Leonardo and the Last Supper (62 page)

BOOK: Leonardo and the Last Supper
9.43Mb size Format: txt, pdf, ePub
Condivi, Ascanio.
The Life of Michelangelo
, 2nd. ed. Trans. Alice Sedgwick Wohl. Ed. Hellmut Wohl. University Park: Pennsylvania State University Press, 1999.
Covi, D. A. “Four New Documents Concerning Andrea del Verrocchio.”
Art Bulletin
48 (March 1966): 97–103.
Crampton, Louis.
Homosexuality and Civilization
. Cambridge, MA: Harvard University Press, 2003.
Crawford, Katherine.
European Sexualities, 1400–1800
. Cambridge: Cambridge University Press, 2007.
Cronin, Vincent.
The Florentine Renaissance
. London: Collins, 1967.
Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle.
The Early Flemish Painters: Notices of Their Lives and Works
. London: John Murray, 1857.
Cruttwell, Maud.
Verrocchio
. London: Duckworth & Co., 1904.
Culpeper, R. Alan.
John, the Son of Zebedee: The Life of a Legend
. Edinburgh: T&T Clark, 2000.
Dall’Orto, Giovanni. “ ‘Socratic Love’ as a Disguise for Same-Sex Love in the Italian Renaissance.” In
The Pursuit of Sodomy: Male Homosexuality in Renaissance and Enlightenment Europe
. Ed. Kent Gerard and Gert Hekma, 33–66. New York: The Haworth Press, 1989.
Dean, Trevor.
The Towns of Italy in the Later Middle Ages
. Manchester: Manchester University Press, 2000.
Devlin, Keith. “The Myth That Will Not Go Away.”
Mathematical Association of America
(May 2007), available online at
www.maa.org/devlin/devlin_05_07.html
.
Dillenberger, Janet Daggett.
The Religious Art of Andy Warhol
. New York: Continuum, 2001.
Eastlake, Charles Lock.
Materials for a History of Oil Painting
. London: Longman, Brown, Green, and Longmans, 1847.
Elam, Caroline. “Art and Diplomacy in Renaissance Florence.”
Journal of the Royal Society of Arts
136 (October 1988): 813–20.
Elam, Caroline. “Lorenzo de’ Medici’s Sculpture Garden.”
Mitteilungen des Kunsthistorischen Institutes in Florenz
, 36. Bd., H. ½ (1992): 41–84.
Elet, Yvonne. “Seats of Power: The Outdoor Benches of Early Modern Florence.”
Journal of the Society of Architectural Historians
61 (December 2002): 444–69.
Farago, Claire. “Aesthetics before Art: Leonardo Through the Looking Glass.” In
Compelling Visuality: The Work of Art In and Out of History
. Ed. Claire Farago and Robert Zwijnenberg, 45–92. Minneapolis: University of Minnesota Press, 2003.
Feinberg, Larry J. “Sight Unseen: Vision and Perception in Leonardo’s Madonnas.”
Apollo
(July 2004): 28–34.
Feinberg, Larry J. “Visual Puns and Variable Perception: Leonardo’s
Madonna of the Yarnwinder
.”
Apollo
(August 2004): 38–41.
Fiorio, M. T., ed.
Le Chiese di Milano
. Milan: Electa, 1985.
Fischer, Michael J. “Luca Pacioli on Business Profits.”
Journal of Business Ethics
25 (2000): 299–312.
Francesca, Piero della.
Piero Della Francesca: Trattato d’Abaco
. Ed. Gino Arrighi. Pisa: Domus Galileana, 1971.
Freud, Sigmund. “Leonardo da Vinci and a Memory of His Childhood.” In
The Standard Edition of the Complete Psychological Works
, vol. 11, 63–137. Ed. James Strachey. London: Hogarth Press, 1968.
Frick, Carole Collier.
Dressing Renaissance Florence: Families, Fortunes and Fine Clothing
. Baltimore: The Johns Hopkins University Press, 2002.
Fusco, Laurie, and Gino Corti. “Lorenzo de’ Medici on the Sforza Monument.” In
Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana
, vol. 5, 11–32. Ed. Carlo Pedretti. Florence: Giunti, 1992.
Gage, John.
Color and Culture: Practice and Meaning from Antiquity to Abstraction
. Berkeley and Los Angeles: University of California Press, 1999.
Galbraith, Georgina Rosalie.
The Constitution of the Dominican Order
. Manchester: Manchester University Press, 1925.
Galluzzi, Paolo, ed.
Leonardo da Vinci: Engineer and Architect
. Montreal: Musée des Beaux-Arts, 1987.
Gavitt, Philip.
Charity and Children in Renaissance Florence: The Ospedale degli Innocenti, 1410–1536
. Ann Arbor: University of Michigan Press, 1990.
Ghiberti, Lorenzo.
I commentari
. Ed. Ottavio Morisani. Naples: Riccardo Ricciardi, 1947.
Ghyka, Matila.
The Geometry of Art and Life
. New York: Sheed and Ward, 1946.
Gilbert, Creighton. “Last Suppers and their Refectories.” In
The Pursuit of Holiness in Late Medieval and Renaissance Religion
, 371–402. Ed. Charles Trinkaus and Heiko A. Oberman. Leiden: Brill, 1974.
Ginzburg, Carlo.
The Enigma of Piero: Piero della Francesca
. Trans. Martin Ryle and Kate Soper. London: Verso, 2000.
Glasser, Hannelore.
Artists’ Contracts of the Early Renaissance
. New York: Garland, 1977.
Goethe, Johann Wolfgang von.
Observations on Leonardo da Vinci’s Celebrated Picture of the Last Supper
. Trans. G. H. Noehden. London: J. Booth, 1821.
Goldscheider, Ludwig.
Leonardo da Vinci: Life and Work, Paintings and Drawings
. London: Phaidon, 1959.
Goldthwaite, Richard A.
The Economy of Renaissance Florence
. Baltimore: The Johns Hopkins University Press, 2009.
Gombrich, Ernst. “The Grotesque Heads.” In
The Heritage of Apelles: Studies in the Art of the Renaissance
, 57–75. Oxford: Phaidon, 1976.
Gould, Stephen Jay.
Leonardo’s Mountain of Clams and the Diet of Worms: Essays on Natural History
. Cambridge, MA: Harvard University Press, 2011.
Grazzini, Nello Forte. “Flemish Weavers in Italy in the Sixteenth Century.” In
Flemish Tapestry Weavers Abroad: Emigration and the Founding of Manufactories in Europe
, 131–62. Ed. Guy Delmarcel. Louvain: Louvain University Press, 2002.
Guicciardini, Francesco.
The History of Italy
. Trans. Sidney Alexander. New York: Macmillan, 1969.
Guillon de Montléon, Aimé.
Le cénacle de Léonard de Vinci rendu aux amis des Beaux-Arts dans le tableau aujourd’hui chez un citoyen de Milan
. Milan and Lyon: Dumolard, 1811.
Harris, Lauren Julius. “Cultural Influences on Handedness: Historical and Contemporary Theory and Evidence.” In
Left-Handedness: Behavioral Implications and Anomalies
, 195–258. Ed. Stanley Coren. Amsterdam: Elsevir Science, 1990.
Hartt, Frederick. “Leonardo and the Second Florentine Republic.”
Journal of the Walters Art Gallery
44 (1986): 95–116.
Haskins, Susan.
Mary Magdalen: Myth and Metaphor
. New York: Harcourt Brace, 1994.
Heaton, Mrs. Charles W.
Leonardo da Vinci and His Works
. London: Macmillan, 1874.
Hood, William. “Saint Dominic’s Manners of Praying: Gestures in Fra Angelico’s Cell Frescoes at S. Marco.”
Art Bulletin
68 (June 1986): 195–206.
James, Sara Nair.
Signorelli and Fra Angelico at Orvieto: Liturgy, Poetry and a Vision of the End-Time
. Aldershot, Hants.: Ashgate, 2003.
Jansen, Katherine L. “Like a Virgin: The Meaning of the Magdalen for Female Penitents of Later Medieval Italy.”
Memoirs of the American Academy in Rome
45 (2000): 131–52.
Jansen, Katherine L. “Maria Magdalena:
Apostolorum Apostola
.” In
Women Preachers and Prophets through Two Millennia of Christianity
, 57–96. Ed. Beverly Mayne Kienzle and Pamela J. Walker. Berkeley and Los Angeles: University of California Press, 1998.
Janson, H. W.
A History of Art: A Survey of the Major Visual Arts from the Dawn of History to the Present Day
. London: Thames and Hudson, 1962.
Jirousek, Carolyn S. “
Christ and St. John the Evangelist
as a Model of Medieval Mysticism.”
Cleveland Studies in the History of Art
6 (2001): 6–27.
Jorio, Andrea de.
Gesture in Naples and Gesture in Classical Antiquity
. Trans. Adam Kendon. Bloomington and Indianapolis: Indiana University Press, 2000.
Kattenberg, P.A.P.E.
Andy Warhol, Priest:

The Last Supper Comes in Small, Medium and Large
.” Leiden: Brill, 2002.
Kemp, Martin.
Christ to Coke: How Image Becomes Icon
. Oxford: Oxford University Press, 2011.
Kemp, Martin. “Dissection and Divinity in Leonardo’s Late Anatomies.”
Journal of the Warburg and Courtauld Institutes
35 (1972): 200–225.
Kemp, Martin. “ ‘
Fate come dico, non fate come faccio
’“:
Lo Spazio e lo spettatore nell
’ ‘Ultima Cena,”
Il Genio e le Passioni
, 53–59. Ed. Pietro Marani. Milan: Skira, 2001.
Kemp, Martin.
Leonardo
. Oxford: Oxford University Press, 2004.
Kemp, Martin.
Leonardo da Vinci: Experience, Experiment and Design
. London: V&A Publications, 2006.
Kemp, Martin.
Leonardo da Vinci: The Marvellous Works of Nature and Man
. Rev. ed. Oxford: Oxford University Press, 2006.
Kemp, Martin. “Science and the Poetic Impulse.” In
Sixteenth-Century Italian Art
, 94–114. Ed. Michael W. Cole. Oxford: Blackwell, 2006.
Kemp, Martin, and Pascal Cotte.
La Bella Principessa: The Story of the New Masterpiece by Leonardo da Vinci
. London: Hodder & Stoughton, 2010.
King, Ross, ed.
The Fantasia of Leonardo da Vinci: His Riddles, Jests, Fables and Bestiary
. Delray Beach, FL: Levenger Press, 2010.
Klapische-Zuber, Christiane.
Women, Family and Ritual in Renaissance Italy
. Trans. Lydia Cochrane. Chicago: University of Chicago Press, 1985.
Kleinhenz, Christopher.
Medieval Italy: An Encyclopedia
, vol. 2. New York: Routledge, 2004.
LaFarge, Antoinette. “The Bearded Lady and the Shaven Man: Mona Lisa, Meet
Mona/Leo
.” In
Leonardo
29 (1996): 379–83.
Landucci, Luca.
A Florentine Diary from 1450 to 1516
. Trans. Alice de Rosen Jarvis. London: J. M. Dent, 1927.
Lang, S. “Leonardo’s Architectural Designs and the Sforza Mausoleum.”
Journal of the Warburg and Courtauld Institutes
31 (1968): 218–33.
Lansing, Carol.
Passion and Order: Restraint of Grief in the Medieval Italian Communes
. Ithaca: Cornell University Press, 2008.
Laurenza, Domenico.
Leonardo’s Machines: Secrets and Inventions in the Da Vinci Codices
. Florence-Milan: Giunti, 2005.
Laurenza, Domenico.
Leonardo: On Flight
. Florence-Milan: Giunti, 2004.
Levy, Allison. “Framing Widows: Mourning, Gender and Portraiture in Early Modern Florence.” In
Widowhood and Visual Culture in Early Modern Europe
, 211–32. Ed. Allison Levy. Aldershot: Ashgate, 2003.
Licht, Mel. “Elysium: A Prelude to Renaissance Theater.”
Renaissance Quarterly
49 (Spring 1996): 1–29.
Lipton, Sarah.
Images of Intolerance: The Representation of Jews and Judaism in the Bible Moralisée
. Berkeley: University of California Press, 1999.
Livio, Mario.
The Golden Ratio: The Story of Phi, the Extraordinary Number of Nature, Art and Beauty
. London: REVIEW, 2002.
MacCurdy, Edward.
Leonardo da Vinci
. London: George Bell, 1908.
Machiavelli, Niccolò.
The Art of War
. Ed. and trans. Christopher Lynch. Chicago: University of Chicago Press, 2003.
Machiavelli, Niccolò.
Florentine Histories
. Trans. Laura F. Banfield and Harvey C. Manfield. Princeton: Princeton University Press, 1990.
Machiavelli, Niccolò.
The Prince
. Trans. George Bull. London: Penguin, 1961.
Maiorini, Giancarlo.
Leonardo da Vinci: The Daedalian Mythmaker
. University Park: Pennsylvania State University Press, 1992.
Markowsky, George. “Misconceptions about the Golden Ratio.”
College Mathematics Journal
23 (January 1992): 2–19.
Martines Lauro.
Scourge and Fire: Savonarola and Renaissance Florence
. London: Jonathan Cape, 2006.
Masters, Roger D.
Fortune is a River: Leonardo da Vinci and Niccolò Machiavelli’s Magnificent Dream to Change the Course of Florentine History
. New York: Plume, 1999.

Other books

Target by Simon Kernick
Ten Inches by AJ Hardcourt
Love and Decay, Kane's Law by Higginson, Rachel
Worth the Risk by Claudia Connor
Tribesmen by Adam Cesare
Under Alaskan Skies by Grace, Carol
Warriors Of Legend by Kathryn Le Veque, Kathryn Loch, Dana D'Angelo