Living Out Loud (36 page)

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Authors: Anna Quindlen

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I know who I am. I am these things: the trip to see the tree at Rockefeller Center, the plaster Santa with a spray of holly in his chimney, the Advent calendar, its last door open to reveal the Nativity. I spend a good deal of time looking at Advent calendars, and was finally satisfied with this one, only to open
the first door and realize with a rush of memory, like a sudden sneeze, that it was the same one I chose last year. I suppose that is just right, too. I need eternal verities—otherwise I worry that there are no verities. When I consider it in the abstract, it sometimes seems boring, odd, and old. But in real life it is, well, real life. A cold antipasto. Chicken parmigiana. I have done it before. I will do it again. Although it’s been said, many times, many ways, merry Christmas to you.

MONSTERS

T
he monster under the bed finally arrived at our house the other night. I’ve been waiting for him to show up for four years.
Peter Rabbit
had been read, discussed, analyzed, and placed on the floor for easy access. The little brother was coiled under his blankets, waiting to leap out and seize forbidden tow trucks and alphabet blocks as soon as the sound of the parents going downstairs had faded to a faint thump. The bathtub faucet was drip drip dripping in the next room. The drinks of water had been parceled out, demanded again, refused. The overhead light was off. The night-light gleamed.

“Mom?”

“Yes.”

“I have something very important to tell you.”

“What?”

“There is a monster under my bed.”

Do you have any idea how close I came to replying, “Well, it’s about time.”

Lord, it seems like the monster first showed up under my bed just the day before yesterday. I always figured he was a hairy guy, with a lot of teeth, a cross between Godzilla and a Gahan Wilson drawing. He never got me, but that was because I was quick and brave and careful. After I finished reading in bed I went across to the switch next to the door and turned out the light. Then I hoisted my nightgown up to my knobby knees, took a deep breath, ran three steps and leapt up onto the mattress. Don’t break stride. Don’t look down. I didn’t need to; I knew that if I had eyes in my chin I’d see a long nasty arm whipping out to grab me by the ankle and pull me under. Beneath the bedspread I was safe. One more night alive.

What did I tell the kid about his monster? Something lame, I think, like, “Would Daddy and I let monsters in this house?” Followed by a rambling discussion of things that are there and things you only think are there and their relative dangers and merits. (The last time we had this discussion it was because he didn’t want to sleep in the top bunk. “The things on the ceiling go in my ears.” “Honey, those are shadows.” Long explanation about shadows, how shadows form, the benign nature of shadows. The next night he still does not want to sleep on the top bunk. “The shadows on the ceiling go in my ears.” Fast learner.)

I knew what I was supposed to say. I was supposed to say there aren’t any monsters under the bed, to get down on my hands and knees and peer underneath and get him to join me for confirmation and solace. Which doesn’t do a bit of good because they come back as soon as you douse the lights, as any child knows. But I somehow couldn’t bring myself to flatly deny the monster. I have a lot of trouble with those rare times when, for good reason, I lie to my children. For instance, I’ve been tormented by Santa Claus. Here I go, telling the truth: Do all people die? Will the needle hurt? Do you love Christopher?
Yes. Yes. Yes. And suddenly one day I unequivocally confirm that a fat man is coming down the chimney to leave toys, eat the cookies, drink the milk, and get to his cousin Kate’s house forty miles away before daybreak. Of course, I did this—I’m not one of those modern moms with angular etchings on my walls who thinks Santa is an irrational vestige of anachronistic religious festivals—but it felt funny to me, telling him Santa is real when he really isn’t, and when he’ll find out some day that he isn’t.

That’s why I can’t deny the monster, tell him that nothing is under the bed. Because I believe in monsters, and someday my kid will believe in them even more surely than he does now. My mother lied. (My mother once even put a dust ruffle on the bed. Can you imagine? Giving aid and sustenance to the monsters! That lasted three days.) When you grow up you realize that there isn’t really any Santa but the monsters are still around. If only they were big and hairy; now they’re just dark and amorphous, and they’re no longer afraid of the light. Sometimes they’re the guy who climbs in the window and takes your television. And sometimes they’re the guy who walks out the front door with your heart in his hand and never comes back. And sometimes they’re the job or the bank or the wife or the boss or just that sort of dark heavy feeling that sits between your shoulder blades like a backpack. There are always terrible things waiting to grab you by the ankle, to pull you under, to get you with their long horrible arms. And you lie in bed and look at the shadows on the ceiling and feel, under the covers, just for a moment, like you’re safe. One more day alive.

I’m feeling my way on the monster, now that he’s finally arrived. I should have had an answer for this one all cooked up, but then I wouldn’t be a mom but a magician. Make a game out of it. Tame the monster. Give him a name and some habits and maybe even a family. Leave a Tootsie Roll pop on the floor to buy the monster’s friendship. (The little brother, wild as a
punk haircut, will be out of bed and unwrapping that sucker before the parents make it to the first landing.) Or maybe this is one of those times when I should simply leave the kid to his own devices. After all, some things you get taught. And some things you just learn.

FOR GERRY,
FOR ALWAYS

ACKNOWLEDGMENTS

I
t is impossible to write an honest column about your own life without somehow involving your family and your friends. I have tried to do this without unnecessarily invading the privacy of those I love. I hope I have succeeded.

The people whose lives have been most affected by my work are Quindlen and Christopher Krovatin, my sons. During the years these columns were being written, neither of them knew how to read. Someday I hope they will see these essays as affectionate and true memoirs of their childhood. My husband, Gerry Krovatin, has also seen himself in print a little too often for comfort. When I have given speeches about my column, the question I am asked most often is “How does he feel about all this?” Sometimes he likes it, and sometimes he doesn’t. But he has always been enormously supportive. So, too, has my father, Robert V. Quindlen. He has been an extraordinary influence on my life and my work.

Many of these columns were the products of long telephone conversations with my friends. I want to thank them: Leslie Bennetts, Cynthia Gorney, Janet Maslin, Richard J. Meislin, Kathy Slobogin, Michael Specter. I also want to thank a friend who is a wonderful agent, Amanda Urban.

This column began in
The New York Times
in May 1986. It was invented by A. M. Rosenthal, then executive editor, and supported by Max Frankel, now executive editor. My editor at
The Times
, Margot Slade, has improved my prose time after time. My editor at Random House, Kate Medina, has taken good care of this book, and of me.

Finally, I want to thank all the people who have written to me during the years when I was doing this column. If it weren’t for those letters, I would have quit before I’d barely gotten started.

ALSO BY ANNA QUINDLEN

Loud and Clear
Blessings
A Short Guide to a Happy Life
How Reading Changed My Life
Black and Blue
One True Thing
Object Lessons
Living Out Loud
Thinking Out Loud

BOOKS FOR CHILDREN
The Tree That Came to Stay
Happily Ever After

ABOUT THE AUTHOR

A
NNA
Q
UINDLEN
is the bestselling author of four novels (
Blessings, Black and Blue, One True Thing
, and
Object Lessons
) and four nonfiction books (
A Short Guide to a Happy Life, Living Out Loud, Thinking Out Loud
, and
How Reading Changed My Life
). She has also written two children’s books (
The Tree That Came to Stay
and
Happily Ever After
). Her
New York Times
column, “Public and Private,” won the Pulitzer Prize in 1992. Her column now appears every other week in
Newsweek
.

Read on for a preview of Anna Quindlen’s new collection of essays

Loud and Clear

Available in hardcover in 2004
from The Random House Publishing Group

A NEW ROOF ON AN OLD HOUSE
June 2000

A slate roof is a humbling thing. The one we’re putting on the old farmhouse is Pennsylvania blue black, and it’s meant to last at least a hundred years. Jeff the roof guy showed us the copper nails he’s using to hang it; they’re supposed to last just as long. So will the massive beams upon which the slates rest. “Solid as a cannonball,” Jeff says. Looking up at the roof taking shape slate by enduring slate, it is difficult not to think about the fact that by the time it needs to be replaced, we will be long gone.

In this fast food, facelift, no-fault divorce world of ours, the slate roof feels like the closest we will come to eternity. It, and the three children for whom it is really being laid down.

Another Mother’s Day has come and gone as the roofers work away in the pale May sun and the gray May rain. It is a silly holiday, and not for all the reasons people mention most, not because it was socially engineered to benefit card shops, florists, and those who slake the guilt of neglect with once-a-year homage. It is silly because something as fleeting and finite as 24 hours is the antithesis of what it means to mother a child. That is the work of the ages. This is not only because the routine is relentless, the day-in/day-outness of hastily eaten meals, homework help, and heart-to-hearts, things that must be done and done and then done again. It is that
if we stop to think about what we do, really do, we are building for the centuries. We are building character, and tradition, and values, which meander like a river into the distance and out of our sight, but on and on and on.

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