Authors: Henry Handel Richardson
From this to persuading herself that her feelings were returned was only a step. Events and details, lighter than puff-balls, were to her links of iron, which formed a wonderful chain of evidence. She went about nursing the idea that Schilsky desired an introduction as much as she did; that he was suffering from a romantic and melancholy attachment, which forbade him attempting to approach her.
At this date, she became an adept at inventing excuses to go to the Conservatorium when she thought he was likely to be there; and, suddenly grown rebellious, she shook off Johanna's protectorship, which until now had weighed lightly on her. She grew fastidious about her dress, studied before the glass which colours suited her best, and the effect of a particular bow or ribbon; while on the days she had her violin-lessons, she developed a coquetry which made nothing seem good enough to wear, and was the despair of Johanna. When Schilsky played at an ABENDUNTERHALTUNG, she sat in the front row of seats, and made her hands ache with applauding. Afterwards she lay wakeful, with hot cheeks, and dreamt extravagant dreams of sending him great baskets and bouquets of flowers, with coloured streamers to them, such as the singers in the opera received on a gala night. And though no name was given, he would know from whom they came. But on the only occasion she tried to carry out the scheme, and ventured inside a florist's shop, her scant command of German, and the excessive circumstantiality of the matter, made her feel so uncomfortable that she had fled precipitately, leaving the shopman staring after her in surprise.
Things were at this pass when, one day late in May, Ephie went as usual to take her lesson. It was two o'clock on a cloudless afternoon, and so warm that the budding lilac in squares and gardens began to give out fragrance. In the whitewashed, many-windowed corridors of the Conservatorium, the light was harsh and shadowless; it jarred on one, wounded the nerves. So at least thought Schilsky, who was hanging about the top storey of the building, in extreme ill-humour. He had been forced to make an appointment with a man to whom he owed money; the latter had not yet appeared, and Schilsky lounged and swore, with his two hands deep in his pockets, and his sulkiest expression. But gradually, he found himself listening to the discordant tones of a violin—at first unconsciously, as we listen when our thoughts are elsewhere engaged, then more and more intently. In one of the junior masters' rooms, some one had begun to play scales in the third position, uncertainly, with shrill feebleness, seeking out each note, only to produce it falsely. As this scraping worked on him, Schilsky could not refrain from rubbing his teeth together, and screwing up his face as though he had toothache; now that the miserable little tones had successfully penetrated his ear, they hit him like so many blows.
"Damn him for a fool!" he said savagely to himself, and found an outlet for his irritation in repeating these words aloud. Then, however, as an ETUDE was commenced, with an impotence that struck him as purely vicious, he could endure the torment no longer. He had seen in the BUREAU the particular master, and knew that the latter had not yet come upstairs. Going to the room from which the sounds issued, he stealthily opened the door.
A girl was standing with her back to him, and was so engrossed in playing that she did not hear him enter. On seeing this, he proposed to himself the schoolboy pleasure of creeping up behind her and giving her a well-deserved fright. He did so, with such effect that, had he not caught it, her violin would have fallen to the floor.
He took both her wrists in his, held them firm, and, from his superior height—he was head and shoulders taller than Ephie —looked down on the miscreant. He recognised her now as a pretty little American whom he had noticed from time to time about the building; but—but . . . well, that she was as astoundingly pretty as this, he had had no notion. His eyes strayed over her face, picking out all its beauties, and he felt himself growing as soft as butter. Besides, she had crimsoned down to her bare, dimpled neck; her head drooped; her long lashes covered her eyes, and a tremulous smile touched the corners of her mouth, which seemed uncertain whether to laugh or to cry—the short, upper-lip trembled. He felt from her wrists, and saw from the uneasy movement of her breast, how wildly her heart was beating—it was as if one held a bird in one's hand. His ferocity died away; none of the hard words he had had ready crossed his lips; all he said, and in his gentlest voice, was: "Have I frightened you?" He was desperately curious to know the colour of her eyes, and, as she neither answered him nor looked up, but only grew more and more confused, he let one of her hands fall, and taking her by the chin, turned her face up to his. She was forced to look at him for a moment. Upon which, he stooped and kissed her on the mouth, three times, with a pause between each kiss. Then, at a noise in the corridor, he swung hastily from the room, and was just in time to avoid the master, against whom he brushed up in going out of the door.
Herr Becker looked suspiciously at his favourite pupil's tell-tale face and air of extreme confusion; and, throughout the lesson, his manner to her was so cold and short that Ephie played worse than ever before. After sticking fast in the middle of a passage, she stopped altogether, and begged to be allowed to go home. When she had gone, and some one else was playing, Herr Becker stood at the window and shook his head: round this innocent baby face he had woven several pretty fancies.
Meanwhile Ephie flew rather than walked home, and having reached her room unseen, flung herself on the bed, and buried her burning cheeks in the white coolness of the pillows. Johanna, finding her thus, a short time after, was alarmed, put questions of various kinds, felt sure the sun had been too hot for her, and finally stood over the bed, holding her unfailing remedy, a soothing powder for the nerves.
"Oh, do for goodness' sake, leave me alone, Joan," said Ephie. "I don't want your powders. I am all right. Just let me be."
She drank the mixture, however, and catching sight of Johanna's anxious face, and aware that she had been cross, she threw her arms round her sister, hugged her, and called her a "dear old darling Joan." But there was something in the stormy tenderness of the embrace, in the flushed cheeks and glittering eyes that made Johanna even more uneasy. She insisted upon Ephie lying still and trying to sleep; and, after taking off her shoes for her, and noiselessly drawing down the blinds, she went on tiptoe out of the room.
Ephie burrowed more deeply in her pillow, and putting both hands to her cars, to shut out the world, went over the details of what had happened. It was like a fairy-story. She walked lazily down the sunny corridor, entered the class-room, and took off her hat, which Herr Becker hung up for her, after having playfully examined it. She had just taken her violin from its case, when he remembered something he had to do in the BUREAU, and went out of the room, bidding her practise her scales during his absence; she heard again and smiled at the funny accent with which he said: "Just a moment." She saw the bare walls of the room, the dust that lay white on the lid on the piano, was conscious of the difficulties of C sharp minor. She even knew the very note at which HE had been beside her—without a word of warning, as suddenly as though he had sprung from the earth. She heard the cry she had given, and felt his hands—the hands she had so often admired—clasp her wrists. He was so close to her that she felt his breath, and knew the exact shape of the diamond ring he wore on his little finger. She felt, too, rather than saw the audacious admiration of his eyes; and his voice was not the less caressing because a little thick. And then—then—she burrowed more firmly, held her ears more tightly to, laughed a happy, gurgling laugh that almost choked her: never, as long as she lived, would she forget the feel of his moustache as it scratched her lips!
When she rose and looked at herself in the glass, it seemed extraordinary that there should be no outward difference in her; and for several days she did not lose this sensation of being mysteriously changed. She was quieter than usual, and her movements were a little languid, but a kind of subdued radiance peeped through and shone in her eyes. She waited confidently for something to happen: she did not herself know what it would be, but, after the miracle that had occurred, it was beyond belief that things could jog on in their old familiar course; and so she waited and expected—at every letter the postman brought, each time the door-bell rang, whenever she went into the street.
But after a week had dragged itself to an end, and she had not even seen Schilsky again, she grew restless and unsure; and sometimes at night, when Johanna thought she was asleep, she would stand at her window, and, with a very different face from that which she wore by day, put countless questions to herself, all of which began with why and how. And Johanna was again beset by the fear that Ephie was sickening for an illness, for the child would pass from bursts of rather forced gaiety to fits of real fretfulness, or sink into brown studies, from which she wakened with a start. But if, on some such occasion, Johanna said to her: "Where ARE your thoughts, Ephie?" she would only laugh, and answer, with a hug: "Wool-gathering, you dear old bumble-bee!"
From the lesson following the eventful one, Ephie played truant, on the ground of headache, partly because her fancy pictured him lying in wait like an ogre to eat her up, and partly from a poor little foolish fear lest he should think her too easily won. Now, however, she blamed herself for not having given him an opportunity to speak to her, and began to frequent the Conservatorium assiduously. When, after ten long days, she saw him again, an unfailing instinct guided her aright.
It was in the vestibule, as she was leaving the building, and they met face to face. Directly she espied him, though her heart thumped alarmingly, Ephie tossed her head, gazed fixedly at some distant object, and was altogether as haughty as her parted lips would allow of. And she played her part so well that Schilsky's attention was arrested; he remembered who she was, and stared hard at her as she passed. Not only this, but pleased, he could not have told why, he turned and followed her out, and standing on the steps, looked after her. She went down the street with her head in the air, holding her dress very high to display a lace-befrilled petticoat, and clattering gracefully on two high-heeled, pointed shoes. He screwed up his eyes against the sun, in order to see her better—he was short-sighted, too, but vanity forbade him to wear glasses—and when, at the corner of the street, Ephie rather spoilt the effect of her behaviour by throwing a hasty glance back, he laughed and clicked his tongue against the roof of his mouth.
"VERDAMMT!" he said with expression.
And both on that day and the next, when he admired a well-turned ankle or a pretty petticoat, he was reminded of the provoking little American, with the tossed head and baby mouth.
A few days later, in the street that ran alongside the Gewandhaus, he saw her again.
Ephie, who, in the interval, had upbraided herself incessantly, was none the less, now the moment had come, about to pass as before—even more frigidly. But this time Schilsky raised his hat, with a tentative smile, and, in order not to appear childish, she bowed ever so slightly. When he was safely past, she could not resist giving a furtive look behind her, and at precisely the same moment, he turned, too. In spite of her trouble, Ephic found the coincidence droll; she tittered, and he saw it, although she immediately laid the back of her hand on her lips. It was not in him to let this pass unnoticed. With a few quick steps, he was at her side.
He took off his hat again, and looked at her not quite sure how to begin.
"I am happy to see you have not forgotten me," he said in excellent English.
Ephie had impulsively stopped on hearing him come up with her, and now, colouring deeply, tried to dig a hole in the pavement with the toe of her shoe. She, too, could not think what to say; and this, together with the effect produced on her by his peculiar lisp, made her feel very uncomfortable. She was painfully conscious of his insistent eyes on her face, as he waited for her to speak; but there was a distressing pause before he added: "And sorry to see you are still angry with me."
At this, she found her tongue. Looking, not at him, but at a passer-by on the opposite side of the street, she said: "Why, I guess I have a right to be."
She tried to speak severely, but her voice quavered, and once more the young man was not sure whether the trembling of her lip signified tears or laughter.
"Are you always so cruel?" he asked, with an intentness that made her eyes seek the ground again. "Such a little crime! Is there no hope for me?"
She attempted to be dignified. "Little! I am really not accustomed——"
"Then I'm not to be forgiven?"
His tone was so humble that suddenly she had to laugh. Shooting a quick glance at him, she said:
"That depends on how you behave in future. If you promise never to——"
Before the words were well out of her mouth, she was aware of her stupidity; her laugh ended, and she grew redder than before. Schilsky had laughed, too, quite frankly, and he continued to smile at the confusion she had fallen into. It seemed a long time before he said with emphasis: "That is the last thing in the world you should ask of me."
Ephie drooped her head, and dug with her shoe again; she had never been so tongue-tied as to-day, just when she felt she ought to say something very cold and decisive. But not an idea presented itself, and meanwhile he went on: "The punishment would be too hard. The temptation was so great."
As she was still obstinately silent, he stooped and peeped under the overhanging brim of her hat. "Such pretty lips!" he said, and then, as on the former occasion, he took her by the chin and turned her face up to his.
But she drew back angrily. "Mr. Schilskyl . . . how dare you! Take your hand away at once."
"There!—I have sinned again," he said, and folded his hands in mock supplication. "Now I am afraid you will never forgive me.—But listen, you have the advantage of me; you know my name. Will you not tell me yours?"