Makers (27 page)

“I’d forgotten that they had hills like that,” she said, greedily guzzling an horchata. Her face was streaked with sweat and flushed—it made her look prettier, younger.

“My son and I walk them every day.”

“You drag a little kid up and down that every day? Christ, that’s child abuse!”

“Well, he poops out after a couple of peaks and I end up carrying him.”

“You carry him? You must be some kind of superman.” She gave his bicep a squeeze, then his thigh, then slapped his butt. “A fine specimen. Your wife’s a lucky woman.”

He grinned. Having his wife in the conversation made him feel less at risk. That’s right, I’m married and we both know it. This is just fun flirting. Nothing more.

They bit into their pupusas—stuffed cornmeal dumplings filled with grilled pork and topped with shredded cabbage and hot sauce—and grunted and ate and ordered more.

“What are these called again?”

“Pupusas, from El Salvador.”

“Humph. In my day, we ate Mexican burritos the size of a football, and we were grateful.”

“No one eats burritos anymore,” he said, then covered his mouth, aware of how pretentious that sounded.

“Dahling,” she said, “burritos are so 2005. You must try a pupusa—it’s what all the most charming Central American peasants are eating now.”

They both laughed and stuffed their faces more. “Well, it was either here or one of the fatkins places with the triple-decker stuffed pizzas, and I figured—”

“They really do that?”

“The fatkins? Yeah—anything to get that magical 10,000 calories any day. It must be the same in Russia, right? I mean, they invented it.”

“Maybe for fifteen minutes. But most of them don’t bother—they get a little metabolic tweak, not a wide-open throttle like that. Christ, what it must do to your digestive system to process 10,000 calories a day!”

“Chacun a son gout,” he said, essaying a Gallic shrug.

She laughed again and they ate some more. “I’m starting to feel human at last.”

“Me too.”

“It’s still mid-afternoon, but my circadian thinks it’s 2AM. I need to do something to stay awake or I’ll be up at four tomorrow morning.”

“I have some modafinil,” he said.

“Swore ’em off. Let’s go for a walk.”

They did a little more hill-climbing and then headed into the Mission and window-shopped the North African tchotchke emporia that were crowding out the Mexican rodeo shops and hairdressers. The skin drums and rattles were laser-etched with intricate designs—Coca Cola logos, the UN Access to Essential Medicines Charter, Disney characters. It put them both in mind of the old days of the New Work, and the subject came up again, hesitant at first and then a full-bore reminisce.

Suzanne told him stories of the things that Perry and Lester had done that she’d never dared report on, the ways they’d skirted the law and his orders. He told her a few stories of his own, and they rocked with laughter in the street, staggering like drunks, pounding each other on the backs, gripping their knees and stomachs and doubling over to the curious glances of the passers-by.

It was fine, that day, Landon thought. Some kind of great sorrow that he’d forgotten he’d carried lifted from him and his chest and shoulders expanded and he breathed easy. What was the sorrow? The death of the New Work. The death of the dot-coms. The death of everything he’d considered important and worthy, its fading into tawdry, cheap nostalgia.

They were sitting in the grass in Dolores Park now, watching the dogs and their people romp among the robot pooper-scoopers. He had his arm around her shoulders, like war-buddies on a bender (he told himself) and not like a middle-aged man flirting with a woman he hadn’t seen in years.

And then they were lying down, the ache of laughter in their bellies, the sun on their faces, the barks and happy shouts around them. Their hands twined together (but that was friendly too, Arab men held hands walking down the street as a way of showing friendship).

Now their talk had banked down to coals, throwing off an occasional spark when one or the other would remember some funny anecdote and grunt out a word or two that would set them both to gingerly chuckling. But their hands were tied and their breathing was in sync, and their flanks were touching and it wasn’t just friendly.

Abruptly, she shook her hand free and rolled on her side. “Listen, married man, I think that’s enough of that.”

He felt his face go red. His ears rang. “Suzanne—what—” He was sputtering.

“No harm no foul, but let’s keep it friendly, all right.”

The spell was broken, and the sorrow came back. He looked for the right thing to say. “God I miss it,” he said. “Oh, Suzanne, God, I miss it so much, every day.”

Her face fell, too. “Yeah.” She looked away. “I really thought we were changing the world.”

“We were,” he said. “We did.”

“Yeah,” she said again. “But it didn’t matter in the end, did it? Now we’re older and our work is forgotten and it’s all come to nothing. Petersburg is nice, but who gives a shit? Is that what I’m going to do with the rest of my life, hang around Petersburg blogging about the mafiyeh and medical tourism? Just shoot me now.”

“I miss the people. I’d meet ten amazing creative geniuses every day—at least! Then I’d give them money and they’d make amazing stuff happen with it. The closest I come to that now is my kids, watching them learn and build stuff, which is really great, don’t get me wrong, but it’s nothing like the old days.”

“I miss Lester. And Perry. Tjan. The whole gang of them, really.” She propped herself up on one elbow and then shocked him by kissing him hard on the cheek. “Thanks, Kettlebelly. Thank you so much for putting me in the middle of all that. You changed my life, that’s for sure.”

He felt the imprint of her lips glowing on his cheek and grinned. “OK, here’s an idea: let’s go buy a couple bottles of wine, sit on my patio, get a glow on, and then call Perry and see what he’s up to.”

“Oh, that’s a good one,” she said. “That’s a very good one.”

A few hours later, they sat on the horsehair club-sofa in Kettlewell’s living room and hit a number he’d never taken out of his speed-dial. “Hi, this is Perry. Leave a message.”

“Perry!” they chorused. They looked at each other, at a loss for what to say next, then dissolved in peals of laughter.

“Perry, it’s Suzanne and Kettlebelly. What the hell are you up to? Call us!”

They looked at the phone with renewed hilarity and laughed some more. But by the time the sun was setting over Potrero Hill and Suzanne’s jet-lag was beating her up again, they’d both descended into their own personal funks. Suzanne went up to the guest room and put herself to bed, not bothering to brush her teeth or even change into her nightie.

Perry touched down in Miami in a near-coma, his eyes gummed shut by several days’ worth of hangovers chased by drink. Sleep deprivation made him uncoordinated, so he tripped twice deplaning, and his voice was a barely audible rasp, his throat sore with a cold he’d picked up in Texas or maybe it was Oklahoma.

Lester was waiting beyond the luggage carousels, grinning like a holy fool, tall and broad-shouldered and tanned, dressed in fatkins pimped-out finery, all tight stretch-fabrics and glitter.

“Oh man, you look like shit,” he said, breaking off from the fatkins girl he’d been chatting up. Perry noticed that he was holding his phone, a sure sign that he’d gotten her number.

“Ten,” Perry said, grinning through the snotty rheum of his cold. “Ten rides.”

“Ten rides?” Lester said.

“Ten. San Francisco, Austin, Minneapolis, Omaha, Oklahoma City, Madison, Bellingham, Chapel Hill and—” He faltered. “And—Shit. I forget. It’s all written down.”

Lester took his bag from him and set it down, then crushed him in an enormous, muscular hug that whiffed slightly of the ketosis fumes that all the fatkins exuded.

“You did good, cowboy,” he said. “Let’s mosey back to the ranch, feed you and put you to bed, s’awright?”

“Can I sleep in?”

“Of course.”

“Until April?”

Lester laughed and slipped one of Perry’s arms over his shoulders and picked up his suitcase and walked them back through the parking lot to his latest hotrod.

Perry breathed in the hot, wet air as they went, feeling it open his chest and nasal passages. His eyes were at half mast, but the sight of the sickly roadside palms, the wandering vendors on the traffic islands with their net bags full of ipods and vpods—he was home, and his body knew it.

Lester cooked him a huge plate of scrambled eggs with corned beef, pastrami, salami and cheese, with a mountain of sauerkraut on top. “There you go, fatten you up. You’re all skinny and haggard, buddy.” Lester was an expert at throwing together high-calorie meals on short order.

Perry stuffed away as much as he could, then collapsed on his old bed with his old sheets and his old pillows, and in seconds he was sleeping the best sleep he’d had in months.

When he woke the next day, his cold had turned into a horrible, wet, crusty thing that practically had his face glued to his pillow. Lester came in, took a good look at him, and came back with a quart of fresh orange juice, a pot of tea, and a stack of dry toast, along with a pack of cold pills.

“Take all of this and then come down to the ride when you’re ready. I’ll hold down the fort for another couple days if that’s what it takes.”

Perry spent the day in his bathrobe, shuttling between the living room and the sun-chairs on the patio, letting the heat bake some of the snot out of his head. Lester’s kindness and his cold made him nostalgic for his youth, when his father doted on his illnesses.

Perry’s father was a little man. Perry—no giant himself—was taller than the old man by the time he turned 13. His father had always reminded him of some clever furry animal, a raccoon or badger. He had tiny hands and his movements were small and precise and careful.

They were mostly cordial and friendly, but distant. His father worked as a CAD/CAM manager in a machine shop, though he’d started out his career as a plain old machinist. Of all the machinists he’d started with at the shop, only he had weathered the transition to the new computerized devices. The others had all lost their jobs or taken early retirement or just quit, but his father had taken to CAD/CAM with total abandon, losing himself in the screens and staggering home bleary after ten or fifteen hours in front of the screen.

But that all changed when Perry took ill. Perry’s father loved to play nurse. He’d book off from work and stay home, ferrying up gallons of tea and beef broth, flat ginger-ale and dry toast, cold tablets and cough syrup. He’d open the windows when it was warm and then run around the house shutting them at the first sign of a cool breeze.

Best of all was what his father would do when Perry got restless: he and Perry would go down to the living-room, where the upright piano stood. It had been Perry’s grandfather’s, and the old man—who’d died before Perry was born—had been a jazz pianist who’d played sessions with everyone from Cab Calloway to Duke Ellington.

“You ready, P?” his father would ask.

Perry always nodded, watching his father sit down at the bench and try a few notes.

Then his father would play, tinkling and then pounding, running up and down the keyboard in an improvised jazz recital that could go for hours, sometimes only ending once Perry’s mom came home from work at the framing shop.

Nothing in Perry’s life since had the power to capture him the way his father’s music did. His fingers danced, literally danced on the keys, walking up and down them like a pair of high-kicking legs, making little comedy movements. The little stubby fingers with their tufts of hair on the knuckles, like goat’s legs, nimbly prancing and turning.

And then there was the music. Perry sometimes played with the piano and he’d figured out that if you hit every other key with three fingers, you got a chord. But Perry’s dad almost never made chords: he made anti-chords, sounds that involved those mysterious black keys and clashed in a way that was precisely not a chord, that jangled and jarred.

The anti-chords made up anti-tunes. Somewhere in the music there’d be one or more melodies, often the stuff that Perry listened to in his room, but sometimes old jazz and blues standards.

The music would settle into long runs of improvisational noise that wasn’t quite noise. That was the best stuff, because Perry could never tell if there was a melody in there. Sometimes he’d be sure that he had the know of it, could tell what was coming next, a segue into “Here Comes the Sun” or “Let the Good Times Roll” or “Merrily We Roll Along,” but then his father would get to that spot and he’d move into something else, some other latent pattern that was unmistakable in hindsight.

There was a joke his dad liked, “Time flies like an arrow, fruit flies like a banana.” This was funny in just that way: you expected one thing, you got something else, and when your expectations fell apart like that, it was pure hilarity. You wanted to clutch your sides and roll on the floor sometimes, it was so funny.

His dad usually closed his eyes while he played, squeezing them shut, letting his mouth hang open slightly. Sometimes he grunted or scatted along with his playing but more often he grunted out something that was kind of the opposite of what he was playing, just like sometimes the melody and rhythms he played on the piano were sometimes the opposite of the song he was playing, something that was exactly and perfectly opposite, so you couldn’t hear it without hearing the thing it was the opposite of.

The game would end when his dad began to improvise on parts of the piano besides the keys, knocking on it, reaching in to pluck its strings like a harp, rattling Perry’s teacup on its saucer just so.

Nothing made him feel better faster. It was a tonic, a fine one, better than pills and tea and toast, daytime TV and flat ginger-ale.

As Perry got older, he and the old man had their share of fights over the normal things: girls, partying, school... But every time Perry took ill, he was transported back to his boyhood and those amazing piano recitals, his father’s stubby fingers doing their comic high-kicks and pratfalls on the keys, the grunting anti-song in the back of his throat, those crazy finales with teacups and piano strings.