Occam's Razor
| Occam's Razor |
| Joe Gunther [10] |
| Archer Mayor |
| USA : (1999) |
The body was positioned so that the train neatly obliterated its head
and hands. Dressed in a homeless man's clothes with empty pockets, it
might easily be passed-off as an unfortunate John Doe. And yet… Joe
Gunther has a knack for knowing when things don't quite add up, and the
math in this case is all kinds of wrong. Add a toxic waste dumping
scheme, a stabbing, and a whole lot of state politics… if Occam's razor
were applied to Gunther's caseload, how many incisions would it make?
Archer Mayor
Contents
Preface
Excerpt
Biography
Bibliography
Preface
OCCAM’S RAZOR IS
, in part, a book about cops. Suitable, of course, in a series of police procedurals, but here especially, in both my choice of plots and titles, I tipped my hat to my brethren in blue.
Regarding the plot, I yielded to a concern I was developing about Brattleboro’s ability to realistically handle all the violence I was introducing in these books. Might it not be kinder to give Joe Gunther and his team the whole of Vermont in which to ply their talents? And wouldn’t the creation by politicians of a brand new law enforcement entity (which in fact does not exist) be just the right solution?
Given what we know of politicians and bureaucratic creativity, invoking William of Occam’s famous theory (or “razor”) struck me as the perfect title. After all, that theory not only has a wonderfully dark and suggestive name, but has been passed down to us as “keep it simple, stupid,” which is every cop’s ambition. Enjoy (I hope) what I came up with as a result of such pondering, and let me know what you think.
Archer Mayor
May, 2012
Vermont
IT WAS COLDER WITHOUT THE SNOW
and felt darker as a result. Even with the starlight and the feeble seepage from the street lamps around the corner, my eyes took longer to adjust than I expected.
The police officer at the bottom of the Arch Street alley looked up at me quizzically as I hesitated beside the car, my hands burrowing deep inside my pockets. “You okay, Lieutenant?” He was stringing a yellow “Police Line” tape across the way.
I shuddered and nodded, walking down the paved incline, careful of its neglected, broken surface. “Sure, Bobby. Still half asleep.”
He lifted the tape to let me pass. “Know what you mean. I been on nights for a week already. Still can’t get used to it.”
He was fresh from the academy, eager and curious, and, if statistics were any guide, destined to learn the ropes with us and then either enter the private sector, disillusioned and bored, or angle a job with the state police, assuming he passed their scrutiny.
“Who’s here already?” I asked him.
“Detectives Klesczewski and Tyler. Officer Lavoie’s with them. Sheila Kelly’s closing the other end off.”
I smiled at his titling everyone except Sheila. It wasn’t sexist. She’d been his supervisor before we’d let him loose on his own. She was the reverse of the trend, ten years with the Burlington PD, come to us in search of a slightly mellower pace. Bobby Miller looked to her as a kid might to an older sister.
I continued to the corner, where the Main Street buildings above and behind me showed their backs to the train tracks and the Connecticut River beyond. Typical of many old red-brick New England towns, Brattleboro, Vermont, faced away from the serenity and beauty of the river, having chosen well over a hundred and fifty years ago to regard both it and the railroad paralleling it as unsightly commercial conduits. In its heyday, this stretch of ground, unseen by the gentry, had been a coarse and bustling string of loading docks and receiving bays, feeding businesses two floors above, whose windows had glittered with the primped and polished end results.
Now the area was forlorn and ignored, a parking place for dumpsters, the homeless, and teenagers seeking illicit time alone. High overhead, out of sight in the gloom, dotting the curved, fortresslike wall following the river’s bend, were hundreds of dingy rear apartments, an increasing number of which were being transformed into tastefully renovated lofts or rendered into peaceful, sunlit havens by the town’s excess of psychologists and therapists—drawn to the very scenery that their predecessors had ignored. Most, however, still belonged to the marginally solvent—welfare dwellers holed up in small, dark, cluttered dens, surrounded by commerce and benefiting from none of it.
With theatrical abruptness, a tripod-mounted halogen lamp burst the darkness ahead of me with a brief electrical hiss. It was facing away from me, down and across the tracks, so the effect wasn’t blinding but more fancifully melodramatic. Its harsh light destroyed any subtlety or nuance, revealing everything in its arc in angular, brittle starkness—while consigning the world outside it to simple nonexistence. The soiled, damaged brick walls, the cinder-stained gravel of the railroad bed, the parallel crescent of gleaming tracks, and the flat black slab of river water beyond—all were briefly frozen in that initial flash of light, like a startled, disheveled partygoer caught in the glare of an instant camera. And just as quickly, it all became mere background to the reason for our gathering in the middle of a freezing January night.
Perpendicular to the outermost track, his feet toward the river, lay a man in a thick, long, dirty coat. He had no head or hands—they’d all been resting on the track when the last train had passed by, and what was left of them didn’t merit much description. But they lent the scene its one source of bright color, and to the entire picture a grim sense of purpose.
Standing over the body was Ron Klesczewski, that night’s detective on call. J.P. Tyler, our forensics man, had just plugged in the lamp.
He moved away from its glare and joined me in the darkness, like a technician stepping offstage to check his work. “I couldn’t see calling the paramedics. Got hold of everybody else—the ME, the SA’s office, more backup. Gail not on tonight?”
Gail Zigman was a deputy state’s attorney, and the woman I lived with. “No,” I answered. “I forgot to ask who was when I left.” I gestured with my chin down the tracks. “What’ve we got?”
Tyler shrugged. “Little early to tell, and I don’t want to do too much before the ME gets here, but it looks like a bum who ran out of rope.”
“Suicide?” I asked mildly.
“Probably. Although you don’t usually find them with their hands on the track.”
Before moving any closer, I said, more to myself than to him, “Unless he was already dead.”
· · ·
Three hours later, with the sky still black at winter’s insistence, I brought a cup of coffee into Tony Brandt’s office and settled tiredly into one of his guest chairs.
Brandt was our chief of police and had been for years on end. A born administrator, a natural politician, and a cop his entire professional life, he was probably far more skilled than we deserved. I wondered sometimes if he’d ever realize how much better he could do than a twenty-four-person police force, or when someone like the governor might wake up and draft him to work in Montpelier as the head of some huge agency. It was ironic that we lost less-talented people than Tony all the time but kept hold of a man whose blueprint for community policing was slowly being emulated across the entire country.
But there was a canniness to Tony Brandt that implied that none of this was accidental. A good friend to many and affable to most, he remained both private and quietly driven, leaving the impression that he was looking at us all—and at himself in our company—in some kind of grand context.
He now sat back in his chair, his feet up on his desk, his hands interlocked behind his head. He looked at me impassively through frameless bifocals. “This something to worry about?”
It was an interesting choice of words—a politically savvy variation on the question I’d asked Tyler earlier.
“Could be. It looks like suicide. No signs of a struggle, no other obvious trauma to the body. No one we’ve canvassed so far has owned up to hearing anything. It might be that easy.”
“Except…” he suggested.
I held up my hand in protest. “No, no. Except nothing. That’s all we’ve got so far. He’s been shipped up to Burlington for an autopsy, Tyler’s still poking around the scene, and the canvass is ongoing. Any one of a couple of hundred people could’ve seen or heard something. I’m just saying we’re not done yet.”
He watched me without comment while I sipped from my cup, knowing what he’d say next. We went back far enough to find comfort in such oblique communication.
“What’s really on your mind?”
I placed the cup on the corner of his desk. “He might be a suicide. He might also have been tossed from a flying saucer and his blood replaced with food dye. But as suicides go, it’s a little unusual. He had nothing in his pockets—and I mean nothing at all—and while his clothes were filthy, his underpants were snowy white.”
He knew better than to debate the worth of such evidence. “Okay. Keep me informed.”
· · ·
I climbed the stairs slowly, one hand on the banister, by now feeling the lack of sleep. I’d entered the building from the front, using a nondescript door to the right of a clothing store. The double row of weathered, ornate buildings lining Brattleboro’s main drag often reminded me of two ancient beached battleships—huge, rusty, and abandoned by modern needs, but also too big and reminiscent of past glories to be replaced. By design and through countless renovations, therefore, they’d been worked over, modernized, and brought up to code until no two floors looked alike, making passage through their innards like an archaeological field trip.
This particular building was clearer-cut than some and less invaded by yuppies. Above the clothing store, a start-up lawyer and a downscale barber shared the second floor. Farther up were apartments only, inhabited by those whose life options hovered between few and none. If I hadn’t already known this from too many past visits, the fetid odor now enveloping me would have left little room for doubt. One thing about winter—it does stifle any impulse to throw open a window to the fresh air.
Ron Klesczewski’s head appeared over the railing of the top-floor landing—clean-shaven, fresh-faced, even after having been up most of the night. “Hi, Joe. It’s up here.”
He vanished again, allowing me to continue climbing in solitude. Ron had almost resigned a few years ago, after a particularly traumatic shoot-out with some heavily armed Asians. Tentative to begin with, he’d turned inward for a short time thereafter, not coming to work, ignoring his young, pregnant wife. In those days, he’d been my second-in-command, a position I’d realized then had only added to his stress. Giving him time—and his responsibilities to Sammie Martens—had done the trick. He’d reemerged much as before, if anything more solid, and had resumed being our premier logistics man—chasing paperwork, checking records, and keeping the department’s revamped computer system up to date.
There were several apartments feeding onto the top landing, but only one with its door wide open, at the end of a long, narrow corridor leading straight to the rear of the building. I headed that way, following the sound of voices.
I had four detectives under my command, Sammie and Willy Kunkle being the two I had yet to see this morning. I knew they were out there working. But just as it was typical of Ron to have called me about the woman I was about to meet, so it was that neither Willy nor Sam had even bothered to check in, much less give me an update.
Totally unalike in other respects, they were as passionately independent as Ron was a team player. On those rare occasions when all four were acting up, I felt like the single mother of a dysfunctional family.
Klesczewski reappeared in the doorway and ushered me across the threshold, introducing me to a blade-faced old woman propped up in the far corner of a ratty sofa.
“Mrs. Edith Rudd. Lieutenant Gunther.”
We eyed each other across the close, cluttered room and nodded politely.
Ron kept his voice pleasantly upbeat. “Edith has been telling me she might have something to add to our investigation, but she wanted to make sure she only spoke to the man in charge.”
Great, I thought.
“That you?” Her voice took me back to my first viewing of
The Wizard of Oz
and the Wicked Witch of the West. She certainly seemed to have the same aversion to water.
