Legend (23 page)

Metias had fretted over such small things.

My eyes grow heavy as I continue to read. The words start to blur together on the page, until I can’t quite understand what each entry means anymore. Finally I put the journal aside and drift off into sleep.

Day appears in my dreams. He holds my hands in his own, and my heart pounds at the touch. His hair falls around his shoulders like a silk drape, one streak of it scarlet with blood, and his eyes look pained. “I didn’t kill your brother.” He pulls me close. “I promise you, I couldn’t have.”

When I wake up, I lie still for a while and let Day’s words run through my head. My eyes wander over to the computer desk. How had that fateful night played out? If Day hit Metias’s shoulder, then how did the knife end up in my brother’s chest? This brief thought makes my heart ache. I look at Ollie.

“Who would want to hurt Metias?” I ask him. Ollie looks back at me with mournful eyes. “And why?”

I push myself off the couch several minutes later, then wander over to my desk and turn on my computer.

I go back to the crime report from the Central Hospital. Four pages of text, one page of photos. It’s the photos that I decide to take a closer look at. After all, Commander Jameson had given me only a few minutes to analyze Metias’s body, and I’d used the time poorly—but how could I have concentrated? I’d never doubted that the murderer was anyone but Day. I hadn’t studied the photos as closely as I should have.

Now I double-click on the first photos and enlarge them to full screen. The sight makes me light-headed. Metias’s cold, lifeless face tilts up to the sky, and his hair fans out in a small circle under his head. Blood stains his shirt. I take a deep breath, close my eyes, and tell myself to concentrate this time. I’d always managed to get through reading the text of the report, but I could never bring myself to study the photos. Now I have to. I open my eyes and focus back on my brother’s body. I wish I’d studied the wounds more closely in person when I had the chance.

First I make sure the knife in the photo is indeed buried in his chest. Bits of blood stain the hilt. I can’t see any of the blade. Then I look at Metias’s shoulder.

Although it’s covered up by his sleeve, I can see that a sizable circle of blood stains the cloth there. It couldn’t all be spillover from the chest—there must be another wound. I enlarge the photo again. Nope, too blurry. Even if there is a knifelike slice in the sleeve over his shoulder, I can’t see it at this angle.

I close the photo and click on another one.

That’s when I realize something. All the photos on this page are taken at an angle. I can barely make out the details on his shoulder and even on the knife. I frown. Poor crime scene photography. Why weren’t there close-up photos of the actual wounds? I scroll through the report again, searching for pages I might have missed. But that was it. I go back to the same page, then try to make sense of it.

Maybe the other photos are classified. What if Commander Jameson took them out to spare me the pain? I shake my head. No, that’s stupid. Then she wouldn’t have sent any photos with this report at all. I stare at the screen, then dare to imagine the alternative.

What if Commander Jameson took them out to hide something from me?

No, no. I sit back and stare at the first photo again. Why would Commander Jameson want to hide the details of my brother’s murder from me? She
loves
her soldiers. She was outraged by Metias’s death—she even arranged for his funeral. She
wanted
him on her patrol. She was the one who made him captain.

But I doubt the crime scene photographer was so rushed that he would take such a bad set of photos.

I think about it from several angles, but keep coming to the same conclusion. This report is incomplete. I run a hand through my hair in frustration. I don’t understand it.

Suddenly I look closer at the knife in the photo. It’s grainy, and details are almost impossible to make out, but something triggers an old memory that makes my stomach churn. The blood on the knife’s hilt is dark, but there’s another mark there too, something darker than the blood. At first I think it’s a part of the faint pattern on the knife, but these marks are on top of the blood. They look black, thick and textured. I try to remember what the knife looked like on the night it happened, when I had a chance to look at it myself.

These black marks look like rifle grease. Almost like the streak of grease that was on Thomas’s forehead when I first saw him that night.