Middlesex (48 page)

   Do you remember my frog heart? In Clementine Stark’s bedroom it had kicked off from a muddy bank, moving between two elements. Now it did something even more amazing—it crept up onto land. Squeezing millennia into thirty seconds, it developed consciousness. While kissing the Object’s belly, I wasn’t just reacting to pleasurable stimuli, as I had been with Clementine. I didn’t vacate my body, as I had with Jerome. Now I was aware of what was happening. I was thinking about it.
   I was thinking that this was what I’d always wanted. I was realizing that I wasn’t the only faker around. I was wondering what would happen if someone discovered what we were doing. I was thinking that it was all very complicated and would only get more so.
   I reached down and touched her hips. I hooked my fingers in the waistband of her underpants. I began to slip them off. Just then, the Object lifted her hips, very slightly, to make it easier for me. This was her only contribution.
   The next day we didn’t mention it. When I got up, the Object was already out of bed. She was in the kitchen, observing her father’s preparation of scrapple. Making scrapple was Mr. Object’s Sunday morning ritual. He presided over the bubbling fat and grease while the Object periodically looked into the frying pan and said, “That is so disgusting.” Soon she was working on a plate of it, and made me have one, too. “I’m going to have the worst heartburn,” she said.
   I understood the unspoken message immediately. The Object wanted no dramatics, no guilt. No show of romance, either. She was going on about the scrapple to separate night from day, to make it clear that what happened at night, what we did at night, had nothing to do with daylight hours. She was a good actress, too, and at times I wondered if maybe she really had been sleeping through the whole thing. Or maybe I had only been dreaming it.
   She gave only two signs during the day that anything had changed between us. In the afternoon Jerome’s film crew arrived. This consisted of two friends of his, carrying boxes and cables and a long, fuzzy microphone like a dirty, rolled-up bathmat. Jerome was by this time pointedly not speaking to me. They set up in a small equipment shed on the property. The Object and I decided to see what they were doing. Jerome had told us to stay away, so we couldn’t resist. We crept up, moving from tree to tree. We had to stop often to fight off laugh attacks, slapping at each other, avoiding each other’s eyes until we could control ourselves. At the back window of the equipment shed we peeked in. Not much was happening. One of Jerome’s friends was taping a light to the wall. It was hard for us both to see through the small window at once, so the Object got in front of me. She placed my hands on her belly and held my wrists. Still, her attention was officially given over to what was going on inside the shed.
   Jerome appeared, dressed as the preppy vampire. Inside the traditional Dracula waistcoat, he wore a pink Lacoste shirt. Instead of a bow tie he had an ascot. His black hair was slicked back, his face whitened with a cosmetic, and he carried a cocktail shaker. One of his friends held a broomstick dangling a rubber bat. Another operated the camera. “Action,” said Jerome. He lifted the cocktail shaker. He shook it with both hands. Meanwhile the bat swooped and fluttered above his head. Jerome removed the lid and poured the blood into the martini glasses. He held one up for his friend the bat, who promptly plopped into it. Jerome sipped his blood cocktail. “Just how you like it, Muffie,” he said to the bat. “
Very
dry.”
   Under my hands the Object’s stomach jiggled as she laughed. She leaned back into me and her flesh captured in my arms shook and yielded. I pressed my pelvis against her. All this went on secretly behind the shed, like a game of footsie. But then the cameraman lowered his camera. He pointed at us and Jerome turned around. His eyes fixed on my hands and then rose to my eyes. He bared his fangs, burning me with a look. And then shouted in his regular voice, “Get the hell out of here, you fuckers! We’re shooting.” He came up to the window and struck it, but we were already running away.
   Later, around evening, the phone rang. The Object’s mother answered it. “It’s Rex,” she said. The Object got up from the sofa where we were playing backgammon. I restacked my chips to have something to do. I tidied them up, over and over, while the Object talked to Rex. She had her back to me. She moved around as she talked, playing with the cord. I kept looking down at the chips, moving them. Meanwhile I paid close attention to the conversation. “Nothing much, just playing backgammon … with Callie … He’s making his stupid film … I can’t, we’re supposed to have dinner soon … I don’t know, maybe later … I’m sort of tired, actually.” Suddenly she wheeled around to face me. With effort I looked up. The Object pointed at the phone and then, opening her mouth wide, stuck her finger down her throat. My heart brimmed.
   Night came again. In bed we went through the preliminaries, plumping our pillows, yawning. We tossed around to get comfortable. And then after an appropriate time of silence the Object made a noise. It was a murmur, a cry caught in the throat, as if she were talking in her sleep. After this, her breathing became deeper. And taking this as the okay, Calliope began the long trek across the bed.
   So that was our love affair. Wordless, blinkered, a nighttime thing, a dream thing. There were reasons on my side for this as well. Whatever it was that I was was best revealed slowly, in flattering light. Which meant not much light at all. Besides, that’s the way it goes in adolescence. You try things out in the dark. You get drunk or stoned and extemporize. Think back to your backseats, your pup tents, your beach bonfire parties. Did you ever find yourself, without admitting it, tangled up with your best friend? Or in a dorm room bed with two people instead of one, while Bach played on the chintzy stereo, orchestrating the fugue? It’s a kind of fugue state, anyway, early sex. Before the routine sets in, or the love. Back when the groping is largely anonymous. Sandbox sex. It starts in the teens and lasts until twenty or twenty-one. It’s all about learning to share. It’s about sharing your toys.
   Sometimes when I climbed on top of the Object she would almost wake up. She would move to accommodate me, spreading her legs or throwing an arm around my back. She swam up to the surface of consciousness before diving again. Her eyelids fluttered. A responsiveness entered her body, a flex of abdomen in rhythm with mine, her head thrown back to offer up her throat. I waited for more. I wanted her to acknowledge what we were doing, but I was scared, too. So the sleek dolphin rose, leapt through the ring of my legs, and disappeared again, leaving me bobbing, trying to keep my balance. Everything was wet down there. From me or her I didn’t know. I laid my head on her chest beneath the bunched-up T-shirt. Her underarms smelled like overripe fruit. The hair there was very sparse. “You luck,” I would have said, back in our daytime life. “You don’t even have to shave.” But the nighttime Calliope only stroked the hair, or tasted it. One night, as I was doing this and other things, I noticed a shadow on the wall. I thought it was a moth. But, looking closer, I saw that it was the Object’s hand, raised behind my head. Her hand was completely awake. It clenched and unclenched, siphoning all the ecstasy from her body into its secret flowerings.
   What the Object and I did together was played out under these loose rules. We weren’t too scrupulous about the details. What pressed on our attention was that it was happening, sex was happening. That was the great fact. How it happened exactly, what went where, was secondary. Plus, we didn’t have much to compare it to. Nothing but our night in the shack with Rex and Jerome.
   As far as the crocus was concerned, it wasn’t so much a piece of me as something we discovered and enjoyed together. Dr. Luce will tell you that female monkeys exhibit mounting behavior when administered male hormones. They seize, they thrust. Not me. Or at least not at first. The blooming of the crocus was an impersonal phenomenon. It was a kind of hook that fastened us together, more a stimulant to the Object’s outer parts than a penetration of her inner. But, apparently, effective enough. Because after the first few nights, she was eager for it. Eager, that is, while ostensibly remaining unconscious. As I hugged her, as we languorously shifted and knotted, the Object’s attitudes of insensibility included favorable positioning. Nothing was made ready or caressed. Nothing was aimed. But practice brought about a fluid gymnastics to our sleep couplings. The Object’s eyes remained closed throughout; her head was often turned slightly away. She moved under me as a sleeping girl might while being ravished by an incubus. She was like somebody having a dirty dream, confusing her pillow for a lover.
   Sometimes, before or afterward, I switched on the bedside lamp. I pulled her T-shirt up as far as it would go and slid her underpants down below her knees. And then I lay there, letting my eyes have their fill. What else compares? Gold filings shifted around the magnet of her navel. Her ribs were as thin as candy canes. The spread of her hips, so different from mine, looked like a bowl offering up red fruit. And then there was my favorite spot, the place where her ribcage softened into breast, the smooth, white dune there.
   I turned the light off. I pressed against the Object. I took the backs of her thighs in my hands, adjusting her legs around my waist. I reached under her. I brought her up to me. And then my body, like a cathedral, broke out into ringing. The hunchback in the belfry had jumped and was swinging madly on the rope.
   Through all this I made no lasting conclusions about myself. I know it’s hard to believe, but that’s the way it works. The mind self-edits. The mind airbrushes. It’s a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison. In the past year the crocus had lengthened considerably. At its most demonstrative it was now about two inches long. Most of this length, however, was concealed by the flaps of skin from which it issued. Then there was the hair. In its quiet state, the crocus was barely noticeable. What I saw looking down at myself was only the dark triangular badge of puberty. When I touched the crocus it expanded, swelling until with a kind of pop it slid free of the pouch it was in. It poked its head up into the air. Not too far, though. No more than an inch past the tree line. What did this mean? I knew from personal experience that the Object had a crocus of her own. It swelled, too, when touched. Mine was just bigger, more effusive in its feelings. My crocus wore its heart on its sleeve.
   The crucial feature was this: the crocus didn’t have a hole at the tip. This was certainly not what a boy had. Put yourself in my shoes, reader, and ask yourself what conclusion you would have come to about your sex, if you had what I had, if you looked the way I looked. To pee I had to sit. The stream issued from underneath. I had an interior like a girl. It was tender inside, almost painful if I inserted my finger. True, my chest was completely flat. But there were other ironing boards at my school. And Tessie insisted I took after her in that department. Muscles? Not much to speak of. No hips either, no waist. A dinner plate of a girl. The low-Cal special.
   Why should I have thought I was anything other than a girl? Because I was
attracted
to a girl? That happened all the time. It was happening more than ever in 1974. It was becoming a national pastime. My ecstatic intuition about myself was now deeply suppressed. How long I would have managed to keep it down is anybody’s guess. But in the end it wasn’t up to me. The big things never are. Birth, I mean, and death. And love. And what love bequeaths to us before we’re born.
   The following Thursday morning was hot. It was one of those humid days when the atmosphere gets confused. Sitting on the porch, you could feel it: the air wishing it was water. The Object was draggy in any kind of heat. She claimed her ankles swelled. All morning she’d been a trying companion, demanding, sullen. While I was dressing she’d come back from the bathroom to accuse me from the doorway, “What did you do with the shampoo?”
   “I didn’t do anything with it.”
   “I left it right on the windowsill. You’re the only other person who uses it.”
   I squeezed past her and went down the hall. “It’s right here in the tub,” I said.
   The Object took it from me. “I feel totally gross and sticky!” she said, by way of apology. Then she got into the shower while I brushed my teeth. After a minute her oval face appeared, the shower curtain snug around it. She looked bald and big-eyed like an alien. “Sorry I’m such a bitch today,” she said.
   I kept brushing, wanting her to suffer a little.
   The Object’s forehead wrinkled and her eyes grew soft in appeal. “Do you hate me?”
   “I’m still deciding.”
   “You’re so mean!” she said, comically frowning, and snapped the curtain shut.
   After breakfast, we were on the porch swing, drinking lemonade and gliding back and forth to create a breeze. I had my feet up on the railing, pushing off from it. The Object was lying sideways, her legs spread over my lap, her head resting against the arm of the swing. She had on cutoffs, short enough to reveal the white lining of the pockets, and her bikini top. I was wearing khaki shorts and a white alligator shirt.
   Out in front of us, the bay flashed silver. The bay had scales, like the fish beneath.
   “Sometimes I get really sick of having a body,” the Object said.
   “Me too.”
   “You too?”
   “Especially when it’s hot like this. It’s like torture just moving around.”
   “Plus I hate sweating.”
   “I can’t stand to sweat,” I said. “I’d rather pant like a dog.”
   The Object laughed. She was smiling at me, marveling. “You understand everything I say,” she said. She shook her head. “Why can’t you be a guy?”