Read New Collected Poems Online
Authors: Wendell Berry
You stay home too.
I will be standing in the woods
where the old trees
move only with the wind
and then with gravity.
In the stillness of the trees
I am at home. Don't come with me.
You stay home too.
After we saw the wild ducks
and walked away, drawing out
the quiet that had held us,
in wonder of them and of ourselves,
Den said, “I wish Mr. Snyder
had been here.” And I said, “Yes.”
But it cannot be often as it was
when we heard geese in the air
and ran out of the house to see them
wavering in long lines, high,
southward, out of sight.
By division we speak, out of wonder.
Let them stand still for the bullet, and stare the shooter in the eye,
let them die while the sound of the shot is in the air, let them die as they fall,
let the jugular blood spring hot to the knife, let its freshet be full,
let this day begin again the change of hogs into people, not the other way around,
for today we celebrate again our lives' wedding with the world,
for by our hunger, by this provisioning, we renew the bond.
It's the immemorial feelings
I like the best: hunger, thirst,
their satisfaction; work-weariness,
earned rest; the falling again
from loneliness to love;
the green growth the mind takes
from the pastures in March;
The gayety in the stride
of a good team of Belgian mares
that seems to shudder from me
through all my ancestry.
I came out to the barn lot
near nightfall, past supper time,
where he stood at work still
with the adze, that had to be
finely used or it would wound
the userâa lean old man
whose passion was to know
what a man could do in a day
and how a tool empowered the hand.
He paused to warn: stay back
from what innocence made dangerous.
I stayed back, and he went on
with what he had to do
while dark fell round him.
Between the living world
and the world of death
is a clear, cold pane;
a man who looks too close
must fog it with his breath,
or hold his breath too long.
Raindrops on the tin roof.
What do they say?
We have all
Been here before.
At start of spring I open a trench
in the ground. I put into it
the winter's accumulation of paper,
pages I do not want to read
again, useless words, fragments,
errors. And I put into it
the contents of the outhouse:
light of the sun, growth of the ground,
finished with one of their journeys.
To the sky, to the wind, then,
and to the faithful trees, I confess
my sins: that I have not been happy
enough, considering my good luck;
have listened to too much noise;
have been inattentive to wonders;
have lusted after praise.
And then upon the gathered refuse
of mind and body, I close the trench,
folding shut again the dark,
the deathless earth. Beneath that seal
the old escapes into the new.
The stepping-stones, once
in a row along the slope,
have drifted out of line,
pushed by frosts and rains.
Walking is no longer thoughtless
over them, but alert as dancing,
as tense and poised, to step
short, and long, and then
longer, right, and then left.
At the winter's end, I dance
the history of its weather.
I come to the fear of love
as I have often come,
to what must be desired
and to what must be done.
Only love can quiet the fear
of love, and only love can save
from diminishment the love
that we must lose to have.
We stand as in an open field,
blossom, leaf, and stem,
rooted and shaken in our day,
heads nodding in the wind.
They are here again,
the locusts I baited my lines with
in the summer we married.
The light is filled
with the song the ground exhales
once in seventeen years.
And we are here with the wear
and the knowledge of those years,
understanding the song
of locusts no better than then,
knowing the future no more than they
who give themselves so long
to the dark. What can we say,
who grow older in love?
Marriage is not made
but in dark time, in the rhymes,
the returns of song,
that mark time's losses.
They open our eyes
to the dark, and we marry again.
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I come to it again
and again, the thought of the wren
opening his song here
to no human earâ
no woman to look up,
no man to turn his head.
The farm will sink then
from all we have done and said.
Beauty will lie, fold
on fold, upon it. Foreseeing
it so, I cannot withhold
love. But from the height
and distance of foresight,
how well I like it
as it is! The river shining,
the bare trees on the bank,
the house set snug
as a stone in the hill's flank,
the pasture behind it green.
Its songs and loves throb
in my head till like the wren
I singâto what listensâagain.
I part the out thrusting branches
and come in beneath
the blessed and the blessing trees.
Though I am silent
there is singing around me.
Though I am dark
there is vision around me.
Though I am heavy
there is flight around me.
Hunting them, a man must sweat, bear
the whine of a mosquito in his ear,
grow thirsty, tired, despair perhaps
of ever finding them, walk a long way.
He must give himself over to chance,
for they live beyond prediction.
He must give himself over to patience,
for they live beyond will. He must be led
along the hill as by a prayer.
If he finds them anywhere, he will find
a few, paired on their stalks,
at ease in the air as souls in bliss.
I found them here at first without hunting,
by grace, as all beauties are first found.
I have hunted and not found them here.
Found, unfound, they breathe their light
into the mind, year after year.
Life is your privilege, not your belonging.
It is the loss of it, now, that you will be singing.
In a dream I meet
my dead friend. He has,
I know, gone long and far,
and yet he is the same
for the dead are changeless.
They grow no older.
It is I who have changed,
grown strange to what I was.
Yet I, the changed one,
ask: “How you been?”
He grins and looks at me.
“I been eating peaches
off some mighty fine trees.”
Through the weeks of deep snow
we walked above the ground
on fallen sky, as though we did
not come of root and leaf, as though
we had only air and weather
for our difficult home.
But now
as March warms, and the rivulets
run like birdsong on the slopes,
and the branches of light sing in the hills,