Lucia Victrix (19 page)

From the window of her bedroom next morning Lucia saw Georgie and Cadman and Foljambe set off for Folkestone, and it was with a Lucretian sense of pleasure in her own coming tranquillity that she contemplated the commotion and general upset of plans which was shortly to descend on Tilling. She went to the garden-room, adjusted the curtains and brewed the tempest which she now sent forth in the shape of a series of notes charged with the bitterest regrets. They were written in pencil (the consummate artist) as if from bed, and were traced in a feeble hand not like her usual firm script. ‘What a disappointment!' she wrote to Mrs Wyse. ‘How cruel to have got
the influenza – where could she have caught it? – on the very morning of her party, and what a blow not to be able to welcome the Contessa to-day or to dine with dear Susan to-morrow!' There was another note to Major Benjy, and others to Diva and quaint Irene and the curate and the Padre and Elizabeth. She still hoped that possibly she might be well enough for bridge and dinner the day after to-morrow, but Elizabeth must remember how infectious influenza was, and again she herself might not be well enough. That seemed pretty safe, for Elizabeth had a frantic phobia of infection, and Wasters had reeked of carbolic all the time the jumble-sale was being held, for fear of some bit of rubbish having come in contact with tainted hands. Lucia gave these notes to Grosvenor for immediate delivery and told her that the bulletin for the day in answer to callers was that there was no anxiety, for the attack though sharp was not serious, and only demanded warmth and complete quiet. She then proceeded to get both by sitting in this warm October sun in her garden, reading Pope's translation of the
Iliad
and seeing what the Greek for it was.

Three impregnable days passed thus. From behind the adjusted curtains of the garden-room she observed the coming of many callers and Grosvenor's admirable demeanour to them. The Royce lurched up the street, and there was Susan in her sables, and, sitting next her, a vivacious gesticulating woman with a monocle, who looked the sort of person who could talk at the most appalling rate. This without doubt was the fatal Contessa, and Lucia felt that to see her thus was like observing a lion at large from behind the bars of a comfortable cage. Miss Mapp on the second day came twice, and each time she glanced piercingly at the curtains, as if she knew that trick, and listened as if hoping to hear the sound of the piano. The Padre sent a note almost entirely in Highland dialect, the curate turned away from the door with evident relief in his face at the news he had received, and whistled the Bach fugue rather out of tune.

On the fifth day of her illness new interests sprang up for Lucia that led her to neglect Pope's
Iliad
altogether. By the first post there came a letter from Georgie, containing an
enclosure which Lucia saw (with a slight misgiving) was written in Italian. She turned first to Georgie's letter.

The most wonderful thing has happened [wrote Georgie] and you will be pleased … There's a family here with whom I've made friends, an English father, an Italian mother and a girl with a pig-tail. Listen! The mother teaches the girl Italian, and sets her little themes to write on some subject or other, and then corrects them and writes a fair copy. Well, I was sitting in the lounge this morning while the girl was having her lesson, and Mrs Brocklebank (that's her name) asked me to suggest a subject for the theme, and I had the most marvellous idea. I said ‘Let her write a letter to an Italian Countess whom she has never seen before, and say how she regretted having been obliged to put off her musical party to which she had asked the Countess and her brother, because she had caught influenza. She was so sorry not to meet her, and she was afraid that as the Countess was only staying a week in the place, she would not have the pleasure of seeing her at all.' Mrs B. thought that would do beautifully for a theme, and I repeated it over again to make sure. Then the girl wrote it, and Mrs B. corrected it and made a fair copy. I begged her to give it me, because I adored Italian (though I couldn't speak it) and it was so beautifully expressed. I haven't told this very well, because I'm in a hurry to catch the post, but I enclose Mrs B.'s Italian letter, and you just see whether it doesn't do the trick too marvellously. I'm having quite a gay time, music and drives and seeing the Channel boat come in, and aren't I clever?

Your devoted,

Georgie

Foljambe and Cadman have had a row, but I'm afraid they've made it up.

Lucia, with her misgivings turned to joyful expectation, seized and read the enclosure. Indeed it was a miraculous piece of manna to one whom the very sight of it made hungry. It might have been the result of telepathy between Mrs Brocklebank
and her own subconscious self, so aptly did that lady grasp her particular unspoken need. It expressed in the most elegant idiom precisely what met the situation, and she would copy out and send it to-day, without altering a single word. And how clever of Georgie to have thought of it. He deserved all the champagne he could drink.

Lucia used her highest art in making a copy (on Mallard paper) of this document, as if writing hastily in a familiar medium. Occasionally she wrote a word (it did not matter what), erased it so as to render it illegible to the closest scrutiny, and then went on with Mrs Brocklebank's manuscript; occasionally she omitted a word of it and then inserted it with suitable curves of direction above. No one receiving her transcript could imagine that it was other than her own extempore scribble. Mrs Brocklebank had said that in two or three days she hoped to be able to see her friends again, and that fitted beautifully, because in two or three days now the Contessa's visit would have come to an end, and Lucia could get quite well at once.

The second post arrived before Lucia had finished this thoughtful copy. There was a letter in Lady Brixton's handwriting, and hastily scribbling the final florid salutations to the Contessa, she opened this, and thereupon forgot Georgie and Mrs Brocklebank and everything else in the presence of the tremendous question which was brought for her decision. Adele had simply fallen in love with Riseholme; she affirmed that life was no longer worth living without a house there, and, of all houses, she would like best to purchase, unfurnished, the Hurst. Failing that there was another that would do, belonging to round red little Mrs Quantock, who, she had ascertained, might consider selling it. Could darling Lucia therefore let her know with the shortest possible delay whether she would be prepared to sell the Hurst? If she had no thought of doing so Adele would begin tempting Mrs Quantock at once. But if she had, let genteel indications about price be outlined at once.

There are certain processes of mental solidification which take place with extraordinary rapidity, because the system is already soaked and super-saturated with the issues involved. It
was so now with Lucia. Instantly, on the perusal of Adele's inquiries her own mind solidified. She had long been obliquely contemplating some such step as Adele's letter thrust in front of her, and she was surprised to find that her decision was already made. Riseholme, once so vivid and significant, had during these weeks at Tilling been fading like an ancient photograph exposed to the sun, and all its features, foregrounds and backgrounds had grown blurred and dim. If she went back to Riseholme at the end of the month, she would find there nothing to occupy her energies, or call out her unique powers of self-assertion. She had so swept the board with her management of the Elizabethan fête that no further progress was possible. Poor dear Daisy might occasionally make some minute mutinies, but after being Drake's wife (what a lesson for her!) there would be no real fighting spirit left in her. It was far better, while her own energies still bubbled within her, to conquer this fresh world of Tilling than to smoulder at Riseholme. Her work there was done, whereas here, as this week of influenza testified, there was a very great deal to do. Elizabeth Mapp was still in action and capable of delivering broadsides; innumerable crises might still arise, volcanoes smoked, thunder-clouds threatened, there were hostile and malignant forces to be thwarted. She had never been better occupied and diverted, the place suited her, and it bristled with opportunities. She wrote to Adele at once saying that dear as Riseholme (and especially the Hurst) was to her, she was prepared to be tempted, and indicated a sum before which she was likely to fall.

Miss Mapp by this fifth day of Lucia's illness was completely baffled. She did not yet allow herself to despair of becoming unbaffled, for she was certain that there was a mystery here, and every mystery had an explanation if you only worked at it enough. The coincidence of Lucia's illness with the arrival of the Contessa and Georgie's departure, supported by the trap she had laid about the paper-knife, was far too glaring to be overlooked by any constructive mind, and there must be something behind it. Only a foolish ingenuous child (and Elizabeth
was anything but that) could have considered these as isolated phenomena. With a faith that would have removed mountains, she believed that Lucia was perfectly well, but all she had been able to do at present was to recite her creed to Major Benjy and Diva and others, and eagerly wait for any shred of evidence to support it. Attempts to pump Grosvenor and lynx-like glances at the window of the garden-room had yielded nothing, and her anxious inquiry addressed to Dr Dobbie, the leading physician of Tilling, had yielded a snub. She did not know who Lucia's doctor was, so with a view to ascertaining that, and possibly getting other information, she had approached him with her most winning smile, and asked how the dear patient at Mallards was.

‘I am not attending any dear patient at Mallards,' had been his unpromising reply, ‘and if I was I need hardly remind you that, as a professional man, I should not dream of answering any inquiry about my patients without their express permission to do so. Good morning.'

‘A very rude man,' thought Miss Mapp, ‘but perhaps I had better not try to get at it that way.'

She looked up at the church, wondering if she would find inspiration in that beautiful grey tower, which she had so often sketched, outlined against the pellucid blue of the October sky. She found it instantly, for she remembered that the leads at the top of it which commanded so broad a view of the surrounding country commanded also a perfectly wonderful view of her own little secret garden. It was a small chance, but no chance however small must be neglected in this famine of evidence, and it came to her in a flash that there could be no more pleasant way of spending the morning than making a sketch of the green, green marsh and the line of the blue, blue sea beyond. She hurried back to Wasters, pausing only at Mallards to glance at the garden-room where the curtains were adjusted in the most exasperatingly skilful manner, and to receive Grosvenor's assurance that the patient's temperature was quite normal to-day.

‘Oh, that is good news,' said Miss Mapp. ‘Then to-morrow perhaps she will be about again.'

‘I couldn't say, miss,' said Grosvenor, holding on to the door.

‘Give her my fondest love,' said Miss Mapp, ‘and tell her how rejoiced I am, please, Grosvenor.'

‘Yes, miss,' said Grosvenor, and before Miss Mapp could step from the threshold, she heard the rattle of the chain behind the closed door.

She was going to lunch that day with the Wyses, a meal which Mr Wyse, in his absurd affected fashion, always alluded to as breakfast, especially when the Contessa was staying with them. Breakfast was at one, but there was time for an hour at the top of the church tower first. In order to see the features of the landscape better, she took up an opera-glass with her sketching-things. She first put a blue watery wash on her block for the sky and sea, and a green one for the marsh, and while these were drying she examined every nook of her garden with the opera-glass. No luck, and she picked up her sketch again on which the sky was rapidly inundating the land.

Lucia had learned this morning
via
Grosvenor and her cook and Figgis, Mr Wyse's butler, that the week of the Contessa's stay here was to be curtailed by one day and that the Royce would convey her to Whitchurch next morning on her visit to the younger but ennobled branch of the family. Further intelligence from the same source made known that the breakfast to-day to which Miss Mapp was bidden was a Belshazzar breakfast, eight if not ten. This was good news: the period of Lucia's danger of detection would be over in less than twenty-four hours, and about the time that Miss Mapp at the top of the tower of Tilling Church was hastily separating the firmament from the dry land, Lucia wrote out a telegram to Georgie that he might return the following day and find all clear. Together with that she sent a request to Messrs Woolgar & Pipstow that they should furnish her with an order to view a certain house she had seen just outside Tilling, near quaint Irene's cottage, which she had observed was for sale.

She hesitated about giving Grosvenor the envelope addressed to Contessa di Faraglione, which contained the transcript, duly signed, of Mrs Brocklebank's letter to a Countess, and decided,
on the score of dramatic fitness, to have it delivered shortly after one o'clock when Mrs Wyse's breakfast would be in progress, with orders that it should be presented to the Contessa at once.

Lucia was feeling the want of vigorous exercise, and bethought herself of the Ideal System of Callisthenics for those no longer Young. For five days she had been confined to house and garden, and the craving to skip took possession of her. Skipping was an exercise highly recommended by the ideal system, and she told Grosvenor to bring back for her, with the order to view from Messrs Woolgar & Pipstow, a simple skipping-rope from the toy-shop in the High Street. While Grosvenor was gone this desire for free active movement in the open air awoke a kindred passion for the healthful action of the sun on the skin, and she hurried up to her sick-room, changed into a dazzling bathing-suit of black and yellow, and, putting on a very smart dressing-gown gay with ribands, was waiting in the garden-room when Grosvenor returned, recalling to her mind the jerks and swayings which had kept her in such excellent health when grief forbade her to play golf.