Long Hard Road Out of Hell (21 page)

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Authors: Marilyn Manson,Neil Strauss

Tags: #Azizex666, #Non Fiction

BOOK: Long Hard Road Out of Hell
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In one of the park’s plastic fantasy worlds, there were a dozen families sitting around picnic tables, happy and content as they gnawed on giant turkey legs. It was a barbaric celebration of carnivorousness given an ironic twist by the fact that there were pigeons and seagulls flying overhead, oblivious to the carnage being perpetrated against their fellow fowl. I’m not a vegetarian, but the whole gleefully brutal spectacle seemed wrong and disgusting. So I walked over to a set of twins who were dressed alike, looking like something out of
Children of the Damned
. As they sat there tearing at their turkey bones, I stood in front of them, raised my sunglasses to reveal my mismatched eyes, gave them as baneful a grin as I could muster in my state, and pulled out my razor and sliced my arm. I let the blood run off my wrist and drip down onto the discarded ticket stubs and popcorn kernels on the ground. They dropped their meat and ran away screaming as I walked away exhilarated by my success, because there’s nothing like the feeling of knowing that you’ve made a difference in someone’s life, even if that difference is a lifetime of nightmares and a fortune in therapy bills.

Driving back to Fort Lauderdale the next day, we passed the Reunion Room and, on the same corner where I had seen the car crash, there was a prolife demonstrator, a skeletal, gray-haired man in a short-sleeved work shirt with a wife beater underneath and blue work pants. Every afternoon he marched up and down the block like an old factory worker on strike, but instead of a sign demanding more health benefits his was emblazoned with pictures of aborted fetuses. Anyone who would listen was given a long, loud sermon on how we’re all going to hell for killing the unborn.

Still flushed with mischief from the day before and looking as hideous, pale and unclean as corpses, we pulled up near him and called him to the car. Excited that maybe he’d actually found someone to discuss his views on damnation with, he approached us. When he was close enough to see through the open window clearly, I held out my hand. “I talked to the devil today, and he told me to tell you hello,” I growled, shooting a fireball in his direction. It burst in his face, and he let out an ungodly scream, threw his sign in the air and ran. I didn’t see him on the corner much after that. But I think I actually did him a favor since he probably became a folk hero at his local church; everyone knows that, like Job, you have to be pretty fucking holy and righteous to merit the devil’s attention.

Jeordie and I had grown close by then, though he still wasn’t a member of the band. The bond that united us was music, a love of havoc-wreaking and a mutual obsession with old kids toys, particularly
Star Wars, Charlie’s Angels
and Kiss paraphernalia. I had spoken to Jeordie a few times at the mall, but we first became friends when I was at a concert with Pogo. I was carrying one of the metal lunchboxes from my collection, and Jeordie scampered over and said, “I know someone who has more of those. If you want, I’ll take you to him. He’s got tons of lunchboxes.” We exchanged phone numbers, and the next day he drove me to a store run by a corpulent cutthroat named John Jacobas. It was a paradise of
Star Wars
figures, Muhammad Ali dolls, rusty wind-up monkeys with clapping cymbals, and, in particular, Nazi World War II paraphernalia, which was probably what he made most of his money from. He just looked at you, assessed the degree of desperation in your eyes and then offered you the highest price he knew you’d accept. He was a professional, and he lured me back to the store every week with the promise that he would bring in his treasure trove of lunchboxes, which, like the end of a rainbow, he was never able to find, if it existed at all.

Jeordie and I also discovered that we had a crush on the same girl, a hot brunette who looked like the kind of person who should be working at the mall. And, in fact, she did—at the piercing pagoda. But she wouldn’t even acknowledge our humanity, no matter what part of our body we asked her to pierce. So I fell back on my usual deviant way of getting a girl’s attention: malicious, asinine behavior. Every day for nearly a month, Jeordie and I met at a pay phone around the corner from the pagoda, where we could see her but she couldn’t see us. At first, the calls were harmless. But they quickly grew meaner. “We’re watching you,” we’d threaten her at the height of our spite-masked lust. “You better not leave work tonight, because we’re going to rape you in the parking lot and then crush you underneath your own car.” I knew what she must have felt like, because Nancy used to leave similar messages for me.

Jeordie was miserable in Amboog-A-Lard because he was the only one in the band with any stage presence or any ambition to be more than just a heavier version of Metallica. I always told him I wanted him to be a Spooky Kid, and he always said he was more into what my band was doing than what his was. But I had all the musicians I needed and he was stuck in Amboog-A-Lard, whose members had started to turn against him because he was too much like us. So we had to content ourselves with side projects like Satan on Fire, a fake Christian death metal act with songs like “Mosh for Jesus.” Our goal was to infiltrate the Christian community (a fantasy I still harbor) but the local Christian club would never book us.

Perhaps because he couldn’t be in Marilyn Manson and the Spooky Kids, Jeordie ended up instigating the mayhem at our most notorious shows. We played at a club called Weekends in Boca Raton, the Florida equivalent of Beverly Hills, and the show was filled with rich Boca girls, conservative jocks and a rebel faction of lame surfer types. While we were playing, Jeordie clambered on stage and pulled down his pants, which was normal behavior for him. Though he didn’t mind that all his life people had told him he looked like a girl, sometimes he felt the need to prove that he wasn’t. The only strange thing was that he didn’t try to light his pubic hair on fire, as he usually does when his pants are down in public and he’s not having sex. Since he was standing next to me and I had a free hand, I started jacking him off. The Boca snobs were aghast, and from that day on there was a rumor that we were gay lovers. It was a rumor we did our best to encourage and spread.

Jeordie brought his ten-year-old brother to another show, and, in order to sneak him into the club, we pretended he was part of the band and stuck him in Pogo’s keyboard cage. Behind him, Missi was tied to a cross, wearing only a black mask and a pint of blood. I thought of the scene as a painting depicting the idea that it was only through such horror and brutality that mankind could be born with any hope of innocence and redemption. Christianity’s crucifixion seemed no different than the pagan sacrifice, in which people thought they could better their own condition by shedding someone else’s blood, a concept that particularly appealed to me in the aftermath of my Nancy death wish. At the end of the show, Jeordie’s brother was so overcome by the desire to try his own hand at performance art that he ran out of the cage and mooned the crowd. That show started another legend that has persisted to this day, that we have naked kids on stage.

On a more helpful day, Jeordie introduced us to our first manager, John Tovar, who also mishandled Amboog-A-Lard. He was a huge, sweaty, cigar-chomping Cuban constantly clad in a black suit and black tie with cheap cologne drowning his body odor. He looked like a cross between Fidel Castro and Jabba the Hutt. As if nature hadn’t already short-changed him, he was also a narcoleptic and would fall asleep during soundcheck directly in front of the speaker. We took advantage of the opportunity to conduct valuable medical research and experiment with different words to wake him, yelling in his ear that he was a piece of shit or the building was on fire. But he wouldn’t stop snoring and heaving his mountainous gut. Only the words “vanilla milkshake” and “Lou Gramm” would rouse him—and he’d open his thick, heavy-veined eyelids, slowly roll his medicine ball eyes skyward and snap back to normal. Then he’d usually pull me aside and whisper some kind of well-meaning advice, like, “You guys need to, you know, tone it down a little bit so we can play at the Slammy awards. Maybe you can do a show with Amboog-A-Lard, the boogie boys.” (The Slammies were Florida’s hard-rock awards.)

The closest we got to satisfying his wish was shortening our name to Marilyn Manson, retiring our drum machine and holding auditions for a human drummer. The only person who showed up to try out was a hobbling little guy named Freddy Streithorst, and our guitarist, Scott Putesky, insisted that we hire him since they had played together in a sissy-pop band called India Loves You. Like most everyone in our band, Freddy soon had several nicknames. On stage, he was known as Sara Lee Lucas. But we called him Freddy the Wheel. The name came from one of our first groupies, Jessicka, who went on to form Jack and Jill, a band that I renamed Jack Off Jill and took under my wing briefly, performing with them a few times. When Freddy was a teenager, he had an accident and, while he was in the hospital, the muscles in his leg atrophied to the point where the limb deformed. As part of his rehabilitation, he learned to play drums.

Freddy was a good guy and I never treated him any differently than anyone else. But I always felt bad pushing him to play better—he was a shitty drummer and everyone knew it except Scott. Jessicka, however, didn’t have any qualms about mocking him. She decided that Freddy had a wheel for a foot and should henceforth be known as Freddy the Wheel. She realized this, of course, after having had sex with him, so she was in no position to mock anyone because she had bowed down before the Wheel and, in fact, gotten caught beneath it.

In the end, Freddy wound up going out with Shana, a Siouxsie Sioux-wannabe I had dated briefly before meeting Teresa. Our relationship didn’t last long because I had the flu, and she’d come over to take care of me and have sex. Daylight was not a good time to get intimate with her because she was among South Florida’s many practitioners of Gothic deception. It wasn’t just that the makeup hiding the potholes on her face flaked away in the sun, I also noticed a mysterious white ring around her vagina. I was never able to decide whether it was a venereal disease, some form of mucus, a yeast infection, the skin from the top of a pudding or a glazed donut that someone may have accidentally left there after intercourse. Discovering it was as appalling and disturbing an experience as my childhood run-in with Lisa’s snot, and I stopped seeing her. Scott Putesky, a pussy vulture who had already tried to prey on Teresa, went on to fall in love with her, but was denied when Freddy stole her away like a little hobbit and indeed went on to become Lord of the Ring.

*  *  *

Like a used car that keeps breaking down with new problems every time an old one is fixed, the band was beginning to come together when we started having problems with our bassist, Brad. The longer he played with us, the more people came up to me and complained, “That guy’s a fucking junkie.” I always stuck up for him because I was completely naive and had never done any drugs besides pills, pot, acid and maybe glue. Brad was insecure to begin with and was always trying to impress everyone around him. So whenever he mentioned drugs I just thought he was trying to be cool.

Brad was stupid and, unlike Scott, knew it. I liked him, so I usually ended up loaning him money and baby-sitting him. Eventually, I found someone to mother him, a rich, older lawyer named Jeanine. I had slept with her a few times and, even though she bought me anything I wanted, decided that Brad needed her more than I did.

Within two months, they were living together. But whenever I stopped by in the afternoon to visit him while Jeanine was at work, he seemed uneasy, as if he didn’t want me there. One afternoon he was acting stranger than usual, trying to get me out of the apartment. Naturally, I didn’t want to leave because I was curious about what he was hiding. After I spent fifteen minutes watching him play uncomfortably with his green and purple dreadlocks, two black girls emerged giggling from the closet in a cloud of smoke and carrying short glass tubes. As they talked, it dawned on me that the tubes were crack pipes, the girls were prostitutes and Brad was a junkie. Here was another person I thought I knew but later realized had a secret life.

Once I was aware that he was a heroin addict, the signs were obvious. He looked like shit, went through wild mood swings, was incredibly paranoid, drank heavily, missed shows, lost weight daily, showed up late for practice, never had any energy, and always borrowed money. He and his previous girlfriend, Trish, thought they were Sid and Nancy, but I never understood that their tribute went that far. Every time I looked at him now, all I felt was hatred and disgust. My entire message and everything I’d begun striving to be as a person ran in direct opposition to Brad. I wanted to be strong and independent, to think for myself and help other people think for themselves. I couldn’t (and still can’t) tolerate someone who’s a fucking weakling living out of a spoon and a needle.

One night Jeanine called and woke me up. “Brad’s dead!” she kept screaming. “I should have stopped him. He’s dead! He’s finally done it to himself. He’s dead! What should I do? Help me!”

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