Nightmare at 20,000 Feet: Horror Stories (23 page)

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Authors: Richard Matheson

Tags: #horror, #Fiction - Horror, #Short Stories (Single Author), #General, #Science Fiction, #American, #Horror - General, #Horror Fiction, #Fiction, #Short Stories, #Horror tales

BOOK: Nightmare at 20,000 Feet: Horror Stories
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  I tried to get to my feet but the pain in my head drove me back to my knees. I shook my head feebly, running trembling hands over my cheeks, feeling the gouged wound in my forehead, the dried blood which had trickled down across one temple. I swayed back and forth on my knees, moaning. I seemed to be back in that void again, struggling to regain my hold on life. The power of the house surrounded me. The power which I knew was her power. A cruel and malignant vitality which tried to drink out the life force from me and draw me down into the pit.

  Then, once more, I remembered Saul, my brother, and the remembrance brought me back the strength I needed.

  "No!" I cried out as if the house had told me I was now its helpless captive. And I pushed to my feet, ignoring the dizziness, stumbling through a cloud of pain across the room, gasping for breath. The house was throbbing and humming, filled with that obnoxious smell.

  I ran drunkenly for the door, found myself running into the bed. I drew back with almost a snarl at the numbing pain in my shins. I turned in the direction of the door and ran again. I did not even hold my arms ahead of me and had no chance to brace myself when I ran into the door dizzily.

  The excruciating pain of my nose being near broken caused a howl of agony to pass my lips. Blood immediately began gushing down across my mouth and I had to keep wiping it away. I jerked open the door and ran into the hall, feeling myself on the border of insanity. The hot blood kept running down across my chin and I felt it dripping and soaking into my coat. My hat had fallen off but I still wore my raincoat over my suit.

  I was too bereft of perception to notice that nothing held me back at the head of the stairs. I half ran, half slid down the stairs, goaded on by that humming, formless laughter which was music and mockery. The pain in my head was terrible. Every downward step made it feel as if someone drove one more nail into my brain.

  "Saul, Saul!" I cried out, running into the living room, gagging as I tried to call his name a third time.

  The living room was dark, permeated with that sickly odour. It made my head reel but I kept moving. It seemed to thicken as I moved for the kitchen. I ran into the small room and leaned against the wall, almost unable to breathe, pinpoints of light spinning before my eyes.

  Then, as lightning illumined the room I saw the left cupboard door wide open and, inside, a large bowl filled with what looked like flour. As I stared at it, tears rolled down my cheeks and my tongue felt like dry cloth in my mouth.

  I backed out of the kitchen choking for breath, feeling as if my strength were almost gone. I turned and ran into the living room, still looking for my brother.

  Then, in another flash of lightning, I looked at her portrait. It was different and the difference froze me to the spot. Her face was no longer beautiful. Whether it was shadow that did it or actual change, her expression was one of vicious cruelty. The eyes glittered, there was an insane cast to her smile. Even her hands, once folded in repose, now seemed more like claws waiting to strike out and kill.

  It was when I backed away from her that I stumbled and fell over the body of my brother.

  I pushed up to my knees and stared down in the blackness. One flash of lightning after another showed me his white, dead face, the smile of hideous knowledge on his lips, the look of insane joy in his wide-open eyes. My mouth fell open and breath caught in me. It seemed as if my world was ending. I could not believe it was true. I clutched at my hair and whimpered, almost believing that in a moment, Mother would wake me from my nightmare and I would look across at Saul's bed, smile at his innocent sleep and lie down again secure with the memory of his dark hair on the white pillow.

  But it did not end. The rain slapped frenziedly at the windows and thunder drove deafening fists against the earth.

  I looked up at the portrait. I felt as dead as my brother. I did not hesitate. Calmly I stood and walked to the mantel. There were matches there. I picked up the box.

  Instantly, she divined my thoughts for the box was torn from my fingers and hurled against the wall. I dove for it and was tripped by some invisible force. Those cold hands clutched at my throat. I felt no fright but tore them away with a snarl and dove for the matches again. Blood began running faster and I spat out some.

  I picked up the box. It was torn away again, this time to burst and spray matches all over the rug. A great hum of anguish seemed to rock the house as I reached for a match. I was grabbed. I tore loose. I fell to my knees and slapped at the rug in the darkness as lightning ceased. My arms were held tightly. Something cold and wet ran around in my stomach.

  With maniacal fury I pressed my teeth against a match I saw in the lightning and bit at the head. There was no rewarding flare. The house was trembling violently now and I heard rustlings about me as if she had called them all to fight me, to save their cursed existence.

  I bit at another match. A white face stared at me from the rug and I spit blood at it. It disappeared. I tore one arm loose and grabbed a match. I jerked myself to the mantel and dragged the match across the rough wood. A speck of flame flared up in my fingers and I was released.

  The throbbing seemed more violent now. But I knew it was helpless against flame. I protected the flame with my hand though, lest that cold wind come again and try to blow it out. I held the match against a magazine that was lying on a chair and it flared up. I shook it and the pages puffed into flame. I threw it down on the rug.

  I went around in that light striking one match after another, avoiding the sight of Saul lying there. She had destroyed him but now I would destroy her forever.

  I ignited the curtains. I started the rug to smouldering. I set fire to the furniture. The house rocked and a whistling sigh rose and ebbed like the wind.

  At last I stood erect in the flaming room, my eyes riveted on the portrait. I walked slowly toward it. She knew my intentions for the house rocked even harder and a shrieking began that seemed to come from the walls. And I knew then that the house was controlled by her and that her power was in that portrait.

  I drew it down from the wall. It shook in my very hands as if it were alive. With a shudder of repugnance I threw it on the flames.

  I almost fell while the floor shuddered almost as if an earthquake were striking the land. But then it stopped and the portrait was burning and the last effect of her was gone. I was alone in an old burning house.

  I did not want anyone to know about my brother. I did not want anyone to see his face like that.

  So I lifted him and put him on the couch. I do not understand to this day how I could lift him up when I felt so weak. It was a strength not my own.

  I sat at his feet, stroking his hand until the flames grew too hot. Then I rose. I bent over him and kissed him on the lips for a last goodbye. And I walked from the house into the rain.

  And I never came back. Because there was nothing to ever come back for.

This is the end of the manuscript. There seems no adequate evidence to ascribe the events recounted as true. But the following facts, taken from the city's police files, might prove of interest.

In 1901, the city was severely shocked by the most wholesale murder ever perpetrated in its history.

At the height of a party being held at the home of Mr. and Mrs. Marlin Slaughter and their daughter Clarissa, an unknown person poisoned the punch by placing a very large amount of arsenic in it. Everyone died. The case was never solved although various theories were put forth as to its solution. One thesis had it that the murderer was one of those who died.

As to the identity of this murderer, supposition had it that it was not a murderer but a murderess. Although nothing definite exists to go by, there are several testimonies which refer to that poor child Clarissa" and indicate that the young woman had been suffering for some years from a severe mental aberration which her parents had tried to keep a secret from the neighbours and the authorities. The party in mention was supposed to have been planned to celebrate what her parents took for the recovery of her faculties.

As to the body of the young man later supposed to be in the wreckage, a thorough search has revealed nothing. It may be that the entire story is imagination, fabricated by the one brother in order to conceal the death of the other, said death probably being unnatural. Thus, the older brother knowing the story of the house tragedy may have used it for a fantastic evidence in his favour.

Whatever the truth, the older brother has never been heard of again either in this city or in any of the adjacent localities.

And that's the story S.D.M.

11 - WET STRAW

  It began some months after his wife died.

  He had moved into a boarding house. There he lived a sheltered life; sale of her bonds had provided money. A book a day, concerts, solitary meals, visits to the museum-these sufficed. He listened to his radio and napped and thought a good deal. Life was good enough.

  One night he put down his book and undressed. He turned out the lights and opened the window. He sat down on the bed and stared a moment at the floor. His eyes ached a little. Then he lay down and put his arms behind his head. There was a cold draft from the window, so he pulled the covers over his head and closed his eyes.

  It was very still. He could hear his own regular breathing. The warmth began to cover him. The heat fondled his body and soothed it. He sighed heavily and smiled.

  In an instant, his eyes were open.

  There was a thin breeze stroking his cheek, and he could smell something like wet straw. It was not to be mistaken.

  Reaching out, he could touch the wall and feel the breeze from the window. Yet, under the covers, where there had been only warmth before, was another breeze. And a damp, chilling smell of wet straw.

  He threw the covers from him and lay on the bed, breathing harshly.

  Then he laughed in his mind. A dream, a nightmare. Too much reading. Bad food.

  He pulled up the covers and closed his eyes. He kept his head outside the blankets and slept.

  The next morning he forgot about it. He had breakfast and went to the museum. There he spent the morning. He visited all the rooms and looked at everything.

  When he was about to leave, he felt a desire to go back and look at a painting he had only glanced at before.

  He stopped in front of it.

  It was a painting of a countryside. There was a big barn down in the valley.

  He began to breathe heavily, and his fingers played on his tie. How ridiculous, he thought after a moment, that such a thing should make me nervous.

  He turned away. At the door he looked back at the painting.

  The barn had frightened him. Only a barn, he thought, a barn in a painting.

  After dinner he returned to his room.

  As soon as he opened the door he remembered the dream. He went to the bed. He drew up the blanket and the sheets and shook them.

  There was no smell of wet straw. He felt like a fool.

  That night, when he went to bed, he left the window closed. He turned out the lights and got in bed and pulled the covers over his head.

  At first it was the same. Silent and breathless and the creeping warmth.

  Then the breeze began again and he distinctly felt his hair ruffled by it. He could smell wet straw. He stared into the blackness and breathed through his mouth so he wouldn't have to smell the straw.

  Somewhere in the dark, he saw a square of greyish light.

  It's a window, he thought, suddenly.

  He looked longer and his heart jumped as a sudden flash of light showed in the window. It was like lightning. He listened. He smelled the wet straw.

  He heard it starting to rain.

  He became frightened and pulled the covers off his head.

  The warm room was around him. It was not raining. It was oppressively hot because the window was closed.

  He stared at the ceiling and wondered why he was having this illusion.

  Again he pulled up the blanket to make sure. He lay still and kept his eyes tightly closed.

  The smell was in his nostrils again. The rain was beating violently on the window. He opened his eyes and watched it and made out sheets of rain in the flashes. Then, rain began to beat above him, too, on a wooden roof. He was in some place with a wooden roof and wet straw.

  He was in a barn.

  That was why the picture had frightened him. But why frightened?

  He tried to touch the window, but he couldn't reach it. The breeze blew on his hand and arm. He wanted to touch the window. Maybe, he delighted in the thought, maybe open it and stick his head out in the rain and then pull down the covers quickly to see if his hair were wet.

  He began to sense himself surrounded by space. There was no feeling of confinement in the bed. He felt the mattress, yet it was as though he lay on it in an open place. The breeze blew over his entire body. And the smell was more pronounced.

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