Lucy blinked, startled. "And Mary."
The woman stiffened, her back still turned. "I have blessed Henry with a gift. I would have returned Mary sooner, but she stopped loving him as she should. She is not worth his heart. He will be hurt, he will be broken. He has loved an ideal for all these years."
"Because of you," Lucy said, and then, softer: "Henry loved the woman before the ideal. Let him find his own way."
The woman's light seemed to dim, her radiance faltering beneath the gloom. Lucy, in a moment of pity, said, "You could leave this place if you're so lonely."
That flawless head turned just a fraction, enough to see the corner of an eye, the curve of a high cheek.
"We all have our homes," she said quietly. "The ability to choose yours is not a gift to take for granted."
The woman plucked a silver bell from the stag's antlers and tossed it at Lucy's feet. A heartbeat later she was perched high on the fine saddle, her composure fixed and utterly regal.
"Give my regards to Barnabus," she said coldly. "The crows, as well."
And then she was gone. Vanished into the forest twilight.
Lucy picked up the bell and shook it. Mary's voice echoed, like an eerie chime. She held it tight after that, steady in her hand—scared somehow of hurting the woman, no matter how odd it was to think of a woman as a bell—and chose a direction to walk in. Voices whispered all around her, and what filled her ears and head tasted like music, a delightful mix of laughter and argument, lilting into a bustle that burst and billowed like bubbles, or birdsong. The queen—the woman—alone. Or not. There were things living in this place, in this entire world, that Lucy imagined she would never understand.
Twisting trees grew before her, and after a moment it seemed a path appeared, grass rimming its edges. Ahead, light. Lucy ran.
She pushed out of the forest into a sunlight that felt like holy fire, bright and hot and clean. She was not beside the pond any longer, but on the meadow across from the old house. She could see Barnabus in the distance, with an ax in his hands. Miss Lindsay and Henry were with him. Above her head, in the branches of the trees, crows began to shout. And after a moment, so did Henry.
The bell in her hand rattled. Lucy released the silver charm, unable to hold it. She instantly felt light-headed—had to close her eyes to keep her balance—and when she opened them, there was a woman on the ground.
Mary. Still in her wedding dress. Looking not one day older.
Again, Henry shouted. Lucy was not able to see the reunion. She staggered, eyes closing. Inside her head, voices, bells, a woman whispering. The dizziness was too much; her muscles melted.
She fell down and did not get up.
LUCY DREAMED. OF WOMEN AND MEN WHO TURNED into crows, and other creatures with burning gold in their eyes; of beings who grew tails like fish, and dragons that breathed fire; dark figures with green shining eyes, and the woman, the queen herself, with a similar gaze, effortlessly regal and unrelenting in her stare.
"Truce," said the woman, in Lucy's dream. "Never ask me why, but between us, a truce. For one who loves."
And Lucy woke up. She was in her bed. Miss Lindsay was seated beside her, as was Barnabus. There were shadows under his eyes, as though he had not slept in days. She wondered, fleetingly, if he might speak to her—if perhaps there were other gifts in her release—but when he picked up her hand and brought it to his mouth with that silent gentle strength, she knew instantly that was not the case.
"Henry?" Lucy breathed. "Mary?"
Miss Lindsay briefly shut her eyes. "Gone. Already gone. Henry wanted to stay to see you wake, but Mary…" She stopped, hesitating. "Mary wanted away from this place, immediately. She said to give you her thanks."
Miss Lindsay made the words sound flat, cheap. Barnabus looked unhappy. Lucy did not know what to think. She felt an aching loss for Henry. She wanted to see him, but thought of Mary, twenty years trapped, and knew why the woman had run—and that where she went, so would he. No choice. She was his home.
Miss Lindsay seemed to read her mind—she was good at that, Lucy mused wearily—and said, "For both of us, thank you. From the bottom of our hearts, thank you, always."
"It was her, not me," Lucy pointed out. "She gave us up."
Miss Lindsay looked sideways at Barnabus. "She does that, sometimes."
Lucy shifted, uncomfortable. "What is she?"
"I don't know," said Miss Lindsay. "She is old, though. Her kind always are. So old, they don't have children anymore. Not with each other, anyway."
"She's lonely."
"Tell Henry that."
Lucy held up her hand. "He and Mary have their time now. Time to make their own way." Time to finish what they had started, if such a thing was possible. To have their honeymoon, their marriage, their life.
Miss Lindsay murmured, "Patience. I told Henry—both of them—to have patience. They've been through so much. Neither is the person the other married. Not anymore." She glanced away, bitterness touching her mouth. "Is it wrong to wonder whether I should be happy for them?"
Lucy closed her eyes, savoring the warmth of Barnabus's hand. "Did you ever marry?"
Silence, long and deep. Finally, Miss Lindsay said, "A woman like me rarely does."
Lucy opened her eyes and gave her a questioning look. The woman sighed. "I'll tell you some other time, perhaps."
Some other time
, Lucy thought.
Like how you read minds? Or how sometimes you are a woman, and sometimes a crow
?
Miss Lindsay stared at her, startled, and then laughed out loud.
"Yes," she said, still smiling. "Just like that."
But she never did. At least, not for a long while. One morning soon after, she approached Lucy and Barnabus as they were weeding the garden, and said, quite crisply, "I think I will go away for a time. There's a world beyond the wood, you know. I've been here my entire life, already."
"Yes," Lucy said, though she herself had no desire to go elsewhere. Barnabus put down his rake and regarded the older woman thoughtfully, with no small amount of compassion in his steady gaze. He nodded once, finally, and held out his arms. Miss Lindsay fell into them, hugging the young man so tightly, Lucy thought his bones might break. And then Miss Lindsay did the same for her, and she was quite certain that was indeed the case.
"Tend this place for me," whispered Miss Lindsay, her eyes glowing golden as the sun. "For all of us. We'll be back. And we might bring others. There is so much in this world I have yet to explain to you."
And then, with no shyness or hesitation, she did a shocking thing—stripping off all her clothes, right in front of them, with hardly more than a smile. Golden light covered her body. Feathers black as jet, thick and rich and hot, poured up from her skin and rippled like water. Lucy could not help but gasp; her knees buckled. Barnabus caught her, and she glanced at his face. He did not appear at all surprised by what he was seeing, and there was an appreciation in his gaze that was from the heart.
He nudged Lucy, gestured for her to look again—and she found Miss Lindsay shrinking, narrowing—until she was no longer a woman, but a crow.
A crow who stared at them with golden eyes—cawed once—and leapt into the air, followed by a flock of companions that shrieked and beat their wings in raucous sympathy.
Quite a sight. But it was not the last time Lucy ever witnessed it.
Time passed. Lucy and Barnabus did as Miss Lindsay asked—maintaining the house and land, as well as the cemetery—though they married soon after to keep local tongues from wagging. She kept the name of her birth, since Barnabus had none to give. Lucy Steele. They called their son William, who also, on occasion, exhibited peculiar talents.
And sometimes Lucy would take a book and sit on the edge of the woods, and read out loud. She never knew if the woman, the
Sidhe
queen, was listening, but she liked to think that the trees were, and that through them the immortal could hear another voice, speaking just for her.
It was a good life for Lucy and Barnabus, a happy life. A life together, a grand adventure, and one that lasted many moons, over many secret stories—each as sweet and golden as honey.
* * *
Marjorie M. Liu is an attorney who has lived and worked throughout Asia. She hails from both coasts, but currently resides in the Midwest, where she writes full-time. Her books include the
New York Times—
bestselling
Dirk & Steele
series of paranormal romances for Leisure, and her forthcoming
Hunter Kiss
urban fantasies from Ace Books
.
You can discover more at her Web site: www.matjoriemliu.com.
CAT GOT YOUR TONGUE?
Katie MacAlister
Fans of the Dark Ones have long wondered what was up with Raphael St. John's amber eyes, and his skittishness around members of the Otherworld. Could there be more to him than was strictly human?
Chapter One
IT WASN'T UNTIL THE SEVENTEENTH CENTURY, THOUGH, THAT life at Fyfe Castle took a dark turn.
"It did?" I glanced around the room. It was pretty dark even though the sun hadn't yet set, shadows seemingly smudged into the vast gray stone walls of the castle. Narrow window slits reluctantly allowed thin rays of Scottish sunlight to shoulder their way into the passage, but provided less illumination than the somewhat tattered electric candles which had been screwed into the stone wall. "Darker than this, you mean?"
The woman leading the way paused to look over her shoulder, her eyebrows raised. To be honest, I was encouraging her to talk just because her lilting Scottish accent sounded so delicious to my American ears. "Castle Fyfe has always had a dark and mysterious past. But when the seventh laird took ownership, all who lived here learned what fear truly was. He had a terrible temper, did Alec Summerton… Sir Alec he was then, later the earl of Seaton."
"That's the ghost you mentioned earlier?" I asked, waggling my eyebrows and tossing a lascivious grin to the man behind me.
Raphael rolled his eyes, and hoisted up the two suitcases, following as Fiona the castle hotelier started up the famed Fyfe staircase.
"Oh, no, the ghost isn't Sir Alec, although some say he does haunt the lower levels of the castle. Mind the ceiling just here, won't you, Mr. St. John? It's been the bane of many a tall man such as yourself. No, it isn't Sir Alec who is the best known ghost here, Mrs. St. John—it's his wife, Lily Summerton."
Raphael ducked to avoid a low beam as we marched up the stone staircase. Although I wasn't as tall as he was, at roughly six feet in height, even I had to bob my head to get through without braining myself. "Don't tell me—she's the Gray Lady?"
"Green, not gray," Fiona answered with a roll of her
r
's. She paused and gestured vaguely around. "This staircase was built in the early seventeen hundreds, in case you were wondering. It's known throughout Scotland as the finest example of its kind."
"I can see why." I waited until she continued up the stairs before waggling my eyebrows again at my husband. It had been a long train ride up to Scotland, and I was anxious to get to our room. "So, this ghost haunts the room we're staying in? Does she do anything in particular, or just float around and wring her hands while moaning about her lost love?"
"On the contrary—she says nothing, just appears briefly before people, gives them a searching glance, then sighs sadly, as if disappointed, and disappears into nothing."
"Sounds like a typical moody woman," Raphael muttered.
"Hush, male of the species. This is all very fascinating," I said, hoping Fiona would continue.
"Here's your suite." She threw open a modern-looking wooden door and escorted us into a bright room. "This was the laird's private suite. The later lairds, that is. It used to be Lily Summerton's room, in fact. The original laird's room was on the floor below it, but later lairds had their room moved up here after Sir Alec died. When the last Lord Seaton bequeathed the castle to the National Trust, it was decided to make his rooms available to the public. You'll have all the privacy you want, since these are the only rooms we let. The caretaker will be here, though, in case of emergency. His office is just off the tearoom, on the ground floor. The
toilet
is through that door. This is the sitting room, and to the right is the bedroom. I'll just make sure everything is proper…"
"Wow," I said, wide-eyed as I took in the heady scent of beeswax and antiques. The room was furnished as if the owner of a hundred years past had just stepped out of the room, with a few discreet nods to technology.
"Very nice," Raphael said, setting down the suitcases. "Worthy of a honeymoon?"
"Oh, yes. You think this stuff is real?" I asked in a low voice as I ran my fingers along the back of a rosewood settee upholstered in blue-and-green crushed velvet.
"At the prices they're charging? They'd better be."
"Good thing we decided to leave the kidlet with Roxy, then. I'd hate to see what Zoe could do to this lovely room. Maybe I should just call to check—"
Raphael stopped me before I could pull my cell phone from my purse. "You called half an hour ago, Joy. I can't imagine that even Zoe could get into trouble that quickly."
I raised an eyebrow.
His lips curved in a rueful smile. "Well, all right, I can imagine it, but I'm sure Roxy has her well bribed with all sorts of sweets and promises of visits to the zoo for her to be behaving badly."
"I suppose," I said slowly, quelling maternal worry.
"You're acting more like a worried mum than a blushing bride," my husband said.
"That's because I've been a mother for two years and a bride for less than a day. I know, I know, it's just separation anxiety, and it's perfectly normal. I've already had the lecture from Roxy, Bob. You don't need to fire one up as well."