating negotiation to get Bianca's signature on a contract. The rest is art history, with cross-references to economics, accountancy and business studies.

Thus, when, about eighteen months later, Birmingham City Council was playing third time lucky with the design of the city's celebrated Victoria Square, and the Kawaguchiya Integrated Circuits people came across with a six-figure garden gnome fund, there was only one possible choice; provided she would agree to do it. For a very long fortnight she considered the offer; any subject she liked (except, added the city fathers, World Peace, because you do tend to get just a wee bit carried away on that particular theme, and we need a bit of space in the square for buildings and stuff) and as long as she liked to do it in, all the rock she could handle plus, of course, the immense satisfaction of helping gild Europe's most fragrant lily. Could anybody refuse an offer like that? Apparently, yes.

The city fathers faxed Kawaguchiya Integrated Circuits, tactfully suggesting that the two in their original letter must have been a misprint for three. KIC, thinking wistfully of the sixty acres of Tyseley they'd set their hearts on, faxed back their confirmation. Bianca accepted.

After careful consideration, she had narrowed the choice of subjects down to two. One of them, she told the Council, was the Industrial Revolution raping Nature, with side friezes of captains of industry through the ages suffering appropriate torments in Hell. Did they want to hear the other choice? No, Ms Wilson, that'll do fine. No, the other one will be just splendid, whatever it turns out to be.

To their amazement and relief, it turned out to be Saint George and the Dragon. Nobody could guess why, least of all Bianca Wilson.

 

After leaving the pub, he strolled for a while along the quiet, winding road. He had much to think about.

Well, it sure was good to be back. The shape; well, it was limiting, not to mention uncomfortable and intrinsically silly, but he'd be rid of it soon enough and then he'd really be back. He swung the holdall by its handle, and smiled at the clanking of its contents.

England; not that he'd seen very much of it, but probably enough for his purposes. Lots of trees, he observed. Haystacks. Fields of waving, sun-ripened corn. Thatched cottages. Perfect. It was a wonder the United Nations hadn't made them tie a label on it saying
Highly Inflammable.
A lorryload of straw bales chugged past him and he grinned.

He felt well. True, the actual fuel content in fermented liquor wasn't all that high, and he'd probably have done better in practical terms to have called in at a petrol station and taken a long swig from the pumps. But there was no point in going out of one's way to appear conspicuous, or at least not yet. Pretty soon he'd be so conspicuous they'd be offering him a Saturday job as a lighthouse. Patience, patience.

The summer breeze was warm on his back and he instinctively looked upwards. Good thermals, if he wasn't mistaken. On a lovely calm day like this it was horribly frustrating to be stuck on the ground. As if in sympathy, his shoulder-blades began to itch and he paused a while to scratch them against a gatepost.

While he was standing and looking at the sky, he became aware of an unusual noise; a bit like thunder, a bit like the roar of a food-processor in full cry, with a tantalising hint of movement and a dash of power. A moment later, two jet fighters swept across the sky, flying perhaps a trifle lower than regulations permitted. They were only visible for a second and a half at most, but in that time his exceptional eyes scanned them and reported every detail of their appearance and construction to a suddenly lovesick brain. True, he'd come across aircraft before, like the big fat lumbering thing he'd come in on - a huge flying metal slug, a parody of flight. These, though, were something else entirely. It was as if a man brought up in strict seclusion by elderly nuns had just wandered into the changing room at a top-flight fashion show. Yes, shouted every fibre of his being, I
want
one of those.

He concentrated and quite soon one of the fighters came back. At his subsequent court-martial, the pilot was unable to offer any explanation. The best he could come up with was that it was a sunny day, it looked like a nice place, and there was this friendly looking man in the road below waggling his thumb.

‘Hi.'

The pilot pressed a button and the windshield slid back. ‘Hello,' he replied. ‘What...?'

‘Nice machine you've got there.'

‘Yes. Um ...'

‘I particularly like the way it just sort of drops in on the ground. I always thought you had to find a flat open space and come in gradually.'

‘Not any more,' replied the pilot. ‘Vertical take-off and landing. Look—'

‘Mind if I have a go?'

‘Well, actually, it doesn't belong to me, so perhaps—'

‘Ah, go on.'

‘All right.'

There were, he noticed as he clambered into the cockpit, all sorts of knobs and levers and things which presumably made the thing go. Superfluous, of course, in his case. He applied his mind.

‘Excuse me!'

He looked down at the pilot. ‘Yes?'

‘Before you take off,' shouted the pilot above the roar of the engines, ‘put the windshield back up. Otherwise you'll be blown—'

‘Thanks, but no thanks. I get claustrophobic in confined spaces.' How true. How very, very true. ‘Cheerio.'

Then ... straight up in the air, no messing. This was something he could get used to. And to think, last time he'd been here the best the poor fools could do was stick feathers to their arms with beeswax and jump off cliffs. All credit to them, they'd certainly been busy.

As the slipstream clawed vainly at his face and the ground became a fast-moving blur far below him, he snuggled back in his seat, sighed with pure contentment and groped with his mind for the weapons systems.

 

Bianca was used to inspiration. Scarcely a day went by without some rare and splendid gift of the gods slipping in through the cat-flap of her mind and curling up, nose to tail-tip, in front of the radiator of her genius. It was getting to the stage where she couldn't walk past a stone-built building without seeing hundreds of enticing images peeping out at her from the heart of the masonry, like socks leering through the glass door of a tumble-drier.

The Birmingham job, though, was something else entirely. A terrible cliché, of course, to say the thing had taken on a life of its own, but that was about the strength of it. The further the work progressed - and she was amazed at how far she'd got in such a short time—the less actual control she seemed to have. Not that the work was inferior - on the contrary, it was superb, if you liked naturalism in your sculpture. But it was odd, because neither Saint George nor his scaly chum were turning out anything like the way she'd imagined them. George, she couldn't help thinking, ought to be taller, more heroic, less - well, dumpy and middle aged. He should only have one chin, and that a sort of Kirk Douglas job, the kind of thing you could surround with sea and put a concert party on the end of. He certainly shouldn't have round little piggy eyes and a squadgy little mouth like two slugs mating. And as for the dragon ...

But, she had to admit, she did like the dragon. It had style. In fact, it had so much style you could bolt a wheel at each corner and give it an Italian name. It was graceful, attractive, dangerous; you could see the power in those tremendous muscles and hear the whistle of the wind in those amazingly broad, delicate wings. Above all, it made you think, if someone came up to you and offered to bet you money on the outcome of the fight, you wouldn't take George'at anything less than seventy-five to one. The result had to be a foregone conclusion.

She said as much to her friend Mike one evening as he helped her with the tarpaulins. Mike nodded.

‘I wouldn't want to have just sold George a life policy,' he said. ‘A single-premium annuity, yes. I think I'd be on pretty safe ground there. But straight life or accidental death cover, no.'

‘Strange,' Bianca agreed. ‘Do you think it might be symbolism?'

‘Probably. What did you have in mind?'

‘Well.' Bianca stood back and took a long, dispassionate look. ‘There's all sorts of things it could be symbolising, actually.'

‘Such as?'

‘Um. The ultimate futility of imperialism?'

‘Nice try.'

‘Um. Male violence towards women?'

‘Could be. In which case, the male is definitely on a hiding to nothing, unless you chip off George's moustache and beef the pectorals up a bit. Talking of his moustache, by the way, had you noticed the strong resemblance to Alf Garnett?'

‘All right, then,' Bianca said. ‘How about World Peace?'

‘Ah,' said Mike, nodding. ‘Silly of me not to have realised before.'

Bianca sighed. ‘You're right,' she said, ‘it's definitely up the pictures. Here, help me get the sheet over it before I get too depressed.'

‘Didn't say I didn't like it,' Mike replied, as a gust of wind turned the tarpaulin into a mainsail. ‘I think it's absolutely amazing. It's just...'