Open City (2 page)

Read Open City Online

Authors: Teju Cole

BOOK: Open City
3.82Mb size Format: txt, pdf, ePub

O
NE
S
UNDAY MORNING IN
N
OVEMBER, AFTER A TREK THROUGH
the relatively quiet streets on the Upper West Side, I arrived at the large, sun-brightened plaza at Columbus Circle. The area had changed recently. It had become a more commercial and tourist destination thanks to the pair of buildings erected for the Time Warner corporation on the site. The buildings, constructed at great speed, had just opened, and were filled with shops selling tailored shirts, designer suits, jewelry, appliances for the gourmet cook, handmade leather accessories, and imported decorative items. On the upper floors were some of the costliest restaurants in the city, advertising truffles, caviar, Kobe beef, and pricey “tasting menus.” Above the restaurants were apartments that included the most expensive residence in the city. Curiosity had brought me into the shops on the ground level once or twice before, but the cost of the items, and what I perceived as the generally snobbish atmosphere, had kept me from returning until that Sunday morning.

It was the day of the New York Marathon. I hadn’t known. I was taken aback to see the round plaza in front of the glass towers filled with people, a massive, expectant throng setting itself into place close to the marathon’s finish line. The crowd lined the street leading away from the plaza toward the east. Nearer the west there was a bandstand, on which two men with guitars were tuning up, calling and responding to the silvery notes on each other’s amplified instruments. Banners, signs, posters, flags, and streamers of all kinds flapped in the wind, and mounted police on blindered horses regulated the crowd with cordons, whistles, and hand movements. The cops were in dark blue and wore sunshades. The crowd was brightly attired, and looking at all that green, red, yellow, and white synthetic material in the sun hurt the eyes. To escape the din, which seemed to be mounting, I decided to go into the shopping center. In addition to the Armani and Hugo Boss shops, there was a bookshop on the second floor. In there, I thought, I might catch some quiet and drink a cup of coffee before heading back home. But the entrance was full
of the crowd overflow from the street, and cordons made it impossible to get into the towers.

I changed my mind, and decided instead to visit an old teacher of mine who lived in the vicinity, in an apartment less than ten minutes’ walk away on Central Park South. Professor Saito was, at eighty-nine, the oldest person I knew. He had taken me under his wing when I was a junior at Maxwell. By that time he was already emeritus, though he continued to come to campus every day. He must have seen something in me that made him think I was someone on whom his rarefied subject (early English literature) would not be wasted. I was a disappointment in this regard, but he was kindhearted and, even after I failed to get a decent grade in his English Literature before Shakespeare seminar, invited me to meet with him several times in his office. He had, in those days, recently installed an intrusively loud coffee machine, so we drank coffee, and talked: about interpretations of
Beowulf
, and then later on about the classics, the endless labor of scholarship, the various consolations of academia, and of his studies just before the Second World War. This last subject was so total in its distance from my experience that it was perhaps of most interest to me. The war had broken out just as he was finishing his D.Phil, and he was forced to leave England and return to his family in the Pacific Northwest. With them, shortly afterward, he was taken to internment in the Minidoka Camp in Idaho.

In these conversations, as I now recall them, he did almost all the talking. I learned the art of listening from him, and the ability to trace out a story from what was omitted. Rarely did Professor Saito tell me anything about his family, but he did tell me about his life as a scholar, and about how he had responded to important issues of his day. He’d done an annotated translation of
Piers Plowman
in the 1970s, which had turned out to be his most notable academic success. When he mentioned it, he did so with a curious mixture of pride and disappointment. He alluded to another big project (he didn’t say on what) that had never been completed. He spoke, too, about departmental
politics. I remember one afternoon that was taken up with his recollection of a onetime colleague whose name meant nothing to me when he said it and which I don’t remember now. This woman had become famous for her activism during the civil rights era and had, for a moment, been such a campus celebrity that her literature classes overflowed. He described her as an intelligent, sensitive individual but someone with whom he could never agree. He admired and disliked her. It’s a puzzle, I remember him saying, she was a good scholar, and she was on the right side of the struggles of the time, but I simply couldn’t stand her in person. She was abrasive and egotistical, heaven rest her soul. You can’t say a word against her around here, though. She’s still considered a saint.

After we became friends, I made it a point to see Professor Saito two or three times each semester, and those meetings became cherished highlights of my last two years at Maxwell. I came to view him as a grandfatherly figure entirely unlike either of my own grandfathers (only one of whom I’d known). I felt I had more in common with him than with the people who happened to be related to me. After graduation, when I left, first for my research stint at Cold Spring Harbor, and then to medical school in Madison, we lost touch with each other. We exchanged one or two letters, but it was hard to have our conversations in that medium, since news and updates were not the real substance of our interaction. But after I returned to the city for internship, I saw him several times. The first, entirely by accident—though it happened on a day when I had been thinking about him—was just outside a grocery store not far from Central Park South, where he had gone out walking with the aid of an assistant. Later on, I showed up unannounced at his apartment, as he had invited me to do, and found that he still maintained the same open-door policy he had back when he had his office at the college. The coffee machine from that office now sat disused in a corner of the room. Professor Saito told me he had prostate cancer. It wasn’t entirely debilitating, but he had stopped going to campus, and had
begun to hold court at home. His social interactions had been curtailed to a degree that must have pained him; the number of guests he welcomed had declined steadily, until most of his visitors were either nurses or home health aides.

I greeted the doorman in the dark, low-ceilinged foyer and took the elevator to the third floor. When I entered the apartment, Professor Saito called out. He was seated at the far end of the room, near large windows, and he beckoned me over to the chair in front of him. His eyes were weak, but his hearing had remained as sharp as when I had first met him, back when he was a mere seventy-seven. Now, bunched up in a soft, large chair, swaddled in blankets, he looked like someone who had gone deep into the second infancy. But that wasn’t altogether the case: his mind, like his hearing, had remained acute and, as he smiled, the wrinkles spread all over his face, creasing the paper-thin skin on his forehead. In that room, into which always seemed to flow a gentle and cool northern light, he was surrounded by art from a lifetime of collecting. A half dozen Polynesian masks, arranged just above his head, formed a large dark halo. In the corner stood a life-size Papuan ancestor figure with individually carved wooden teeth and a grass skirt that barely concealed an erect penis. Referring to this figure, Professor Saito had once said: I adore imaginary monsters, but I am terrified of real ones.

From the windows that ran the length of that side of the room, the shadowed street was visible. Beyond it was the park, which was demarcated by an old stone wall. I heard a roar from the street just as I was sitting down; I quickly got up again and saw a man running alone through the alley that had been created by the crowd. He wore a golden shirt, with black gloves that somehow reached up to his elbows, like a lady’s at a formal dinner, and he had begun to sprint with renewed energy, buoyed by the cheers. He raced, his energies revived, toward the bandstand, the fervent crowd, the finish line, and the sun.

Come, sit, sit. Professor Saito coughed as he motioned toward the
chair. Tell me how you are doing; you see, I’ve been sick; it was bad last week, but it’s much better now. At my age, one falls sick a lot. Tell me, how are you, how are you? The noise outside rose again, and ebbed. I saw the runners-up dash through, two black men. Kenyans, I guessed. It’s like this every year, for almost fifteen years now, Professor Saito said. If I have to go out on the day of the marathon, I use the building’s rear entrance. But I don’t go out much anymore, not with that attached to me, pinned to me like a tail on a dog. As I settled into the chair, he pointed to the transparent bag hanging on a little metal pole. The bag was half full of urine, and a plastic tube led to it from somewhere under the nest of blankets. Someone brought me persimmons yesterday, lovely, firm persimmons. Would you like some? Really, you should try them. Mary! The nurse-aide, a tall, strongly built, middle-aged woman from St. Lucia whom I had met on previous visits, appeared from the corridor. Mary, would you please bring our guest some persimmons? After she disappeared into the kitchen, he said, I find chewing a bit difficult these days, Julius, so something as rich and available as a persimmon is perfect for me. But enough about this, how are you? How is work?

My presence energized him. I told him a little about my walks, and wanted to tell him more but didn’t have quite the right purchase on what it was I was trying to say about the solitary territory my mind had been crisscrossing. So I told him about one of my recent cases. I had had to consult with a family, conservative Christians, Pentecostals, who had been referred by one of the pediatricians at the hospital. Their thirteen-year-old son, their only child, was about to undergo a leukemia treatment that posed a serious later risk of infertility. The pediatrician’s advice to them was that they have some of the boy’s semen frozen and stored, so that when he became a man and got married, he could artificially inseminate his wife and have children of his own. The parents were open to the idea of sperm storage, and had nothing against artificial insemination, but were resolutely opposed, for religious reasons, to the idea of letting their
son masturbate. There was no straightforward surgical solution to the conundrum. The family was in crisis over it. They consulted with me, and after a few sessions, and after much prayer on their part, they decided to risk not having grandchildren. They simply could not let their boy commit what they called the sin of onanism.

Professor Saito shook his head, and I could see that he had enjoyed the story, that its strange and unhappy contours had amused him (and troubled him) in the same way they had me. People choose, he said, people choose, and they choose on behalf of others. And what about outside your work, what are you reading? Mostly medical journals, I said, and then many other interesting things that I begin and am somehow unable to finish. No sooner do I buy a new book than it reproaches me for leaving it unread. I don’t read much either, he said, with the state my eyes are in; but I have enough tucked away up here. He motioned to his head. In fact, I’m full. We laughed, and just then Mary brought in the persimmons, in a porcelain saucer. I ate half of one; it was a little oversweet. I ate the other half, and thanked him.

During the war, he said, I committed many poems to memory. I suppose that expectation is gone from the schools now. I saw the change during the time I was at Maxwell, how the later generations that came in had little of this preparation. For them, memorization was a pleasant diversion that came with a specific course; for their forebears of thirty or forty years before, there was a strong connection to the life of poems that came with having memorized several. College freshmen had a corpus of works with which they already had a relationship, even before they stepped into a college-level English literature class. For me, in the forties, memorization was a helpful skill, and I called on it because I couldn’t be sure I would see my books again, and anyway, there wasn’t much to do at the camp. We were all confused about what was happening; we were American, had always thought ourselves so, and not Japanese. There was all this time of confused waiting, harder for the parents, I think, than for the
children, and in that waiting time, I stuffed bits of the
Prelude
, and Shakespeare’s sonnets, and large tracts of Yeats into my head. Now I don’t remember the exact words of any of them anymore, it’s been too long, but I need only the environment created by the poems. Just one or two lines, like a little hook—he demonstrated with his hand—just one or two, and that’s enough to snag everything, what the poem says, what it means. Everything follows the hook.
In summer season when soft was the sun, I wore a shroud as I a shepherd were
. Do you recognize it? I don’t suppose anyone memorizes anything anymore. It was part of our discipline, just as a good violinist has to have his Bach partitas or Beethoven sonatas by heart. My tutor at Peterhouse was Chadwick, an Aberdonian. He was a great scholar; he’d been taught by Skeat himself. Haven’t I ever told you about Chadwick? A grouch through and through, but it was he who first taught me the value of memory, and how to think of it as mental music, a setting to iambs and trochees.

Other books

Out of Bounds by Kris Pearson
Ignited by Lily Cahill
On the Move by Catherine Vale
Winter at the Door by Sarah Graves
True Grit by Charles Portis
Friends and Lovers by Tara Mills