Our Kind of Traitor (20 page)

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Authors: John le Carré

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BOOK: Our Kind of Traitor
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He climbed to the first floor without hearing his own footsteps. At the half-landing, there were two doors, the one on his left reinforced with a steel plate and brass locks either side at shoulder height. The door on his right was just a door. Twin beds not made up, small bathroom off.

A second key was attached to the house key Hector had given him. Addressing the door on his left, he turned the locks and stepped into a pitch-dark room that smelled of woman’s deodorant, the one Eloise used to like. He groped for the light switch. Heavy red velvet curtains, barely hung out, tightly drawn and held together with oversized safety pins that haphazardly recalled for him his weeks of
recuperation in the American Hospital in Bogotá. No bed. At the centre of the room, a bare trestle table with rotating chair, computer and reading light. On the wall ahead of him, fixed into the angle of the ceiling, four black blinds of waxy cloth reaching to the floor.

Returning to the half-landing, he leaned over the bannisters and yet again called ‘anyone there?’ and yet again received no answer. Back in the bedroom he released the black blinds one by one, nursing them into their housings on the ceiling. At first he thought he was looking at an architect’s plan, wall wide. But a plan of
what
? Then he thought it must be a huge piece of calculus. But calculating
what
?

He studied the coloured lines and read the careful italic handwriting denoting what he at first took to be towns. But how could they be towns with names like Pastor, Bishop, Priest and Curate? Dotted lines beside solid ones. Black lines turning to grey, then vanishing. Lines in mauve and blue, converging on a hub somewhere south of centre, or did they emanate from it?

And all of them with such detours, so much backtracking, so many turns, doublings and switches of direction, up, down and sideways, and then up again, that if his son, Ben, in one of his unexplained rages, had holed up in this same room and seized a tin of coloured crayons and zigzagged his way across the wall, the effect wouldn’t have been much different.

‘Like it?’ Hector inquired, standing behind him.

‘Are you sure you’ve got it the right way up?’ Luke replied, determined not to show surprise.

‘She’s calling it
Money Anarchy
. I reckon it’s just about right for the Tate Modern.’

‘She?’

‘Yvonne. Our Iron Maiden. Does mainly afternoons. This is her room. Yours is upstairs.’

Together, they climbed to a converted attic with stripped beams and dormer windows. One trestle table of the same design as Yvonne’s. Hector is no fan of desk drawers. One desktop computer, no terminal.

‘We don’t use landlines, encrypted or t’other,’ Hector said, with the hushed vehemence that Luke was learning to expect of him. ‘No fancy hotlines to Head Office, no email connection, encrypted, decrypted or fried. The only documents we deal with are on Ollie’s little orange sticks.’ He was holding one up: a common memory stick with a number 7 branded on its orange plastic shell. ‘Each stick tracked in transit by each of us each end, got it? Signed in, signed out. Ollie runs the shuttle, keeps the log. Spend a couple of days with Yvonne and you’ll get the hang of it. Other questions as they arise. Any problems?’

‘I don’t think so.’

‘Nor do I. So lean back, think of England, don’t maunder, and don’t fuck up.’

And think too of Our Iron Maiden. Professional bloodhound, balls of steel and Eloise’s expensive deodorant.

*

It was advice Luke had done his utmost to adhere to for the last three months, and he prayed devoutly that he would do so today. Twice, Billy Boy Matlock had summoned him to the presence, to blandish or threaten him, or both. Twice he had ducked and weaved and lied to Hector’s instruction, and survived. It had not been easy.

‘Yvonne does not exist either in Heaven or here on earth,’ Hector had decreed from Day One. ‘Does not, will not. Got it? That’s your bottom line. And your top line too. And if Billy Boy straps you by your balls to the chandelier, she
still
doesn’t exist.’

Does not exist?
A demure young woman in a long dark raincoat and pointed hood standing on the doorstep on the very first evening of his very first day here, no make-up, clutching a baggy briefcase in both arms as if she had just rescued it from the flood,
does not, will not exist
?

‘Hi. I’m Yvonne.’

‘Luke. Come on in, for Heaven’s sake!’

A dripping handshake as they bundle her into the entrance hall.
Ollie, the best back-door man in the business, finds a hanger for her raincoat and hangs it in the loo to drip on to the tiled floor. A three-month-long working relationship that does not exist has begun. Hector’s strictures about paper did not extend to Yvonne’s bulky bag, Luke quickly learned later that same night. That was because whatever she brought in her bag left in it the same day. And the reason for this again was that Yvonne was no mere researcher, she was a clandestine source.

One day her bag might contain a bulky file from the Bank of England. Another, it would be from the Financial Services Authority, the Treasury, the Serious and Organized Crime Agency. And on one momentous Friday evening, never to be forgotten, it was a stack of six fat volumes and a score of audio cassettes, enough to fill the bag to bursting, from the hallowed archives of the Government Communications Headquarters itself. Ollie, Luke and Yvonne spent the whole weekend copying, photographing and replicating the material any way they could, so that Yvonne could return it to its rightful owners at crack of dawn on Monday morning.

Whether she came by her loot licitly or by stealth, whether she filched it or cajoled it out of her colleagues and accomplices, Luke to this day had no idea. He knew only that as soon as she arrived with her bag, Ollie would whisk it to his lair behind the kitchen, there to scan its contents, transfer them to a memory stick, and return the bag to Yvonne: and Yvonne, come end of day, to whichever Whitehall department officially owned her services.

For that too was a mystery, never once revealed in the long afternoons when Luke and Yvonne sat cloistered together comparing the illustrious names of Vulture Capitalists with billion-dollar cash transfers conducted at lightning speed across three continents in a day; or chatting in the kitchen over Ollie’s lunchtime soup, tomato a speciality, French onion not bad either. And his crab chowder, which he brought part-cooked in a picnic Thermos and completed on the gas stove, a miracle by common consent. But as far as Billy Boy Matlock is concerned, Yvonne does not and will not ever exist. Weeks of training in the arts of resisting interrogation say so: so does a month
of crouching handcuffed in a mad drug lord’s jungle
redoute
while your wife discovers that you are a compulsive womanizer.

*

‘So what are we looking at here for whistleblowers, Luke?’ Matlock inquires of Luke over a nice cup of tea in the comfortable corner of his large office in
la Lubianka-sur-Tamise
, having invited him to drop by for a chat, and no need to tell Hector. ‘You’re a fellow who knows a thing or two about informants. I was thinking of you only the other day when the question of a new senior trainer in agent-running came up. A nice five-year contract for somebody just your age,’ Matlock says in his homespun Midlands drawl.

‘To be perfectly honest with you, Billy, your guess is as good as mine,’ Luke replies, mindful that Yvonne does not, will not exist, even if Billy Boy straps him to the chandelier by his balls, which was about the one thing the drug lord’s boys didn’t think of doing to him. ‘Hector just conjures up his information out of the fresh air, frankly. It’s amazing,’ he adds, with appropriate bewilderment.

Matlock seems not to hear this answer, or perhaps not to care for it, for the geniality disappears from his voice as if it had never been.

‘Mind you, it’s a double-edged sword, is a training appointment like that one. We’d be looking for the veteran officer whose career would serve as a role model to our idealistic young trainees. Male
and
female, I don’t have to emphasize. The Board would need to be convinced there were no suggestions of impropriety that might be levelled against the successful candidate. And Secretariat would be tendering that advice, naturally enough. In your case, we might have to be looking at a little creative restructuring of your CV.’

‘That would be generous, Billy.’

‘It would indeed, Luke,’ Matlock agreed. ‘It would indeed. And somewhat conditional on your current behaviour too.’

*

Who
was
Yvonne? For the first of those three months, she had driven Luke – he could say it now, he could admit it – just a little bit wild. He loved her demureness and her privacy, which he longed to share. Her discreetly scented body, if she ever allowed it to be revealed, would border on the classic, he could imagine it exactly. Yet they could sit for hours on end, cheek by jowl in front of her computer screen, or poring over her Tate Modern mural, feeling each other’s body-warmth, grazing hands by accident. They could share every twist and turn of the chase, every false trail, dead end and temporary triumph: all at a distance of a few inches from each other, in the upstairs bedroom of a secret house that for most of the day they shared alone.

And still nothing: until an evening when the two of them were sitting exhausted and alone at the kitchen table enjoying a cup of Ollie’s soup and, at Luke’s suggestion, a shot of Hector’s Islay malt. Taking himself by surprise, he asked Yvonne point-blank what sort of a life she led apart from
this
, and whether she had anyone to share it with who could support her in her stressful labours – adding, with the old sad smile of which he was instantly ashamed, that after all it was only our
answers
that were dangerous, wasn’t it, not the questions, if she saw what he meant?

For a long time her dangerous answer didn’t materialize:

‘I’m a
government employee
,’ she said, in the robotic tone of somebody speaking into camera for a quiz competition. ‘My name is not Yvonne. Where I am employed is none of your business. However, I don’t think you’re asking me that. I’m Hector’s discovery, as I assume we both are. But I don’t think you’re asking me that either. You’re asking me about my orientation. And whether, by extension, I wish to go to bed with you.’

‘Yvonne, I was asking you nothing of the kind!’ Luke protested, truthlessly.

‘And for your information, I’m married to a man I’m in love with, we have a three-year-old daughter, and I don’t fuck around even with people as nice as you. So let’s get on with our soup, shall we?’ she suggested – at which, amazingly, they both broke out in cathartic
laughter and, with the tension broken, returned peacefully to their separate corners.

*

And Hector, who was he, after three months of him, albeit in sporadic bursts? – Hector of the feverish stare and the scatological tirades against the City crooks who were the source of all our evils? On the Service grapevine it was hinted that in successfully saving the life of his family firm, Hector had resorted to methods honed by half a lifetime in the black arts, and deemed, even by the City’s abysmal standards, foul. So was the vendetta against the City’s evildoers driven by revenge – or guilt? Ollie, not normally given to gossip, had no doubt: Hector’s experience of the City’s bad manners – and his own employment of them, said Ollie – had turned him overnight into an avenging angel. ‘It’s a little vow he’s taken,’ he confided to them in the kitchen, while they waited for Hector to put in one of his late appearances. ‘He’s going to save the world before he leaves it if it kills him.’

*

But then Luke had always been a worrier. From infancy he had worried indiscriminately, rather in the way he fell in love.

He could worry as much about whether his watch was ten seconds fast or slow, as about the direction of a marriage that was null and void in every room except the kitchen.

He worried whether there was more to his son Ben’s tantrums than just growing pains, and whether Ben was under his mother’s orders not to love his father.

He worried about the fact that he was at peace when he was working, and that when he wasn’t, even now walking along, he was a mass of unjoined ends.

He worried whether he should have swallowed his pride and accepted the Human Queen’s offer of a shrink.

He worried about Gail, and his desire for her, or for some girl like her: a girl with real light in her face instead of the glum cloud that followed Eloise around even when the sun was on her.

He worried about Perry and tried not to be envious of him. He worried about which half of Perry would come out on top in an operational emergency: would it be the intrepid mountaineer or the unworldly university moralist – and anyway, was there a difference?

He worried about the impending duel between Hector and Billy Boy Matlock, and which of them was going to lose his temper first – or pretend to.

*

Leaving the sanctuary of Regent’s Park, he entered the throng of Sunday shoppers looking for a bargain. Ease down, he told himself. It’ll be all right. Hector’s in charge, not you.

He was counting off landmarks. Ever since Bogotá, landmarks had been important to him. If they kidnap me, these are the last things I saw before they put the blindfold on me.

The Chinese restaurant.

The Big Archway nightclub.

The Gentle Readers’ Bookshop.

This is the ground coffee I smelled while I was wrestling with my attackers.

Those are the snowy pine trees I saw in the window of the art shop before they sandbagged me.

This is number 9, the house where I was reborn, three steps to the front door and act like any normal householder.

9

There were no formalities between Hector and Matlock, friendly or otherwise, and perhaps there never had been: just a nod and a silent handshake of two veteran belligerents shaping up for another bout. Matlock arrived on foot, having been dropped round the corner by his driver.

‘Very nice Wilton carpeting, Hector,’ he said, while he took a slow look round that seemed to confirm his worst suspicions. ‘You can’t beat Wilton, not when it comes to cost versus quality. Good day to you, Luke. It’s just the two of you, is it?’ – passing Hector his coat.

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