Authors: Peter Huber
as failure,
233
metaphors in,
7
,
256
,
258
,
318
,
336
political themes of,
3
â4,
88
,
127
,
293
prison scenes in,
6
â7,
127
,
243
,
332
,
336
â37,
339
self-plagiarism in,
7
significance of,
1
â2,
235
â36,
237
superstates in,
5
â6,
57
,
68
,
242
,
247
â48,
302
telescreen in,
23
â25,
35
,
55
,
57
,
58
,
126
,
222
â23,
235
,
237
Victory Gin in,
2
,
4
,
6
,
7
,
10
,
23
,
24
,
25
wrongness of logic of,
2
,
8
,
223
,
233
â40. See
also
Big Brother
Telescreen
headings beginning with Ministry
and specific characters
Nonsense Poetry,
259
Novel Now, The (Burgess),
233
,
346
Noyce, Robert,
272
Obliteration of the Self,
5
,
68
,
235
O'Brien,
5
â7,
9
,
67
â69,
99
,
218
,
228
,
233
,
234
,
243
,
255
,
258
,
260
,
288
,
292
,
310
,
336
Oceania,
2
,
3
,
5
â6,
24
,
68
,
233
,
242
Office of Technology Assessment,
363
Oldspeak:
219
,
255
n Oligarchic collectivism,
250
Oligarchy,
55
â57,
58
,
127
,
246
,
356
“On a Ruined Farm Near the His Master's Voice Gramophone Factory” (Orwell),
34
Open network architecture (ONA),
281
â82
Orwell, George: as BBC broadcaster,
9
,
34
â35,
58
,
71
,
72
â73,
125
,
252
,
257
,
292
,
293
,
304
,
355
â56,
357
book reviews by,
44
â45,
56
,
57
,
67
â68,
122
,
219
â20,
297
commemorative issue of
World Review
on,
220
â21
dislike of machine by,
33
â35,
70
,
71
,
221
,
222
,
228
â29,
251
,
329
â30
dislike of radio by,
34
â35,
90
,
222
,
237
,
298
doublethink of;
122
â27,
241
â45,
248
as film and theater critic,
34
as good-bad artist,
235
â36
home of, during World War II,
293
“Imaginary Interview with Jonathan Swift” program,
58
,
235
,
257
imprisonment of,
217
,
234
,
332
â33
Jura retreat of,
227
list of writings of,
9
n
pessimism of,
122
,
228
,
233
,
236
,
290
,
310
,
311
physical appearance of,
331
and poverty,
246
school days of,
10
,
245
â46,
251
,
264
,
301
,
308
,
319
in Spanish Civil War,
234
,
247
,
328
,
356
as “Tory Anarchist,”
252
tuberculosis ot
252
â53,
297
,
356
â57
wife ot
328
word-pictures in writings ot
70
writing of 1984,
7
â8,
56
,
252
â53,
271
wrongness of logic of
2
,
8
,
223
,
233
â40
âworks:
Animal Farm
,
34
,
123
,
309
Burmese Days
,
235
,
246
,
258
,
291
â92,
358
A
Clergyman's Daughter
,
291
,
353
,
358
“Clink,”
217
Coming Up for Air
,
34
â35,
56
\
125
â26,
358
“The Cost of Letters,”
123
â24
Down and Out in Paris and London
,
268
,
358
“England, Your England, “35,
69
“The English People,”
224
“A Hanging,”
258
“In Front of Your Nose,”
240
Keep the Aspidistra Flying
,
34
,
88
,
89
,
125
â26,
219
,
226
,
245
,
246
,
249
,
257
â58,
271
,
339
,
353
,
358
The Lion and the Unicorn
,
100
â101,
224
,
238
,
316
“Literature and Totalitarianism,”
121
â22
“Looking Back on the Spanish War,”
68
“New Words,”
72
,
226
,
251
,
252
,
259
“On a Ruined Farm Near the His Master's Voice Gramophone Factory,”
34
“Poetry and the Microphone,”
73
â75,
125
,
252
,
261
“Politics and the English Language,”
70
,
246
â47
“Politics vs Literature,”
241
“Reflections on Gandhi,”
244
The Road to Wigan Pier
,
33
,
56
,
71
,
122
â23,
225
,
245
,
290
,
295
,
325
,
331
,
343
“Second Thoughts on James Burnham,”
55
â57,
289
“Shooting an Elephant,”
258
“Such, Such Were the Joys,”
245
“You and the Atom Bomb,”
45
.
See also 1984
Orwell: The Authorized Biography
(Shelden),
9
Orwell's Revenge:
author's approach to writing,
8
â10,
256
â60,
287
,
294
author's rationale for,
234
â35,
255
â56
beginning of,
357
Personal communications networks (PCNs),
234
,
283
Personal computers,
224
,
278
,
280
Philco,
276
Phonoautograph,
262
Physical reality,
305
â306
Picturephone,
279
“Poetry and the Microphone” (Orwell),
73
â75,
125
,
252
“Politics and the English Language” (Orwell),
7
,
70
,
246
â47
“Politics vs Literature” (Orwell),
241
Pool, Ithiel de Sola Pool,
228
,
282
Power: A New Social Analysis
(Russell),
56
â57,
67
Press.
See
Newspapers Prison,
6
â7,
127
,
217
,
234
,
243
,
332
â33,
336
â37,
339
Private branch exchanges,
274
Private property,
88
,
247
,
251
,
311
,
312
Proles,
6
,
87
,
127
,
228
,
239
,
290
,
310
,
311
,
319
Proletarian consciousness,
127
Propaganda,
3
,
23
,
24
,
34
,
58
,
69
,
74
,
88
,
99
,
223
,
228
,
252
,
309
,
330
,
Punch card,
264
,
269
,
271
â72,
277
,
284
,
359
Race-to-the-swiftest tendency,
247
,
248
,
249
Radcliffe, Mrs.,
358
Radio: collective ownership of,
252
commercialization of,
220
first U.S. radio stations,
266
and hyper-centralized Ministries,
55
as medium of expression,
69
Orwell as BBC broadcaster,
9
,
34
â35,
58
,
71
,
72
â73,
125
,
252
,
257
,
355
â56,
357
Orwell's dislike of,
34
â35,
90
,
222
,
237
,
298
Orwell's guarded optimism about,
72
â75
promotion of nationalism by,
309
technological development of,
265
â66
U.S. legislation and regulation,
266
â67,
269
,
270
wartime propaganda on,
309
,
345
.
See also
BBC
Radio Act of 1927,
266
â67,
268
,
360
Radio Corporation of America (RCA),
266
,
276
Radio telephone,
282
Reality Control,
2
Rebellion,
6
Rees, Richard,
357
Remington Rand,
276
Rentier capitalism,
249
â50,
251
,
355
Road to Serfdom
(Hayek),
218
,
219
â20
Road to Wigan Pier, The
(Orwell),
33
,
56
,
71
,
122
â23,
225
,
245
,
290
,
295
,
325
,
331
,
343
Roosevelt, Franklin,
267
Runyon, Damon,
247
Russell, Bertrand,
56
â57,
67
,
221
Sarnoff, David,
266
Satellite technologies,
273
Science,
68
,
70
,
71
,
89
,
222
,
233
,
299
,
307
,
308
,
309
,
355
â56
“Science and Politics,”
71
“Science and the People,”
71
Screens.
See
Telescreen
“Second Thoughts on James Burnham” (Orwell),
55
â57,
289
Secret Police,
3
,
35
,
57
,
90
,
237
,
298
,
303
Sedition,
24
Seminals,
279
Shakespeare, William,
225
Shaw, George Bernard,
236
Shelden, Michael,
9
,
235
,
256
,
258
Shelley, Percy Bysshe,
358