Authors: Edward W. Said
One can explain such statements by recognizing that a still more implicit and powerful difference posited by the Orientalist as against the Oriental is that the former
writes
about, whereas the latter
is written
about. For the latter, passivity is the presumed role; for the former, the power to observe, study, and so forth; as Roland Barthes has said, a myth (and its perpetuators) can invent itself (themselves) ceaselessly.
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The Oriental is given as fixed, stable, in need of investigation, in need even of knowledge about himself. No dialectic is either desired or allowed. There is a source of information (the Oriental) and a source of knowledge (the Orientalist), in short, a writer and a subject matter otherwise inert. The relationship between the two is radically a matter of power, for which there are numerous images. Here is an instance taken from Raphael Patai’s
Golden River to Golden Road
:
In order properly to evaluate what Middle Eastern culture will
willingly accept
from the embarrassingly rich storehouses of Western civilization, a better and sounder understanding of Middle Eastern culture
must first be acquired
. The same prerequisite is necessary in order
to gauge
the probable effects
of newly introduced
traits
on the cultural context of tradition directed peoples. Also, the ways and means
in which new cultural offerings can be made palatable
must be studied much more thoroughly than was hitherto the case. In brief, the only way in which
the Gordian knot of resistance
to Westernization in the Middle East
can be unraveled
is that of studying the Middle East,
of obtaining a fuller picture
of its traditional culture, a better understanding of
the processes of change taking place
in it at present, and
a deeper insight
into the psychology of human groups brought up in Middle Eastern culture.
The task is taxing, but the prize, harmony between the West
and a neighboring world area of crucial importance, is well worth it.
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The metaphorical figures propping up this passage (I have indicated them by italics) come from a variety of human activities, some commercial, some horticultural, some religious, some veterinary, some historical. Yet in each case the relation between the Middle East and the West is really defined as sexual: as I said earlier in discussing Flaubert, the association between the Orient and sex is remarkably persistent. The Middle East is resistant, as any virgin would be, but the male scholar wins the prize by bursting open, penetrating through the Gordian knot despite “the taxing task.” “Harmony” is the result of the conquest of maidenly coyness; it is not by any means the coexistence of equals. The underlying power relation between scholar and subject matter is never once altered: it is uniformly favorable to the Orientalist. Study, understanding, knowledge, evaluation, masked as blandishments to “harmony,” are instruments of conquest.
The verbal operations in such writing as Patai’s (who has outstripped even his previous work in his recent
The Arab Mind
134
) aim at a very particular sort of compression and reduction. Much of his paraphernalia is anthropological—he describes the Middle East as a “culture area”—but the result is to eradicate the plurality of differences among the Arabs (whoever they may be in fact) in the interest of one difference, that one setting Arabs off from everyone else. As a subject matter for study and analysis, they can be controlled more readily. Moreover, thus reduced they can be made to permit, legitimate, and valorize general nonsense of the sort one finds in works such as Sania Hamady’s
Temperament and Character of the Arabs
. Item:
The Arabs so far have demonstrated an incapacity for disciplined and abiding unity. They experience collective outbursts
of enthusiasm but do not pursue patiently collective endeavors, which are usually embraced half-heartedly. They show lack of coordination and harmony in organization and function, nor have they revealed an ability for cooperation. Any collective action for common benefit or mutual profit is alien to them.
135
The style of this prose tells more perhaps than Hamady intends. Verbs like “demonstrate,” “reveal,” “show,” are used without an indirect object: to whom are the Arabs revealing, demonstrating, showing? To no one in particular, obviously, but to everyone in general. This is another way of saying that these truths are self-evident only to a privileged or initiated observer, since nowhere does Hamady cite generally available evidence for her observations. Besides, given the inanity of the observations, what sort of evidence could there be? As her prose moves along, her tone increases in confidence: “Any collective action … is alien to them.” The categories harden, the assertions are more unyielding, and the Arabs have been totally transformed from people into no more than the putative subject of Hamady’s style. The Arabs exist only as an occasion for the tyrannical observer: “The world is
my
idea.”
And so it is throughout the work of the contemporary Orientalist: assertions of the most bizarre sort dot his or her pages, whether it is a Manfred Halpern arguing that even though all human thought processes can be reduced to eight, the Islamic mind is capable of only four,
136
or a Morroe Berger presuming that since the Arabic language is much given to rhetoric Arabs are consequently incapable of true thought.
137
One can call these assertions myths in their function and structure, and yet one must try to understand what other imperatives govern their use. Here one is speculating, of course. Orientalist generalizations about the Arabs are very detailed when it comes to itemizing Arab characteristics critically, far less so when it comes to analyzing Arab strengths. The Arab family, Arab rhetoric, the Arab character, despite copious descriptions by the Orientalist, appear de-natured, without human potency, even as these same descriptions possess a fullness and depth in their sweeping power over the subject matter. Hamady again:
Thus, the Arab lives in a hard and frustrating environment. He has little chance to develop his potentialities and define his position in society, holds little belief in progress and change, and finds salvation only in the hereafter.
138
What the Arab cannot achieve himself is to be found in the writing about him. The Orientalist is supremely certain of
his
potential, is not a pessimist, is able to define his position, his own and the Arab’s. The picture of the Arab Oriental that emerges is determinedly negative; yet, we ask, why this endless series of works on him? What grips the Orientalist, if it is not—as it certainly is not—love of Arab science, mind, society, achievement? In other words, what is the nature of Arab presence in mythic discourse about him?
Two things: number and generative power. Both qualities are reducible to each other ultimately, but we ought to separate them for the purposes of analysis. Almost without exception, every contemporary work of Orientalist scholarship (especially in the social sciences) has a great deal to say about the family, its male-dominated structure, its all-pervasive influence in the society. Patai’s work is a typical example. A silent paradox immediately presents itself, for if the family is an institution for whose general failures the only remedy is the placebo of “modernization,” we must acknowledge that the family continues to produce itself, is fertile, and is the source of Arab existence in the world, such as it is. What Berger refers to as “the great value men place upon their own sexual prowess”
139
suggests the lurking power behind Arab presence in the world. If Arab society is represented in almost completely negative and generally passive terms, to be ravished and won by the Orientalist hero, we can assume that such a representation is a way of dealing with the great variety and potency of Arab diversity, whose source is, if not intellectual and social, then sexual and biological. Yet the absolutely inviolable taboo in Orientalist discourse is that that very sexuality must never be taken seriously. It can never be explicitly blamed for the absence of achievement and “real” rational sophistication the Orientalist everywhere discovers among the Arabs. And yet this is, I think, the missing link in arguments whose main object is criticism of “traditional” Arab society, such as Hamady’s, Berger’s, and Lerner’s. They recognize the power of the family, note the weaknesses of the Arab mind, remark the “importance” of the Oriental world to the West, but never say what their discourse implies, that what is really left to the Arab after all is said and done is an undifferentiated sexual drive. On rare occasions—as in the work of Leon Mugniery—we do find the implicit made clear: that there is a “powerful sexual appetite … characteristic of those hot-blooded southerners.”
140
Most of the time, however,
the belittlement of Arab society and its reduction of platitudes inconceivable for any except the racially inferior are carried on over an undercurrent of sexual exaggeration: the Arab produces himself, endlessly, sexually, and little else. The Orientalist says nothing about this, although his argument depends on it: “But co-operation in the Near East is still largely a family affair and little of it is found outside the blood group or village.”
141
Which is to say that the only way in which Arabs count is as mere biological beings; institutionally, politically, culturally they are nil, or next to nil. Numerically and as the producers of families, Arabs are actual.
The difficulty with this view is that it complicates the passivity amongst Arabs assumed by Orientalists like Patai and even Hamady and the others. But it is in the logic of myths, like dreams, exactly to welcome radical antitheses. For a myth does not analyze or solve problems. It represents them as already analyzed and solved; that is, it presents them as already assembled images, in the way a scarecrow is assembled from bric-a-brac and then made to stand for a man. Since the image
uses
all material to its own end, and since by definition the myth displaces life, the antithesis between an over-fertile Arab and a passive doll is not functional. The discourse papers over the antithesis. An Arab Oriental is that impossible creature whose libidinal energy drives him to paroxysms of over-stimulation—and yet, he is as a puppet in the eyes of the world, staring vacantly out at a modern landscape he can neither understand nor cope with.
It is in recent discussions of Oriental political behavior that such an image of the Arab seems to be relevant, and it is often occasioned by scholarly discussion of those two recent favorites of Orientalist expertise, revolution and modernization. Under the auspices of the School of Oriental and African Studies there appeared in 1972 a volume entitled
Revolution in the Middle East and Other Case Studies
, edited by P. J. Vatikiotis. The title is overtly medical, for we are expected to think of Orientalists as finally being given the benefit of what “traditional” Orientalism usually avoided: psychoclinical attention. Vatikiotis sets the tone of the collection with a quasi-medical definition of revolution, but since Arab revolution is in his mind and in his readers’, the hostility of the definition seems acceptable. There is a very clever irony here about which I shall speak later. Vatikiotis’s theoretical support is Camus—whose colonial mentality was no friend of revolution or of the Arabs, as Conor Cruise O’Brien has recently shown—but the phrase “revolution
destroys both men and principles” is accepted from Camus as having “fundamental sense.” Vatikiotis continues:
… all revolutionary ideology is in direct conflict with (actually, is a head-on attack upon) man’s rational, biological and psychological make-up.
Committed as it is to a methodical metastasis, revolutionary ideology demands fanaticism from its adherents. Politics for the revolutionary is not only a question of belief, or a substitute for religious belief. It must stop being what it has always been, namely, an adaptive activity in time for survival. Metastatic, soteriological politics abhors adaptiveness, for how else can it eschew the difficulties, ignore and bypass the obstacles of the complex biological-psychological dimension of man, or mesmerize his subtle though limited and vulnerable rationality? It fears and shuns the concrete and discrete nature of human problems and the preoccupations of political life: it thrives on the abstract and the Promethean. It subordinates all tangible values to the one supreme value: the harnessing of man and history in a grand design of human liberation. It is not satisfied with human politics, which has so many irritating limitations. It wishes instead to create a new world, not adaptively, precariously, delicately, that is, humanly, but by a terrifying act of Olympian pseudo-divine creation. Politics in the service of man is a formula that is unacceptable to the revolutionary ideologue. Rather man exists to serve a politically contrived and brutally decreed order.
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Whatever else this passage says—purple writing of the most extreme sort, counterrevolutionary zealotry—it is saying nothing less than that revolution is a bad kind of sexuality (pseudo-divine act of creation), and also a cancerous disease. Whatever is done by the “human,” according to Vatikiotis, is rational, right, subtle, discrete, concrete; whatever the revolutionary proclaims is brutal, irrational, mesmeric, cancerous. Procreation, change, and continuity are identified not only with sexuality and with madness but, a little paradoxically, with abstraction.
Vatikiotis’s terms are weighted and colored emotionally by appeals (from the right) to humanity and decency and by appeals (against the left) safeguarding humanity from sexuality, cancer, madness, irrational violence, revolution. Since it is Arab revolution that is in question, we are to read the passage as follows: This is what revolution is, and if the Arabs want it, then that is a fairly telling comment on them, on the kind of inferior race they are. They are
only
capable of sexual incitement and not of Olympian (Western, modern)
reason. The irony of which I spoke earlier now comes into play, for a few pages later we find that the Arabs are so inept that they cannot even aspire to, let alone consummate, the ambitions of revolution. By implication, Arab sexuality need not be feared for itself but for its failure. In short, Vatikiotis asks his reader to believe that revolution in the Middle East is a threat precisely because revolution cannot be attained.