Of Time and the River (34 page)
That lost world would come back to him at many times, and often for no cause that he could trace or fathom—a voice half-heard, a word far-spoken, a leaf, a light that came and passed and came again. But always when that lost world would come back, it came at once, like a sword-thrust through the entrails, in all its panoply of past time, living, whole, and magic as it had always been.
And always when it came to him, and at whatever time, and for whatever reason, he could hear his father’s great voice sounding in the house again and see his gaunt devouring stride as he had come muttering round the corner at the hour of noon long years before.
And then he would hear again the voice of his dead brother, and remember with a sense of black horror, dream-like disbelief, that Ben was dead, and yet could not believe that Ben had ever died, or that he had had a brother, lost a friend. Ben would come back to him in these moments with a blazing and intolerable reality, until he heard his quiet living voice again, saw his fierce scowling eyes of bitter grey, his scornful, proud and lively face, and always when Ben came back to him it was like this: he saw his brother in a single image, in some brief forgotten moment of the past, remembered him by a word, a gesture, a forgotten act; and certainly all that could ever be known of Ben’s life was collected in that blazing image of lost time and the forgotten moment. And suddenly he would be there in a strange land, staring upward from his bed in darkness, hearing his brother’s voice again, and living in the far and bitter miracle of time.
And always now, when Ben came back to him, he came within the frame and limits of a single image, one of those instant blazing images which from this time would haunt his memory and which more and more, as a kind of distillation—a reward for all the savage struggles of his Faustian soul with the protean and brain-maddening forms of life—were to collect and concentrate the whole material of experience and memory, in which the process of ten thousand days and nights could in an instant be resumed. And the image in which Ben now always came to him was this: he saw his brother standing in a window, and an old red light of fading day, and all the strange and tragic legend of his destiny was on his brow, and all that any man could ever see or know or understand of his dead brother’s life was there.
Bitter and beautiful, scorn no more. Ben stands there in the window, for a moment idle, his strong, lean fingers resting lightly on his bony hips, his grey eyes scowling fiercely, bitterly and contemptuously over the laughing and exuberant faces of the crowd. For a moment more he scowls fixedly at them with an expression of almost savage contempt. Then scornfully he turns away from them. The bitter, lean and pointed face, the shapely, flashing, close- cropped head jerks upward, backward, he laughs briefly and with pitying contempt as he speaks to that unknown and invisible auditor who all his life has been the eternal confidant and witness of his scorn.
“Oh my God!” he says, jerking his scornful head out towards the crowd again. “Listen to this, will you?”
They look at him with laughing and exuberant faces, unwounded by his scorn. They look at him with a kind of secret and unspoken tenderness which the strange and bitter savour of his life awakes in people always. They look at him with faith, with pride, with the joy and confidence and affection which his presence stirs in everyone. And as if he were the very author of their fondest hopes, as if he were the fiat, not the helpless agent, of the thing they long to see accomplished, they yell to him in their unreasoning exuberance: “All right, Ben! Give us a hit now! A single’s all we need, boy! Bring him in!” Or others, crying with the same exuberance of faith: “Strike him out, Ben! Make him fan!”
But now the crowd, sensing the electric thrill and menace of a decisive conflict, has grown still, is waiting with caught breath and pounding hearts, their eyes fixed eagerly on Ben. Somewhere, a thousand miles to the North, somewhere through the reddened, slanting and fast-fading light of that October day, somewhere across the illimitable fields and folds and woods and hills and hollows of America, across the huge brown earth, the mown fields, the vast wild space, the lavish, rude and unfenced distances, the familiar, homely, barren, harsh, strangely haunting scenery of the nation; somewhere through the crisp, ripe air, the misty, golden pollenated light of all her prodigal and careless harvest; somewhere far away at the heart of the great sky-soaring, smoke- gold, and enchanted city of the North, and of their vision—the lean right arm of the great pitcher Mathewson is flashing like a whip. A greyhound of a man named Speaker, quick as a deer to run, sharp as a hawk to see, swift as a cat to strike, stands facing him. And the huge terrific stands, packed to the eaves incredibly with mounting tiers of small white faces, now all breathless, silent, and intent, all focused on two men as are the thoughts, the hearts, the visions of these people everywhere in little towns, soar back, are flung to the farthest edges of the field in a vision of power, of distance, space and lives unnumbered, fused into a single unity that is so terrific that it bursts the measures of our comprehension and has a dream-like strangeness of reality even when we see it.
The scene is instant, whole and wonderful. In its beauty and design that vision of the soaring stands, the pattern of forty thousand empetalled faces, the velvet and unalterable geometry of the playing field, and the small lean figures of the players, set there, lonely, tense and waiting in their places, bright, desperate solitary atoms encircled by that huge wall of nameless faces, is incredible. And more than anything, it is the light, the miracle of light and shade and colour—the crisp, blue light that swiftly slants out from the soaring stands and, deepening to violet, begins to march across the velvet field and towards the pitcher’s box, that gives the thing its single and incomparable beauty.
The batter stands swinging his bat and grimly waiting at the plate, crouched, tense, the catcher, crouched, the umpire, bent, hands clasped behind his back, and peering forward. All of them are set now in the cold blue of that slanting shadow, except the pitcher, who stands out there all alone, calm, desperate, and forsaken in his isolation, with the gold-red swiftly fading light upon him, his figure legible with all the resolution, despair and lonely dignity which that slanting, somehow fatal light can give him. Deep lilac light is eating swiftly in from every corner of the field now, and far off there is a vision of the misty, golden and October towers of the terrific city. The scene is unforgettable in the beauty, intoxication and heroic feeling of its incredible design, and yet, as overwhelming as the spectacle may be for him who sees it, it is doubtful if the eye-witness has ever felt its mystery, beauty, and strange loveliness as did that unseen and unseeing audience in a little town.
But now the crowd, sensing the menaceful approach of a decisive moment, has grown quiet and tense and breathless, as it stands there in the street. In the window, Ben sets the earphones firmly with his hands, his head goes down, the scowl between his grey eyes deepens to a look of listening intensity. He begins to speak sharply to a young man standing at a table on the floor behind him. He snaps his fingers nervously, a cardboard placard is handed to him, he looks quickly at it, and then thrusts it back, crying irritably:
“No, no, no! Strike one, I said! Damn it, Mac, you’re about as much help to me as a wooden Indian!”
The young man on the floor thrusts another placard in his hand. Ben takes it quickly, swiftly takes out a placard from the complicated frame of wires and rows and columns in the window (for it is before the day of the electric Scoreboard, and this clumsy and complicated system whereby every strike, ball, substitution, or base hit—every possible movement and event that can occur upon the field—must be indicated in this way by placards printed with the exact information, is the only one they know) and thrusts a new placard on the line in place of the one that he has just removed. A cheer, sharp, lusty, and immediate, goes up from the crowd. Ben speaks sharply and irritably to the dark and sullen-featured youth whose name is Foxey and Foxey runs outside quickly with another placard inscribed with the name of a new player who is coming in. Swiftly, Foxey takes out of its groove the name of the departing player, shoves the new one into place, and this time the rival partisans in the crowd cheer for the pitch hitter.
In the street now there is the excited buzz and hum of controversy. The people, who, with a strange and somehow moving loyalty, are divided into two groups supporting the merits of two teams which they have never seen, are eagerly debating, denying, making positive assertions of what is likely to happen, which are obviously extravagant and absurd in a contest where nothing can be predicted, and so much depends on fortune, chance, and the opportunity of the moment.
In the very forefront of the crowd, a little to the right as Ben stands facing them, a well-dressed man in the late fifties can be seen excitedly discussing the prospect of the game with several of his companions. His name is Fagg Sluder, a citizen well known to every one in town. He is a man who made a fortune as a contractor and retired from active business several years ago, investing part of his wealth in two or three large office buildings, and who now lives on the income he derives from them.
He is a nervous energetic figure of a man, of middle height, with greying hair, a short-cropped moustache, and the dry, spotted, slightly concave features which characterize many Americans of his age. A man who, until recent years, has known nothing but hard work since his childhood, he has now developed, in his years of leisure, an enthusiastic devotion to the game, that amounts to an obsession.
He has not only given to the town the baseball park which bears his name, he is also president of the local Club, and uncomplainingly makes good its annual deficit. During the playing season his whole time is spent in breathing, thinking, talking baseball all day long: if he is not at the game, bent forward in his seat behind the home plate in an attitude of ravenous absorption, occasionally shouting advice and encouragement to the players in his rapid, stammering, rather high-pitched voice that has a curiously incisive penetration and carrying power, then he is up on the Square before the fire department going over every detail of the game with his cronies and asking eager, rapid-fire questions of the young red- necked players he employs, and towards whom he displays the worshipful admiration of a schoolboy.
Now this man, who, despite his doctor’s orders, smokes twenty or thirty strong black cigars a day, and in fact is never to be seen without a cigar in his fingers or in his mouth, may be heard all over the crowd speaking eagerly in his rapid, stammering voice to a man with a quiet and pleasant manner who stands behind him. This is the assistant chief of the fire department and his name is Bickett.
“Jim,” Mr. Sluder is saying in his eager and excited way, “I—I--I— I tell you what I think! If—if—if Speaker comes up there again with men on bases—I—I--I just believe Matty will strike him out— I swear I do. What do you think?” he demands eagerly and abruptly.
Mr. Bickett, first pausing to draw slowly and languorously on a cigarette before casting it into the gutter, makes some easy, quiet and non-committal answer which satisfies Mr. Sluder completely, since he is paying no attention to him, anyway. Immediately, he claps the chewed cigar which he is holding in his stubby fingers into his mouth, and nodding his head briskly and vigorously, with an air of great decision, he stammers out again:
“Well—I—I--I just believe that’s what he’s going to do: I—I--I don’t think he’s afraid of that fellow at all! I—I--I think he knows he can strike him out any time he feels like it.”
The boy knows everyone in the crowd as he looks around him. Here are the other boys of his own age, and older—his fellow route-boys in the morning’s work, his school companions, delivery boys employed by druggists, merchants, clothiers, the sons of the more wealthy and prominent people of the town. Here are the boys from the eastern part of town from which he comes and in which his father’s house is built—the older, homelier, and for some reason more joyful and confident part of town to him—though why, he does not know, he cannot say. Perhaps it is because the hills along the eastern borders of the town are near and close and warm, and almost to be touched. But in the western part of town, the great vistas of the soaring ranges, the distant summits of the Smokies fade far away into the west, into the huge loneliness, the haunting desolation of the unknown distance, the red, lonely light of the powerful retreating sun.
But now the old red light is slanting swiftly, the crowd is waiting tense and silent, already with a touch of sorrow, resignation, and the winter in their hearts, for summer’s over, the game is ending, and October has come again, has come again. In the window, where the red slant of the sun already falls, Ben is moving quickly, slipping new placards into place, taking old ones out, scowling, snapping his hard, white fingers in command, speaking curtly, sharply, irritably to the busy figures, moving at his bidding on the floor. The game—the last game of the series—is sharp, close, bitterly contested. No one can say as yet which way the issue goes, which side will win, when it will end—but that fatality of red slanting light, the premonitory menace of the frost, the fatal certitude of victory and defeat, with all the sorrow and regret that both can bring to man, are in their hearts.
From time to time, a wild and sudden cheer breaks sharply from the waiting crowd, as something happens to increase their hope of victory, but for the most part they are tense and silent now, all waiting for the instant crisis, the quick end.
Behind Ben, seated in a swivel chair, but turned out facing toward the crowd, the boy can see the gouty bulk of Mr. Flood, the owner of the paper. He is bent forward heavily in his seat, his thick apoplectic fingers braced upon his knees, his mouth ajar, his coarse, jowled, venously empurpled face and bulging yellow eyes turned out upon the crowd, in their constant expression of slow stupefaction. From time to time, when the crowd cheers loudly, the expression of brutal surprise upon Mr. Flood’s coarse face will deepen perceptibly and comically, and in a moment he will say stupidly, in his hoarse and phlegmy tones:
