26
“I was just wondering,” I say. “Would Bertram ever drive a
27
pink Cadillac?”
28S
“A pink Cadillac?” She laughs. “Oh, my dear, if you are
29N
thinking of buying a car, take Bertram with you. Do not try
01
to bargain with the salesman on your own.”
02
“Okay,” I say, letting her believe that is why I’m asking,
03
because it’s easier that way. “But a pink Cadillac,” I press. “Is
04
that a man’s car or a woman’s car?”
05
“Well . . .” She thinks about it for a moment. “It’s more for
06
a woman, I suppose. But certainly, Elvis is all man, and he
07
drives one.”
08
“Elvis Presley?” I ask.
09
“Yes, my dear. The one and only.”
10
I cannot imagine the American Pete Pelt being anything
11
like Elvis Presley, swaying his hips to rock-and-roll music, but
12
it is possible that he might drive such a car, nonetheless.
13
Maybe he got it at a very reasonable price and could not pass
14
up the deal?
15
“My dear,” Ilsa says, her voice catching for just a moment
16
in her throat. “How is your secret case going?”
17
“Oh, that,” I tell her, thinking of Gustav Grossman calling
18
me early in the morning last week, sounding so lonely, mak
19
ing me feel so lonely, in return. In addition to him, I have
20
received two women callers, both in the evenings, both offer
21
ing me not much more than names and contact information.
22
“It is really not such a big deal.”
23
“Are you sure?” she says. I nod, forgetting that she cannot
24
see me. “And there is nothing else?” she asks.
25
“Nothing else?”
26
“Nothing else that is bothering you?”
27
I sigh, sorry that I called. I should’ve asked Shelby about
S28
N29
01
the car in the morning. “No, Ilsa,” I say. “Nothing else is both
02
ering me.”
03
“But you know if there is,” she says, “you can tell me. I will
04
help you.”
05
“Of course,” I tell her. “Of course I know that.”
06
But I will not tell Ilsa anything else, no matter how much
07
I love her. I will not tell her anything.
08
09
10
11
12
13
14
15
16
17
18
19
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21
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23
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27
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Ch
apter
Tw
ent
y-four
04
05
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07
08
09
10
11
12
13
The next morning, when I walk outside to go to work,
14
I am surprised to find Joshua waiting for me outside my apart
15
ment. He is sitting on the bench out front, reading the
16
Inquirer
. All my worries about the pink Cadillac, Ilsa’s ques
17
tions, and even Joshua’s weekend with Penny, they disappear
18
for a moment. And I smile at how comfortable he looks sitting
19
there.
20
“Good morning,” I say, and he lowers the paper and smiles
21
back. His gray-green eyes look bright in the early-morning
22
sunlight and his face is a little red. I wonder how long he has
23
been outside, waiting for me.
24
“Come,” he says, standing. “Let’s walk to work together. So
25
we can talk.”
26
I nod, and we quickly fall into step. I watch the shadow of
27
our feet, moving together down Ludlow Street—his long
S28
strides, my short ones.
N29
01
“Sorry about Friday,” he says. “My father.” He shrugs. “Do
02
you get along with your father, Margie?”
03
“My father is dead,” I say, the lie falling out so fast, so easy,
04
that it doesn’t even feel like a lie. What would Joshua say if he
05
knew? If I were to tell him about all the letters in my head,
06
never written? The great wide ocean separating us now, the
07
great wide weight of lies.
08
“Oh.” Joshua’s face falls, and my body floods with guilt.
09
But it is not a complete lie to say my father is dead, is it? After
10
all, he is a different person now too. Husband to a new
11
woman. Resident of a new country. Now-famous editor of my
12
sister’s book, carrier of her indelible legacy. “I’m so sorry, Mar
13
gie,” Joshua says. “I didn’t know.”
14
I nod, trying to think of a way to quickly change the topic,
15
to steer the conversation away from my father. “I was always
16
closer to my mother,” I tell him.
17
“And your mother,” Joshua asks. “She’s still living?” The
18
image of her comes to me, suddenly, like a heavy brick falling
19
upon and crushing my chest. She is a sack of bones and loose
20
flesh, whispering her plan to me with a feverish urgency. I
21
shake my head and bite my lip to keep a sound from a escap
22
ing: a confession, or a scream. I’m not exactly sure which one.
23
Joshua stops for a moment and puts his hand on my shoul
24
der. “I didn’t know,” he says again, as if he should’ve, as if he
25
might expect himself to know things about me, real things.
26
“I’m so sorry,” he says again. His voice is soft, and I feel his
27
gray-green eyes on my face. The skin of my cheeks feels
28S
warm, flushed.
29N
“Thank you,” I say. “But they’ve been dead for many years
01
now. I’m used to it.”
02
“Any brothers or sisters?” he asks.
03
I shake my head, and my brain wants my lips to tell him,
04
about my sister, that she existed once, and not as some
05
made-up character but as a real living, breathing, annoying,
06
and lovable person. Three years younger than me, I would
07
say. I loved her and I resented her. I failed her and I miss her.
08
She died too young. She was murdered. I writhe in guilt. But
09
my mouth says nothing.
10
Joshua opens his mouth, as if he is about to ask me more,
11
as if he senses now there is so much more for me to say. His
12
eyes hold on to me, with such intensity it is almost as if I can
13
hear his thoughts:
How did they die? How is it you are all alone
14
now?
I plead with him in my head not to ask these questions.
15
And after a moment he nods, as if he understands, without
16
me even having to say, that this is a subject about which I
17
cannot speak. He moves his hand from my shoulder, and we
18
start walking again, up Sixteenth Street. Matching strides.
19
The space on my shoulder, where he touched, still feels warm,
20
as if it’s glowing, like candlelight.
21
“My father is all I have left, you know,” he finally says. “My
22
mother passed almost four years ago, this summer.”
23
“I know. I’m so sorry,” I murmur. He nods, and his eyes
24
search the ground, as if he has lost something along the tops
25
of his shiny black shoes. I think about how Shelby always says
26
Ezra was much nicer to Joshua before Joshua’s mother died.
27
“You were closer to her?” I ask him.
S28
N29
01
He nods again. “She never thought I would be a lawyer.
02
She’d tease me, say I was much too kind and honorable for
03
that. She told me that one day I’d meet a nice girl and move
04
out to the country and realize how silly the law was.”
05
“But you didn’t?” I say.
06
“No.” He smiles. “I love the law. Not my father’s law neces
07
sarily, but . . .” He shrugs and raises his palms in the air. We
08
walk for a moment, not saying anything, and then he says,
09
“She was incurable. Cancer. The hospital told us and then
10
sent her home to die. My father has never been the same
11
since.”
12
I surprise myself now by reaching up and putting my hand
13
on his shoulder, but I cannot stop it from moving there. He
14
stops walking, turns, and looks at me, his eyes now filled with
15
sorrow. “What about you?” I whisper. “Have you been the
16
same?”
17
“Watching her die. It was . . . indescribable. She used to
18
be this really vibrant woman. Heading up the Children’s Hos
19
pital charity, always raising money for the less fortunate, and
20
running the house and laughing. She had the most incredible
21
laugh. It lit our house up.” He pauses. “Then the cancer made
22
her shrink. It took everything, even her laugh. Especially her
23
laugh.”
24
I close my eyes, and I can see my mother again and my
25
sister now too, both their bodies, loose flesh and limbs, lying
26
next to me in the darkness at night at the camp. Fleas were
27
jumping off them like sparks, and yet they were too frail to
28S
slap them away. My sister moaned in her sleep; everything,
29N
every bit of life, had been taken from her.
“Ah,” Joshua says as we turn onto Market Street. “Not the
01
way I intended for us to start our Monday morning. I’m sorry.”
02
“But it is impossible to forget, isn’t it?” I say.
03
“Impossible,” he echoes. We walk in step, past the glass
04
front of Isaac’s. “Anyway,” he says, “the reason I was waiting for
05
you is that I was wanting to hear all about your phone calls.”
06
I blink and try to push the images of my sister and Mother
07
away. Only, they stick there, in my head. They never go away,
08
no matter how much I will them to.
09
“How many have you gotten?” Joshua asks, and then I
10
remember, he is still walking here next to me, wanting to
11
know about his case.
12
“Only three so far,” I say.
13
“Three?” Joshua’s voice turns in disbelief. “But I don’t
14
understand it. Is it that they’re not reading the paper?”
15
“Maybe,” I say softly, “it is that they’re still hiding.”
16
He raises his eyebrows, as if I’ve confused him, and then
17
I know it: I’ve said too much. I’d opened myself for a moment,
18
and then I’d forgotten to close back up again. I swallow back
19
the taste of bile in my throat. “I mean, I—I am guessing,” I
20
stammer. “But perhaps these people, if they are immigrant
21
Jews like Bryda Korzynski, they are used to living in fear.
22
Used to hiding. Perhaps they are not ready to announce
23
themselves, just like that.”
24
“Hmm.” Joshua strokes his beardless chin. “Maybe you’re
25
right and they are worried about losing their jobs.” That was
26
not exactly what I meant, but that could be the reason too.
27
We have stopped at the entrance to the office building,
S28
and Joshua holds the large glass door open for me to go inside.
N29
01
We ride the elevator together, not saying anything else, and
02
then Joshua leaves me at my desk with this: “Let me think on
03
this some more, okay?” he says. “We’ll talk later.”
04
I nod. Charles Bakerfield, the wife killer, is already wait
05
ing for his nine a.m. appointment with Joshua. He sits in a
06
chair by my desk, and once Joshua walks into his office,
07
Charles looks at me and smiles a little.
08
“He’ll be ready for you in just a moment,” I say.
09
I sit down and start typing, but even after Charles goes
10
into Joshua’s office, I can’t seem to shake the sensation of his
11
wild eyes on my face.
12
13
14
15
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C
hapte
r
Twent
y-fiv
e
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09
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12
13
Shelby bounces off the elevator at five minutes after
14
nine, and just by looking at her, I can tell something is differ
15
ent. Her cheeks are flushed, and her pink lips break into a
16
wide toothy smile when she sees me. I don’t even have time
17
to ask her what is going on before she is standing there, next
18
to my desk, shoving her left hand in front of my face.
19
There it is, a small but sparkling round diamond set in
20
gold. Ron has actually, finally, asked her to marry him. Even
21
before there was any mention of a hussy, Ron always struck
22
me as the kind of man who would marry a calmer girl, like
23
Peggy, though Shelby always insisted there would be a ring.
24
And there it is, hanging in front of my face.
25
“Congratulations.” I smile at her, and she laughs and
26
bounces to her chair. I cannot help but wonder if the owner
27
of the pink Cadillac is a woman and also Peter’s wife now,
S28
and if she too is flashing a diamond much like Shelby’s to her
N29
01
friends. The thought tightens in my chest. Is it possible that
02
he has come here to Philadelphia, just as he we said, and that
03
he has married someone else?
04
I glance through the glass of Joshua’s office, and I can see
05
Joshua and Charles exchanging papers and words across Josh
06
ua’s desk.
Guilty as sin,
Joshua had said.
I love the law. Not my
07
father’s law . . .
08
Even with his head bent over his desk, speaking to a mur
09
derer, the sight of Joshua makes me smile. I think of him this
10
morning, sitting on the bench outside my apartment building,
11
reading the paper. The way his hand held gently on to my
12
shoulder. And then I think,
Yes, it is possible
. In all this time,
13
Peter could’ve fallen in love with someone else.
14
“Oh, Margie,” Shelby is whispering across the desks now,
15
and I turn my attention back to her. “The whole thing was so
16
romantic. He took me to dinner at the Four Seasons on Sat
17
urday, and he had the ring hidden in a piece of chocolate
18
cake. I nearly swallowed it!” She laughs, and the image of her
19
choking on a ring does not seem at all romantic to me, but I
20
suppose it is an American romance, one I cannot exactly
21
understand.
22
I nod. “I’m so happy for you,” I say. And I am. I wonder
23
again about Ron’s hussy, but I am not going to bring that up
24
to Shelby now, when she shines in her happiness. After all,
25
she seems to have satisfied herself, with her spying. I wish
26
that I could’ve done the same.
27
“You’ll be in the wedding, won’t you?” Shelby is asking me
28S
now. “Peggy’s going to be maid of honor, of course, but you’ll
29N
have to be a bridesmaid.”
I imagine that Shelby will most likely get married in the
01
summer, outdoors, in a flower garden, because that is how I
02
imagine American weddings. She will want to dress me in a
03
pink silk or taffeta, in a dress with no sleeves. She will not
04
allow a sweater, even if I claim I am cold.
05
“Oh, please say yes,” she says.
06
“Of course,” I tell her, and I smile, though already I am
07
wondering how I will possibly be able to be in her wedding
08
without baring my arm, my soul. I wonder how Shelby would
09
look at me if she knew the truth, and not just that, but how
10
many people she would tell, about her friend, the Jew, dam
11
aged in the war, and surely some of those people would be
12
anti-Semites, and then, what might happen? And even if no
13
one nailed a flaming flare to my apartment door, still, it would
14
not be long before Shelby would ask, before everyone would
15
ask, about my family, about where I really came from. No. I
16
cannot go back. I will never go back. I will invent another lie
17
to get myself out of this, to keep my arm covered. I love
18
Shelby, and I am happy for her. And that is one of the worst
19
things about this life. As a liar, a pretend person, you cannot
20
really truly ever be someone’s friend. My American life, it is
21
lonely. Often, it is very, very lonely.
22
23
24
Just before noon, I watch Penny sashay off the elevator and
25
walk toward her father’s office. What good timing, I think.
26
She is here for lunch. And within five minutes, she is making
27
her way out of Saul Greenberg’s office and over toward my
S28
desk. Today she is dressed in a powder-blue dress that
N29
01
accentuates both her trim waistline and her large pointy
02
chest. She wears a snow-white hat, with her curls pulled back
03
behind it in a twist.
04
“Has Josh gone to lunch yet?” she asks, barely glancing at
05
me as she speaks. She is, instead, staring past me, arching her
06
neck to see into the glass window.
07
“I believe he’s eating at his desk today,” I lie. “He men
08
tioned he has a lot of work to do.” He has not mentioned any
09
of these things, and I remember why Joshua said he does not
10
eat at his desk, because it is good for him to get out of this
11
place, if only for a lunch break.
12
“Oh.” She frowns. “I see. Well maybe I can persuade him
13
otherwise.”
14
“Shall I buzz him for you?” I ask before she has the gall to
15
step inside his office, uninvited. She nods and takes the seat
16
Charles Bakerfield was sitting in earlier this morning.
17
I pick up the phone, but do not actually depress the inter
18
com button. I know it’s wrong, but I do not want Penny and
19
Joshua to have another lunch together. I do not want Penny
20
walking in here, taking, taking, taking whatever she wants.