Authors: Maxim Gorky
Tags: #Drama, #Revolutionaries - Russia, #Political fiction, #Revolutionaries, #Russian & Former Soviet Union, #Fiction, #Literary, #Literary Criticism, #Russia, #Continental European
The wrath in Rybin seethed and bubbled; his voice shook with sounds that frightened the mother.
"And what had I said to the priest?" he continued in a lighter tone. "After the village assembly he sits with the peasants in the street, and tells them something. 'The people are a flock,' says he, 'and they always need a shepherd.' And I joke. 'If,' I say, 'they make the fox the chief in the forest, there'll be lots of feathers but no birds.' He looks at me sidewise and speaks about how the people ought to be patient and pray more to God to give them the power to be patient. And I say that the people pray, but evidently God has no time, because he doesn't listen to them. The priest begins to cavil with me as to what prayers I pray. I tell him I use one prayer, like all the people, 'O Lord, teach the masters to carry bricks, eat stones, and spit wood.' He wouldn't even let me finish my sentence. --Are you a lady?" Rybin asked Sofya, suddenly breaking off his story.
"Why do you think I'm a lady?" she asked quickly, startled by the unexpectedness of his question.
"Why?" laughed Rybin. "That's the star under which you were born. That's why. You think a chintz kerchief can conceal the blot of the nobleman from the eyes of the people? We'll recognize a priest even if he's wrapped in sackcloth. Here, for instance, you put your elbows on a wet table, and you started and frowned. Besides, your back is too straight for a working woman."
Fearing he would insult Sofya with his heavy voice and his raillery, the mother said quickly and sternly:
"She's my friend, Mikhail Ivanovich. She's a good woman. Working in this movement has turned her hair gray. You're not very----"
Rybin fetched a deep breath.
"Why, was what I said insulting?"
Sofya looked at him dryly and queried:
"You wanted to say something to me?"
"I? Not long ago a new man came here, a cousin of Yakob. He's sick with consumption; but he's learned a thing or two. Shall we call him?"
"Call him! Why not?" answered Sofya.
Rybin looked at her, screwing up his eyes.
"Yefim," he said in a lowered voice, "you go over to him, and tell him to come here in the evening."
Yefim went into the shack to get his cap; then silently, without looking at anybody, he walked off at a leisurely pace and disappeared in the woods. Rybin nodded his bead in the direction he was going, saying dully:
"He's suffering torments. He's stubborn. He has to go into the army, he and Yakob, here. Yakob simply says, 'I can't.' And that fellow can't either; but he wants to; he has an object in view. He thinks he can stir the soldiers. My opinion is, you can't break through a wall with your forehead. Bayonets in their hands, off they go--where? They don't see--they're going against themselves. Yes, he's suffering. And Ignaty worries him uselessly."
"No, not at all!" said Ignaty. He knit his eyebrows, and kept his eyes turned away from Rybin. "They'll change him, and he'll become just like all the other soldiers."
"No, hardly," Rybin answered meditatively. "But, of course, it's better to run away from the army. Russia is large. Where will you find the fellow? He gets himself a passport, and goes from village to village."
"That's what I'm going to do, too," remarked Yakob, tapping his foot with a chip of wood. "Once you've made up your mind to go against the government, go straight."
The conversation dropped off. The bees and wasps circled busily around humming in the stifling atmosphere. The birds chirped, and somewhere at a distance a song was heard straying through the fields. After a pause Rybin said:
"Well, we've got to get to work. Do you want to rest? There are boards inside the shanty. Pick up some dry leaves for them, Yakob. And you, mother, give us the books. Where are they?"
The mother and Sofya began to untie their sacks. Rybin bent down over them, and said with satisfaction:
"That's it! Well, well--not a few, I see. Have you been in this business a long time? What's your name?" he turned toward Sofya.
"Anna Ivanovna. Twelve years. Why?"
"Nothing."
"Have you been in prison?"
"I have."
He was silent, taking a pile of books in his hand, and said to her,
showing his teeth:
"Don't take offense at the way I speak. A peasant and a nobleman are like tar and water. It's hard for them to mix. They jump away from each other."
"I'm not a lady. I'm a human being," Sofya retorted with a quiet laugh.
"That may be. It's hard for me to believe it; but they say it happens. They say that a dog was once a wolf. Now I'll hide these books."
Ignaty and Yakob walked up to him, and both stretched out their hands.
"Give us some."
"Are they all the same?" Rybin asked of Sofya.
"No, they're different. There's a newspaper here, too."
"Oh!"
The three men quickly walked into the shack.
"The peasant is on fire," said the mother in a low voice, looking after Rybin thoughtfully.
"Yes," answered Sofya. "I've never seen such a face as his--such a martyrlike face. Let's go inside, too. I want to look at them."
When the women reached the door they found the men already engrossed in the newspapers. Ignaty was sitting on the board, the newspaper spread on his knees, and his fingers run through his hair. He raised his head, gave the women a rapid glance, and bent over his paper again. Rybin was standing to let the ray of sun that penetrated a chink in the roof fall on his paper. He moved his lips as he read. Ignaty read kneeling, with his breast against the edge of the board.
Sofya felt the eagerness of the men for the word of truth. Her face brightened with a joyful smile. Walking carefully over to a corner, she sat down next to the mother, her arm on the mother's shoulder, and gazed about silently.
"Uncle Mikhail, they're rough on us peasants," muttered Yakob
without turning.
Rybin looked around at him, and answered with a smile:
"For love of us. He who loves does not insult, no matter what he says."
Ignaty drew a deep breath, raised his head, smiled satirically, and closing his eyes said with a scowl:
"Here it says: 'The peasant has ceased to be a human being.' Of course he has." Over his simple, open face glided a shadow of offense. "Well, try to wear my skin for a day or so, and turn around in it, and then we'll see what you'll be like, you wiseacre, you!"
"I'm going to lie down," said the mother quietly. "I got tired, after all. My head is going around. And you?" she asked Sofya.
"I don't want to."
The mother stretched herself on the board and soon fell asleep. Sofya sat over her looking at the people reading. When the bees buzzed about the mother's face, she solicitously drove them away.
Rybin came up and asked:
"Is she asleep?"
"Yes."
He was silent for a moment, looked fixedly at the calm sleeping face,
and said softly:
"She is probably the first mother who has followed in the footsteps of her son--the first."
"Let's not disturb her; let's go away," suggested Sofya.
"Well, we have to work. I'd like to have a chat with you; but we'll put it off until evening. Come, boys."
The three men walked away, leaving Sofya in the cabin. Then from a distance came the sound of the ax blows, the echo straying through the foliage. In a half-dreamy condition of repose, intoxicated with the spicy odor of the forest, Sofya sat just outside the door, humming a song, and watching the approach of evening, which gradually enfolded the forest. Her gray eyes smiled softly at some one. The reddening rays of the sun fell more and more aslant. The busy chirping of the birds died away. The forest darkened, and seemed to grow denser. The trees moved in more closely about the choked-up glade, and gave it a more friendly embrace, covering it with shadows. Cows were lowing in the distance. The tar men came, all four together, content that the work was ended.
Awakened by their voices the mother walked out from the cabin, yawning and smiling. Rybin was calmer and less gloomy. The surplus of his excitement was drowned in exhaustion.
"Ignaty," he said, "let's have our tea. We do housekeeping here by turns. To-day Ignaty provides us with food and drink."
"To-day I'd be glad to yield my turn," remarked Ignaty, gathering up pieces of wood and branches for an open-air fire.
"We're all interested in our guests," said Yefim, sitting down by
Sofya's side.
"I'll help you," said Yakob softly.
He brought out a big loaf of bread baked in hot ashes, and began to cut it and place the pieces on the table.
"Listen!" exclaimed Yefim. "Do you hear that cough?"
Rybin listened, and nodded.
"Yes, he's coming," he said to Sofya. "The witness is coming. I would lead him through cities, put him in public squares, for the people to hear him. He always says the same thing. But everybody ought to hear it."
The shadows grew closer, the twilight thickened, and the voices sounded softer. Sofya and the mother watched the actions of the peasants. They all moved slowly and heavily with a strange sort of cautiousness. They, too, constantly followed the women with their eyes, listening attentively to their conversation.
A tall, stooping man came out of the woods into the glade, and walked slowly, firmly supporting himself on a cane. His heavy, raucous breathing was audible.
"There is Savely!" exclaimed Yakob.
"Here I am," said the man hoarsely. He stopped, and began to cough.
A shabby coat hung over him down to his very heels. From under his round, crumpled hat straggled thin, limp tufts of dry, straight, yellowish hair. His light, sparse beard grew unevenly upon his yellow, bony face; his mouth stood half-open; his eyes were sunk deep beneath his forehead, and glittered feverishly in their dark hollows.
When Rybin introduced him to Sofya he said to her:
"I heard you brought books for the people."
"I did."
"Thank you in the name of the people. They themselves cannot yet understand the book of truth. They cannot yet thank; so I, who have learned to understand it, render you thanks in their behalf." He breathed quickly, with short, eager breaths, strangely drawing in the air through his dry lips. His voice broke. The bony fingers of his feeble hands crept along his breast trying to button his coat.
"It's bad for you to be in the woods so late; it's damp and close
here," remarked Sofya.
"Nothing is good for me any more," he answered, out of breath.
"Only death!"
It was painful to listen to him. His entire figure inspired a futile pity that recognized its own powerlessness, and gave way to a sullen feeling of discomfort.
The wood pile blazed up; everything round about trembled and shook; the scorched shadows flung themselves into the woods in fright. The round face of Ignaty with its inflated cheeks shone over the fire. The flames died down, and the air began to smell of smoke. Again the trees seemed to draw close and unite with the mist on the glade, listening in strained attention to the hoarse words of the sick man.
"But as a witness of the crime, I can still bring good to the people. Look at me! I'm twenty-eight years old; but I'm dying. About ten years ago I could lift five hundred pounds on my shoulders without an effort. With such strength I thought I could go on for seventy years without dropping into the grave, and I've lived for only ten years, and can't go on any more. The masters have robbed me; they've torn forty years of my life from me; they've stolen forty years from me."
"There, that's his song," said Rybin dully.
The fire blazed up again, but now it was stronger and more vivid. Again the shadows leaped into the woods, and again darted back to the fire, quivering about it in a mute, astonished dance. The wood crackled, and the leaves of the trees rustled softly. Alarmed by the waves of the heated atmosphere, the merry, vivacious tongues of fire, yellow and red, in sportive embrace, soared aloft, sowing sparks. The burning leaves flew, and the stars in the sky smiled to the sparks, luring them up to themselves.
"That's not MY song. Thousands of people sing it. But they sing it to themselves, not realizing what a salutary lesson their unfortunate lives hold for all. How many men, tormented to death by work, miserable cripples, maimed, die silently from hunger! It is necessary to shout it aloud, brothers, it is necessary to shout it aloud!" He fell into a fit of coughing, bending and all a-shiver.
"Why?" asked Yefim. "My misery is my own affair. Just look at my joy."
"Don't interrupt," Rybin admonished.
"You yourself said a man mustn't boast of his misfortune," observed
Yefim with a frown.
"That's a different thing. Savely's misfortune is a general affair, not merely his own. It's very different," said Rybin solemnly. "Here you have a man who has gone down to the depths and been suffocated. Now he shouts to the world, 'Look out, don't go there!'"
Yakob put a pail of cider on the table, dropped a bundle of green branches, and said to the sick man:
"Come, Savely, I've brought you some milk."
Savely shook his head in declination, but Yakob took him under the arm, lifted him, and made him walk to the table.
"Listen," said Sofya softly to Rybin. She was troubled and reproached him. "Why did you invite him here? He may die any minute."
"He may," retorted Rybin. "Let him die among people. That's easier than to die alone. In the meantime let him speak. He lost his life for trifles. Let him suffer a little longer for the sake of the people. It's all right!"
"You seem to take particular delight in it," exclaimed Sofya.
"It's the masters who take pleasure in Christ as he groans on the cross. But what we want is to learn from a man, and make you learn something, too."
At the table the sick man began to speak again:
"They destroy lives with work. What for? They rob men of their lives. What for, I ask? My master--I lost my life in the textile mill of Nefidov--my master presented one prima donna with a golden wash basin. Every one of her toilet articles was gold. That basin holds my life-blood, my very life. That's for what my life went! A man killed me with work in order to comfort his mistress with my blood. He bought her a gold wash basin with my blood."