Mortality

Mortality

ALSO BY CHRISTOPHER HITCHENS

Books

Hostage to History: Cyprus from the Ottomans to Kissinger

Blood, Class, and Nostalgia: Anglo-American
Ironies

Imperial Spoils: The Curious Case of the Elgin Marbles

Why Orwell Matters

No One Left to Lie To: The Triangulations of William Jefferson Clinton

Letters to a Young Contrarian

The Trial of Henry Kissinger

Thomas Jefferson: Author of America

Thomas Paine’s “Rights of Man”: A Biography

God Is Not Great: How Religion Poisons Everything

The Portable Atheist

Hitch-
22
: A Memoir

Mortality

Pamphlets

Karl Marx and the Paris Commune

The Monarchy: A Critique of Britain’s Favorite Fetish

The Missionary Position: Mother Teresa in Theory and Practice

A Long Short War: The Liberation of Iraq

Essays

Prepared for the Worst: Essays and Minority Reports

For the Sake of Argument

Unacknowledged Legislation: Writers in the Public Sphere

Love, Poverty, and War: Journeys and Essays

Arguably

Collaborations

James Callaghan: The Road to Number Ten
(with Peter Kellner)

Blaming the Victims
(edited with Edward Said)

When the Borders Bleed: The Struggle of the Kurds

(photographs by Ed Kash)

International Territory: The United Nations

(photographs by Adam Bartos)

Vanity Fair’s Hollywood
(with Graydon Carter and David Friend)

CHRISTOPHER

HITCHENS

Mortality

Foreword by Graydon Carter
Afterword by Carol Blue

First published in Australia and New Zealand by Allen & Unwin in 2012
First published in the United States in 2012 by Twelve, an imprint of Grand Central Publishing, Hachette Book Group, Inc.

Copyright © Christopher Hitchens 2012

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian
Copyright Act 1968
(the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.

Allen & Unwin
Sydney, Melbourne, Auckland, London

83 Alexander Street
Crows Nest NSW 2065
Australia

Cataloguing-in-Publication details are available
from the National Library of Australia
www.trove.nla.gov.au

ISBN 978 1 74237 461 1

Internal design and typesetting by Jouve, Brattleboro, Vermont; and Chennai, India

Printed and bound in Australia by Griffin Press

10 9 8 7 6 5 4 3 2 1

Grateful acknowledgment is made to
Vanity Fair,
in
which much of this book first appeared,
in somewhat different form.

Contents

Foreword
by Graydon Carter

I

II

III

IV

V

VI

VII

VIII

Afterword
by Carol Blue

A bout the Author

FOREWORD
BY
GRAYDON CARTER

At a dinner in Los Angeles this spring, a young actor named Emile Hirsch came up to me in a state of somewhat high excitement. He knew I had worked with Christopher Hitchens for many years, and he just wanted to talk about Christopher with someone who knew him. He’d read
Hitch-22
and was well into the Kissinger book, and he said that Christopher’s writing had affected him in a way that almost no one else’s had. In the months following Christopher’s death, I had similar encounters with young people who felt compelled to talk about how his writing had touched them. It’s no exaggeration to say that Christopher had few equals in the sphere of spirited commentary. But there was something in his saucy fearlessness, in his great turbine of a mind, and in his sociable but unpredictable brand of anarchy that seriously touched kids in their twenties and early thirties in much the same way that Hunter S. Thompson had a generation before. Young Emile asked if there was going to be a memorial service, and I told him that there would be one in New York and that we were bookmarking April 20th as a tentative date.

The memorial was indeed held on the 20th, in the Great Hall at Cooper Union in Greenwich Village. My
Vanity Fair
colleagues Aimée Bell (Christopher’s longtime editor at the magazine) and Sara Marks organized the readings—all of them from Christopher’s own work. We wanted to produce a program that would be cozy and loving, but in no way sentimental or mawkish. And the great and the good of English letters turned up to pay tribute—and to console his widow, Carol, and his three children. Martin Amis, Tom Stoppard, Salman Rushdie, Ian McEwan, and James Fenton were there and they all spoke. Editors such as Anna Wintour, David Remnick, Jim Kelly, and Rick Stengel came; so did Christopher’s brother Peter, Andrew Sullivan, Christopher Buckley, Andrew and Leslie Cockburn and their daughter the fine actress Olivia Wilde, and Andrew’s brother Patrick. The Bush administration was represented by former deputy defense secretary Paul Wolfowitz—a remnant of the curious right turn Christopher took in the lead-up to the Iraq War. Hollywood was represented by Sean Penn—and, as I was pleased to see, by young Mr. Hirsch.

After the memorial, the participants retired to the Waverly Inn nearby and drank and smoked in the sunshine and reminisced about Christopher. Although the day was bathed in sorrow, there was a magical quality to the afternoon as it spilled into the evening and through to midnight, when there were still a dozen or more mourners. For those who were there, Christopher’s memorial was, as we used to say in the 1960s, a happening, and a day we will not soon forget.

For the fact is that Christopher was one of life’s singular characters—a wit, a charmer, a trouble-maker, and a dear and devoted friend. He was a man of insatiable appetites—for cigarettes, for scotch, for company, for great writing, and, above all, for conversation. That he had an output to equal what he took in was the miracle in the man. You’d be hard-pressed to find a writer who could match the outpouring of exquisitely crafted columns, essays, articles, and books he produced over the past four decades. He wrote often—constantly, in fact, and right up to the end—the words in this moving volume being among his last. And Christopher wrote fast, frequently without the benefit of a second draft or even corrections. Perhaps in the back of his mind he knew that his time on the stage would end in the second act, and he was racing to get it all in, and to get it all out. I can recall a lunch in 1991, when I was editing the
New York Observer,
and he and Aimée and I got together for a quick bite at a restaurant on Madison, no longer there. Christopher’s copy was due early that afternoon. Pre-lunch tumblers of scotch were followed by a couple of glasses of wine during the meal and then a couple of post-meal cognacs. That was
his
intake. After stumbling back to the office, we set him up at a rickety table and an old Olivetti, and in a symphony of clacking he produced a 1,000-word column of near perfection in under half an hour.

Christopher was one of the first writers I called when I came to
Vanity Fair,
in 1992. Six years before, I had asked him to write for
Spy.
That offer was politely rejected. The
Vanity Fair
approach had a fee attached, though, and to my everlasting credit, he accepted and was the signature columnist for the magazine from then on. With the exception of Dominick Dunne (who died in 2009), no writer has been more associated with
Vanity Fair.
There was no subject too big or too small for Christopher. Over the past two decades he traveled to just about every hot spot you can think of. He also subjected himself to any manner of humiliation or discomfort in the name of his column. I once sent him out on a mission to break the most niggling laws still on the books in New York City, one of which forbade riding a bicycle with your feet off the pedals. The photograph that ran with the column, of Christopher sailing a small bike through Central Park with his legs in the air, looked like something out of the Moscow Circus. At the suggestion of Tom Hedley, an old hand from Harold Hayes’s
Esquire,
I set him off on a cause of self-improvement for a three-part series, in which he would subject himself to myriad treatments to improve his dental area and other dark regions. At one point I suggested he go to a well-regarded waxing parlor in town for what they indelicately call the “sack, back, and crack.” He struggled to absorb the full meaning of this, but after a few seconds he smiled a nervous smile and said, “In for a penny…”

Christopher was the beau ideal of the public intellectual. You felt as though he was writing to you and to you alone. And as a result many readers felt they knew him. Walking with him down the street in New York or through an airplane terminal was like escorting a movie star through the throngs. Christopher was not just brave in facing the illness that took him but brave in words and thought. He did not mind landing outside the cozy cocoon of conventional liberal wisdom, his curious, pro-war stance before the invasion of Iraq being but one example. Friends distanced themselves from him during those unlit days. But he stuck to his guns. After his rather famous 1995 attack on Mother Teresa, one of our contributing editors, a devout Catholic, came into the office filled with umbrage and announced that he was canceling his subscription. “You can’t cancel it,” I said. “You get the magazine for free.” Years ago, in the midst of the Clinton impeachment uproar, Christopher had a very public dustup with his friend Sidney Blumenthal, a Clinton White House functionary—the dispute was over which part of a conversation between them was or was not on the record. Christopher wound up on television a lot defending himself. He looked like hell, and I suggested we bring him to New York for a bit of a makeover and some R&R away from the cameras. The magazine was pretty flush back then, and we set him up with a new suit, shirts, ties, and such. When someone from the fashion department asked him what size his shoes were, he said he didn’t know—the pair he had on was borrowed.