One Flew Over the Cuckoo’s Nest (6 page)

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Authors: Ken Kesey

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BOOK: One Flew Over the Cuckoo’s Nest
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“Do,” she said to me in a whisper, “do take me, big boy. Outa this here mill, outa this town, outa this life. Take me to some ol’ duck blind someplace. Someplace
else
. Huh, big boy, huh?”
Her dark, pretty face glittered there in front of me. I stood with my mouth open, trying to think of some way to answer her. We were locked together this way for maybe a couple of seconds; then the sound of the mill jumped a hitch, and something commenced to draw her back away from me. A string somewhere I didn’t see hooked on that flowered red skirt and was tugging her back. Her fingernails peeled down my hands and as soon as she broke contact with me her face switched out of focus again, became soft and runny like melting chocolate behind that blowing fog of cotton. She laughed and spun around and gave me a look of her yellow leg when the skirt billowed out. She threw me a wink over her shoulder as she ran back to her machine where a pile of fiber was spilling off the table to the floor; she grabbed it up and ran feather-footed down the aisle of machines to dump the fiber in a hopper; then she was out of sight around the corner.
All those spindles reeling and wheeling and shuttles jumping around and bobbins wringing the air with string, whitewashed walls and steel-gray machines and girls in flowered skirts skipping back and forth, and the whole thing webbed with flowing white lines stringing the factory together—it all stuck with me and every once in a while something on the ward calls it to mind.
Yes. This is what I know. The ward is a factory for the Combine. It’s for fixing up mistakes made in the neighborhoods and in the schools and in the churches, the hospital is. When a completed product goes back out into society, all fixed up good as new,
better
than new sometimes, it brings joy to the Big Nurse’s heart; something that came in all twisted different is now a functioning, adjusted component, a credit to the whole outfit and a marvel to behold. Watch him sliding across the land with a welded grin, fitting into some nice little neighborhood where they’re just now digging trenches along the street to lay pipes for city water. He’s happy with it. He’s adjusted to surroundings finally…
“Why, I’ve never seen anything to beat the change in Maxwell Taber since he’s got back from that hospital; a little black and blue around the eyes, a little weight lost, and, you know what? he’s a
new man
. Gad, modern American science…”
And the light is on in his basement window way past midnight every night as the Delayed Reaction Elements the technicians installed lend nimble skills to his fingers as he bends over the doped figure of his wife, his two little girls just four and six, the neighbor he goes bowling with Mondays; he adjusts them like he was adjusted. This is the way they spread it.
When he finally runs down after a pre-set number of years, the town loves him dearly and the paper prints his picture helping the Boy Scouts last year on Graveyard Cleaning Day, and his wife gets a letter from the principal of the high school how Maxwell Wilson Taber was an inspirational figure to the youth of our fine community.
Even the embalmers, usually a pair of penny-pinching tightwads, are swayed. “Yeah, look at him there: old Max Taber, he was a good sort. What do you say we use that expensive thirty-weight at no extra charge to his wife. No, what the dickens, let’s make it on the house.”
A successful Dismissal like this is a product brings joy to the Big Nurse’s heart and speaks good of her craft and the whole industry in general. Everybody’s happy with a Dismissal.
But an Admission is a different story. Even the best-behaved Admission is bound to need some work to swing into routine, and, also, you never can tell when just that
certain
one might come in who’s free enough to foul things up right and left, really make a hell of a mess and constitute a threat to the whole smoothness of the outfit. And, like I explain, the Big Nurse gets real put out if anything keeps her outfit from running smooth.
5
Before noontime they’re at the fog machine again but they haven’t got it turned up full; it’s not so thick but what I can see if I strain real hard. One of these days I’ll quit straining and let myself go completely, lose myself in the fog the way some of the other Chronics have, but for the time being I’m interested in this new man—I want to see how he takes to the Group Meeting coming up.
Ten minutes to one the fog dissolves completely and the black boys are telling Acutes to clear the floor for the meeting. All the tables are carried out of the day room to the tub room across the hall—leaves the floor, McMurphy says, like we was aiming to have us a little dance.
The Big Nurse watches all this through her window. She hasn’t moved from her spot in front of that one window for three solid hours, not even for lunch. The day-room floor gets cleared of tables, and at one o’clock the doctor comes out of his office down the hall, nods once at the nurse as he goes past where she’s watching out her window, and sits in his chair just to the left of the door. The patients sit down when he does; then the little nurses and the residents straggle in. When everybody’s down, the Big Nurse gets up from behind her window and goes back to the rear of the Nurses’ Station to that steel panel with dials and buttons on it, sets some kind of automatic pilot to run things while she’s away, and comes out into the day room, carrying the log book and a basketful of notes. Her uniform, even after she’s been here half a day, is still starched so stiff it don’t exactly bend any place; it cracks sharp at the joints with a sound like a frozen canvas being folded.
She sits just to the right of the door.
Soon as she’s sat down, Old Pete Bancini sways to his feet and starts in wagging his head and wheezing. “I’m tired. Whew. O Lord. Oh, I’m
awful
tired…” the way he always does whenever there’s a new man on the ward who might listen to him.
The Big Nurse doesn’t look over at Pete. She’s going through the papers in her basket. “Somebody go sit beside Mr. Bancini,” she says. “Quiet him down so we can start the meeting.”
Billy Bibbit goes. Pete has turned facing McMurphy and is lolling his head from side to side like a signal light at a railroad crossing. He worked on the railroad thirty years; now he’s wore clean out but still’s functioning on the memory.
“I’m ti-i-uhd,” he says, wagging his face at McMurphy. “Take it easy, Pete,” Billy says, lays a freckled hand on Pete’s knee.
“…Awful tired…”
“I know, Pete”—pats the skinny knee, and Pete pulls back his face, realizes nobody is going to heed his complaint today. The nurse takes off her wrist watch and looks at the ward clock and winds the watch and sets it face toward her in the basket. She takes a folder from the basket.
“Now. Shall we get into the meeting?”
She looks around to see if anybody else is about to interrupt her, smiling steady as her head turns in her collar. The guys won’t meet her look; they’re all looking for hangnails. Except McMurphy. He’s got himself an armchair in the corner, sits in it like he’s claimed it for good, and he’s watching her every move. He’s still got his cap on, jammed tight down on his red head like he’s a motorcycle racer. A deck of cards in his lap opens for a one-handed cut, then clacks shut with a sound blown up loud by the silence. The nurse’s swinging eyes hang on him for a second. She’s been watching him play poker all morning and though she hasn’t seen any money pass hands she suspects he’s not exactly the type that is going to be happy with the ward rule of gambling for matches only. The deck whispers open and clacks shut again and then disappears somewhere in one of those big palms.
The nurse looks at her watch again and pulls a slip of paper out of the folder she’s holding, looks at it, and returns it to the folder. She puts the folder down and picks up the log book. Ellis coughs from his place on the wall; she waits until he stops.
“Now. At the close of Friday’s meeting… we were discussing Mr. Harding’s problem… concerning his young wife. He had stated that his wife was extremely well endowed in the bosom and that this made him uneasy because she drew stares from men on the street.” She starts opening to places in the log book; little slips of paper stick out of the top of the book to mark the pages. “According to the notes listed by various patients in the log, Mr. Harding has been heard to say that she ‘damn well gives the bastards reason to stare.’ He has also been heard to say that he may give
her
reason to seek further sexual attention. He has been heard to say, ‘My dear sweet but illiterate wife thinks any word or gesture that does not smack of brickyard brawn and brutality is a word or gesture of weak dandyism.’ ”
She continues reading silently from the book for a while, then closes it.
“He has also stated that his wife’s ample bosom at times gives him a feeling of inferiority. So. Does anyone care to touch upon this subject further?”
Harding shuts his eyes, and nobody else says anything. McMurphy looks around at the other guys, waiting to see if anybody is going to answer the nurse, then holds his hand up and snaps his fingers, like a school kid in class; the nurse nods at him.
“Mr.—ah—McMurry?”
“Touch upon what?”
“What? Touch—”
“You ask, I believe, ‘Does anyone care to touch upon—’ ”
“Touch upon the—subject, Mr. McMurry, the subject of Mr. Harding’s problem with his wife.”
“Oh. I thought you mean touch upon her—something else.”
“Now what could you—”
But she stops. She was almost flustered for a second there. Some of the Acutes hide grins, and McMurphy takes a huge stretch, yawns, winks at Harding. Then the nurse, calm as anything, puts the log book back in the basket and takes out another folder and opens it and starts reading.
“McMurry, Randle Patrick. Committed by the state from the Pendleton Farm for Correction. For diagnosis and possible treatment. Thirty-five years old. Never married. Distinguished Service Cross in Korea, for leading an escape from a Communist prison camp. A dishonorable discharge, afterward, for insubordination. Followed by a history of street brawls and barroom fights and a series of arrests for Drunkenness, Assault and Battery, Disturbing the Peace, re
peated
gambling, and one arrest—for Rape.”
“Rape?” The doctor perks up.
“Statutory, with a girl of—”
“Whoa. Couldn’t make that stick,” McMurphy says to the doctor. “Girl wouldn’t testify.”
“With a child of fifteen.”
“Said she was
seventeen
, Doc, and she was
plenty
willin’.” “A court doctor’s examination of the child proved entry, re
peated
entry, the record states—”
“So willin’, in fact, I took to sewing my pants shut.”
“The child refused to testify in spite of the doctor’s findings. There seemed to be intimidation. Defendant left town shortly after the trial.”
“Hoo boy, I
had
to leave. Doc, let me tell you”—he leans forward with an elbow on a knee, lowering his voice to the doctor across the room—“that little hustler would of actually burnt me to a frazzle by the time she reached legal sixteen. She got to where she was tripping me and beating me to the floor.”
The nurse closes up the folder and passes it across the doorway to the doctor. “Our new Admission, Doctor Spivey,” just like she’s got a man folded up inside that yellow paper and can pass him on to be looked over. “I thought I might brief you on his record later today, but as he seems to insist on asserting himself in the Group Meeting, we might as well dispense with him now.”
The doctor fishes his glasses from his coat pocket by pulling on the string, works them on his nose in front of his eyes. They’re tipped a little to the right, but he leans his head to the left and brings them level. He’s smiling a little as he turns through the folder, just as tickled by this new man’s brassy way of talking right up as the rest of us, but, just like the rest of us, he’s careful not to let himself come right out and laugh. The doctor closes the folder when he gets to the end, and puts his glasses back in his pocket. He looks to where McMurphy is still leaned out at him from across the day room.
“You’ve—it seems—no other psychiatric history, Mr. McMurry?”
“Mc
Murphy
, Doc.”
“Oh? But I thought—the nurse was saying—”
He opens the folder again, fishes out those glasses, looks the record over for another minute before he closes it, and puts his glasses back in his pocket. “Yes. McMurphy. That is correct. I beg your pardon.”
“It’s okay, Doc. It was the lady there that started it, made the mistake. I’ve known some people inclined to do that. I had this uncle whose name was Hallahan, and he went with a woman once who kept acting like she couldn’t remember his name right and calling him Hooligan just to get his goat. It went on for months before he stopped her. Stopped her good, too.”
“Oh? How did he stop her?” the doctor asks.
McMurphy grins and rubs his nose with his thumb. “Ah-ah, now, I can’t be tellin’ that. I keep Unk Hallahan’s method a strict secret, you see, in case I need to use it myself someday.”
He says it right at the nurse. She smiles right back at him, and he looks over at the doctor. “Now; what was you asking about my record, Doc?”
“Yes. I was wondering if you’ve any previous psychiatric history. Any analysis, any time spent in any other institution?”
“Well, counting state
and
county coolers—”

Mental
institutions.”
“Ah. No, if that’s the case. This is my first trip. But I
am
crazy, Doc. I swear I am. Well here—let me show you here. I believe that other doctor at the work farm…”
He gets up, slips the deck of cards in the pocket of his jacket, and comes across the room to lean over the doctor’s shoulder and thumb through the folder in his lap. “Believe he wrote something, back at the back here somewhere…”
“Yes? I missed that. Just a moment.” The doctor fishes his glasses out again and puts them on and looks to where McMurphy is pointing.

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