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Authors: Anna Tambour

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Monterra's Deliciosa & Other Tales & (30 page)

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He dropped her hair and picked it up and ran it up her back and down.
It has to be soon.
He felt inside himself a thrill that was almost electric, a strength and joy and curiosity that was hard to contain. His neck muscles corded, stressed to hardness, but he didn't notice now.

Shards of moonlight fell but he only saw one, and only where it landed on her cheek. Every muscle that he could command, slaved as
touch
.

Yet again she moved position. She opened her eyes and reached out, touched his cheek. She stroked it in what must have been imitation of him stroking her.

He smiled and reached out again, but at the same time his ever-moving fingers on her back felt—they felt her thorax tremble. Without warning, her back arched and a groan rose from her depths.

And now she began to hum.

Before he could think, Jack dropped the jar, jerked his stiff legs inwards, and kicked himself upright and away. Whatever the supposed terrors of the
brazos del amor y de la muerte
—emerging larva or adult—they were still to be proven to him. But he knew from having seen with his own eyes:
hymenopterae
hum before they sting.

 

"The Arms of Love and Death" was previously published in
Andromeda Spaceways
, Issue 42 edited by Edwina Harvey (2009).

Lorimer's Next

No true story ends at its end, any more than weather stays as permanently apoplectic as it is at the end of the report about its current tantrum, or lives on happily ever after, after a short and sweet report of 'fine'.

Thus, the following bulletin reports a few of the next hours in Jack Lorimer's still eventful life.

~

Fear gave Lorimer speed and superhuman strength, but did nothing for his coordination and eyesight. He leapt, dodged, but didn't see to duck the liana loop that he ran into, in a full-on tackle. It slipped from his chest up to his neck, caught on his jaw, and flipped him on his back. His head hit a buttressed root, and slid to the humus.

He looked up and could only see shades of blackness. He didn't know where he was. Where she was. He wanted to call out, but one fear led to another. More than anything, he didn't want to be alone, but was too afraid to move.
You idiot! Why'd you run?
were his last rational thoughts.

He woke when a drop of water hit his nose. His tongue felt thick and dry and his head throbbed. Still, he could hardly believe he was still alive after being passed out on the ground for however long. He wagged his head just a little. It felt heavy but no bones crunched in his neck. So far so good. For the moment, the pain and relief he felt made him want to stay right here. In fact, if it weren't for the headache, this was more comfortable than lying on his campbed in the tent, with its sweat-sopped cloth laid over an inch of mildewed foam, and the pillow of his spare shirt rolled around his spare pants. He really wanted to go back to sleep. Nothing was crawling into his ears or munching on his scalp, or stinging the back of his neck or digging into his skull except the remains of a concussion. In fact, the back of his head felt cradled in blow-up pillows.

Another drop fell and he darted his tongue out, but the water wasn't water. It was milk. He sniffed—a meaty smell. He flung back his eyelids. Inches above them were two breasts, one of which dripped again. His head was on their owner's lap. She smiled down at him, stroked his cheek with one hand, and pointed happily to her own cheek. Her skin was so firm that the hole she pointed to was not much bigger than an enlarged pore. The larva must had emerged. Where it was now was anybody's guess. And what was it doing?

She chattered something incomprehensible, pointing to his mouth and his stomach. It was high time to get up and out of here. Gently, he shook his head clear of muzziness ... but something else was wrong.

"Get me out of these!" His hands and feet were tied with vines.

She smiled and offered a breast. He turned his head away, tried to thrash himself loose, straining his neck muscles to raise his head up and out of her lap, to jerk his body up and off her thighs, but she was strong and determined. She wrapped her arms around his head and rocked him, singing softly. He opened his mouth to scream. She opened her arms, smiled and slapped him, and then began to stroke.

 

"Lorimer's Next" copyright  © Anna Tambour, is original to this collection.

Cooks' Tricks Nix Sticks

The good cook seizes
those
roots
rough and pendulous as a winter's nose,
and dishes up: vegetable oysters
in saucy pearlescent clothes.

That loaf of bread
without the cook
would be a bowl of glue.
But even glue, the cook tricks,
turning out — a roux.

The good cook takes one look at you
and knows your deepest seething.
Toe-tasting cheese,
or thick and sticky chocolate cake,
boar steak, or candied sloes in cream,
or rusks you sucked when teething.

A good cook reads you, mind and hole,
and wages war for you, passive leader,
catering to your bent.
Hungry or not, you were missing something.
When a good cook has fed you, body and soul,
you ate, you came, you went.

A trickery?
A skill mixed well with arts,
this stirrer — while you're still alive,
of your internal parts.

But mayhap trickery plays a part, since art is partly tricks,
for though
(not ruby-crusted shoes, nor hat-reeking rabbits,
nor teeth still sticky with the stuff of throats,
nor witch- nor wizard-branded sticks)
a wooden spoon's the cook's
most cheap and common, and simple humble bond.
A good cook can make mincemeat
of the crunchiest shoe, that reeking rabbit (or just its gizzard)
fresh or corned vampire, teeth and all —
and most certainly (
"A piece of cake!"
)
any
wand

or witch or wizard
— for a good cook can make candy out of air
(and a banquet from a squall).

So if you come upon a cook who makes wand burgers, passive leader,
though your judgment will be asked for as to doneness,
know the cook knows best your hole inside, your soul, your wants.
These cooks know the way to your perfect one-ness
— even if it's, as the good cook says about wand burgers,
"just a burger beyond compare"

"How would you like it?" any of them will ask you.
Say: "I want your recommendation, please," and then repeat her,
which for wands is (
"and always has been, mind you"
)
"Seared, but rare."

 

"Cooks' Tricks Nix Sticks" copyright © Anna Tambour, was originally published in
Mythic Delirium
#21, The Trickster Issue edited by Mike Allen, November 2009

Pococurante

The whole town sucked in such a big breath, a fly would of clutched its throat gasping. Would Pococurante raise a sweat to stay alive? We waved flies away with more effort. Yet at a flick of his wrist, grown men ducked. Dad said a word he shouldn't of in mixed company, but nobody cared.

Astride the town's great river red gum on that blazing day in February, Pococurante didn't defy death. He humiliated it.

When finally he landed head up, feet exploding dust, I cheered like I never did before, nor since. Dad made strange sounds like rain hitting dry ground. He was
crying!
And he wasn't alone.

Smooth as a cold beer, Pococurante passed through the crowd and down the street, the gold letters on his shirt-back slithering.

The next morning I asked Dad, "What's Pococurante mean?"

He must of been thinking for breakfast, because he answered right off. "The god of thunder, I reckon."

That made sense to me. Before Pococurante, a bullock whip was just a bullock whip.

As for the circus, I forget its name, but it was a mangy thing. It didn't have a tent so it wasn't any more than a man who rode a horse with his head in the saddle and his feet in the air. We could do that before we were six. And a woman with a beard and hairy arms, and a clown who was only funny when he pulled the red nose off his face to sneeze, and a lion who wanted to sleep and a lion tamer who doubled as the fancy-talk introducer, and Pococurante.

As for the town, it was mangy, too. One of those unloved border towns that straddle two states, where the people on both sides think life on the other side is better but it isn't, and before you notice, everybody's slipped away including you, feeling guilty but bloody relieved,  like how you leave a funeral.

As for Pococurante, I had a theory I carried around inside me till I saw my first action in war. I did think, you see, till I really shouldn't of, that this Pococurante
was
some sort of god. That my dad had nailed him good, but at the same time missed. My dad, you see, thought Pococurante had named himself in imitation of. But Mrs Fletcher at school said there weren't any gods named Pococurante, and she reeled off all the ones there were. Plain God, who we knew. And to some, his son, so that took care of two. And Zeus and Mars and Pluto the dog-god and Neptune with his hayfork, and Tor the blond, and some more that I can't remember, but Pococurante? No.

Pococurante
, I'd say each night. I knew he wouldn't like frilly stuff, so I talked to him straight.
Be a sport
, I'd say, all under my breath.
Toss me some of your bravery. You've got bags of it to spare. Make my face as still as yours. You can do it, but I can't on my own.
I certainly couldn't. 
Make me look like I don't give a cuss what people think, like you. Tell me what you want from me and I'll do it. Anything.
He never answered directly, but he was the last god on earth I'd of expected to answer anyone like me.

Before Pococurante, if you'd of said that anyone in my town would ape a man with an embroidered shirt, spit your teeth goodbye. I imitated his walk, which is funny looking back on it. But every boy did and many men, so it wasn't funny with everybody and his dog doing it. And even though two boys killed themselves trying to be Pococurante, no-one wished otherwise any more than they wished that the good years didn't come because of the bad. But there was a limit. When Ridgy Bray was heard whistling
Nobody Cares for Me
, he was given a friendly punch-up for putting on airs. I thought it was sacrilegious.

One day when a kick in the stockyard punched my kneecap so my leg folded front to back, I bit a hunk off my lower lip rather than scream.
Pococurante!
He gave me the strength to be a man, but he was as mysterious as weather.

And then I went to war and saw another Pococurante, and another. I saw four by the war's end. I felt shy around them. Lots of men did.

But to Pococurante. He'd gone to that war my dad did. Dad never talked about his war. But when I saw Pococurante's face again on other men, and I saw that walk—all that I copied but knew was never me—I knew then, the original wasn't a god, but what a man could be.

When the war ended, I asked one of the Pococurantes to be my business partner—the one who saved my life. I thought I'd have to beg him, but he said okay. Just "Okay."

I was so taken aback, I couldn't answer back, but he didn't seem to need that. I was honoured that he thought me good enough.

He didn't have any plans so I made up plans for us both.

~

We opened a dry cleaning shop in Adelaide. I named the dry-cleaners
Pococurante
, after he said he didn't care what it was called. It had a classy ring to it, the young girl at the business registry said.

"About time we had some tone here," she declared. "Adelaide's such a sleepy place."

I didn't know what she was talking about so I shut up. My partner leant over the counter and looked at her, and I thought she'd die right there.

"Poco," she said. "Little! and cur-ahhn-tay."

She clicked her fingers and cocked her head. "Greased lightnin! pronto, current, see? I might work here but ... say!" she said to my partner (I was a flyspeck on the wall). "You haven't by chance, seen the film at the Odeon?"

"Yar," he said, giving her a ghost of a smile.

So
Pococurante
the window said, in swirly gold script, close but not quite the same as I remembered.

~

It wasn't as if my partner didn't work. He did. But the business didn't thrive. He was so attractive that the counter got mobbed, but he was hopeless with ticketing clothes. So, though we lost some love-struck women who'd been coming in bearing clean twin-sets just to see him, I took over the counter and he worked in the back. But he didn't seem to get the knack of cleaning and pressing, either. Pleats came out cock-eyed, buttons were torn off, and if I'd of wanted a wedding dress to look like the next morning after a night at the pub, I'd only have to give it to my partner, Po. Yes, I'd named him that in the war, and it stuck.

Faithful, many of our customers were. They tried so hard to stay with us. "Jiffy's open closer to my busstop," one said to me. "But you're the only ones who treat us like intelligent beings." She was the girl from the business registry, our most fervent customer. And she had one helluva big mouth.  Everybody thought of us as some classy Jiffy, though a dog could of slept on our jobs and done a better job than Po, and I couldn't do everything. I used to come in during the night and redo Po's work, so's he wouldn't know. He never caught on, though thinking back, he should of.

But Po never noticed. He pitched up every morning on the dot, never took sickies, never loitered at the counter with his many admirers who came in to catch a glimpse of him. I'd say, "Just a tick, Miss Timble," and ring a bell. "Po!" I'd have to yell, to get my voice past the muffle of clothes, and through the racket of the tumble machines. "Look who's here." Po would push his head between the cello'd garments and give the customer his ghost-smile, "Yar," he'd say and disappear again. "Hard at work, poor boy," Miss Timble would say, "Just give him this," and she'd leave a little package of lamingtons she'd made, and flee. Or Miss Crumb, or old Mrs Methuine.

Even the old birds weren't immune to him, though he was immune to all.

I married during the first year, and my wife was a mystery as big as Po. I asked her early on why she wasn't stuck on him instead of me and she asked me back: "What's there to be stuck on?"

~

Sylvia helped in the shop the first few months, trying to teach Po how to press, but he never learned, and then she couldn't help because the Stoddard Solvent made her sick, and she was sick enough anyway. And then Po, our first, came. And then of course she couldn't help any more, except for bookkeeping, something that Po and I'd been hopeless at.

Syl liked Po, too, but "He's a sadsack, isn't he?" she asked one night after I got home at midnight from my moonlight fixup job at my own place of business, "You're nuts," she said. She was peevish, Po being such a teether and her with a bun in the oven ready to come out.

"Sadsack!?" I regret I snarled. I opened the fridge and found only a chicken and a bottle of milk. Not one damn beer.

"And where's my bloody—"

"Pull your head out, Mal!" Syl wasn't a simperer. "You don't even listen to the radio in that place."'

I didn't. It slowed me down and there was so much work.

But her voice did something to me now. I was never one for a fight, but she could knock me out with a word. "Sorry, Syl," I said.

"That's alright," she said. "Hey, let's not wake Po. But really, love, any man who doesn't know a beer strike's on is a man with a problem to solve."

"Beer?"

"Four days now," she said.

"Strewth!"

"Turn around," she said, and when I did, she stuck her big stomach into the small of my back and massaged my shoulders. "They're stiff as coat hangers."

"The books look worse than you," she said.

"Hmm," I said, knowing she was right and wanting her hands to stay doing that, and not wanting tomorrow to come.
Please don't say another word
, I silently implored her.

"He's not—" she said.

"I can't."

"No, you can't."

~

We couldn't, you see. We couldn't split the partnership. I couldn't imagine Po, Big Po, being on his own, out in the cold. Sure, there was a billion women who'd of liked to spirit Po away, but even if one succeeded, then what?

"I owe him," I said, and that was that, certainly since Little Po. For though Po wasn't god, ("That's for sure," Sylvia laughed, and though it was irreverent to him, I had to laugh, thinking of how I often I'd say
You bloody gorilla!
while I fixed his jobs at night)—though he wasn't god in the dry cleaners, he was godly in the ways that count. Me being alive proved that. And certainly Po as a failed god would damn our newborn to something  ...

"It's not like we're superstitious," Sylvia said, "but."

Sylvia always could put words in the right place.

So we had to do something, but what?  We couldn't abandon Po, but we couldn't keep the shop going like it was. "Is he good at anything?" she asked.

It was already two in the morning, so she ignored my "Lotsa things" and went for the kill.

"What, precisely?"

Little Po woke for his twosies. I'd slept through them before, but this time I watched her feed him.

When she got him to sleep it was almost three a.m., and I had nothing to say except "Nothing particular," thinking of something very particular.

"I suspected that." She sighed and shifted her stomach. "You're soft as a cream bun, Mal. He still living in that working men's hotel?"

"Where else would he bunk, except with us?"

"Horrid places, those."

"No they aren't."

"You hated them."

"Yeah," I admitted, snuggling up to her. "But I like my comforts. I guess he doesn't care."

"Yar." She did him perfectly! I laughed till she hit me. "Wake Little Po at your peril!"

At that, it was impossible not to wake him, and we did, right and proper.

~

Syl had the idea of branching out instead of giving up. "There's a ton of new migrants we can choose from. Let's find us a nice little tailoress. We'll add dressmaking and fashion advisory to the window, and get little cards printed up."

So we did. Mrs Kamensky even spoke a bit of English, and she certainly could sew. She had a very Parisian air to her, the customers thought. Unlike lots of Adelaide men who didn't talk about it, the women and girls had never been over there, so any Pole could of fooled them. Every Tuesday night was a free-to-all fashion advice evening, and it sure was attended.

I asked Po to come to the nights and sit in as security, but Syl had her own devious reasons and they worked a treat. When fashions were modelled before tea and cake was served, the natural thing was to look to the man in the room. When Mrs Kamensky said "This is the way to do so-and-so" eyes would always turn to Po. He brought a great deal of juh nuhsay quah, as Gloria, the girl from the registry office (now Mrs Braverman) said.

Shortly after the fashion nights began, a group of brickies' labourers came in one Friday lunch hour, their beery breath making me miss my bachelor days. "Where's this Po bloke?" said the guy in front, plonking a fist the size of a pumpkin on the counter.

"What you want him for?" I asked a bit too loud.

To my relief, Po suddenly appeared at my side.

"You Po?" the head bloke asked, looking a bit shaken.

"Yar," said Po.

"You got a ball and chain o' yur own?"

Po just looked at them.

"He's single, matey," I said, "but what's it to you? He pinch your sheilas?"

"Not likely!" said someone.

"What's your gripe then?" I demanded, Po lending me bluster I didn't own. I felt good defending him against whatever they wanted to accuse him of.

"He go to these ladies' nights?"

"Would you want to?" I asked.

The room exploded in laughter. Even Po smiled at that.

"What a man's gotta do for a quid," someone muttered.

"You're alright, mate," said the lead brickie, and they walked out.

The sessions brought us so much business that I could finally hire a girl to do the cleaning and pressing. She didn't speak much English, but she could put a knife pleat in a bowl of custard, that girl. She was so good that Po didn't need to do anything. He took to doing only the ug-type work, lifting dirty loads and such, and otherwise sitting on a stool in the back, unless some customer wanted to say hello or ask his advice. His advice was always the same, it seemed to me. He gave them what they wanted, as far as confidence-building went, his smile letting them know that they knew best. But the women who liked him never noticed that. I won't say I understand women.

Then he'd go back to his stool. He wasn't a reader, so him sitting on that stool most of the time bothered me. He looked lost. I thought back to the war and remembered his spoons, so the next day I pinched two from home and gave them to him.

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