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Authors: Julie Smith

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BOOK: New Orleans Noir
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I jumped as the front door opened.

“Thanks, man,” Phillip said, as he shut the door behind him. “I know you’re tired, buddy, but I just need some company for a little while.”

I barked out a little laugh as I fumbled with the paper. “Yeah, it’s been kind of a weird night, huh?”
Hurry, hurry, roll it and get him out of here.

“I’m really sorry, Tony,” Phillip said as I finished rolling the joint, licked it, and handed it over to him. “You’re such a good friend. I don’t know what I ever did to deserve you.”

That makes two of us,
I thought.
Just take your joint and get the fuck out of my house.

He sat down on the couch and stretched out, giving me that smile yet again. He patted the couch. “Why don’t you sit next to me, Tony?” He twirled the joint in his fingers. “Got a light?”

The easier to choke me?
I swallowed and handed him the lighter. My heart was racing and I sat down, trying to keep my legs from touching his.

He took a long hit, held it in for a while, then blew it out in a plume. He offered me the joint, which I declined. He took another hit, pinched it out with his fingers, and put it on the coffee table. “You know what?”

“What?”

“I’ve always wondered about something but I never felt right asking.” He smiled at me.

Stay calm, keep cool, don’t alarm him in any way.
“What’s that?”

“How come we’ve never hooked up?” I felt his arm slide around my shoulders, and out of the corner of my eye I saw his big hand on my shoulder.

I swallowed. “I—I don’t know.”

“I mean, I’ve seen how you look at me sometimes.” He leaned into me, his face close to mine. “Don’t you think I’m hot, Tony? Don’t you want to fuck me?”

Oh God, no, this isn’t happening. Get him out of here!

He kissed me on the cheek, his left hand moving to my chest.

“Phillip, no.” I tried to pull away from him, but he had a firm grip on my shoulder.

“You know you want it,” he whispered.

“No.” I pushed his hands off me and stood up. “I think you should leave.” I was shaking, my stomach churning.

He stood up as well, his face unreadable. “Come on, Tony.” He reached for me and put his arms around me, pulling me close.

“Let me go!” I tried pushing him away, but he just laughed and gripped me tighter, and as he pulled me in I knew he was stronger than me, and I wondered if this was the last thing Chad had seen before the hands went around his throat and started choking the life out of him, Phillip’s face moving in closer and closer as everything went dark and he slid to the floor … and my heart started pounding, this was it, I was going to die, he was going to kill me, too …

“Phillip,
don’t!”
Adrenaline coursed through my body as I planted my hands on his chest and shoved with every ounce of strength in my body.

He stumbled backwards, opened his mouth, his face shocked, and gasped, “Hey!” just as the back of his legs hit the coffee table.

I watched. It seemed as though time had slowed down, as though the entire world had somehow moved into slow motion.

He fell, his arms pinwheeling as he tried to catch himself.

The back of his head hit the edge of the mantelpiece with a sickening crunch.

And then he was sprawled on my floor, his head leaking.

He let out a sigh and his entire body went limp, his eyes staring at the ceiling.

“Oh. My. God,” I breathed, as I stepped forward and knelt down, placing my fingers on his carotid artery.

No heartbeat.

He was dead.

“I swear I didn’t mean to kill him!”

I sank down onto the floor in a stupor and started laughing hysterically.

Who was
I
going to call?

LOOT

BY JULIE SMITH

Garden District

M
athilde’s in North Carolina with her husband when she hears about the hurricane—the one that’s finally going to fulfill the prophecy about filling the bowl New Orleans is built in. Uh-huh, sure. She’s been there a thousand times. She all but yawns.

Aren’t they all?
goes through her mind.

“A storm like no one’s ever seen,” the weather guy says, “a storm that will leave the city devastated … a storm that …”

Blah blah and blah.

But finally, after ten more minutes of media hysteria, she catches on that this time it might be for real. Her first thought is for her home in the Garden District, the one that’s been in Tony’s family for three generations. Yet she knows there’s nothing she can do about that—if the storm takes it, so be it.

Her second thought is for her maid, Cherice Wardell, and Cherice’s husband, Charles.

Mathilde and Cherice have been together for twenty-two years. They’re like an old married couple. They’ve spent more time with each other than they have with their husbands. They’ve taken care of each other when one of them was ill. They’ve cooked for each other (though Cherice has cooked a good deal more for Mathilde). They’ve shopped together, they’ve argued, they’ve shared more secrets than either of them would be comfortable with if they thought about it. They simply chat, the way women do, and things come out, some things that probably shouldn’t. Cherice knows intimate facts about Mathilde’s sex life, for instance, things she likes to do with Tony, that Mathilde would never tell her white friends.

So Mathilde knows the Wardells plenty well enough to know they aren’t about to obey the evacuation order. They never leave when a storm’s on the way. They have two big dogs and nowhere to take them. Except for their two children, one of whom is in school in Alabama, and the other in California, the rest of their family lives in New Orleans. So there are no nearby relatives to shelter them. They either can’t afford hotels or think they can’t (though twice in the past Mathilde has offered to pay for their lodging if they’d only
go)
. Only twice because only twice have Mathilde and Tony heeded the warnings themselves. In past years, before everyone worried so much about the disappearing wetlands and the weakened infrastructure, it was a point of honor for people in New Orleans to ride out hurricanes.

But Mathilde is well aware that this is not the case with the Wardells. This is no challenge to them. They simply don’t see the point of leaving. They prefer to play what Mathilde thinks of as Louisiana roulette. Having played it a few times herself, she knows all about it. The Wardells think the traffic will be terrible, that they’ll be in the car for seventeen, eighteen hours and still not find a hotel because everything from here to kingdom come’s going to be taken even if they could afford it.

“That storm’s not gon’ come,” Cherice always says. “You know it never does. Why I’m gon’ pack up these dogs and Charles and go God knows where? You know Mississippi gives me a headache. And I ain’t even gon’
mention
Texas.”

To which Mathilde replied gravely one time, “This is your life you’re gambling with, Cherice.”

And Cherice said, “I think I’m just gon’ pray.”

But Mathilde will have to try harder this time, especially since she’s not there.

Cherice is not surprised to see Mathilde’s North Carolina number on her caller ID. “Hey, Mathilde,” she says. “How’s the weather in Highlands?”

“Cherice, listen. This is the Big One. This time, I mean it, I swear to God, you could be—”

“Uh-huh. Gamblin’ with my life and Charles’s. Listen, if it’s the Big One, I want to be here to see it. I wouldn’t miss it for the world.”

“Cherice, listen to me. I know I’m not going to convince you—you’re the pig-headedest woman I’ve ever seen. Just promise me something. Go to my house. Take the dogs. Ride it out at my house.”

“Take the dogs?” Cherice can’t believe what she’s hearing. Mathilde never lets her bring the dogs over, won’t let them inside her house. Hates dogs, has allergies, thinks they’ll pee on her furniture. She loves Mathilde, but Mathilde is a pain in the butt, and Cherice mentions this every chance she gets to anyone who’ll listen. Mathilde is picky and spoiled and needy. She’s good-hearted, sure, but she hates her precious routine disturbed.

Yet this same Mathilde Berteau has just told her to
promise
to take the dogs to her immaculate house. This is so sobering Cherice can hardly think what to say. “Well, I
know
you’re worried now.”

“Cherice. Promise me.”

Cherice hears panic in Mathilde’s voice.
What can it hurt
? she thinks. The bed in Mathilde’s guest room is a lot more comfortable than hers. Also, if the power goes out—and Cherice has no doubt that it will—she’ll have to go to Mathilde’s the day after the storm anyhow, to clean out the refrigerator.

Mathilde is ahead of her. “Listen, Cherice, I
need
you to go. I need you to clean out the refrigerator when the power goes. Also, we have a gas stove and you don’t. You can cook at my house. We still have those fish Tony caught a couple of weeks ago—they’re going to go to waste if you’re not there.”

Cherice is humbled. Not about the fish offer—that’s just like Mathilde, to offer something little when she wants something bigger. That’s small potatoes. What gets to her is the refrigerator thing—if Mathilde tells her she needs her for something, she’s bringing out the big guns. Mathilde’s a master manipulator, and Cherice has seen her pull this one a million times—but not usually on
her
. Mathilde does it when all else fails, and her instincts are damn good—it’s a lot easier to turn down a favor than to refuse to grant one. Cherice knows her employer like she knows Charles—better, maybe—but she still feels the pull of Mathilde’s flimsy ruse.

“I’ll clean your refrigerator, baby,” Cherice says carefully. “Don’t you worry about a thing.”

“Cherice, goddamnit, I’m worried about
you!”

And Cherice gives in. “I know you are, baby. And Charles and I appreciate it, we really do. Tell you what—we gon’ do it. We gon’ go over there. I promise.” But she doesn’t know if she can actually talk Charles into it.

He surprises her by agreeing readily as soon as she mentions the part about the dogs. “Why not?” he says. “We can sleep in Mathilde and Tony’s big ol’ bed and watch television till the power goes out. Drink a beer and have the dogs with us. Ain’t like we have to drive to Mississippi or somethin’. And if the roof blows off, maybe we can save some of their stuff. That refrigerator ain’t all she’s got to worry about.”

“We’re
not
sleepin’ in their bed, Charles. The damn guest room’s like a palace, anyway—who you think you is?”

He laughs at her. “I know it, baby. Jus’ tryin’ to see how far I can push ya.”

So that Sunday they pack two changes of clothes, plenty for two days, and put the mutts in their crates. The only other things they take are dog food and beer. They don’t grab food for themselves because there’s plenty over at Mathilde’s, which they have to eat or it’ll go bad.

The first bands of the storm come late that night, and Charles does what he said he was going to—goes to bed with a beer and his dogs. But after he’s asleep, Cherice watches the storm from the window of the second-floor living room. The power doesn’t go off until early morning, and when the rain swirls, the lights glint on it. The wind howls like a hound. Big as it is, the house shakes. Looking out, Cherice sees a building collapse, a little coffee shop across the street, and realizes how well built the Berteaus’ house is. Her own is not. She prays that it will make it. But she knows she will be all right, and so will Charles and the dogs. She is not afraid because she is a Christian woman and she trusts that she will not be harmed.

But she does see the power of God in this. For the first time, she understands why people talk about being God-fearing instead of God-loving, something that’s always puzzled her. You
better
have God on your side, she thinks. You just better.

She watches the transformers blow one by one, up and down the street, and goes to bed when the power goes out, finding her way by flashlight, wondering what she’s going to wake up to.

The storm is still raging when she stirs, awakened by the smell of bacon. Charles has cooked breakfast, but he’s nowhere to be found. She prowls the house looking for him, and the dogs bark to tell her:
third floor
.

“Cherice,” he calls down. “Bring pots.”

She knows what’s happened: leaks. The Berteaus must have lost some shingles.

So she and Charles work for the next few hours, putting pots out, pushing furniture from the path of inrushing water, gathering up wet linens, trying to salvage and dry out papers and books, emptying the pots, replacing them. All morning the wind is dying, though. The thing is blowing through.

By 2 o’clock it’s a beautiful day. “Still a lot of work to do,” Charles says, sighing. “But I better go home first, see how our house is. I’ll come back and help you. We should sleep here again tonight.”

Cherice knows that their house has probably lost its roof, that they might have much worse damage than the Berteaus, maybe even flooding. He’s trying to spare her by offering to go alone.

“Let’s make some phone calls first,” she says.

They try to reach neighbors who rode out the storm at home, but no one answers, probably having not remembered, like Cherice and Charles, to buy car chargers. Indeed, they have only a little power left on their own cell phone, which Cherice uses to call Mathilde. The two women have the dodged-the-bullet talk that everyone in the dry neighborhoods has that day, the day before they find out the levees have breached.

Though they don’t yet know about the levees, Cherice nonetheless feels a terrible foreboding about her house, acutely needs to see how badly it’s damaged. She doesn’t have much hope that the streets will be clear enough to drive, but she and Charles go out in the yard anyhow to remove broken limbs from the driveway.

“Let’s listen to the car radio, see if we can get a report,” Cherice says, realizing they’ve been so preoccupied with saving the Berteaus’ possessions, they’ve forgotten to do this.

She opens the car door, is about to enter, when she feels Charles tense beside her. “Cherice,” he says.

She turns and sees what he sees: a gang of young men in hooded sweatshirts walking down the street, hands in their pockets. Looking for trouble.

Charles says, “You go on back in the house.”

Cherice doesn’t need to be told twice. She knows where Tony keeps his gun. She means to get it, but she’s so worried about Charles she turns back to look, and sees that he’s just standing by the car, hands in pockets, looking menacing. The young men pass by, but she goes for the gun anyway.

By the time she gets back, Charles is back inside, locking the door. “Damn looters,” he says. “Goddamn looters.” And his face is so sad Cherice wants to hug him, but it’s also so angry she knows better. “Why they gotta go and be this way?” he says.

They listen to the Berteaus’ little battery-powered radio and learn that there’s looting all over the city, crime is out of control. “Ain’t safe to go out,” Charles says grimly. “Can’t even get home to see about our property.”

She knows he’s sorry they came, that they didn’t stay home where they belonged. “I’m gon’ fix some lunch.”

So they eat and then go out in the backyard, and clean it up the best they can, even try to get some of the debris out of the swimming pool, but this is a losing battle. After a while they abandon the project, realizing that it’s a beautiful day and they have their dogs and they’re together. Even if their house is destroyed.

So they live in the moment. They try to forget the looting, though the sound of sirens is commonplace now. Instead of Tony’s fish, they barbecue some steaks that are quickly defrosting, and Cherice fixes some potato salad while the mayonnaise is still good. Because they got so little sleep the night before, and because there’s no electricity, they go to bed early.

Sometime in the night they awaken to a relentless thudding—no, a pounding on the Berteaus’ door. “I’m goin’,” Charles says grimly, and Cherice notices he tucks Tony’s gun into the jeans he pulls on.

She can’t just stay here and wait to see what happens. She creeps down the stairs behind him.

“Yeah?” Charles says through the door.

“I’m the next door neighbor,” a man says. “I’ve got Tony on the phone.”

Charles opens the door and takes the man’s cell phone. He listens for a while, every now and then saying, “Oh shit.” Or, “Oh God. No.” Cherice pulls on his elbow, mouthing
What
? to him, terrified. But he turns away, ignoring her, still listening, taking in whatever it is. Finally, he says, “Okay. We’ll leave first thing.”

Still ignoring Cherice, he gives the phone back to the neighbor. “You know about all this?” he says. The man only nods, and Cherice sees that he’s crying. Grown man, looks like an Uptown banker, white hair and everything, with tears running down his cheeks, biting his lip like a little kid.

She’s frantic. She’s grabbing at Charles, all but pinching him, desperately trying to get him to just finish up and tell her what’s going on. Finally, he turns around, and she’s never seen him look like this, like maybe one of their kids has died or something.

He says only, “Oh, baby,” and puts his arms around her. She feels his body buck, and realizes that he’s crying too, that he can’t hold it in anymore, whatever it is. Has one of their kids died?

Finally, he pulls himself together enough to tell her what’s happened—that the city is flooded, their neighborhood is destroyed, some of their neighbors are probably dead.

Their own children thought
they
were dead until they finally got Tony and Mathilde.

Cherice cannot take this in. She tries, but she just can’t. “Eighty percent of the city is underwater?” she repeats over and over. “How can that be?”

They live in a little brick house in New Orleans East, a house they worked hard to buy, that’s a stretch to maintain, but it’s worth it. They have a home, a little piece of something to call their own.

BOOK: New Orleans Noir
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