P is for Peril (45 page)

Read P is for Peril Online

Authors: Sue Grafton

BOOK: P is for Peril
12.03Mb size Format: txt, pdf, ePub
I crossed the street to the public library and started working my way back through the city directories, looking for Maureen Peabody. Moving back and forth between the city directory and the crisscross, I discovered she was the widow of a man named Sanford Peabody, who'd been an officer at the Santa Teresa City Bank from 1952 until his death in the spring of 1969. Maureen had probably used the money she inherited from his estate to buy the nursing home.
On a hunch, I returned to the courthouse and checked the marriage records for 1976 and 1977. In February 1977, I found a record of the marriage license issued to Maureen Peabody and Fredrick Glazer, a second marriage for both. She was fifty-seven at the time and he was sixty-two. It didn't take much to figure out that Maureen was Joel Glazer's stepmother. I was betting Maureen's name would appear again among the corporate officers of both Endeavor and Silver Age. The only question remaining was who owned Genesis, the operating company for Pacific Meadows. I found the company listed among the applications for registration of a fictitious business name. The owner of record was Dana Jaffe, Doing Business as Genesis Financial Management Services. The mailing address was in Santa Maria. For her home address, she'd used the house in Perdido, where she'd lived at the time I was looking for Wendell Jaffe. Joel Glazer had probably talked her into signing the DBA application before they married. She may or may not have understood the significance. On the surface, Genesis appeared to be separate and unrelated to Pacific Meadows. In truth, Glazer controlled both, which put him in the perfect position to reap the benefits of all the bogus Medicare claims. I was glad I wouldn't be around when Dana found out she was married to another crook. She was pissed when I helped to put her son in jail. Wait until she had to forfeit her life in Horton Ravine.
I left the courthouse, blinking at the hazy light as though emerging from a darkened theater. I glanced at my watch. It was now close to noon and I was curious what was going on with the police investigation. I deducted the two additional hours' work Fiona'd authorized. I then went by the bank and withdrew the $975 I owed her. I crossed Anaconda and walked along Floresta to the walkway where the Arcade sandwich shop was located. The take-out window was open but didn't seem to be doing much business. The picnic tables and benches were still way too wet for use. As I passed the plate glass window, I caught sight of Odessa sitting by himself at one of the small marble tables. The place was empty except for him, though the funky indoor coffee shop across the way was jammed. I waved and went in. I sat down in the bent-wire chair across the table from him.
“How're you doing?” he said.
“I've been through worse. I thought you'd be doing take-out and eating at your desk today.”
“Too depressing. I need light. Fluorescent bulbs make me want to kill myself.” He was working on another paper-wrapped burger in a red plastic basket surrounded by fries.
“At least you're eating well.”
Odessa smiled. The damp air had added a halo of frizziness to his already unruly dark hair. Any woman in his position would be despairing, trying a succession of hair sprays, gels, mousses, and anti-frizz products. Paglia had it right: He'd shaved himself bald. Odessa gestured at the fries, fully expecting me to take one.
I shook my head. “I'm fine. I've just been nosing around in the public records. It looks like Dr. Purcell's business associates have been working a Medicare scam and trying to push the blame off on him.”
“You're talking about Glazer?”
“And Harvey Broadus. Purcell had figured it out and had a meeting scheduled with the FBI. Who knows how far the two of them were willing to go to keep him quiet. What's the coroner have to say?”
“He found powder tattooing on his right temple. He didn't have much to work with, but he says it looks more like near-contact than a contact wound. Means the gun was held a short distance away instead of pressed right up against the skin. Purcell could have done it himself if his shooting arm was another eight inches long. They went back to scour the area near the reservoir, but so far no bullet. I think they're going to broaden their search. Could be he was shot somewhere else and then the car was moved.”
“That'd be tricky, wouldn't it? With him sitting at the wheel?”
“That bugged Jonah, too. You know him. He got to thinking about that blanket Purcell had over him. Mohair, pale green? He asked Crystal and she said it was a gift from her. A year ago she put together this emergency road kit in case he ever got stuck: snacks, flashlight, bottled water, first-aid supplies—all of which he kept in the trunk of his car. Blanket was part of that. Jonah thinks the killer could have spread it over the body and then sat on his lap to drive him up to where we found the car. The blanket was used to keep the blood off his clothes.”
“Well, that's pretty cold-blooded. Wouldn't the mohair leave fibers on the killer's pants?”
“Sure. Blood traces, too, but there's been plenty of time to dispose of the evidence.”
I picked up a french fry, doused it in catsup, and put it down again. “I talked to Crystal last night. She came across his passport in an overcoat pocket from the last trip they took. What about Paulie? What's the story on her?”
“Jonah had me check on that after you talked to him. She got picked up the first time when she was thirteen. Grandmother thought somebody stole her car so she called the police. Turned out Paulie took it. She also got picked up once for loitering and once for malicious mischief. She's a kid with too much time on her hands and not enough supervision.”
“She and Leila are sure trouble.”
“We're still working on that. We sent someone down to the school to see if we can get a match on the dates she was off campus and the money being pulled from the ATM. Those girls go any place but home for the weekend, they have to get permission from a parent or guardian, plus an okay from the person they intend to visit. It's already looking like she managed to play both ends against the middle. Not easy to do. School officials have seen every trick in the book, but she's smart. We've subpoenaed the bank records and the records from the mailing service where he kept his post-office box. The D.A. and probation are talking to the judge this afternoon. We're hoping to wrap that up.”
“Here's something else. The other day I stopped over at the Horton Ravine house. Leila had left school without permission. Crystal was having fits and gave me permission to search her room. She's got a locked metal box hidden under the mattress. It's probably dope, but it might be the missing money. She and Paulie may be planning to take off. You might be smart to keep an eye on them.”
“We can do that,” he said.
I got back to the office at 1:15. The rain was picking up again and I was tired of it. A curious depression had descended in the wake of the shooting with the adrenaline rush that accompanied it. The subsequent crash was accelerated by my conversation with Odessa. I en-vied them the hunt—Jonah Robb, Odessa, and Jim Paglia. Purcell had been murdered and though they might not be any closer to finding out who killed him, the process was under way.
I sat at my desk and I stared at the leaves on my fake ficus plant. From halfway across the room, the accumulated dust resembled a light layer of talcum powder. One day soon I'd really have to wipe that down. I swiveled in my chair and picked up a pencil. I drew a box on my blotter.
I spent the rest of the afternoon catching up on all the chores that I'd been putting off for the past week. I typed up the information I'd unearthed about Genesis and made photocopies of Klotilde's bills, adding as much of her chart as I thought reasonable. I was hoping no one would ask how I acquired the medical data. While I stood there at the machine, feeding in copies, watching the light on the copier go back and forth, I pondered Fiona's request for the $975 in cash. There was probably a simple explanation. I didn't think she was seriously concerned my check would bounce, so it had to be something else. The picture that kept coming to mind was her weedy hillside property. I visualized the front hall of her house with its decor of drop cloths and permanent scaffolding.
I was also brooding about that green mohair blanket Crystal had given Dow, about someone sitting in his lap after he'd been shot to death. You wouldn't want to drive far. Certainly not out on public roads where a pedestrian or a driver in the next lane might look over at just the wrong moment and spot you in the dead man's embrace. If you were the killer, you'd think about the reservoir—how nice it would be if both the dead man and the car disappeared from view. Jonah had been assuming the killer made an unfortunate mistake, miscalculating the position of the boulder, which prevented the car from being fully submerged. What if the reverse were true? Maybe the killer
intended
to have the car found. If Dow's death was meant to look like suicide, then maybe the causal error went the other way. The killer knew the boulder was there and thought the car would still be visible when daylight came. Instead, the vehicle veered slightly and sank too far down to be seen easily.
It wasn't until late afternoon that I opened my bottom drawer and hauled out the phone book, turning to the yellow pages under the section that listed painting contractors. There must have been a hundred, column after column, some of them with box ads, some with catchy sayings: DON'T PAINT YOURSELF INTO A CORNER WHEN YOU CAN LET US DO IT. CHARLIE CORNER & SONS, PAINTING. I had a quick vision of the Corner family sitting around the kitchen table, tossing back shots, coming up with log lines to stretch the advertising budget.
I started with the
A
's and ran my finger down the names until I found the one I remembered from Fiona's sign out front. One line of print. RALPH TRIPLET, COLGATE. No street address. I made a note of the phone number. Fiona struck me as the sort who'd pick a lone operator, somebody too hungry for business to argue with her. She'd by-passed all the splashy half- and full-page ads.
I dialed Ralph Triplet's number. I was going to cook up a ruse, but I couldn't think of one.
The phone was picked up on the first ring. “Ralph Triplet Painting.”
I said, “Hi, Mr. Triplet. My name is Kinsey Millhone. I just finished doing some work for Fiona Purcell up on Old Reservoir . . .”
“I hope you got your money up front.”
“That's why I'm calling. Is she a slow pay by any chance?”
“No pay is more like it. You seen that place of hers? White everywhere. You think that'd be simple enough, but we've gone through six shades so far. Everything from Frost to Alabaster, Eggshell to Oyster. Couldn't find anything to suit. I'd get half a wall up, and then she'd want something else. Too green, she'd say. Or get the pink out of it. Meantime, I haven't been paid in weeks. The architect filed a lien against the property and I'm threatening to do likewise. Meantime, I finally got around to checking her credit. Should have done that in the first place, but how was I to know. She puts on a good show, but she's busy using one credit card to pay off another. What'd you say your name was?”
“Doesn't matter,” I said and hung up.
I pulled out the rubber-banded packet of index cards. This time I didn't add anything. I shuffled back through my cards, checking the information I'd picked up in the past week, particularly the details about Dow's last day. In passing, Mrs. Stegler had confided an item that caught my attention in light of everything I'd learned since then. She said while he was out at lunch, Fiona had stopped by. She'd waited in his office and had finally departed, leaving him a note. I'd sat in that office myself and I know how easily she could have opened his desk drawer and taken his gun.
Driving up Old Reservoir Road in the gathering dark, I could feel myself in a state of suspended animation. The only sign of agitation was that I was taking the curves a little too fast for the current road conditions, which were wet, wet, wet. I had an idea, an intuition to verify before I called Jonah Robb. I turned left on the road that angled up beside her property and pulled into the parking area behind the house.
I went around to the front door and rang the bell. She took her sweet time coming to the door. I stared off at Brunswick Lake. In the waning light, the surface was as silvery as mercury. It had been eleven days since I first stood in this spot, looking out at the same sweeping views. The steep sloping lot was now a fairyland of knee-high weeds: fox tails, wild oats, and rye bending in the passing breeze. With much more rain, the now-softened hillside would slide down into the road.
The door opened behind me. Even baby-sitting for her grandchildren, Fiona was decked out in a black wool suit with big shoulder pads and a pinched-in waist. The lapels and jacket cuffs were done in a faux leopard print. She had her hair concealed in a matching leopard print turban. Gloria Swanson had nothing on her. I held out the envelope. “I included an invoice for your records. I hope you don't mind signing for the cash.”
“Of course not. Won't you come in?”
I stepped into the foyer. There was a tricycle in the hall and the floor was covered with the same sort of kiddie detritus I'd seen at Blanche's house: Tinkertoys, blocks, a sock, broken crackers, crayons. The kids had built an enormous tent with the painter's drop cloths, which were now draped over all the chairs in the living room. I could see them bumping around in there, erupting in the sort of harsh, artificial giggles that signal the prelude to a big stinking fight.
Fiona scribbled her signature on the receipt. Her fingernails were dark red. She wore the same shade on her lips. She had a smudge of lipstick on the surface of her two front teeth. The effect was odd, like a virulent attack of bleeding gums. I tore off the top copy and handed it back to her.

Other books

Red Mars Love by Stephanie Owens
Zombie Mage by Drake, Jonathan J.
Wetlands by Charlotte Roche
Nobody Walks by Mick Herron
The Dutiful Wife by Penny Jordan
Until Dark by Mariah Stewart
Liz Ireland by The Outlaw's Bride
Unstoppable (Fierce) by Voight, Ginger