Authors: Greil Marcus
it falleth like the gentle rain from heaven
(Mekons),
403
“It’s Too Soon to Know” (Orioles),
192
,
240
,
249
“I Wish I Was a Mole in the Ground” (traditional ballad, Lunsford),
14
“J’accuse” (Zola),
268
Jackson, Michael,
ix
,
90–92
,
98
,
99–105
,
124
,
138
,
286
,
331
Jailhouse Rock
(Thorpe),
229
Janco, Jules,
189
Janco, Marcel,
179
,
180
,
188–192
,
193
,
202
,
207
,
208
,
211
,
225
,
227
,
394
Jaspers, Karl,
238
Jehovah’s Witnesses,
100
Jerusalem
Post,
189–190
Jerzimy,
56
Jesuits,
281
Joannès, Gérard,
133
Joel, Billy,
90
John XXIII, Pope,
260
John of the Cross,
274
John of Leyden,
85–88
,
104
,
118
,
290
,
410
“Johnny B. Goode” (Berry/Sex Pistols),
55–57
,
60
John Paul II, Pope,
260
Johnson, Robert,
19
John Wesley Harding
(Dylan),
38
Jonah Who Will Be
25
in the Year 2000
(Tanner),
224
Jordan Motor Car Company,
40
Jorn, Asger,
150
,
153
,
156
,
342
,
344
,
362
,
385
Journal du dimanche,
380
Joyce, James,
230
Jules and Jim
(Truffaut),
181
“Jumpin’ Jack Flash” (Rolling Stones),
54
Jung, Carl,
220–222
Kael, Pauline,
8
Kant, Immanuel,
178
Keeler, Christine,
167
Kennedy, John F.,
330
Kennedy, Robert F.,
251
“Kerb Crawler” (Au Pairs),
5
King Mob,
405–406
King Mob Echo
(journal),
109
,
406
King Records,
124
Kinks,
77
Kleenex,
5
Kleinschmidt, Hans J.,
217
Klinmahon,
175
Konsumterror,
101
Kotányi, Attila,
117
Kraus, Karl,
214
Kropotkin, Peter,
183
Kuroń, Jacek,
388
Lacenaire, Pierre François,
111
,
336
,
337
Ladd, Alan,
247
Ladurie, Emmanuel Le Roy,
373
Laing, R. D.,
359
Lamennais, Felicité de,
264
Lanzmann, Claude,
114
Lapassade, Georges,
330
La Rochefoucauld, François de,
249
Lautréamont, Comte de,
171
,
178
,
224
Lawrence, D. H.,
366
Leary, Timothy,
359
Leaving the
20
th Century
(Gray),
27–28
,
160
,
161
,
171
,
385
,
406
,
407
Le Corbusier,
18
,
344–346
; Voisin Plan,
344
Lefebvre, Henri,
ix
,
134–137
,
177–179
,
249
,
395
; and dada,
21
,
173
,
178–179
,
181
,
184
,
189
,
207
,
226
,
227
; and situationists,
132
,
134
,
136–137
,
385
Lejare, Françoise,
339
Lemaitre, Maurice,
250
,
256
,
258
,
317
,
325
Lenin, V. I.,
107
,
118
,
202
,
325
,
359
,
391
,
398
Let It Bleed
(Rolling Stones),
38
Lettrist International (LI),
ix
,
110
,
158
,
160–163
,
231
,
265
,
297
,
320–321
,
331–340
,
352
,
374
,
399
,
404
,
408–410
; Bernstein in,
348–350
; Chaplin attacked by,
316–319
; emergence of Situationist International from,
328–331
,
385
,
407
; exclusion of members of,
325–326
,
342
,
346
,
355–356
; fathers of,
170
; formation of,
16
,
111
,
153–154
,
315–316
; graffiti of,
171
,
320
,
406
; manifestos of,
321
,
339
,
350
; potlatch metaphor of,
368–369
; practice of,
323–328
,
333–338
,
356–358
,
361–362
;and Strasbourg students,
384
,
386
,
391
; Trocchi in,
358
; utopianism of,
322
,
345–346
;
as youth movement,
332–333
. See also
Internationale Lettriste
;
Potlatch
lettrists,
ix
,
19
,
21
,
231–239
,
249–250
,
301–307
; Cannes action of,
300–301
; Debord and Wolman break with,
315–18
,
326
; and
Hurlements,
307–309
,
311–313
,
315
; in Notre-Dame invasion,
258–261
; program of,
254–255
; sound poetry of,
255–258
.
See also
Lettrist International
Lèvres nues, Les
(review),
20
Lewis, Jerry Lee,
26
,
37
,
55
,
59
,
205
Liaisons dangereuses, Les
(Choderlos de Laclos),
392–393
Libération,
348
Liebling, A. J.,
71
Lincoln, Abraham,
127
Little Big Horn, Battle of,
336
Little Book of Eternal Wisdom, The
(Suso),
275
Little Book of Truth, The
(Suso),
275
,
280
Little Richard,
37
,
38
,
87–88
,
264–265
“Little Village” (Williamson),
55
Little Yes and a Big No, A
(Grosz),
106
Live Aid,
125
Locked Room, The
(Auster),
161
“Longest Time, The” (Joel),
90
London Central News Agency,
406
London
Picture Post,
352
Londons Outrage
(punk fanzine),
112
London
Sunday Telegraph,
387
Louis XVI, King of France,
310
Louis-Napoleon, Emperor of France,
116–117
Love on the Left Bank
(van der Elsken),
350
Lowry, Ray,
1
Lucas, Henry Lee,
247
Ludwig II, King of Bavaria,
336
Lurkers,
71
Luxembourg, Rosa,
107
,
108
,
109
,
141
,
406
Lycurgus,
325
Lymon, Frankie,
90
“Maggie Mae” (Stewart),
44
,
54
,
61
Malgré le blasphème.
See
In Spite of Blasphemy
“Manifeste du cinema discrépant” (Isou),
228
Mankiewicz, Joseph L.,
301
“Manners for Muggings” (Thompson),
84
Marbaix, Ghislain de,
261
,
287
,
301
Marc, O (Marc-Gilbert Guillaumin),
254
,
260
,
301
,
313
Marie-Claire,
380
Marinetti, Filippo,
184
,
200
,
201
,
202
,
220
Marsh, Dave,
61
Martin, Ivanhoe “Rhyging,”
244
,
246
,
248
Martin, J. V.,
167
Marx, Karl,
47
,
107
,
118
,
128
,
129
,
136
,
165
,
170
,
174
,
178
,
253
,
319
,
360
,
369
,
387
; on alienation,
255
; on commodity fetishism,
99–100
; criticism of religion as prerequisite of all criticism for,
289–290
; revolutionary impulse defined by,
92
; word-magic of,
305
Marxists,
21
,
28
,
95
,
134
,
178
,
265
,
270
,
329
,
391
,
398
Matérialisme dialectique, Le
(Lefebvre),
136
,
227
Matlock, Glen,
30–31
Mauriac, François,
234
May ’68,
118
,
126
,
132
,
224
,
255
,
265
,
337
,
346
,
384
,
397–398
,
412
; Atelier populaire posters from,
28
,
30
,
31
,
187
; McLaren and,
26
,
406
,
407
; situationists and,
16–17
,
28–29
,
139
,
223
,
327
,
394–395
,
398–400
,
404
McCartney, Paul,
369
McKenzie, Scott,
83
McLaren, Malcolm,
8
,
16
,
26–28
,
30
,
53
,
54
,
56
,
65
,
123
,
284
,
404
; commercial exploitation of punk by,
16
,
77
; New York Dolls managed by,
45
; Sex boutique of,
2
,
11
,
12
,
26
,
31
; situationist influence on,
171
,
284
,
405–408
McPhatter, Clyde,
37
“Meaning of the Commune, The” (Lefebvre),
136
Mechanics of Women, The
(Isou),
235
Meinhof, Ulrike,
101
Méliès, Georges,
310
Melville, Herman,
19
“Memphis Blues Again” (Dylan),
15
Mémoires
(Debord),
153
,
154
,
155
,
156
,
157
,
163
,
169
,
172
,
173–174
,
314
,
333
,
335
,
350
,
391
,
404