Missing Susan (31 page)

That afternoon, armed with daily passes to the Underground, the tour members assembled in the Baker Street station for their visit to Madame Tussaud’s famous wax museum. After Charles Warren posed them for photographs with the wax effigies of the royal family in the Grand Hall (Elizabeth, Kate, and Nancy Warren), and with Agatha Christie in the Conservatory (Alice and Frances), Rowan led them hurriedly past the rock stars and the politicians, down the stairs to the Chamber of Horrors.

While everyone else maintained a polite interest in the realistic atmosphere of the Victorian street scene and the sinister wax images lurking about the dimly lit tableaux, Elizabeth and Rowan rushed from one display to another, greeting the killers like old friends.

“People from home!” giggled Elizabeth, pointing to two men carrying a body in a wooden tea chest.

Rowan nodded. “Ay, yes, Burke and Hare, the Edinburgh bodysnatchers. The gallows over there is authentic, by the way. The museum got it from the Hertford Gaol in 1878.”

“Why don’t they label these things?” gmmbled Alice MacKenzie. “Some of these people could be politicians, for all I know.” She pointed to a prosperous-looking wax gentleman in a vintage brown suit.

“That fellow is John George Haigh,” Rowan told her. “He’s famous for luring a wealthy old lady to his so-called factory in Sussex, where he murdered her and dissolved the body in an acid bath. He’s wearing his own suit, by the way. He donated it to Madame Tussaud’s on the eve of his execution. Over here is John Christie, of Ten Rillington Place, who entombed his victims behind the walls of his house. Imagine the surprise of the next tenant when he began to redecorate!”

“I don’t think we have any weird killers in Minnesota,” said Susan. “They’re all from Wisconsin.”

“Who is the couple in the dock?” asked Maud Marsh, pointing to a small bespectacled man and the pretty dark-haired girl beside him. “She looks rather sweet.”

Rowan motioned the group over to the exhibit. “That charming couple is Harvey Hawley Crippen and the lovely Ethel LeNeve,” he told them. “Poor old sod. He killed his shrew of a wife and buried her in the basement. If he’d done it today, the case would barely have made the papers and he’d have been out in ten years. But in 1910 people called him a monster, and he was hanged for it.”

“That’s his girlfriend, I suppose?” said Alice, pointing to the young girl’s statue.

“Yes, that’s his motive for murdering his wife, who was much less charming. Ethel may not have known about the murder. She was acquitted at the trial anyhow. Although I think she might have suspected something when he asked her to dress as a boy and flee the country with him on a steamship. Over there is the actual telegram that was dispatched by the ship’s captain to alert Scotland Yard to their presence on his ship.”

“The False Inspector Dew!”
cried Susan, at last able to make a connection between the exhibit and her addiction to crime novels.

Rowan ignored the interruption. “The captain spotted them immediately. Apparently our Ethel wasn’t a very convincing boy. Crippen loved her, though. He pleaded guilty at once and insisted that she knew nothing about the crime. At his execution, he asked that a photograph of her be buried with him.”

“I take a very dim view of burying wives in the basement,” said Alice.

“So did I a couple of marriages ago,” said Rowan. “But I’ve mellowed.”

Meanwhile Kate Conway had found the Whitechapel setting dedicated to Jack the Ripper. She was staring in horror at the blood-caked body of a woman in Victorian dress, sprawled behind an iron railing. “She looks familiar somehow,” Kate murmured. “They never caught the Ripper, did they?”

“No,” said Elizabeth. “But he’d be about a hundred and thirty by now, so I shouldn’t worry. It’s only wax, you know.”

“Who is this?” asked Frances Coles, tapping Elizabeth on the shoulder. “Over here in this little alcove decorated like a bedroom. I wish they’d label these things.”

“I’ll see if I can figure it out,” said Elizabeth. “Show me.”

Frances led her to a dark doorway opening into a tiny candlelit bedroom. There in the shadows, a small child in a white nightshirt sat up in bed, staring wide-eyed at the doorway where the viewers stood. The simple furnishings of the room seemed to date from the previous century. The child was alone in the tableau.

“There aren’t any clues,” murmured Kate, who had followed them over. “I suppose that’s the victim, poor kid. We can’t see the killer, and we don’t even know how it’s going to be killed.”

Elizabeth stood for a long time, as motionless as the wax statue, staring into the eyes of the frightened, dark-haired child. “Smothered,” she whispered, turning away.

“You recognize it?” asked Frances.

She nodded. “Yes. Oh, yes. I see him in my nightmares. It’s Francis Savile Kent of Road Hill House, looking up at Daddy.”

The tour ended a little before five and Rowan sent them off for tea, after making sure that everyone knew when and where they would meet again: seven-thirty that evening, outside
the Whitechapel tube station. Tonight they would be given their own private Jack the Ripper walk.

“There wasn’t anything about the Charles Bravo case in Madame Tussaud’s,” Elizabeth complained as they went back into the Underground.

“That’s because the lovely but lethal Florence was acquitted of poisoning him,” Rowan reminded her. “There’ll be no slander in the waxworks, madam. But if you want to pass up half a day of capitalism, I’ll take you out to Balham and show you the Priory, where it happened. You don’t want to run out there now, do you?”

Elizabeth hesitated. “No,” she said at last. “I think there’s something else I’d better attend to.”

“Off you go, then. I’m going back to my boat just now, but I’ll see you all at half past seven.”

Once they boarded the train for the ride back to the hotel, Elizabeth sat down next to Susan Cohen, who had fished a paperback out of her purse and was reading with an intensity that suggested she might orbit the city for hours if no one made her get off at the right stop.

“What made you decide to take this tour?” Elizabeth asked, with a certain satisfaction at interrupting Susan for a change.

“Crime. England. Sounded good,” said Susan, turning a page.

“So you didn’t know Rowan before we started?” She gave a deprecating little laugh. “You’re not his ex-wife or anything?”

When Susan looked up from her book, her face was a study in astonishment. “I’m not anybody’s ex-wife. Why do you ask?”

“Oh, no reason.” She tried a new tack. “Isn’t it a shame that Martha was unable to continue the tour? It must have been a bad fall. I saw her when you helped her into the hotel. Were you with her when it happened?”

“Pretty close,” said Susan. “I spoke to her as we started off the curb—and she said something and went on. I didn’t see her fall, though. We were in a big crowd.”

“Hmm. Was anybody else from the tour there?”

“I didn’t see anybody. Why?”

Elizabeth smiled. “I just wondered. I was thinking about sending a get-well card to Emma Smith and telling her what we’ve been up to since she left. If she has food poisoning, it’s lucky that we all didn’t come down with it. You haven’t been feeling ill, have you?”

“I’m fine. I don’t see how it could have been food poisoning. I was sitting right next to her at the dinner in St. Ives—and we ordered the same thing.”

“Well,” said Elizabeth, “you never know.”

“Is anybody else sick?” She looked around the car for another seat to move to. “You aren’t, are you?”

“I’m fine,” Elizabeth assured her. “Except for that nasty shock I got from the light switch in my room.”
Which should have been your room
, she finished silently.

Susan went back to reading her book and Elizabeth left her alone. As the train clattered on in the darkness, she stared up at the map of the Underground, lost in thought.

   When Elizabeth returned to her hotel, the desk clerk hailed her and informed her that she had a letter. She seized it eagerly, hoping for a message from Cameron, but the stamps were British and the address an unfamiliar one in Yorkshire. When she reached her room, she read the message, at once remembering Rowan’s promise that his friend would answer her question. It said:

At twenty minutes past seven that evening, Rowan Rover was slouched in the doorway of a news agent’s shop near the Whitechapel tube station, smoking his fifth cigarette. Any moment now the mystery tour members—what was left of them—would emerge from the tube station, jovial and ready for an evening of nostalgic mayhem.

“I am following in the footsteps of a man who killed five women and was never caught,” he muttered. “Surely I can manage one!”

It was the perfect setting: a series of dark, somewhat dangerous streets in an area that he knew perfectly well, while none of the others had ever been there. Every advantage was his. Except for the fact that his heart was pounding like a ten-shilling pocket watch and his skin crawled with cold sweat. For the first time he wondered what it had felt like to be Jack the Ripper. He had always imagined the mad killer bristling with excitement, breathing heavily at the prospect of his evening’s sport, sliding through the dark streets of Whitechapel with a song in his throat. Somehow Rowan had neglected to think of the victims in any way at all except as costumed clay pigeons, necessary to the game. Suddenly he was forced to picture them as real people, with personalities and families, and with a pathetic innocence of the evil that stalked them, denying their humanity. Perhaps the Ripper’s indifference toward his victims came from the fact that they were strangers. Susan Cohen, as irritating as she was, had become all too real to her intended assassin. He even knew the names of her cats, for God’s sake! He should have killed her early on, he thought, when she was just a face in the crowd. He fingered the metal cosh in his pocket, a gift from an old burglar acquaintance. Now he would probably need months of counseling or gallons of good Scotch to recover from the horrors of this evening’s ordeal. Fortunately, he reflected, he would be able to afford them.

When the first members of the group emerged from the
tube station, chattering and laughing, as unaware as lambs to the slaughter, he went to meet them with a heavy heart and a plaster smile.

“Good evening, ladies and Charles. Welcome to the Jack the Ripper tour. Shall we proceed?”

Alice MacKenzie was wearing her new wool shawl from Wales. Frances Coles was sticking to her side as if Alice could protect her from any spectral Ripper who might descend on them. Maud Marsh and Kate Conway looked brightly inquisitive about the evening walk, not quite belying their boredom with historical crime. The Warrens were fiddling with camera attachments and Elizabeth MacPherson was looking about her with narrowed eyes as if she thought there was a chance of catching the killer this evening. Susan Cohen, in her blasted navy coat, made her way to the front of the group, nattering about some bookshop she’d found in Bloomsbury. No one was listening. He wondered whether to keep her near him at the front of the group or let her fall back in order to divert suspicion when the accident occurred.

As he led them into the fetid alley where Bucks Row had once been, he issued his usual warning to refrain from touching the walls, but he felt a flicker of satisfaction when he saw Susan run her forefinger along the brickwork.

“Winos pee there!” he belatedly explained.

Her scowl held him personally responsible. “Not in Minneapolis they don’t!”

When they emerged from the alley, where progress had been single file, Elizabeth MacPherson appeared at his side. “So this was Bucks Row,” she remarked. “Polly Nicholls, right?”

Rowan gave her a fishy stare. He’d be damned if he was going through the Ripper walk with a Greek chorus, even if she did know her facts. With the barest of nods, he recited his piece about the discovery of Polly Nicholls’ body, verbally
sketching in the geography of the site at the time of her death.