Chapter 1
H
eaven only knows I should have brought back a tote sack full of beignets that day like I'd planned, and
not
a sales flyer for the old Sweetwater mansion down the road.
But how could I resist something so full up on Southern charm first thing in the morning? Especially when I rounded the last curve before Dippin' Donuts and saw a
For Sale
sign waving at me from the property's front lawn like a friendly neighbor saying
hey
.
I swerved off the road, my tires spitting pea gravel and chalk dust, for a better look. Ever since I moved to Louisiana to open a hat shop, about a year and a half ago now, I'd been mesmerized by the antebellum mansions that seemed to sprout from the soil here every so often, like elegant daylilies planted in the sugarcane fields by mistake.
This particular mansion sat high on a hill. Two regiments of live oaks lined the front walk, their limbs bearded in wispy Spanish moss and their branches arching until the boughs touched. Beyond this leafy keyhole sat the mansion, which was held aloft by at least half-a-dozen alabaster columns. Bright August sun glanced off a column to the east, as if God had wanted to shine a spotlight there, while the rest of the pillars patiently awaited their turns.
Best of all, a Plexiglas box full of flyers rested against the
For Sale
sign. My granddaddy always did say it didn't cost nuthin' to look, so I scrambled out of my VW and retrieved a flyer, which was written in fancy cursive type:
Historic mansion for sale. Built in 1850. Jewel in the rough!
This was all well and good, but not the most important thing. I found
that
two paragraphs later:
Owners willing to finance. Asking price: $250,000.
Well, that can't be right.
A house this grandâsurely on the National Register of Historic Places and surely as pretty inside as outâshould go for double or triple that amount. A builder would kill for the columns alone, not to mention the expensive iron railing that curled along a widow's walk on high.
Between all that and a wide plank veranda that circled the ground floor like a hoop skirt, I figured the flyer must be lying.
Ambrose needed to see this. Given my best friend was already at his design studio and waiting for me to bring him some beignets, though, I'd have to choose my words carefully and not go running off at the mouth. I dialed his cell and patiently waited through a few rings.
“Hi, Missy. What's wrong?”
Unfortunately, that's the greeting you got when you've called your best friend so early on a Monday morning. “Nothing's wrong. Any chance you're up for a little drive?”
“Why?” A suspicious pause. “You didn't run out of gas again, did you?”
“No, nothing like that. I was driving along, minding my p's and q's, when I saw that old mansion on the road to the doughnut store. You remember the one? Only now it's got a
For Sale
sign in the front yard, and I'm pretty sure it's a sign from heaven.”
His sigh said more than any words could. “Missy, everyone knows those old houses eat money. Best thing you can do is walk away.”
That was my Ambroseâpractical to a T. Whereas, I believed that more was more and never less, Ambrose was of a different mind. Bless his heart.
In Bo's defense, he couldn't see the forest-green shutters that bookended perfectly spaced windows or the attic dormers that gazed over the manicured lawn with obvious approval or how the whole shebang culminated in an actual widow's walk. Breathtaking, it was. Simply breathtaking.
“That's the thing.” I added my own pause for special effect. “The price is right here on the flyer. Could be a typo, but it's a sight less than what they charge for new houses around here.”
“Missy.” Out came the voice he used when he tried to protect me from myself. “Think about it. Do you know how much it'd cost to cool a place like that all summer?”
“No.” I hadn't even considered the more practical matters, like air-conditioning or heaters or keeping the grass green. “Wait a minute. Someone walked out on the front porch. Wonder if they'll let me in?”
“Missyâ”
“Gotta run. Meet me back at the rent house,” I said.
Ambrose and I shared what the locals called a “rent house” down the road, although one day I hoped we'd share a whole lot more. I tucked the cell into my skirt pocket and hurried up the lawn. “You-hoo! You there.”
The stranger froze. Judging by the crook of her pale neck and the wispy ponytail she'd feathered over one shoulderâwhich happened to remind me of the silvered mossâthe old gal was about eighty or so.
“Are you the owner?” My voice boomed in the morning quiet, but I didn't want the stranger to hightail it back inside before we could speak. “I see it's for sale. I'm renting a house down the road with my best friend, and I've driven by your property a thousand times.”
I was rambling, but by this time, it'd be plum rude of her not to acknowledge me. That was why what happened next startled me so. Instead of giving me a proper greeting and ushering me inside the house, like any good Southerner would do, this old gal turned tail and ran back through the door lickety-split, as if I'd waved a Smith & Wesson high in the air and not a real-estate flyer.
Well, I never
. Southern hospitality, my foot!
I stalked to the front door and began to knock, since I never did truck with bad manners. It swung open after a moment, but only because it was manned by someone new. This woman looked to be about my age, or as I liked to say, on the north side of thirty, and she wore a frothy green business suit with matching shoes. Her face seemed vaguely familiar.
“I'm sorry about Ruby,” she said.
“I should hope so.” It wasn't this woman's fault I'd run into the rudest person I'd yet to meet in Louisiana, but the old gal had wounded my pride. “I only want to peek inside.”
“Of course you do. Come on in.”
The stranger waved me in, which caused a tangle of bracelets on her wrist to jingle like wind chimes. “Sorry again about Ruby.”
The sting of the slight faded, though, the minute I walked through the front door. Hardwood floors glimmered beneath my feet like still water on a bayou and the walls wore rich panels of striated mahogany. A needlepoint tapestry of herons two-stepping somewhere in the Gulf covered an entire wall, the gentle S curve of the birds' necks like a wavy line of sea foam.
“It's so beautiful!” I said.
“The house was built in 1850. That's before the Civil War.”
Slowly, my eyes adjusted to the dim light. “I know all about these old mansions.”
I'd been hired to work for a bride at one of them some six months back. Unfortunately, I ended up smack-dab in the middle of a crime-scene investigation before everything got put to rights again, but I ended up loving the mansion even so.
Now small details began to emerge from the furnishings around me. Bits of silk dangled from the tapestry's hem like marsh grass, the baseboards beneath it wore decades of scuff marks, and even the front door didn't quite meet up with its frame.
No matter.
“A wedding planner hired me for a ceremony at Morningside Plantation,” I said. “Course this mansion's a lot smaller, but that's just as well. I never thought people actually sold these old houses.”
“Well, you're lucky. This one's owned by a trust and they're in a hurry to get rid of it. Are you interested? I'm the Realtor here. Name's Mellette. Mellette Babineaux.”
She thrust out her hand, which set off the bracelets again and also called up the smell of menthol cigarettes.
“Why . . . I know you.” I shook her hand, amazed to meet someone from my past right here in Louisiana. “I'm Missy DuBois. You went to Vanderbilt, right?”
“I did indeed. Thank goodness for those academic scholarships.”
“But you were in a sorority too,” I said. “Weren't you the chapter president of Pi Phi? I was a coupla years behind you.”
She seemed pleased to be recognized. “Ain't that the berries! We're sorority sisters. My godmother paid for that, hallelujah.”
“Do you ever get back to Nashville?” I asked.
“ 'Fraid not. Work keeps me too busy. You?”
“The same. I still have T-shirts from the parties, though. Boxes and boxes of them. Can't quite make myself toss 'em in the garbage.”
She smiled wistfully. “I only bought a few. What did you say your name is again?”
“Missy. Missy DuBois. I moved to town about a year and a half ago.”
Her eyes widened. “Are you the gal who opened a hat shop in town? People told me that store wouldn't last more than six months, but look at you! It's been a sight longer and it seems to be going great guns. Amazing we haven't met up before now.”
“Well, not to brag, but Crowning Glory turned a year old at Christmas.” Which felt wonderful to be able to say. When I found out Southern plantations all along the Great River Road attracted brides like flies to honey, I set myself up making hats, veils, and whatnot for wedding parties. Ambrose owned a shop next to mine, only he made custom gowns for brides and their maids.
“You're gonna make us all proud,” she said. “Maybe you could speak to our alumnae group sometime. We meet once a month at the Junior League.”
I was about to respond when the older woman who'd been so rude to me earlier emerged from the shadows.
“There you are,” Mellette said. “Ruby here is the caretaker. Unfortunately, today's Monday. You know what that means, don't you?”
I racked my brain, but came up empty. “Can't say that I do.”
“It's bad luck to be visited by a woman first thing on Monday morning,” she said. “In some parts of the bayou, that is. Silly superstition, if you ask me. As if that would make a difference.”
Ruby quickly cut her eyes at Mellette. “Ya bes' not be sayin' dat, madam.”
Why, I'd know a Cajun accent anywhere.
I'd met a gardener at that wedding a few months back who stretched out his vowels like this old gal.
“You must be Cajun,” I said. “French Creole, right?”
“Born in des parish.”
Before I could speak again, Mellette turned.
“Where are my manners? Ruby, go get our guest some sweet tea. This humidity is going to be the death of us all. Guess we should expect as much come August.”
When Ruby didn't hop to it, Mellette's smile hardened. “Today, preferably.”
That made the old woman finally back away, but not before she scowled at the Realtor.
“That one's a pill,” Mellette said, once Ruby was gone. “Wouldn't be surprised if she's got a voodoo doll back at her house that looks exactly like me. Bless her heart. Now, let's start in the drawing room and we'll work our way up.”
I followed along as the Realtor led me from one room to the next. The rooms were small by today's standards and desperate for some fresh paint and spackle, but other than that, I couldn't see any major flaws. And thick crown molding covered the walls, not to mention cut-crystal wall sconces reflected light onto them like dusty diamonds.
“I have to ask.” I couldn't hold my tongue any longer. “Why the low price? It should go for double or triple that amount.”
“There's a bit of work to be done.” Mellette shrugged. “And there's been some talk about voodoo ceremonies or some such. Not that this particular mansion had slaves, mind you, because it didn't.”
Funny she felt the need to answer a question I hadn't even asked. After a bit, we wandered back to the staircase, where Ruby stood with a tumbler of sweet tea.
“That voodoo's all nonsense. Right, Ruby?” she asked.
“If'n ya say so.” Ruby handed me the sweating tumbler. “Nobody be doin' dat stuff 'round here no more.”
“Well, that's good.” I accepted the tumbler and took a sip. Just the way I liked it . . . sweet as honeysuckle. “Although it's hard to imagine why they'd pick somewhere so pretty to do it in the first place.”
“Da place don' much matter, missus. It's all in da charms. Wot ya can do wit' da amulets an such.”
“Ruby, you know that's a bunch of hooey,” Mellette said. “Let's not give Missy here any crazy ideas, okay?”
It's a little too late for that
. “So, when's the last time they had one of those voodoo things around here?” I asked.
“Years. Decades.” Mellette tried to sound nonchalant, but her pinched face gave her away. “The house has been vacant for many years now. That's why the trust is selling it. They know it needs work, but the heirs don't want to keep it, so it's ripe for the picking. Did I mention there's even a studio out back?”
“You don't say.” I followed her gaze to the window. “What kind of studio?”
“Look.” She pointed to a whitewashed cottage that lay just beyond the glass. Pink swamp roses ambled over a pitched roofline and purple verbena ran wild through an abandoned vegetable bed meant to hold carrots or cabbage. I fully expected seven dwarfs to emerge from the bottom of the Dutch door with pickaxes slung over their shoulders.
“It's a great place for someone to work on projects,” Mellette said. “There are sweet little hidey-holes like that all over this place.”
My heavenly days.
The cottage would be perfect for a design studio! Even though the roof sagged some and the door was all catawampus, I could block and stitch and steam hats out there to my heart's content.