Maurice Guest (49 page)

"Louise," he said so abruptly that she started. "I'm going to ask you to do something for me. I haven't made many demands, have I?—since you first called me your friend." He paused and fumbled for words. "Don't—don't dance any more to-night. Don't dance again."

She stooped forward to look at him. "Not dance again?—I? What do you mean?"

"What I say. Let us go home."

"Home? Now? When it's only half over?—You don't know what you are saying." But her surprise was already on the wane.

"Oh, yes, I do. I'm not going to let you dance again."

She laughed, in spite of herself, at the new light in which he was showing himself. But, the moment after, she ceased to laugh; for, with an audacity he had not believed himself capable of, Maurice took the arm that was lying next him, and, midway between wrist and elbow, put his lips to it, kissing it several times, in different places.

Taken unawares, Louise was helpless. Then she freed herself, ungently. "No, no, I won't have it. Oh, how can you be so foolish! My gloves—where is my glove? Pick it up, and give it to me—at once!"

He groped on the dusty floor; the veins in his forehead hammered. She had moved to a distance, and now stood busy with the gloves; she would not look at him.

In the uneasy silence that ensued, Herries opened the door: a moment later, they went out together. Maurice remained standing until he saw them appear below. Then he dropped back into his seat, and covered his face with his hands.

He did not regret what he had done; he did not care in the least, whether he had made her angry with him or not. On the contrary, the feeling he experienced was akin to relief: disapproval and mortification, jealousy and powerlessness—all the varying emotions of the evening—had found vent and alleviation in the few hastily snatched kisses. He no longer felt injured by her treatment of him: that hardly seemed to concern him now. His sensations, at this minute, resolved themselves into the words: "She is mine, she is mine!" which went round and round in his brain. And then, in a sudden burst of clearness, he understood what it meant for him to say this. It meant that the farce of friendship, at which he had played, was at an end; it meant that he loved her—not as hitherto, with a touch of elegiac resignation—but with a violence that made him afraid. If seemed incredible to him now that he had spent two months in close fellowship with her: it was ludicrous, inhuman. For he now saw, that his ultimate desire had been neither to help her nor to restore her to life—that was a comedy he had acted for the benefit of the traditions in his blood. Brutally, at this moment, he acknowledged that he had only wished to hear her voice and to touch her hand: to make for himself so indispensable a place among the necessities of her life that no one could oust him from it.—Mine—mine! Instinct alone spoke in him to-night—that same blunt instinct which had reared its head the first time he saw her, but which, until now, he had kept under, like a medieval ascetic. No reason came to his aid; he neither looked into the future nor did he consider the past: he only swore to himself in a kind of stubborn wrath that she was his, and that no earthly power should take her from him.

One by one the slow-dragging hours wore away. The dancers' ranks were thinned; but those who remained, gyrated as insensately as ever. There was an air of greater freedom over the ball-room. The chaperons who, earlier in the evening, had sat patiently on the red velvet sofas, had vanished with their charges, and, in their train, the more sedate of the company: it was past three o'clock, and now, every few minutes, a cloaked couple crossed a corner of the hall to the street-door.

When Maurice went downstairs, he could not find Louise, and some time elapsed before she and Herries emerged from the supper-room. Although the lines beneath her eyes were like rings of hammered iron, she danced anew, went on to the very end, with a few other infatuated people. Finally, the tired musicians rose stiffly to pack their instruments; and, with a sigh of exhaustion, she received on her shoulders the cloak Maurice stood holding.

They were among the last to leave the hall; the lights went out behind them. Herries walked a part of the way home with them, and talked much and idly—ineffable in his self-conceit, thought Maurice. But Louise urged him on, saying wild, disconnected things, as if, as long as words were spoken, it did not matter what they were. Again and again her laugh resounded: it was hoarse, and did not ring true.

"She has had too much champagne," Maurice said to himself, as he walked silent at her side.

In the ROSSPLATZ, Herries, who was in a becoming fur cap, and a coat with a fur-lined collar, took a circumstantial leave of her. He raised both her hands to his lips.

"To the memory of those divine waltzes—our waltzes!" he said sentimentally. "And to all the others the future has in store for us!"

She left her hands in his, and smiled at him.

"Till to-morrow then," said Herries. "Or shall you forget your promise?"

"It is you who will forget—not I."

After this, Maurice and she walked on alone together. It was that dreariest of all the hours between sunset and dawn, when it is scarcely night any longer, and yet not nearly day. The crisp frost of the previous evening had given place to a bleak rawness; the day that was coming would crawl in, lugubriously, unable to get the better of the darkness. The houses about them were wrapped in sleep; they two were the only people abroad, and their footsteps echoed in the damp streets. But, for once, Louise was not affected by the gloom of her surroundings. She walked swiftly, and her chief aim seemed to be to render any but the most trival words impossible. Now, however, her strained gaiety had the aspect of a fever; Maurice believed that, for the most part, she did not know what she was saying.

Until they stood in front of the house-door, she kept up the tension. But when the young man had fitted the key in the lock and turned it, she looked at him, and, for the first time this night, gave him her full attention.

"Good night—my friend!"

She was leaning against the woodwork; beneath the lace scarf, her eyes were bent on him with a strange expression. Maurice looked down into them, and, for a second or two, held them with his own, in one of those looks which are not for ordinary use between a man and a woman. Louise shivered under it, and gave a nervous laugh; the next moment, she made a slight movement towards him, an involuntary movement, which was so imperceptible as to be hardly more than an easing of her position against the doorway, and yet was unmistakable—as unmistakable as was the little upward motion with which she resigned herself at the outset of a dance. For an instant, his heart stopped beating; in a flash he knew that this was the solution: there was only one ending to this night of longing and excitement, and that was to take her in his arms, as she stood, to hold her to him in an infinite embrace, till his own nerves were stilled, and the madness had gone from her. But the returning beat of his blood brought the knowledge that a morrow must surely come—a morrow for both of them—a cold, grey day to be faced and borne. She was not herself, in the bonds of her unnatural excitement; it was for him to be wise.

He took her limply hanging hand, and looked at her gravely and kindly.

"You are very tired."

At his voice, the wild light died out of her eyes; she seemed to shrink into herself. "Yes, very tired. And oh, so cold!"

"Can't you get a cup of tea?—something to warm you?"

But she did not hear him; she was already on the stair. He waited till her steps had died away, then went headlong down the street. But, when he came to think things over, he did not pride himself on the self-control he had displayed. On the contrary, he was tormented by the wish to know what she would have said or done had he yielded to his impulse; and, for the remainder of the night, his brain lost itself in a maze of hazardous conjecture. Only when day broke, a cheerless February day, was he satisfied that he could not have acted differently.

Upstairs, in her room, Louise lay face downwards on her bed, and there, her arms thrown wildly out over the pillows, all the froth and intoxication of the evening gone from her—there lay, and wished she were dead.

* * * * *

Three days later, towards four o'clock in the afternoon, Maurice watched the train that carried her from him steam out of the DRESDENER BAHNHOF.

The clearness he had gained as to his own motives, and the ruthless probing of himself it induced, both led to the same conclusion: Louise must go away. The day after the ball, too, he had found her in a state of collapse, which was unparalleled even in the ups and downs of the past weeks.

"Anything!—do anything you like with me. I wish I had never been born;" and, though no muscle of her face moved, large slow tears ran down her sallow cheeks.

Unconsciously twisting and bending Herries's card, which was lying on the table, Maurice laid his plan before her. And having won the above consent, he did not let the grass grow under his feet. He applied to Miss Jensen for practical aid, and that lady was tactful enough to give it without curiosity. She knew Dresden well, recommended it as a lively place, and wrote forthwith to a PENSION there, engaging rooms for a lady who had just recovered from a severe illness. By tacit agreement, this was understood to cover any extravagance or imprudence, of which Louise might make herself guilty.

Now she had gone, and with her, the central interest of his life. But the tired gesture, with which he took off his hat and wiped his forehead, as he walked home, was expressive of the relief he felt that he was not going to see her again for some time.

He let a fortnight elapse—a fortnight of colourless days, unbroken by word or sign from her. Then, one night, he spent several hours writing to her—writing a carefully worded letter, in which he put forward the best reasons he could devise, for her remaining away altogether.

To this he received no answer.

From one of the high, wooden benches, at the back of the amphitheatre in the ALBERTHALLE, where he had lain at full length, listening to the performance of a Berlin pianist, Krafft rose, full to the brim of impressions, and eager to state them.

"That man," he began, as he left the hall between Maurice and Avery Hill, "is a successful teacher. And therewith his fate as an artist is sealed. No teacher can get on to the higher rungs of the ladder, and no inspired musician be a satisfactory teacher. If the artist is obliged to share his art, his pupils, should they be intelligent, may pick up something of his skill, learn the trick of certain things; but the moment he begins to set up dogmas, it is the end of him.—As if it were possible for one person to prescribe to another, of a totally different temperament, how he ought to feel in certain passages, or be affected by certain harmonies! If I, for example, choose to play the later Beethoven sonatas as I would the Brahms Concerto in B flat, with a thoroughly modern irony, what is it that hinders me from doing it, and from satisfying myself, and kindred souls, who are honest enough to admit their feelings? Tradition, nothing in the world but tradition; tradition in the shape of the teacher steps in and says anathema: to this we are not accustomed, ERGO, it cannot be good.—And it is just the same with those composers who are also pedagogues. They know, none better, that there are no hard and fast rules in their art; that it is only convention, or the morbid car of some medieval monk, which has banished, say, consecutive fifths from what is called g pure writing '; that further, you need only to have the regulation number of years behind you, to fling squeamishness to the winds. In other words, you learn rules to unlearn them with infinite pains. But the pupil, in his innocence, demands a rigid basis to go on—it is a human weakness, this, the craving for rules—and his teachers pamper him. Instead of saying: develop your own ear, rely on yourself, only what you teach yourself is worth knowing—instead of this, they build up walls and barriers to hedge him in, behind which, for their benefit, he must go through the antics of a performing dog. But nemesis overtakes them; they fall a victim to their own wiles, just as the liar finally believes his own lies. Ultimately they find their chief delight in the adroitness with which they themselves overcome imaginary obstacles."

His companions were silent. Avery Hill had a nine hours' working-day behind her, and was tired; besides, she made a point of never replying to Krafft's tirades. Once only, of late, had she said to him in Maurice's presence: "You would reason the skin off one's bones, Heinz. You are the most self-conscious person alive." Krafft had been much annoyed at this remark, and had asked her to call him a Jew and be done with it; but afterwards, he admitted to Maurice that she was right.

"And it's only the naive natures that count."

Maurice had found his way back to Krafft; for, in the days of uncertainty that followed the posting of his letter, he needed human companionship. Until the question whether Louise would return or not was decided, he could settle to nothing; and Krafft's ramblings took him out of himself. Since the ball, his other friends had given him the cold shoulder; hence it did not matter whether or no they approved of his renewed intimacy with Krafft—he said "they," but it was Madeleine who was present to his mind. And Krafft was an easy person to take up with again; he never bore a grudge, and met Maurice readily, half-way.

It had not taken the latter long to shape his actions or what he believed to be the best. But his thoughts were beyond control. He was as helpless against sudden spells of depression as against dreams of an iridescent brightness. He could no more avoid dwelling on the future than reliving the Past. If Louise did not return, these memories were all that were left him. If she did, what form were their relations to each other going to assume?—and this was the question that cost him most anxious thought.

A thing that affected him oddly, at this time, was his growing inability to call up her face. It was incredible. This face, which he had supposed he knew so well that he could have drawn it blindfold, had taken to eluding him; and the more impatient he became, the poorer was his success. The disquieting thing, however, was, that though he could not materialise her face, what invariably rose before his eyes was her long, bare arm, as it had lain on the black stuff of her dress. At first, it only came when he was battling to secure the face; then it took to appearing at unexpected moments; and eventually, it became a kind of nightmare, which haunted him. He would start up from dreaming of it, his hair moist with perspiration, for, strangely enough, he was always on the point of doing it harm: either his teeth were meeting in it, or he had drawn the blade of a knife down the middle of the blue-veined whiteness, and the blood spurted out along the line, which reddened instantly in the wake of the knife.