Night Chills (25 page)

He crossed the street and followed her. But when he reached the rear lawns of those houses, she wasn’t there.

“Rya!”

She didn’t answer him. She might have been too far away to hear—but he suspected that she was hiding nearby.

“Rya, I just want to talk to you!”

Nothing. Silence.

Already his anger had largely given way to concern for her. What in the name of God had possessed the girl? Why had she concocted such a grisly story? And how had she managed to tell it with such passion? He hadn’t really believed any of it, not from the start—yet he’d been so impressed by her sincerity that he’d come to the Thorp house to see for himself. She wasn’t a liar by nature. She wasn’t
that
good an actress. At least not in his experience. And when her story was shown to be a lie, why had she defended it so ardently?
How
had she defended it so ardently, knowing it was a lie? Did she believe, perhaps, that it
wasn’t
a fabrication? Did she think that she actually
had
seen her brother killed? But if that was the case, she was—mentally disturbed. Rya? Mentally disturbed? Rya was tough. Rya knew how to cope. Rya was a rock. Even an hour ago he would have staked his life on her soundness of mind. Was there any psychological disorder that could strike a child so suddenly, without warning, without any symptoms beforehand?

Deeply worried, he went back across the street to apologize to Emma Thorp.

2

10:15 A.M.

Jeremy Thorp stood, almost as if at attention before a military court, in the center of the kitchen.

“Do you understand what I’ve said?” Salsbury asked.

“Yeah.”

“You know what to do?”

“Yeah. I know.”

“Any questions?”

“Just one.”

“What is it?”

“What do I do if they don’t show up?”

“They’ll show up,” Salsbury said.

“But what if they don’t?”

“You have a watch, don’t you?”

The boy held up one thin wrist.

“You wait twenty minutes for them. If they don’t show up in that time, come straight back here. Is that understood?”

“Yeah. Twenty minutes.”

“Get moving.”

The boy started toward the door.

“Don’t leave that way. They’ll see you. Go out the front. ”

Jeremy went down the narrow hall to the door.

Salsbury followed, watched until the boy was out of sight behind the neighboring house, closed the door, locked it, and went back to the kitchen.

Not bad, he thought. You’re holding up well, Ogden. H. Leonard himself couldn’t have coped any faster than you’ve done. Clever as hell. You are certainly clever. With your mind and the advantage of the power, the key-lock code phrases, you’ll weather this crisis. If Miriam could see you now ... What would old Miriam say now? You aren’t anything like Miriam said you were. You’re a tough customer. Jesus, what a tough customer. You make sound decisions under pressure, and you stick with them. Smart. Damned smart.
But oh, my God, what a razor edge you’re walking!

Standing next to the rear window, he pushed the curtain aside a fraction of an inch, until he could see the garage. Annendale slid the squirrel’s cage into the cargo bed of the station wagon, closed the tailgate, and put up the electric window. Jenny Edison got in the car. Annendale and Emma talked for perhaps a minute. Then he got behind the wheel and reversed out of the driveway. When Emma waved good-by to them and started back toward the house, Salsbury let the curtain fall into place.

She came into the kitchen, saw him, and was startled. She looked as if she was ready to scream. “What are you doing here? Who are you?”

“I am the key.”

“I am the lock.”

“Relax.”

She did.

“Sit down.”

She sat.

He stood in front of her, loomed over her. “What were you and Annendale talking about out there?”

“He kept apologizing for his daughter’s behavior.”

Salsbury laughed.

Because her memories of this morning’s events had been selectively edited, she didn’t see the humor in the situation. “Why would Rya accuse Bob of murder? What a terrible thing. Does she think she’s being funny? What a gruesome joke!”

The entrance foyer of St. Margaret Mary’s Roman Catholic Church was quiet and nearly lightless. The entire interior was done in dark pine—pegged pine floors, dark pine walls, open-beam ceilings, an intricately carved twelve-foot-high crucifix—as befitted the major house of worship in a lumber mill town. A five-watt bulb burned above the holy water font twelve feet away. At the far end of the auditorium, votive candles flickered in ruby-colored glass cups, and soft lights shone at the base of the altar. However, little of this ghostly illumination filtered through the open archway into the foyer.

Cloaked in these shadows and in the holy silence, Jeremy Thorp leaned against one of the two heavy, brass-fitted front doors of the church. He opened it only two or three inches and held it in place with his hip. Beyond lay a set of brick steps, the sidewalk, a pair of birch trees, and then the western end of Main Street. The Union Theater was directly across the street; he had an adequate view of it in spite of the birches.

Jeremy looked at his watch in the blade of light that sliced through the narrow crack between the doors. 10:20.

As they approached the traffic light at the town square, Paul switched on the righthand turn signal.

Jenny said, “The store’s to the left.”

“I know.”

“Where are we going?”

“To the basketball court behind the theater.”

“To check up on Emma?”

“No. I’m sure she’s telling the truth.”

“Why, then?”

“I want to ask Mark exactly what
did
happen this morning,” he said, tapping his fingers on the steering wheel as he waited impatiently for the light to change.

“Emma told us what happened. Nothing.”

He said, “Emma’s eyes were red and puffy, as if she’d been crying. Maybe she and Bob had an argument while Mark was there. Rya might have come to the door at the height of the shouting. She might have misunderstood what was happening; she panicked and ran.”

“Emma would have told us.”

“She might have been too embarrassed.”

As the traffic light turned green, Jenny said, “Panic? That sure doesn’t sound like Rya.”

“I know. But is it more in character for her to fabricate extravagant lies?”

She nodded. “You’re right. As unlikely as it is, it’s
more
likely that she was confused and that she panicked. ”

“We’ll ask Mark.”

According to Jeremy Thorp’s wrist watch it was 10:22 when Paul Annendale drove his station wagon up Main Street and into the alleyway beside the theater. As soon as the car was out of sight, the boy left the church. He went down the front steps, stood at the curb, and waited for the station wagon to reappear.

During the last hour the sky had come closer to the earth. From horizon to horizon, a solid mass of lowering gray-black clouds rolled eastward, driven by a strong high-altitude wind. Some of that wind had begun to sweep the streets of Black River, just enough of it to turn the leaves on the trees—a sign, according to folklore, of oncoming rain.

No rain, please, Jeremy thought. We don’t want any damn rain. At least not before tonight. This summer a dozen kids had organized a series of bicycle races to be held every Friday. Last week he had placed second in the main event, the cross-town dash. But I’ll be first this week, he thought. I’ve been in training. Heavy training. Not wasting any time like those other kids. I’m sure to be the first this week—if it doesn’t rain.

He glanced at his watch again. 10:26.

A few seconds later, when he saw the station wagon coming back down the alley, Jeremy started walking east along Main Street at a brisk pace.

As the car nosed out of the alley, just as Paul was about to turn right onto Main Street, Jenny said, “There’s Jeremy. ”

Paul tapped the brakes. “Where?”

“Across the street.”

“Mark’s not with him.” He blew the horn, put down his window, and motioned for the boy to come to him.

After he had looked both ways, Jeremy crossed the street. “Hi, Mr. Annendale. Hi, Jenny.”

Paul said, “Your mother told me you and Mark were playing basketball behind the theater.”

“We started to. But it wasn’t much fun, so we went up to Gordon’s Woods.”

“Where’s that?”

They were in the final block of Main Street; but the road continued to the west. It rose with the land, rounded a bluff, and went on until it reached the mill and after that the logging camp.

Jeremy pointed to the forest atop the bluff. “That’s Gordon’s Woods.”

“Why would you want to go up there?” Paul asked.

“We’ve got a treehouse in Gordon’s Woods.” The boy read Paul’s expression accurately, and he quickly said, “Oh, don’t worry, Mr. Annendale. It’s not a rickety old place. It’s completely safe. Some of our fathers built it for all the kids in town.”

“He’s right,” Jenny said. “It’s safe. Sam was one of the fathers who built it.” She smiled. “Even though his daughter is a bit too old for treehouses.”

Jeremy grinned. He wore braces. Those and the freckles that peppered his face disarmed Paul. The boy clearly didn’t have the guile, the dark personality, or the experience to take part in a murder conspiracy.

Paul felt somewhat relieved. When he hadn’t found Jeremy and Mark at the basketball court, that icy hand had settled once more, if briefly, on the back of his neck. He said, “Is Mark up at the treehouse now?”

“Yeah.”

“Why aren’t you there?”

“Me and Mark and a couple of other kids want to play Monopoly. So I’m going home to get my set.”

“Jeremy ...” How could he possibly find out what he wanted to know? “Did anything—happen in your kitchen this morning?”

The boy blinked, a bit perplexed by the question. “We had breakfast.”

Feeling more foolish than ever, Paul said, “Well ... You better get your Monopoly set. The other kids are waiting. ”

Jeremy said good-by to Jenny and Paul and to Buster, turned, looked both ways, and crossed the street.

Paul watched him until he turned the corner at the square.

“Now what?” Jenny said.

“Rya probably ran to Sam for sympathy and protection.” He sighed. “She’s had time to calm down. Maybe she realizes that she panicked. We’ll see what her story is now.”

“If she didn’t run to Sam?”

“Then there’s no use looking for her all over town. If she wants to hide from us, she can with little trouble. Sooner or later she’ll come to the store.”

Sitting at the kitchen table, across from his mother, Jeremy recounted the conversation he’d had with Paul Annendale a few minutes ago.

When the boy finished, Salsbury said, “And he believed it?”

Jeremy frowned. “Believed what?”

“He believed that Mark was at the treehouse?”

“Well, sure. Isn’t he?”

Okay. Okay, okay, Salsbury thought. This isn’t the end of the crisis. You’ve bought some time to think. An hour or two. Maybe three hours. Eventually Annendale will go looking for his son. Two or three hours. You’ve no time to waste. Be decisive. You’ve been wonderfully decisive so far. What you’ve got to do is be decisive and get this straightened out before you have to tell Dawson about it.

Earlier, within twenty minutes of the boy’s death, he had edited the Thorp family’s memories, had erased all remembrance of the killing from their minds. That editing took no longer than two or three minutes—but it was only the first stage of a plan to conceal his involvement in the murder. If the situation were any less desperate, if a capital offense hadn’t been committed, if the entire key-lock program didn’t hang in the balance, he could have left the Thorps with blank spots in their memories, and he would have felt perfectly safe in spite of that. But the circumstances were such that he knew he should not merely wipe out the truth but that he should also replace it with a detailed set of false memories, recollections of routine events which might have happened that morning but which in reality did not.

He decided to begin with the woman. To the boy he said, “Go into the living room and sit on the couch. Don’t move from there until I call for you. Understood?”

“Yeah.” Jeremy left the room.

Salsbury thought for a minute about how to proceed.

Emma watched him, waited.

Finally he said, “Emma, what time is it?”

She looked at the clock-radio. “Twenty minutes of eleven. ”

“No,” he said softly. “That’s wrong. It’s twenty minutes of nine. Twenty minutes of nine this morning.”

“It is?”

“Look at the clock, Emma.”

“Twenty of nine,” she said.

“Where are you, Emma?”

“In my kitchen.”

“Who else is here?”

“Just you.”

“No.” He sat in Jeremy’s chair. “You can’t see me. You can’t see me at all. Can you, Emma?”

“No. I can’t see you.”

“You
can
hear me. But you know what? Whenever our little conversation is over, you won’t remember we’ve had it. Every event that I describe to you in the next couple of minutes will become a part of your memories. You won’t remember that you were
told
these things. You will think that you actually experienced them. Is that clear, Emma?”

“Yes.” Her eyes glazed. Her facial muscles went slack.

“All right. What time is it?”

“Twenty minutes of nine.”

“Where are you?”

“In my kitchen.”

“Who else is here?”

“No one.”

“Bob and Jeremy are here.”

“Bob and Jeremy are here,” she said.

“Bob’s in that chair.”

She smiled at Bob.

“Jeremy’s sitting there. The three of you are eating breakfast. ”

“Yes. Breakfast.”

“Fried eggs. Toast. Orange juice.”

“Fried eggs. Toast. Orange juice. ”

“Pick up that glass, Emma.”

She stared doubtfully at the tumbler.

“It’s filled to the top with cold, sweet orange juice. Do you see it?”