Looking for Alaska (30 page)

 

So in some ways, that was the catalyst for the novel. After I graduated from college, I worked for a while at a children’s hospital, where I encountered the same problem in stark, awful reality. It was in the hospital that I started to think about writing a story in which teenagers experience loss and a consuming guilt that cannot be easily assuaged. I started writing it just a few months after I left the hospital.

 

 

A.
Yes. From the very beginning, I wrote the book for high-school students.

 

 

A.
I’d been working on the book with very limited success for about eighteen months before September 11, 2001. And then in the days after 9/11, I was alone in my apartment in Chicago watching commercial-free news twenty-four hours a day. On TV, people kept saying that this was a defining moment for my generation of Americans, that we would all remember the world in terms of before 9/11 and after it. And I thought about how time is usually measured that way: Christians date from before and after the birth of Christ. Muslims date from before and after the
hijrah
. We look back to the most important moment in our history, and that becomes the dividing line between what we were and what we are now. So I wanted to reflect on the way we measure and think of time. And also, for the characters in
Alaska
, there is a moment that changes their lives forever, and that redefines their understanding of the world. I wanted the importance of that moment to be central to the novel’s structure.

 

 

A.
I’m a pretty ordinary person in most respects, but I suppose I am good at finding and remembering trivia. I’m not sure whether that qualifies as a talent, but it’s the closest I’ve got.

 

 

A.
It means listening. Listening is a very rare skill, and in these noisy times, it is more and more valuable.

 

 

A.
You’re finding a different way to ask the autobiography question! I feel like I should reward your perseverance with a fuller answer. I had several teachers who inspired me the way Dr. Hyde inspires Miles. But as a character, he is based on three particular teachers. In high school, I had a history teacher named Dr. Cooper. He lectured a lot and scared the hell out of his students and kicked you out of class if you didn’t listen—but he also cared deeply about us. And then in college, my religion professor Donald Rogan and my writing professor P. F. Kluge both had a lot of Dr. Hyde in them. I stole lines from all three teachers, but particularly from Rogan.

 

 

A.
I did learn to take religion seriously, and in much the same way that Miles does: Donald Rogan was an excellent teacher. He was obviously smarter than me, and he found religion interesting, so I came to find it interesting also. Religion concerns itself with the same existential questions that I find interesting and important. I think I probably prefer the study of religion to the practice of it, though.

 

That said, I do consider myself religious now. In high school, I had a classmate who attended a Southern Baptist church, and he was a nice guy, but he would always ask me questions about religion that I felt invaded my privacy. One time, he asked me, “How is your relationship with God, John?” I thought about it for a while, and then finally I said, “Complicated.”

 

It was complicated then, and after studying religion in college and working as a chaplain at a children’s hospital and seriously considering a career as a minister, it remains complicated. I’m not embarrassed by my faith, and I’m also not embarrassed by my doubt.

 

 

A.
All the fiction I’ve written since working at that hospital has in some way echoed some feeling or experience or question that arose while I was at the hospital. In many ways, it was a before-and-after moment in my own life.

 

 

A.
There’s a lot of my high-school self in the character Alaska, and I suspect I would have agreed with that statement as a teenager. But I think there are mathematical and scientific geniuses, too. I think genius is rare, but I don’t think it discriminates. I’m also not convinced that a person just is or is not a genius. I think that genius can come and go. Mark Twain wrote my favorite American novel, but he also wrote the awful
Joan of Arc
. Georg Cantor invented set theory and revolutionized our understanding of infinity, but he also thought Sir Francis Bacon wrote Shakespeare’s plays. It’s a nebulous thing, genius. Unless you are Shakespeare.

 

 

A.
I was aware as a teenager of the fact that I might die, and it scared me a little. But I never felt as if dying would affect my overall invincibility, if that makes sense. It’s a little like what Muhammad Ali said after his third fight with Joe Frazier. After the fight, which Ali won, Ali said that he thought at times that Frazier might kill him. “If he had killed me,” Ali said, “I would have gotten back up and won the fight. I would have been the first dead heavyweight champion of the world.” I felt like that as a teenager. I feel a little more fragile now. I still think people are invincible, but I’d rather not find out for sure.

 

 

A.
No. It never even occurred to me that it might be a problem while I was writing it. I got nervous when the book came closer to publication, though. I have to give full credit to my editor, Julie Strauss-Gabel. She was absolutely steadfast about refusing to censor the novel, even when I wasn’t.

 

My friend David Levithan once said of gay writers, “We are political novelists who do not wish to be political.” I feel a bit of that when it comes to banning books from classrooms and libraries. I don’t want to have to fight that fight, but I won’t shirk the responsibility I feel to my books and my readers. Teachers have been trained to teach, and they know how to teach, and we need to fight to let them teach uncensored books—whether it’s
Catcher in the Rye
(or
Alaska
, for that matter)—in an English class or evolution in a biology class.

 

 

A.
The Dutch title of
Alaska
is
Het Grote Misschien
, which means “The Great Perhaps.” But if you type it into Babel Fish, it translates
Het Grote Misschien
as “The Big Maybe.” I’m undecided as to whether there are ever any truly last words. That’s the big maybe.

 

As for the quote cited above, I mean that I believe in hope, in what is sometimes called “radical hope.” I believe there is hope for us all, even amid the suffering—and maybe even inside the suffering. And that’s why I write fiction, probably. It’s my attempt to keep that fragile strand of radical hope, to build a fire in the darkness.

 

Ilene Cooper. “Books by
Booklist
Authors: John Green’s
Looking for Alaska
.”
Booklist
. March 1, 2005.

 

John Green. “Writers and Readers: Becoming a YA Writer.”
Booklist
. March 1, 2006.

 

Don’t miss John Green’s Web site:
www.sparksflyup.com

1. Discuss the book’s unusual structure. Why do you suppose Green chose this strategy for telling his story? How else might he have structured the same material?

2. Miles tells the story in his own first-person voice. How might the book differ if it had been told in Alaska’s voice or the Colonel’s? Or in the voice of an omniscient narrator?

3. The Colonel says, “Everybody’s got a talent.” Do you?

4. Miles’s teacher Dr. Hyde tells him to “be present.” What does this mean?

5. John Green worked for a time as a chaplain in a children’s hospital. How do you think that influenced the writing of
Looking For Alaska
?

6. What do you think “The Great Perhaps” means?

7. And how about Bolivar’s “labyrinth”?

8. In the “Some Last Words on Last Words” section at the end of the book, Green writes, “I was born into Bolivar’s labyrinth, and so I must believe in the hope of Rabelais’ ‘Great Perhaps.’ ” What do you think he means by this?

9. Has this novel changed the way you regard human suffering? And death?

10. One of the characters, Dr. Hyde, says, “Everything that comes together falls apart.” Do you think the author agrees? How does he deal with this Zen belief in his novel?

11. Alaska loves these two lines from the poet W. C. Auden: “You shall love your crooked neighbor / With your crooked heart.” What do these lines mean to you and why do you think Alaska likes them so much?

12. Miles writes, “Teenagers think they are invincible.” Do you agree? Why or why not?

13. Was it necessary for Alaska to die?

14. This novel is filled with wonderful characters. Who is your favorite? Why? Do you know any people like these characters?

15. Can you imagine Miles and the Colonel as adults? What might they be like? What professions do you suppose they might choose?