New and Selected Poems (16 page)

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Authors: Ted Hughes

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BOOK: New and Selected Poems
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Evening Thrush
 
 

Beyond a twilight of limes and willows

The church craftsman is still busy –

Switing idols,

Rough pre-Goidelic gods and goddesses,

Out of old bits of churchyard yew.

 

Suddenly flinging

Everything off, head-up, flame-naked,

Plunges shuddering into the creator –

 

Then comes plodding back, with a limp, over cobbles.

 

That was a virtuoso’s joke.

 

Now, serious, stretched full height, he aims

At the zenith. He situates a note

Right on the source of light.

 

Sews a seamless garment, simultaneously

Hurls javelins of dew

Three in air together, catches them. 

 

Explains a studied theorem of sober practicality.

 

Cool-eyed,

Gossips in a mundane code of splutters

With Venus and Jupiter.

                                  Listens –

Motionless, intent astronomer.

 

Suddenly launches a soul –

 

The first roses hang in a yoke stupor.

Globe after globe rolls out

Through his fluteful of dew –

 

The tree-stacks ride out on the widening arc.

 

Alone and darkening

At the altar of a star

With his sword through his throat

The thrush of clay goes on arguing

Over the graves.

 

O thrush,

If that really is you, behind the leaf-screen,

Who is this –

 

Worn-headed, on the lawn’s grass, after sunset,

Humped, voiceless, turdus, imprisoned

As a long-distance lorry-driver, dazed

 

With the pop and static and unending

Of worms and wife and kids?

 
The Harvest Moon
 
 

The flame-red moon, the harvest moon,

Rolls along the hills, gently bouncing,

A vast balloon,

Till it takes off, and sinks upward

To lie in the bottom of the sky, like a gold doubloon.

 

The harvest moon has come,

Booming softly through heaven, like a bassoon.

And earth replies all night, like a deep drum.

 

So people can’t sleep,

So they go out where elms and oak trees keep

A kneeling vigil, in a religious hush.

The harvest moon has come!

 

And all the moonlit cows and all the sheep

Stare up at her petrified, while she swells

Filling heaven, as if red hot, and sailing

Closer and closer like the end of the world.

 

Till the gold fields of stiff wheat

Cry ‘We are ripe, reap us!’ and the rivers

Sweat from the melting hills.

 
Leaves
 
 

Who’s killed the leaves?

Me, says the apple, I’ve killed them all.

Fat as a bomb or a cannonball

I’ve killed the leaves.

 

Who sees them drop?

Me, says the pear, they will leave me all bare

So all the people can point and stare.

I see them drop.

 

Who’ll catch their blood?

Me, me, me, says the marrow, the marrow.

I’ll get so rotund that they’ll need a wheelbarrow.

I’ll catch their blood.

 

Who’ll make their shroud?

Me, says the swallow, there’s just time enough

Before I must pack all my spools and be off.

I’ll make their shroud.

 

Who’ll dig their grave?

Me, says the river, with the power of the clouds

A brown deep grave I’ll dig under my floods.

I’ll dig their grave.

 

Who’ll be their parson?

Me, says the Crow, for it is well known

I study the bible right down to the bone.

I’ll be their parson.

 

Who’ll be chief mourner?

Me, says the wind, I will cry through the grass

The people will pale and go cold when I pass.

I’ll be chief mourner.

 

Who’ll carry the coffin?

Me, says the sunset, the whole world will weep

To see me lower it into the deep.

I’ll carry the coffin.

 

Who’ll sing a psalm?

Me, says the tractor, with my gear-grinding glottle

I’ll plough up the stubble and sing through my throttle.

I’ll sing the psalm.

 

Who’ll toll the bell?

Me, says the robin, my song in October

Will tell the still gardens the leaves are over.

I’ll toll the bell.

 
from
Autumn Notes
 
 
III
 

The chestnut splits its padded cell.

It opens an African eye.

 

A cabinet-maker, an old master

In the root of things, has done it again.

 

Its slippery gloss is a swoon,

A peek over the edge into – what?

 

Down the well-shaft of swirly grain,

Past the generous hands that lifted the May-lamps,

 

Into the Fairytale of a royal tree

That does not know about conkers

 

Or the war-games of boys.

Invisible though he is, this plump mare

 

Bears a tall armoured rider towards

The mirk-forest of rooty earth.

 

He rides to fight the North corner.

He must win a sunbeam princess

 

From the cloud castle of the rains.

If he fails, evil faces,

 

Jaws without eyes, will tear him to pieces.

If he succeeds, and has the luck

 

To snatch his crown from the dragon

Which resembles a slug

 

He will reign over our garden

For two hundred years.

 
IV
 

When the Elm was full

When it heaved and all its tautnesses drummed

Like a full-sail ship

 

It was just how I felt.

Waist-deep, I ploughed through the lands,

I leaned at horizons, I bore down on strange harbours.

 

As the sea is a sail-ship’s root

So the globe was mine.

When the swell lifted the crow from the Elm-top

Both Poles were my home, they rocked me and supplied me.

 

But now the Elm is still

All its frame bare

Its leaves are a carpet for the cabbages

 

And it stands engulfed in the peculiar golden light

With which Eternity’s flash

Photographed the sudden cock pheasant –

 

Engine whinneying, the fire-ball bird clatters up,

Shuddering full-throttle

Its three-tongued tail-tip writhing

 

And the Elm stands, astonished, wet with light,

 

And I stand, dazzled to my bones, blinded.

 
V
 

Through all the orchard’s boughs

A honey-colour stillness, a hurrying stealth,

A quiet migration of all that can escape now.

 

Under ripe apples, a snapshot album is smouldering.

With a bare twig,

Glow-dazed, I coax its stubborn feathers.

A gold furred flame. A blue tremor of the air.

 

The fleshless faces dissolve, one by one,

As they peel open. Blackenings shrivel

To grey flutter. The clump’s core hardens. Everything

 

Has to be gone through. Every corpuscle

And its gleam. Everything must go.

My heels squeeze wet mulch, and my crouch aches.

 

A wind-swell lifts through the oak.

Scorch-scathed, crisping, a fleeing bonfire

Hisses in invisible flames – and the flame-roar.

 

An alarmed blackbird, lean, alert, scolds

The everywhere slow exposure – flees, returns.

 
VI
 

Water-wobbling blue-sky-puddled October.

The distance microscopic, the ditches brilliant.

Flowers so low-powered and fractional

They are not in any book.

 

I walk on high fields feeling the bustle

Of the million earth-folk at their fair.

Fieldfares early, exciting foreigners.

A woodpigeon pressing over, important as a policeman.

 

A far Bang! Then Bang! and a litter of echoes –

Country pleasures. The farmer’s guest,

In U.S. combat green, will be trampling brambles,

Waving his gun like a paddle.

 

I thought I’d brushed with a neighbour –

Fox-reek, a warm web, rich as creosote,

Draping the last watery blackberries –

But it was the funeral service.

 

Two nights he has lain, patient in his position,

Puckered under the first dews of being earth,

Crumpled like dead bracken. His reek will cling

To his remains till spring.

 

Then I shall steal his fangs, and wear them, and honour them.

 
A Cranefly in September
 
 

She is struggling through grass-mesh – not flying,

Her wide-winged, stiff, weightless basket-work of limbs

Rocking, like an antique wain, a top-heavy ceremonial cart

Across mountain summits

(Not planing over water, dipping her tail)

But blundering with long strides, long reachings, reelings

And ginger-glistening wings

From collision to collision.

Aimless in no particular direction,

Just exerting her last to escape out of the overwhelming

Of whatever it is, legs, grass,

The garden, the county, the country, the world –

 

Sometimes she rests long minutes in the grass forest

Like a fairytale hero, only a marvel can help her.

She cannot fathom the mystery of this forest

In which, for instance, this giant watches –

The giant who knows she cannot be helped in any way.

 

Her jointed bamboo fuselage,

Her lobster shoulders, and her face

Like a pinhead dragon, with its tender moustache,

And the simple colourless church windows of her wings

Will come to an end, in mid-search, quite soon.

Everything about her, every perfected vestment

 

Is already superfluous.

The monstrous excess of her legs and curly feet

Are a problem beyond her.

The calculus of glucose and chitin inadequate

To plot her through the infinities of the stems.

 

The frayed apple leaves, the grunting raven, the defunct tractor

Sunk in nettles, wait with their multiplications

Like other galaxies.

The sky’s Northward September procession, the vast soft armistice,

Like an Empire on the move,

Abandons her, tinily embattled

With her cumbering limbs and cumbered brain. 

 
from
GAUDETE
 
 
Collision with the earth has finally come –
 
 

Collision with the earth has finally come –

How far can I fall?

 

A kelp, adrift

In my feeding substance

 

A mountain

Rooted in stone of heaven

 

A sea

Full of moon-ghost, with mangling waters

 

Dust on my head

Helpless to fit the pieces of water

A needle of many Norths

 

Ark of blood

Which is the magic baggage old men open

And find useless, at the great moment of need

 

Error on error

Perfumed

With a ribbon of fury

 

*

 
Once I said lightly
 
 

Once I said lightly

Even if the worst happens

We can’t fall off the earth.

 

And again I said

No matter what fire cooks us

We shall be still in the pan together.

 

And words twice as stupid.

Truly hell heard me.

 

She fell into the earth

And I was devoured.

 

*

 

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