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Really?

Trust me, mate.

And you say he moves well?

Yes, quite well.

We hit for twenty-eight minutes. I don’t know why I notice these details—the length of an afternoon shower, the duration of a practice session, the color of James’s shirt. I don’t want to notice, but I do, all the time, and then I remember forever. My memory isn’t like my tennis bag; I have no say over its contents. Everything goes in, and nothing ever seems to come out.

My back feels OK. Normal stiffness, but the excruciating pain is gone. The cortisone is working. I feel good—though, of course, the definition of good has evolved in recent years. Still, I feel better than I did when I opened my eyes this morning, when I thought of forfeiting. I might be able to do this. Of course tomorrow there will be severe physical consequences, but I can’t dwell on tomorrow any more than I can dwell on yesterday.

Back inside the locker room I pull off my sweaty clothes and jump in the shower. My third shower of the day is short, utilitarian. No time for coaching or crying. I slip on dry shorts, a T-shirt, put my feet up in the training room. I drink more Gil Water, as much as I can hold, because it’s six thirty, and the match is nearly one hour off.

There is a TV above the training table, and I try to watch the news. I can’t. I walk down to the offices and look in on the secretaries and officials of the U.S. Open. They’re busy. They don’t have time to talk. I step through a small door. Stefanie and the children have arrived. They’re in a little playground outside the locker room. Jaden and Jaz are taking turns on the plastic slide. Stefanie is grateful, I can tell, to have the children here for distraction. She’s more keyed up than I. She looks almost irritated. Her frown says,
This thing should have started already! Come on!
I love the way my wife spoils for a fight.

I talk to her and the children for a few minutes, but I can’t hear a word they’re saying. My mind is far away. Stefanie sees. She feels. You don’t win
twenty-two Grand Slams without a highly developed intuition. Besides, she was the same way before her matches. She sends me back into the locker room: Go. We’ll be here. Do what you need to do.

She won’t watch the match from ground level. It’s too close for her. She’ll stay in a skybox with the children, alternately pacing, praying, and covering her eyes.

P
ERE, ONE OF
the senior trainers, walks in. I can tell which of his trays is for me: the one with the two giant foam donuts and two dozen precut strips of tape. I lie on one of six training tables, and Pere sits at my feet. A messy business, getting these dogs ready for war, so he puts a trash can under them. I like that Pere is tidy, meticulous, the Roman of calluses. First he takes a long Q-tip and applies an inky goo that makes my skin sticky, my instep purple. There’s no washing off that ink. My instep hasn’t been ink-free since Reagan was president. Now Pere sprays on skin toughener. He lets that dry, then taps a foam donut onto each callus. Next come the strips of tape, which are like rice paper. They instantly become part of my skin. He wraps each big toe until it’s the size of a sparkplug. Finally he tapes the bottoms of my feet. He knows my pressure points, where I land, where I need extra layers of padding.

I thank him, put on my shoes, unlaced. Now, as everything begins to slow down, the volume goes up. Moments ago the stadium was quiet, now it’s beyond loud. The air is filled with a buzzing, a humming, the sound of fans rushing to their seats, hurrying to get settled, because they don’t want to miss a minute of what’s coming.

I stand, shake out my legs.

I won’t sit again.

I try a jog down the hall. Not bad. The back is holding. All systems go.

Across the locker room I see Baghdatis. He’s suited up, fussing with his hair in front of a mirror. He’s flicking it, combing it, pulling it back. Wow, he has a lot of hair. Now he’s positioning his headband, a white Cochise wrap. He gets it perfect, then gives one last tug on his ponytail. A decidedly more glamorous pre-match ritual than cushioning your toe calluses. I remember my hair issues early in my career. For a moment I feel jealous. I miss my hair. Then I run a hand over my bare scalp and feel grateful that, with all the things I’m worried about right now, hair isn’t one of them.

Baghdatis begins stretching, bending at the waist. He stands on one leg and pulls one knee to his chest. Nothing is quite so unsettling as
watching your opponent do pilates, yoga, and tai chi when you can’t so much as curtsy. He now maneuvers his hips in ways I haven’t dared since I was seven.

And yet he’s doing too much. He’s antsy. I can almost hear his central nervous system, a sound like the buzz of the stadium. I watch the interaction between him and his coaches, and they’re antsy too. Their faces, their body language, their coloring, everything tells me they know they’re in for a street fight, and they’re not sure they want it. I always like my opponent and his team to show nervous energy. A good omen, but also a sign of respect.

Baghdatis sees me and smiles. I remember that he smiles when he’s happy or nervous, and you can never tell which. Again, it reminds me of someone, and I can’t think who.

I raise a hand. Good luck.

He raises a hand. We who are about to die …

I duck into the tunnel for one last word with Gil, who’s staked out a corner where he can be alone but still keep an eye on everything. He puts his arms around me, tells me he loves me, he’s proud of me. I find Stefanie and give her one last kiss. She’s bobbing, weaving, stomping her feet. She’d give anything to slip on a skirt, grab a racket, and join me out there. My pugnacious bride. She tries a smile but it ends up a wince. I see in her face everything she wants to say but will not let herself say. I hear every word she refuses to utter: Enjoy, savor, take it all in, notice each fleeting detail, because this could be it, and even though you hate tennis, you might just miss it after tonight.

This is what she wants to say, but instead she kisses me and says what she always says before I go out there, the thing I’ve come to count on like air and sleep and Gil Water.

Go kick some butt.

A
N OFFICIAL OF THE
U.S. O
PEN
, wearing a suit and carrying a walkie-talkie as long as my forearm, approaches. He seems to be in charge of network coverage and on-court security. He seems to be in charge of everything, including arrivals and departures at LaGuardia. Five minutes, he says.

I turn to someone and ask, What time is it?

Go time, they say.

No. I mean, what time? Is it seven thirty? Seven twenty? I don’t know, and it suddenly feels important. But there are no clocks.

Darren and I turn to each other. His Adam’s apple goes up and down.

Mate, he says, your homework is done. You’re ready.

I nod.

He holds out his fist for a bump. Just one bump, because that’s what we did before my first-round win earlier this week. We’re both superstitious, so however we start a tournament, that’s how we finish. I stare at Darren’s fist, give it one decisive bump, but don’t dare lift my gaze and make eye contact. I know Darren is tearing up, and I know what that sight will do to me.

Last things: I lace up my shoes. I tape my wrist. I always tape my own wrist, ever since my injury in 1993. I tie my shoes.

Please let this be over.

I’m not ready for it to be over.

Mr. Agassi, it’s time.

I’m ready.

I walk into the tunnel, three steps behind Baghdatis, James again leading the way. We stop, wait for a signal. The buzzing sound all around us becomes louder. The tunnel is meat-locker cold. I know this tunnel as well as I know the front foyer of my house, and yet tonight it feels about fifty degrees colder than usual and a football field longer. I look to the side. There along the walls are the familiar photos of former champions. Navratilova. Lendl. McEnroe. Stefanie. Me. The portraits are three feet tall and spaced evenly—too evenly. They’re like trees in a new suburban development. I tell myself:
Stop noticing such things
. Time to narrow your mind, the way the tunnel narrows your vision.

The head of security yells, OK, everyone, it’s showtime!

We walk.

By careful prearrangement, Baghdatis stays three paces ahead as we move toward the light. Suddenly a second light, a blinding ethereal light, is in our faces. A TV camera. A reporter asks Baghdatis how he feels. He says something I can’t hear.

Now the camera is closer to my face and the reporter is asking the same question.

Could be your last match ever, the reporter says. How does that make you feel?

I answer, no idea what I’m saying. But after years of practice I have a sense that I’m saying what he wants me to say, what I’m expected to say. Then I resume walking, on legs that don’t feel like my own.

The temperature rises dramatically as we near the door to the court. The buzzing is now deafening. Baghdatis bursts through first. He knows
how much attention my retirement has been getting. He reads the papers. He expects to play the villain tonight. He thinks he’s prepared. I let him go, let him hear the buzzing turn to cheers. I let him think the crowd is cheering for both of us.
Then
I walk out. Now the cheers triple. Baghdatis turns and realizes the first cheer was for him, but this cheer is mine, all mine, which forces him to revise his expectations and reconsider what’s in store. Without hitting a single ball I’ve caused a major swing in his sense of well-being. A trick of the trade. An old-timer’s trick.

The crowd gets louder as we find our way to our chairs. It’s louder than I thought it would be, louder than I’ve ever heard it in New York. I keep my eyes lowered, let the noise wash over me. They love this moment; they love tennis. I wonder how they would feel if they knew my secret. I stare at the court. Always the most abnormal part of my life, the court is now the only space of normalcy in all this turmoil. The court, where I’ve felt so lonely and exposed, is where I now hope to find refuge from this emotional moment.

I
CRUISE THROUGH THE FIRST SET
, winning 6–4. The ball obeys my every command. So does my back. My body feels warm, liquid. Cortisone and adrenaline, working together. I win the second set, 6–4. I see the finish line.

In the third set I start to tire. I lose focus and control. Baghdatis, meanwhile, changes his game plan. He plays with desperation, a more powerful drug than cortisone. He starts to live in the now. He takes risks, and every risk pays off. The ball now disobeys me and conspires with him. It consistently bounces his way, which gives him confidence. I see the confidence shining from his eyes. His initial despair has turned to hope. No, anger. He doesn’t admire me anymore. He hates me, and I hate him, and now we’re sneering and snarling and trying to wrest this thing from each other. The crowd feeds on our anger, shrieking, pounding their feet after every point. They’re not clapping their hands as much as slapping them, and it all sounds primitive and tribal.

He wins the third set, 6–3.

I can do nothing to slow the Baghdatis onslaught. On the contrary, it’s getting worse. He’s twenty-one, after all, just warming up. He’s found his rhythm, his reason for being out here, his right to be here, whereas I’ve burned through my second wind and I’m painfully aware of the clock inside my body. I don’t want a fifth set. I can’t handle a fifth set. My mortality now a factor, I start to take my own risks. I grab a 4–0 lead. I’m up
two service breaks, and again the finish line is within sight, within reach. I feel the magnetic force, pulling me.

Then I feel the other force pushing. Baghdatis starts to play his best tennis of the year. He just remembered he’s number eight in the world. He pulls triggers on shots I didn’t know he had in his repertoire. I’ve set a perilously high standard, but now he meets me there, and exceeds me. He breaks me to go 4–1. He holds serve to go 4–2.

Here comes the biggest game of the match. If I win this game, I retake command of this set and reestablish in his mind—and mine—that he was fortunate to get one break back. If I lose, it’s 4–3, and everything resets. Our night will begin again. Though we’ve bludgeoned each other for ten rounds, if I lose this game the fight will start over. We play at a furious pace. He goes for broke, holds nothing back—wins the game.

He’s going to take this set. He’ll die before he loses this set. I know it and he knows it and everyone in this stadium knows it. Twenty minutes ago I was two games from winning and advancing. I’m now on the brink of collapse.

He wins the set, 7–5.

The fifth set begins. I’m serving, shaking, unsure my body can hold out for another ten minutes, facing a kid who seems to be getting younger and stronger with every point. I tell myself, Do
not
let it end this way. Of all ways, not this way, not giving up a two-set lead. Baghdatis is talking to himself also, urging himself on. We ride a seesaw, a pendulum of high-energy points. He makes a mistake. I give it back. He digs in. I dig in deeper. I’m serving at deuce, and we play a frantic point that ends when he hits a backhand drop shot that I wing into the net. I scream at myself. Advantage Baghdatis. The first time I’ve trailed him all night.

Shake it off. Control what you can control, Andre.

I win the next point. Deuce again. Elation.

I give him the next point. Backhand into the net. Advantage Baghdatis. Depression.

He wins the next point also, wins the game, breaks to go up 1–0.

We walk to our chairs. I hear the crowd murmuring the first Agassi eulogies. I take a sip of Gil Water, feeling sorry for myself, feeling old. I look over at Baghdatis, wondering if he’s feeling cocky. Instead he’s asking a trainer to rub his legs. He’s asking for a medical time-out. His left quad is strained. He did that to me on a strained quad?

The crowd uses the lull in the action to chant.
Let’s go, Andre! Let’s go, Andre!
They start a wave. They hold up signs with my name.

Thanks for the memories, Andre!

This is Andre’s House
.

At last Baghdatis is ready to go. His serve. Having just broken me to take the lead in the match, he should have a full head of steam. But instead the lull seems to have disrupted his rhythm. I break him. We’re back on serve.