Mean Spirit (2 page)

A man murmurs, ‘Easy, now, Les,’ two other guys on their feet, guys the size of bouncers, guiding the tuxedo’d man from the room.

‘There’d been a row, OK?’ Seffi says. ‘It was about nothing in particular. It was after … a party?’

‘Yes. His birthday party. We hired—’

‘They were both pretty drunk. He’d been mouthing off and she told him … Kieran says he must’ve blanked out what she told him. It didn’t really hit home until …’

Tangible suspense. The only lights are from the muslin-shaded porcelain lamp on the Chinese table to her left and the white tongue of the ball-candle which is supposed to dispel cigarette smoke.

‘… until he awoke the following morning. Terrible hangover. Sickness. The usual.’

‘Yes. Yes, he did! He looked awful! How could you have known that? No-one could’ve known that!’

‘And it’s swirling round and round him, what she said, right? What Kirsty said. Round and round in his head. All that day. He can’t go out. Can’t face anybody. Walking. A sunny day. Late afternoon, long shadows. Big garden. Red brick.’

‘We were, oh God, living in a farmhouse. Eighteenth century …’

‘A gazebo at the bottom of the garden. He’s walking round and round it.’

Coral’s lips are spreading into a silent wail.

‘Round and round the gazebo.’ Seffi’s breath coming hard and fast, like gas. ‘He doesn’t want to see anybody. All the time hearing what she said, what Kirsty said.’

Coral waits for it, her face lined and bloodless. Coral knows. Coral knows already what this is going to be.

‘About how his father’s a better fuck,’ Seffi says.

Eventually a woman takes Coral out of the room, supporting her as though she’s been found in the street, knocked down by a car, and there could be something broken.

The lights are on, the atmosphere in Sir Richard Barber’s drawing room raw with excitement, spattered with emotional shrapnel.

Seffi sitting in the aftermath, surrounded by nervous laughter, unwilling awe, shrivelling scepticism.

‘I’m sorry,’ she tells no-one in particular. ‘He wanted to come. Sometimes they just … do.’

Look, it needed to be done, she used to tell herself. All those comfy old mediums who sanitize everything, only pass on the innocuous stuff, the trite crap. Times change. Honesty is what is needed now.

Yet it horrifies her: twenty thousand pounds for exploding a bomb under a marriage?

Seffi Callard is suddenly personally afraid. All eyes on her. And these are … these are
nightclub
people. About twenty of them, all expensively dressed, but perhaps too expensively. More than a hint of the garish. Money, certainly, but not old money. And the sense
that Barber doesn’t know any of them very well. A room full of comparative strangers. Extras in a movie.

Of which Sir Richard Barber is not the director.

‘Miss Callard … is there anything I can get you?’

‘Sir Richard,’ she says quietly, ‘I think it’s time I left, don’t you? Could someone call me a taxi? This was a mistake.’

His unhappy eyes agree with her; his mouth says, ‘No. Emphatically
not
.’

‘We’ll return your cheque in the morning.’

There, in the background, goes that tape-loop laugh again.

‘Miss Callard—’

‘Sir Richard, people think it’s going to be a game. It never is. I was never a cabaret act.’

‘We know it isn’t a game.’ She can sense a desperation in him, fear – but not of the supernatural, this is fear of the
known.
‘We want you to stay. We want you to carry on.’

‘Who does?’

‘… I do. Miss Callard … please.’ Barber signalled to a young guy in a maritime white jacket, and the lights begin to go again, one by one. ‘I … we … need you to stay.’

Well, of course she should get out of there right now if she’s got any sense. But what if poor bloody Coral’s husband is outside? What if he’s out there waiting for the
black bitch
?

Quite often you get a rush of them coming at you like primary school kids when the doors are opened to the playground. Most mediums are happy to employ an outside filter, known as a spirit guide, but Seffi’s been through all that and finds it unsatisfactory: hand-holding, patronizing. She doesn’t need any of those old cliché props. Nor even a feed-line – although this is expected and everyone has a variation on the traditional
Is there anybody there?
Like,
Do we have company?
Or the cringe-making
Are there spirit friends amongst us?

She lowers her eyelids, focuses on a point three feet in front of her, so that the opulent room becomes a soft blur and none of the guests exists as individuals.

Letting the music flow into her, slowing her breathing. Hands on knees, long neck extended, she yawns luxuriously and gathers herself into trance.

There’s quite a space around her, like the space left by spectators standing back from a road accident or a street fight. As though the earlier exchange has caused a shock on
that
side too. Only Kieran remaining for a moment, a more nebulous presence than before – confused, unsure how to proceed. There should be someone there for him; he needs only to become aware of this.

Look around,
she says to him, gently.
See who’s there.

Waiting now for him to react, for the confusion to evaporate. It’s at moments like this when you realize you almost always are stronger than they are.

And then Kieran is gone. On the edge of her vision, the candle flame becomes a tiny planet of light.

‘The lines’, she announces softly, ‘are open.’

Later –

when it’s cold … when the music, with a busying of woodwind, gains power and the voices come in, the first swelling cry of Debussy’s night nymphs … when women are pulling cardigans and evening shawls around their shoulders, expressions of vague distaste puckering several faces … when Coral’s chair is no longer empty … when exploratory hands are dry and fibrous on Seffi’s skin.

– how she wishes she could claw back those words.

Part One

From
Bang to Wrongs: A Bad Boy’s Book,

by
GARY SEWARD

Listen, you have a kid hits you with a stick, you hit him back and you do it good and hard and you do it fast. And, most important, you do it with the jagged side of half a brick.

As a country boy in the East End, I had to learn this quickly. I was six years old when my old man done a runner and me and my mum come to live with my Aunt Min in Saxton Gate. I was the only one in our street ever seen a cow and I had this funny hayseed accent and so the other boys naturally took the piss, and you cannot tolerate this, can you?

The first one I done, his name was Clarence Judge and when I done him with the brick I didn’t realize he was the hardest kid in the street. This was a piece of real good fortune because me and Clarence, when his scars healed, we become the best of mates and we still are.

I

THE TRUTH OF IT WAS, GRAYLE DIDN’T MUCH LIKE SPIRITUALIST
mediums any more – was now prepared to admit never having encountered one who seemed wholly genuine. All this,
I have a tall, grey-haired gentleman here, he says to tell Martha hello and he wants her to know he doesn’t get the migraines now.

Hey, screw the migraines, you wanted to scream … what’s it like over there? What does
God
look like?

Plus, they were usually creepy people. They had soft voices and wise little smiles. You looked at them and you thought of funeral flowers and the pink satin lining of grandma’s casket.

Of course, as an accredited New Age writer, Grayle was supposed to relish creepy, was supposed to
embrace
creepy.

Uh-huh. Shaking her head, driving nervously towards the next traffic island. Couldn’t handle that stuff the same any more, since Ersula. If this woman started giving her little personal messages from across the great divide, she was out of there.

Pink satin lining.
No-one would ever know what kind of lining was in the special casket she had to obtain to take home what remained of Ersula. Closed for ever. Vacuum sealed.

Grayle shuddered at the wheel. She wished it was a brighter day, but this was mid-March – March still at its most unspringlike, blustering over Gloucester, a grey place every time she’d been here, which was maybe twice. Stay out of the city, that was the rule. Each time you meet with a junction, aim for the hills.

She swung hard right in front of a truck, which was not enormous by US standards but big enough to crush the Mini like a little red bug. The driver was leaning on the horn from way up there, glaring down at Grayle, who was gripping the wheel with both hands, cowering.
OK, I blew it again, I switched lanes without a signal. But you’re a big rig in a tiny country. You should make allowances. Asshole.

In England even rural roads were now so crowded that driving had become small-scale and intricate, like macramé. OK, no comparison with New York, but in New York Grayle took cabs.

Places like Oxford were on the signs now. But what about Stroud? Was this OK for Stroud? There were hills ahead, at least. Not big hills, but in England the further east you went, the more they lowered the minimum height for hill status.

From behind, another horn was blasting her out. In her driver’s mirror she saw a guy in a dark blue van gesturing, moving his hand up and down like a conductor telling an orchestra to soften it up.
OK, what did I do now?

It was three miles further on – Gloucester safely behind her, the blue van gone – when Grayle found out. This was when the clanking began, like she’d just gotten married and someone had attached a string of tin cans to the fender.

All too soon after this delightful image came to her the noise became more ominous, this awful grinding and then the car was sounding like a very ancient mowing machine.

Grayle pulled over, climbed out.

There was a dead metal python in the road with an extended lump in the middle, like it just dined on a dachsund. She realized what the van driver’s up-and-down hand movements had been about.

This was wonderful. This was just terrific.

She looked around. Suddenly the British countryside seemed an awful lot bigger.

The garage guy stood over the mangled exhaust system, doing all those garage-guy things – the head-shaking, the grimaces. Showing her how the pipe had apparently been attached to the underside of the car at one end by a length of fence wire.
Fence wire?

Grayle said, ‘Couldn’t you just like patch it up and kind of … shove it back on?’

The garage guy found this richly amusing. Wasn’t that odd: the world over, garage guys having the same sense of humour?

It began to rain. Because her mobile was out of signal, she’d walked over a mile to a callbox, where she’d found the number of the local car repairer on a card taped to the backboard. Then walked all the way back to the Mini and waited another half-hour for this guy to arrive like some kind of knight in greasy armour.

‘Problem is …’ he kicked the pipe ‘… it’s not gonner be too easy finding one like this.’

‘You’re kidding, right?’

She stared at him. Was this not the most famous British car there ever was? A
classic
car? This was what the second-hand dealer had told her when she bought it – quiet-voiced middle-aged guy in a dark suit, not slick, not pushy. Marcus had been furious when he heard how much she had paid, but the car had run fine, until now.

‘As you say –
was.
Not any more, my sweet.’ The garage guy took off his baseball cap, scratched his head, replaced the cap, all the time grinning through his moustache at the dumb American broad. ‘How long you been over here?’

‘Oh … quite a while.’

‘This car of yours …’ The guy gesturing with a contemptuous foot. ‘Got to be well over twenty years old. Maybe twenty-five.’

He went silent, looked her all over, with that fixed grin. Over his shoulder she could see a copse of leafless trees and some serious clouds: the English countryside in March.

‘OK,’ she sighed. ‘What do you have in mind?’

Anything. She was at his mercy. She should have been there by now. No matter how you felt about the practice of mediumship, you did not turn up hours late for an interview with somebody as notoriously prickly as Persephone Callard.

The garage guy leaned on his white truck, pursed his mouth, sniffed meditatively. ‘Tow it in. I reckon. I could ring round a few of my mates in the trade. See what I can come up with.’

‘Right.’ She nodded. ‘OK.’ He had her. He was going to take several hours and then come up with something which, due to being a rare antique component, was going to cost—

‘Where you got to be, my sweet?’

‘Huh?’

‘Where you heading?’

‘Oh. Uh … it’s a place … couple miles out of Stroud. Mysleton?’

He considered this. ‘Ain’t much at Mysleton. ‘Cept for Mysleton House.’

‘Yeah,’ she said. ‘That’s the place.’

‘Sir Stephen Callard?’

‘You know him?’

‘I know his place.’ He wiped his hands on his overalled thighs. ‘I could take you there, if you like.’

‘Is it far from your workshop?’

‘Few miles. I could take you over there, then pick you up afterwards when we find an exhaust system.’

At some kind of price, she supposed. Or maybe he truly was a helpful person.

Whatever, was she going to get a better offer?

‘That would be most kind,’ Grayle said, collecting her purse from the passenger seat, tucking hair behind an ear, figuring to come over a little more English and refined.

They went first of all to the garage, which was not at all what she was expecting.

It was on the edge of this very cute Cotswold village: dreamy church, old cottages built from stone like mellow cheese-crust. Then you came to a newish housing estate created out of fake Cotswold stone, designed to maintain the golden glow all the way to the boundary.

But the garage made no compromise. It was hidden behind a bunch of fast-growing conifers close to the housing estate. It was not golden, never had been.