Lookout Cartridge (65 page)

Actually to Cosmo. But only about filming the Hawaiian boy in the Underground, and how (said Alba) Dagger was afraid of you now because he did not know all you knew and didn’t know what you’d do.

I said I was armed only with other people’s weapons. Alba asked if I had disarmed Sherman. I asked if he was with Reid. Alba said that was why Dag had gone off in a hurry—someone was going to get hurt, someone had already been hurt. What do you need
me
for in this war of yours, said Alba.

Tessa was taking apart the pieces; she was saying that blood and cruelty are to the Maya the source of what is good, and that the famous Maya blue, the color of sacrifice even more than the red magic that was bled from some poor penis, draws the horror up into a blue hole in the blue sky. But I needed Alba’s defenses here, for she defended herself against me by telling me things: Incremona was dangerous; I must not ally myself with him.

But I had found myself to be helplessly a collaborator, mingling beyond mere will with the mixed obsessions of others. It had been months
before
our first friendly fuck in New York that I’d gratuitously daydreamed a safe way to write Tessa in London: I’d just write her London address on the envelope’s upper left, stamp it with insufficient postage, and mail it to a fictitious New York address. But the daydream: why was it painful? how did the Maya punish adultery with wife’s one-time best friend? Answer: Reid and Sherman dividing Jenny.

Why did we go to Corsica? I said.

Alba did not know.

What had been Dagger’s real reason?

Alba fended me off: Nash had been at Savvy’s tonight all dressed up with his rings on trying to make Nell Flint laugh and when she went into the bedroom he followed her. Could you see Nell fancying that bundle of nerves? They were talking about a car, no doubt all he could manage.

Why did we go to Corsica? I said.

To get away, said Alba.

Was Incremona at Savvy’s?

The handsome bald man?

Yes, Incremona.

No, he was not there, but his name was spoken by the man with the rings, Nash.

To whom?

To the black man.

Chad?

Yes.

Would Alba like to hear my views on Nash?

Nash? No, please, please. Please go. Incremona and the man with the rings, said Alba, as if she were saying something. Chad does not like the man with the rings.

Nash? I said.

Yes, he suspects Nash was looking for Bobby’s friend the deserter at Stonehenge. Chad looked angry at Nash.

I said, Krish wasn’t there—did Nash get a nosebleed?

The question infiltrated Alba, as if its far origin had built up a force too strange by the time it arrived.

What killed Krish? I asked myself. John’s pistol? The sight or idea of it? The Great Menhir?

I’ll go, I said, if you’ll tell me why Dag deliberately kept from Claire the fact that we had shot the Unplaced Room.

Alba could only answer unasked questions. Krish was in rebellion against his father who belonged to the Mahasabba and claimed (though Krish did not believe his father) to have been involved with the Mahasabba people who supposedly were behind Gandhi’s assassin. He believes he has personal power and perhaps he has; he has control over Cosmo and the man with the rings; they tell him everything. So in a way Krish is very different from Jan. But don’t think Jan was helping Paul escape from his two brothers, she simply wanted to know why he was dropping everyone now, I don’t know what that means, I don’t want to know. She is interested in Reid, not Paul, she’s had such trouble with Aut, so has Claire, poor Claire, this cut-throat thing of the two films, what do you know of Claire. Aut found a letter in her desk and phoned Jan in London to find out if Claire was in cahoots with Monty or Dag to steal Jan’s idea, and Jan went up to the Hebrides to see Paul purely for information, not for what you think, and she is disturbed about her son as well, she did a beautiful picture of him, maybe you’ve seen it, the son is the one thing she and her husband have together, he adores the boy, who hardly ever sees him, but if Jan wanted to stop anyone it would be Reid.

Alba leaned her elbows on the sink, her face in her hands.

You’re afraid of me, I said.

Only for Dagger, she said.

That why you got him out of Corsica in a hurry?

Alba shook her head, did not look up.

I phoned home. Will said Lorna had said she was going to Geoff’s.

I asked Alba for the taxi number.

I had nothing to do with his coming back from Corsica, she said. He was a day early; I wasn’t even here.

It was a minicab. It would come in five minutes. The voice sounded Irish.

The overhead light was on in the bathroom. I bent down to look at the comb on the floor. Alba would have been carrying the baby when she came into the bathroom.

Alba had disappeared.

I would be drawn into a past as paralyzingly elusive as the crystal receiver set Ned Noble designed and soldered all by himself and promised to give me. As pointlessly elusive as that weekend in ’63 when we had tickets to
Uncle Vanya
with Redgrave and Olivier and Plowright and had promised to drop in on our new friend Dagger DiGorro after the theater. But we gave away our tickets.

The sequence is not clear. Ned Noble’s now nonexistent crystal set may help. In the hotel room, I was asking the American computer man’s friend, an ex-serviceman who’d stayed in Europe, whether he did much mutual-fund business here in England or confined himself to the Continent. There was a large elderly English woman in a permanent who totally obscured Lorna, but it was Lorna I heard and she was telling how an actor who wrote children’s books had asked two sculptors to design a cat to go on top of the Whitting-ton Stone on Highgate Hill because in a story he was writing the Queen stopped to talk to Dick Whittington’s cat at the spot where the boy who was to be thrice Lord Mayor of London turned round three times—and there
was
no cat.

At Alba’s after the cocktail party Dagger told of his search for his lost brother in Mexico, not a real brother but close enough. Lorna was with Alba washing up in the kitchen. The computer-traffic man and his friend the ex-serviceman selling mutual funds to servicemen in Europe, listened to Dagger digress upon those instruments called
raspadores
made of bones human, deer, or tapir which made a grating sound and if a player in the Maya orchestra did not keep time he was punished painfully though not (like the hapless captives of war) sexually mutilated; there was no “pure” music, but songs that told old tales, and dances to bring new rain.

But the World Tiddlywinks Congress at Cambridge did not occur in November ’63; it was in June of ’58 after Lorna and her new friend Tessa attended the Festival Hall recital of Menuhin, who lives in Highgate not far from the house we’d recently bought. And a clergyman had urged the world to look to tiddlywinks as a way of recapturing primeval simplicity.

I remember because a week later came the execution of Nagy in Hungary.

Which was the day (yes) before Lorna and Tessa took the children and Dudley to the Dominion Cinema to see
South Pacific
.

Macmillan had been in Washington with Eisenhower, which would have been impossible in November of ’63.

Thursday Lorna and I had a fight which would have been impossible in June of ’58 when I still treated her as an invalid.

At the end of our fight I told her Dagger’s music story about punishments for not keeping time, and we laughed ourselves to sleep.

She did not want another child.

Ned Noble had promised me his crystal set even after he knew he was dying.

Lorna phoned Tessa Friday morning, November 22, even though we were going to see them that night. Lorna told Tessa Dagger’s story—the Maya orchestra, the
raspadores
, the punishment.

At 6:45
P.M
. when I began to smell onions, I switched on “The Archers—An Everyday Story of Country Life.” I had been listening to it since ’54: Farm talk about markets and new methods; Dan Archer’s good sense; hired man Ned Lar kin’s south-country accent with its rounded American
r
‘s (and a measured something like my grandfather’s Maine cadences that he never lost even when he found himself removed to a city as foreign to him as if he had gone to live abroad); pub gossip; the antique dealer’s love life; the new entrepreneur in the village; Doris Archer’s nerves; more farm gab; for me the ripe soil, the thick-tufted pasture grass, great sheltering trees by a group of graystone barns and sheds and dwellings with the small square parish church tower in the background so the whole scene reminded me of some famous painter’s paintings I’d seen years ago at the Met; the sweet rotten odor of silage, the petty and poignant preoccupation with annual events, the village of Ambridge (for Americans who do not know “The Archers”) ridiculed by Geoff Millan but not by Lorna. (Why does a hen lay eggs, said Jenny at six or seven, the riddle stage, when I would sometimes want in desperation to tell her what her intimations about her parents could not quite reach, but she would have to wait, for she was too young, but even if she had not been, I could not clearly have said what was wrong with Lorna and me.)

At the end of one episode of “The Archers” when Mr. Grenville the local gentry had his car crash destroying his leg and killing John Tregoran’s fiancée, the BBC did not close with the theme music, a heart-warming jig: there was just silence, which even I felt—and then the seven o’clock news.

But the music did play at the end on Friday the 22nd, and I turned back to the front page of
The Evening Standard
.

And then came the news from Dallas.

Where it was only one o’clock.

Which made me feel that I’d been missing something all afternoon, yet there was a chance to catch up.

Lorna was already weeping before I had understood the chance Kennedy was dead.

The other couple who were coming to dinner with Tessa and Dudley phoned to ask if we would rather not, and I do not recall what I said as if underwater at a very long distance—I thanked them and I must have given them a rain check, and I could not say goodbye because the waterworks exploded unexpectedly in my head and Will materialized and he could not for a moment think of the words in which to ask who had died.

I do not remember Alba saying much about Kennedy Saturday night. The French liked Jackie. The story had not yet come out that the blood-stained wife in the open accelerating car had been reaching back for a piece of her husband.

Lorna was saying she wanted to go back.

Johnson! she said.

Then at eight thirty we were finishing our drinks with Dudley and Tessa and I remembered having spoken on the phone to our other guests.

Lorna said I might have told her.

I put my glass down in a hurry and raised my hands to my face.

My mother phoned from New York.

Geoff Millan phoned, distraught.

I kept the radio on in the kitchen and got up from the dinner table once to go and listen.

Dudley was subdued in any case, but tonight partly because he did not feel what Lorna and I did. He said it was too soon, the death.

We let that lie. But Tessa said, Dudley will have an opinion on this by 1980 if you can wait till then.

Can
you?
I said.

Lorna and I had triple helpings of lasagna.

Dudley said to Tessa that after all it wasn’t as if he’d ever been a Republican. But Tessa went beyond that: Kennedy was beautiful. Unusual beauty draws secret violence toward it.

I could not believe he was dead, and I said Rubbish.

Ned Noble’s crystal set means more than if he’d been faithful to his promise. There was a red stripe across the base of a condenser and blue numbers on what he said was a rectifier.

Dudley agreed it was rubbish and he and Tessa argued but as if soundlessly, for Lorna and I were stuffing our faces and looking at each other. Dudley got up in a huff and I followed him into the living room still chewing, where I found him inspecting a photograph of my sister.

I went back to the table. Lorna was weeping. As Dudley returned I daydreamed a way of posting a clandestine letter to Tessa. Now it looks like a long-term plan.

Sub’s letter was the first of the American letters to reach me after the assassination. He said that that weekend several of his friends had screwed like crazy. He and Rose even, and they weren’t getting along.

On Sunday there were queues clear round the Embassy. Cabdrivers parked their cabs and got on line. BBC radio interviewed people waiting to sign the book.

On Saturday Mr. Jones in the dairy said, Mr. Cartwright I want you to know that Mrs. Jones and I sympathize with you and your family. This is a sad time for all of us.

Jenny picked up our purchases. I couldn’t answer. My mouth was nowhere. I just nodded.

We gave Tessa and Dudley our tickets to
Uncle Vanya
.

Saturday we went to Dagger DiGorro’s for the first time.

A very bright and sexy Pole taunted Alba. He said Ho Chi Minh’s father, a mandarin scholar whose knowledge of Chinese was said to be at least as good as that of anyone else in Vietnam, had lost his job because he refused to corrupt his language by learning French.

That’s something he and I have in common, said Dagger appearing magically and sweeping Alba against him so that I wondered what had happened since the computer man’s Tuesday night hotel room and Alba’s spaghetti.

Alba could only beam at Dagger and say—in answer to some unasked but implicit question—Yes.

That weekend receded. Alba emerged from the baby’s room. She had told me not to think Jan was helping Paul escape from his two brothers but she
had
said Paul was dropping everyone now and she
had
almost echoed me in her reference to this cut-throat thing of the two films, and she had brought Nash and Chad and a deserter together, and I believed my daydream on the plane was largely true and this was why Kate or someone she had spoken to had got on the blower to Savvy Van Ghent’s party (which in turn reminded me that Lorna might now be at Geoff’s).