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Authors: Andre Agassi

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In the rec center I find two hundred wild boys, plus a few tough-looking girls, separated into tight cliques. One of the largest cliques is pressed around a Nerf ping-pong table, screaming insults at two boys playing. I press my back against a wall and scan the room. I recognize a few faces, including one or two from the Australia trip. That kid over there—I played him in California. That evil-looking homey right there—I played a tough three-setter against him in Arizona. Everyone looks talented, supremely confident. The kids are all colors, all sizes, all ages, and from all around the world. The youngest is seven, the oldest nineteen. After ruling Las Vegas my whole life, I’m now a tiny fish in a vast pond. Or marsh. And the biggest of the big fish are the best players in the country—teenage Supermen who form the tightest clique in a far corner.

I try to watch the ping-pong game. Even there I’m outclassed. Back home, nobody could beat me at Nerf ping-pong. Here? Half these guys would cream me.

I can’t imagine how I’ll ever fit in at this joint, how I’ll make friends. I want to go home, right now, or at least phone home, but I’d have to call collect and I know my father wouldn’t accept the charges. Just knowing I can’t hear my mother’s voice, or Philly’s, no matter how much I need to, makes me feel panicky. When free hour ends I hurry back to the barracks and lie on my bunk, waiting to disappear into the black marsh of sleep.

Three months, I tell myself. Just three months.

P
EOPLE LIKE TO CALL
the Bollettieri Academy a boot camp, but it’s really a glorified prison camp. And not all that glorified. We eat gruel—beige meats and gelatinous stews and gray slop poured over rice—and sleep in rickety bunks that line the plywood walls of our military-style barracks. We rise at dawn and go to bed soon after dinner. We rarely leave, and we have scant contact with the outside world. Like most prisoners we do nothing but sleep and work, and our main rock pile is drills. Serve drills, net drills, backhand drills, forehand drills, with occasional match play to establish the pecking order, strong to weak. Sometimes it feels as though we’re gladiators, preparing underneath the Colosseum. Certainly the thirty-five instructors who bark at us during drills think of themselves as slave drivers.

When we’re not drilling, we’re studying the psychology of tennis. We take classes on mental toughness, positive thinking, and visualization. We’re taught to close our eyes and picture ourselves winning Wimbledon, hoisting that gold trophy above our heads. Then we go to aerobics, or weight training, or out to the crushed-shell track, where we run until we drop.

The constant pressure, the cutthroat competition, the total lack of adult supervision—it slowly turns us into animals. A kind of jungle law prevails. It’s
Karate Kid
with rackets,
Lord of the Flies
with forehands. One night two boys get into an argument in the barracks. A white boy and an Asian boy. The white boy uses a racial slur, then walks out. For a full hour the Asian boy stands in the middle of the barracks, stretching, shaking out his legs and arms, rolling his neck. He runs through a progression of judo moves, then carefully, methodically tapes his ankles. When the white boy returns, the Asian boy spins, whipsaws his leg through the air, and unleashes a kick that shatters the white boy’s jaw.

The shocking part is that neither boy gets expelled, which greatly adds to the overall sense of anarchy.

Another two boys have a low-grade, long-running feud. It’s mostly taunts, teases, minor stuff—until one boy ups the ante. For days he urinates and defecates into a bucket. Then, late one night, he bursts into the other boy’s barracks and dumps the bucket on his head.

The jungle feeling, the constant threat of violence and ambush, is reinforced, just before lights out, by the sound of drums in the distance.

I ask one of the boys: What the hell is that?

Oh. That’s just Courier. He likes to pound a drum set his parents sent him.

Who?

Jim Courier. From Florida.

Within days I get my first glimpse of the warden, founder, and owner of the Nick Bollettieri Tennis Academy. He’s fiftysomething, but looks 250, because tanning is one of his obsessions, along with tennis and getting married. (He’s got five or six ex-wives, no one is quite sure.) He’s soaked up so much sun, baked himself so deeply beneath so many ultraviolet sunlamps, he’s permanently altered his pigmentation. The one portion of his face that isn’t the color of beef jerky is his mustache, a black, meticulously trimmed quasi-goatee, only without the chin hair, so it looks like a permanent frown. I see Nick striding across the compound, an angry red man in wraparound shades, berating someone who jogs alongside, trying to keep pace, and I pray that I never have to deal with Nick directly. I watch as he slides into a red Ferrari and zooms away, leaving a dorsal fin of dust in his wake.

A boy tells me it’s our job to keep Nick’s four sports cars washed and polished.

Our job? That’s bullshit.

Tell it to the judge.

I ask some of the older boys, some of the veterans, about Nick. Who is he? What makes him tick? They say he’s a hustler, a guy who makes a very nice living off tennis, but he doesn’t love the game or even know it all that well. He’s not like my father, captivated by the angles and numbers and beauty of tennis. Then again, he’s just like my father. He’s captivated by cash. He’s a guy who flunked the exam for Navy pilots, dropped out of law school, then landed one day on the idea of teaching tennis. Stepped in shit. Through a bit of hard work, and a ton of luck, he’s turned himself into this image of a tennis titan, mentor to prodigies. You can learn a few things from him, the other kids say, but he’s no miracle worker.

He doesn’t sound like a guy who can make me stop hating the game.

·  ·  ·

I’
M PLAYING A PRACTICE MATCH
, putting a fairly good whooping on a kid from the East Coast, when I become aware that Gabriel, one of Nick’s henchmen, is behind me, staring.

After a few more points Gabriel stops the match. He asks, Has Nick seen you play yet?

No, sir.

He frowns, walks off.

Later, over the loudspeaker that carries across all the courts of the Bollettieri Academy, I hear:

Andre Agassi to the indoor supreme court! Andre Agassi, report to the indoor supreme court—immediately!

I’ve never been to the indoor supreme court, and I can’t imagine there’s a good reason for my being summoned now. I run there and find Gabriel and Nick, standing shoulder to shoulder, waiting.

Gabriel says to Nick: You’ve got to see this kid hit.

Nick strolls off into the shadows. Gabriel gets on the other side of the net. He puts me through drills for half an hour. I sneak occasional glances over my shoulder: I can vaguely make out the silhouette of Nick, concentrating, stroking his mustache.

Hit some backhands, Nick says. His voice is like sandpaper on Velcro.

I do as I’m told. I hit backhands.

Now hit some serves.

I serve.

Come to the net.

I come to the net.

That’s enough.

He steps forward. Where are you from?

Las Vegas.

What’s your national ranking?

Number three.

How do I reach your father?

He’s at work. He works nights at the MGM.

How about your mother?

At this hour? She’s probably at home.

Come with me.

We walk slowly to his office, where he asks for my home number. He’s sitting in a tall black leather chair, turned almost away from me. My face
feels redder than his face looks. He dials and speaks to my mother. She gives him my father’s number. He dials again.

He’s yelling. Mr. Agassi! Nick Bollettieri here! Right, right. Yes, well, listen to me. I’m going to tell you something
very
important. Your boy has more talent than anybody I’ve ever seen come through this academy. That’s right. Ever. And I’m going to take him to the top.

What the hell is he talking about? I’m only here for three months. I’m leaving here in sixty-four days. Is Nick saying he wants me to
stay
here? Live here—forever? Surely my father won’t go for that.

Nick says: That’s right. No, that’s no issue. I’m going to make it so you won’t pay a penny. Andre can stay, free of charge. I’m tearing up your check.

My heart sinks. I know my father can’t resist anything free. My fate is sealed.

Nick hangs up and spins toward me in his chair. He doesn’t explain. He doesn’t console. He doesn’t ask if this is what I want. He doesn’t say a thing besides: Go back out to the courts.

The warden has tacked several years to my sentence, and there’s nothing to be done but pick up my hammer and return to the rock pile.

E
VERY DAY AT THE
B
OLLETTIERI
A
CADEMY
starts with the stench. The surrounding hills are home to several orange-processing plants, which give off a toxic smell of burned orange peels. It’s the first thing that hits me when I open my eyes, a reminder that this is real, I’m not back in Vegas, I’m not in my deuce-court bed, dreaming. I’ve never cared much for orange juice, but after the Bollettieri Academy I’ll never be able to look at a gallon of Minute Maid again.

As the sun clears the marshes, burning off the morning mist, I hurry to beat the other boys into the shower, because only the first boys get hot water. Actually, it’s not a shower, just a tiny nozzle that shoots a narrow jet of painful needles, which hardly gets you wet, let alone clean. Then we all rush to breakfast, served in a cafeteria so chaotic, it’s like a mental hospital where the nurses forgot to hand out the meds. But you’d better get there early or it might be worse. The butter will be filled with everyone else’s crumbs, the bread will be gone, the plastic eggs will be ice.

Straight from breakfast we board a bus for school, Bradenton Academy, twenty-six minutes away. I divide my time between two academies, both prisons, but Bradenton Academy makes me more claustrophobic,
because it makes less sense. At the Bollettieri Academy, at least I’m learning something about tennis. At Bradenton Academy, the only thing I learn is that I’m stupid.

Bradenton Academy has warped floors, dirty carpets, and a color scheme that’s fourteen shades of gray. There isn’t one window in the building, so the light is fluorescent and the air is stale, filled with a medley of foul odors, chiefly vomit, toilet, and fear. It’s almost worse than the scorched-orange smell back at the Bollettieri Academy.

Other kids, non-tennis kids from town, don’t seem to mind. Some actually thrive at Bradenton Academy, maybe because their life schedules are manageable. They don’t balance school with careers as semipro athletes. They don’t contend with waves of homesickness that rise and fall like nausea. They spend seven hours a day in class, then go home to eat dinner and watch TV with their families. Those of us who commute from the Bollettieri Academy, however, spend four and a half hours in class, then board the bus for the long slog back to our full-time jobs, hitting balls until after dusk, at which time we collapse in heaps on our wooden bunks, to grab a half hour of rest before returning to the original state of nature that is the rec center. Then we nod over our textbooks for a few futile hours before free hour and lights out. We’re always behind on schoolwork and falling ever further behind. The system is rigged, guaranteed to produce bad students as quickly and efficiently as it produces good tennis players.

I don’t like anything that’s rigged, so I don’t give much effort. I don’t study. I don’t do homework. I don’t pay attention. And I don’t give a damn. In every class I sit quietly at my desk, staring at my feet, wishing I were somewhere else, while the teacher drones on about Shakespeare or Bunker Hill or the Pythagorean theorem.

The teachers don’t care that I’ve tuned them out, because I’m one of Nick’s Boys, and they don’t want to cross Nick. Bradenton Academy exists because the Bollettieri Academy keeps sending it a bus full of paying customers every semester. The teachers know that their jobs depend on Nick, so they can’t flunk us, and we cherish our special status. We feel a lordly sense of entitlement, never realizing that the thing to which we’re most entitled is the thing we’re not getting—an education.

Inside the metal front doors of Bradenton Academy stands the office, the nerve center of the school and the source of much pain. Report cards and threatening letters emanate from the office. Bad boys are sent there. The office is also the lair of Mrs. G and Doc G, married coprincipals of Bradenton Academy, and, I suspect, frustrated sideshow performers.
Mrs. G is a gangly woman with no midsection. She looks as if her shoulders have been set directly on her hips. She tries to disguise this odd shape by wearing skirts, but this only accentuates the problem. On her face she wears two gobs of blush and one smear of lipstick, a symmetrical triad of three circles that she color-coordinates the way other people do their shoes and belt. Her cheeks and mouth always match, and always
almost
distract you from the hump in her back. Nothing Mrs. G wears, however, can distract you from her gargantuan hands. She has mitts the size of rackets, and the first time she shakes my hand I think I might faint.

Old Doc G is half her size but has just as many body issues. It’s not hard to see what they first found in common. Frail, gamy, Doc G has a right arm that’s been shriveled since birth. He ought to hide this arm, keep it behind his back or shoved in a pocket. Instead he waves it around, brandishes it like a weapon. He likes to take students aside for one-on-one chats, and whenever he does so, he swings his bad arm up onto the student’s shoulder, setting it there until he’s said his piece. If this doesn’t give you the heebie-jeebies, nothing will. Doc G’s arm feels like a pork tenderloin lying on your shoulder, and hours later you can still feel it there and you can’t help but shiver.

Mrs. G and Doc G have instituted dozens of rules at Bradenton Academy, and one of the most strictly enforced is their ban on jewelry. Thus, I go out of my way to pierce my ears. It’s an easy show of rebellion, which, as I see it, is my last resort. Rebellion is the one thing I get to choose every day, and this rebellion comes with the added bonus that it represents a neat little fuck-you to my father, who’s always hated earrings on men. Many times I’ve heard my father say that earrings equal homosexuality. I can’t wait for him to see mine. (I buy both studs and dangly hoops.) He’ll finally regret sending me thousands of miles from home and leaving me here to be corrupted.

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