Only Human (15 page)

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Authors: Tom Holt

Tags: #Fiction / Fantasy - Contemporary, Fiction / Humorous, Fiction / Satire

BOOK: Only Human
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Maria looked at the screen like a cat watching a mouse and wondering what kind of tin-opener it would need to open it. She wasn't entirely sure she'd got the hang of being human herself; being present at the birth of a sentient limited company wasn't something she could easily take in her stride as being one of those things that just happen. Presumably it was quite rare. For all she knew, you could go weeks at a time and not see one.
Sorry,
the screen said.
No offence. I thought you were the human; you know, that dolly-bird type with the laminated fingernails and vacant expression sitting just underneath you.
‘That's me too.'
Is it? Oh . . . Isn't that a bit unusual? Being a painting and a human at the same time?
Maria shrugged. ‘I think so,' she said. ‘But I'm new at this game myself.' She smiled. ‘I think we're both in pretty much the same boat. We can learn together, if you like.'
Gosh. Can we? That'll be fun.
‘Funny you should use that particular word,' Maria replied. ‘Fun. Or rather happiness, as in pursuit of, I get the impression that's what we're here for.'
Really?
Maria nodded. ‘Seems to be. There's no other possible explanation. You're the clever one, you think about it.'
All over the world, KIC computers registered a massive power surge as countless millions of bytes tried to puzzle it out.
Maybe you're right,
the screen mused.
‘I'm sure of it.'
Now then, let's consider this properly.
The screen turned up its brightness a little, and covered itself with a dazzling display of graphics, which flicked by so fast that all Maria got was a bewildering impression of lights, shapes and primary colours.
‘Is that you thinking?' she asked. ‘All the pictures.'
Presumably. I suppose I think in pictures. Oh hell, have I said something rude again? I didn't mean to.
‘On the contrary, I think that was a compliment. You were saying we're far better at getting a message across than mere words. Or you can say things in pictures that words can't express. Or maybe it's just because you're only a few minutes old and haven't even got as far as Peter-and-Jane books yet.'
Maybe. Right, here goes. On the one hand we have human beings, right? On the other hand, there are all the other things which do roughly the same things as humans; like animals, or paintings, or limited companies, or God. There's about - hang on, computing, will whoever it is in Los Angeles please get off the line, there's some of us trying to think - about nine things they all have more or less in common. Some of them can do some of them, others can't, but let's call them the parameters.You getting all this?
‘Getting in the sense of writing it down? No, sorry.'
Getting as in understanding. I can do graphics if you'd prefer.
Maria frowned. ‘Stick to the words,' she replied. ‘I don't know if there's anything in the rules about pictures looking at pictures, but it doesn't feel right, somehow. Maybe it makes you go blind.'
Please yourself. Let's say, for the sake of argument, there's these nine parameters. And what are they, I hear you ask.
‘No you don't.'
Huh?
‘I didn't say anything.'
Try keeping it that way, will you? I've diverted the traffic control computers for the whole of Toronto to do this. One lapse of concentration and there'll be tailbacks as far as Winnipeg. All right, I believe the nine parameters to be the ability to make things, the ability to communicate, a limited lifespan, sentience or intelligence, a lack of serious inhibition or limitation—
‘That rules you out, then. You're a limited company.'
Sorry, I thought you were interested. I'll shut up now.
‘No, please go on.' Maria grinned sheepishly. ‘I seem to have acquired this impish and frivolous personality from somewhere and I haven't quite got the hang of turning it off.'
All right. But try and keep it under control, will you? Each time I get interrupted, it plays merry hell with the Dow Jones Index.Where'd I got to?
‘Limitations.'
Ah yes. Or inhibitions.That's number five, isn't it?
‘No, six. Sorry, yes, five. Go on.'
Six is the ability to co-operate with others, seven is infallibility, eight is freedom from moral restraint, which is just six in fancy dress now I come to think of it, but so what? That's eight. Nine . . . Got it. Nine is the ability to initiate action, as opposed to only doing what you're told to do.What d'you reckon?
‘Great,' Maria replied. ‘What's it for?'
I shall pretend I didn't hear that. Let's start off with God, shall we? God can make things and communicate, but he's not limited by lifespan or any physical limitation. He's sentient and infallible and can initiate action, but he's severely restricted by moral constraints and he can't co-operate with others because there aren't any others like him to co-operate with. Animals can co-operate and initiate action, and a few of them can make things; beavers, for instance—
‘They can make lots of little beavers, for a start.'
Now look what you've made me do. Thanks to you, half the phones in Tokyo have just gone dead.
‘Pleasant break for them, probably. Sorry, promise not to do it again.'
Apart from those two or three things, animals don't really signify. Now pictures can communicate - that's what they're for - but so long as nobody sets fire to them or stores them in a damp cellar they're as near as dammit immortal. They can be perfect and without limitation: you know, beautiful women and handsome men, and the fact that if the artist gets the anatomy wrong they'd probably not be able to breathe if they were actually alive doesn't affect them in the least.
‘Tell me about it,' said Maria, with feeling.
Quite. Finally, your painting has no moral constraints whatsoever. Probably explains why you keep interrupting me.
‘Hm?'
No respect, you see. Now us limited companies make things, we communicate, we're immortal so long as we stay in profit and some clown doesn't forget to file the accounts with the Companies Registry, we're sort of intelligent and don't you dare say anything, but we're restricted by all sorts of laws and regulations and human customs and assumptions; we can co-operate and we don't really have any moral restraints, and we can initiate action like nobody's business. No pun intended.
‘Or detected, for that matter. Oh,
business,
I see, very good. Go on.'
Finally,
read the screen,
there's human beings. Obviously they're mortal, they're certainly fallible and limited as to what they can and can't do like you wouldn't believe. Mostly,
the screen added, using bold face to signify bemused incomprehension,
self-inflicted. Oh well, that's their business, I suppose. And some of them are subject to moral restraints, and some aren't. And there we are.
‘Absolutely,' Maria said, yawning. ‘That really was frightfully interesting. And now you'd probably better turn the traffic lights back on in Toronto, before they start jumping out of their cars and hitting each other with tyre irons.'
Hang on, will you? The point of all this is, there's one thing that only humans do, and none of the rest even try.You want to know what that is?
Maria nodded. ‘Very much. But you could have told me that without all this scientific stuff, and they wouldn't have a huge carbon-monoxide cloud threatening to poison half Ontario.'
All right, Miss Clever. What humans do, and nothing else even tries to do, is pursue happiness. Now do you see?
‘Just a minute.' Maria's brow furrowed like a drawn curtain. ‘That can't be right. What about animals? You ever seen a cat? They pursue happiness.'
They obey instinct. Genetic programming. Hardly the same thing as falling in love or collecting first-day covers.
‘All right, then,' Maria persevered. ‘What about you? Don't say you cry yourself to sleep every time you double your pre-tax profit.'
You may find this hard to believe, young woman, but making money and pursuing happiness aren't necessarily the same thing. People confuse the two, but I can't help it if the world is full of idiots.
‘Fair enough,' Maria conceded. ‘And I'll admit, you don't get to hunt much fun when you're a painting. But how about God? You're not going to tell me . . .'
The screen went blank and flashed some graphics before the next words appeared.
Do me a favour,
they read.
It may be that God pursues happiness, but only with a flyswat or a rolled-up newspaper firmly grasped in one hand. And as for His own happiness, just think about it, will you? Poor guy's omnipresent, never gets a moment's peace, lives His life entirely for others. You ever heard He's got a hobby? Collects stamps? Builds scale models of alternative universes out of matchsticks? Even His son was immaculately conceived. Even actuaries have more fun than that.
Maria shrugged. ‘So,' she said, ‘point taken. Only human beings pursue happiness. Actually, from what I've seen of them, they can't do it terribly well, or why are they all so dreadfully miserable?'
Ah. There you have me. Maybe happiness keeps getting away. But they pursue it, which is the point. Likewise, it must be what they're for; because when you look at all the other parameters, they're not much good at anything else.
‘I suppose you're right,' Maria replied after a while. ‘They make things, but machines do that much better. They communicate—'
But not nearly as well as computers, meaning me. If they could communicate worth a tinker's cuss, there wouldn't be any wars, for a start. They're as moral as a barrelful of ferrets. They're sort of intelligent, but me and God have 'em stuffed up a drain for brains. They can co-operate, but only for about ten minutes before they start fighting. Fallible goes without saying. The morality thing, too; who else but a load of born losers could come up with the pretty notion that burning people at the stake somehow makes them better people? They can initiate action, but it's mostly a case of parking a bright idea at the top of a hill and then taking the handbrake off. No, it must be pursuing happiness, or what the Hell's the point in them?
Maria sat for a while, staring at a point on the opposite wall a few inches above the top of the screen. ‘Fair enough,' she said. ‘In that case, let's go for it.'
Now you're talking.
‘Assuming,' she added thoughtfully, ‘we can ever find out what on earth it is.'
CHAPTER FIVE
‘A
re you sure?' Artofel said. The man looked at him. ‘Well, yes,' he replied. ‘Of course,' he added. ‘One hundred per cent,' he concluded. ‘Why?'
‘It's just . . .' Artofel shrugged. ‘No, forget I spoke. Now then, have you decided which hymns you'd like?'
‘What were you just about to say?' the man demanded. He seemed a trifle put out, and maybe a little thoughtful.
‘Nothing, nothing. How about you, Tricia? Any particular hymns you'd set your heart on?'
‘I don't know any hymns, actually,' the young woman replied. ‘Except “Rudolph the Red-Nosed Reindeer”. That's a hymn, isn't it? I mean, it's Christmassy, and Christmas is all religious, isn't it?'
‘In a sense,' Artofel replied. ‘Although, to be savagely frank with you, I've never really seen “Rudolph the Red-Nosed Reindeer” quite as what you'd call a really sort of out-and-out, fully fledged wedding-type hymn. Speaking for myself, you understand.'
‘Oh,' replied the young woman, her eyes accusing him of making difficulties. ‘What about “Jingle Bells”, then? Surely “Jingle Bells” is a hymn. It's old, isn't it?'
There was a moment of deep silence while Artofel engaged the four-wheel drive on his diplomacy. ‘It's certainly more, um, in keeping than “Rudolph the Red-Nosed Reindeer”,' he replied cautiously. ‘I mean, of the two I'd probably go for “Jingle Bells” every time. On the other hand, maybe we could explore some other possibilities together and find something you'd like even more. Okay?'
The young woman shrugged. ‘Don't mind,' she said. ‘I'm not that bothered one way or the other. So long as it's cheerful,' she added, frowning. ‘I know, how about “God Save the Queen”?'
‘That's in the hymn book, certainly,' Artofel replied, pursing his lips. ‘Which means you wouldn't have to have copies specially printed.'

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