Last Train from Liguria (2010) (44 page)

Bella looks out the window of her new quarters and sees brown foggy days. She sees the flutter of torchlights on street corners and phantoms groping their way along by the railings. She sees skies that stay on the same low wattage all day. She feels a sun that blinds, but gives little warmth. She feels rain that seeps into her bones.

One day in the post office the man behind the counter says, ‘I think you may have struck oil today.’

She knows his face so well by now, the spots around his mouth, the inner pink rim of his eyes. She’s surprised when she hears him speak with a phlegmy Liverpool accent. This is all she can think about as he goes behind the counter and returns with an envelope - how unexpected his accent is.

The envelope is addressed to Mrs Barrett and has been posted in London. There is nothing inside, only an address in Pimlico.

*

Bella knocks at a door in a cul de sac off the Pimlico Road. There’s a sign in the window - ‘Catholic Mission Closed Until Further Notice’. A nun comes out and helps her bring the pram into the hall, then through a side door into a dingy brown room; two kitchen chairs and one long table at the wall piled with religious pamphlets.

The nun then invites her to sit down. ‘I’d offer tea,’ she continues, ‘but we’re all packed up - I’m off to India tomorrow, this place is to close down.’

Bella nods.

The nun smiles. ‘Would you like to smoke? We have an ashtray.’

‘No, sister, I’m fine.’

The nun takes the seat opposite and lays her hands on her lap. ‘How is the child?’ she asks.

‘Very well.’

‘You’ve been able to manage?’

‘Yes,’ Bella says.

‘Good. Now, Mrs Barrett, the reason you are here.’ The nun shuffles her seat a little closer to Bella. ‘We have had word from our sister convent in Italy, have in fact been asked to pass a message to you. I’m presuming you will know and understand what it means.’

‘Yes, sister.’

She smiles again. ‘Now, it appears that the woman you work for…’

‘Signora Ta—’

‘I don’t know her name and it’s probably best not to tell me, after all our sisters are still in Italy and the less we know, the fewer lies we have to tell.’

‘Yes, of course,’ Bella says.

The nun resumes. ‘The woman has still not been located although it is almost certain that she is in Germany.’

‘Oh. And the boy?’

‘The boy and the man were both detained. The boy is, so far as we know, in an orphanage for Jewish children.’

Bella presses a fingernail into her wrist. ‘Where?’ ‘It doesn’t matter where - he could in any case be moved to another orphanage.’

‘Where?’ she asks again.

‘Mrs Barrett, may I ask about your own papers? That is to say, your original papers?’

‘I left them in Bordighera, as I was told to do. They’re to be sent to me in due course.’

‘It’s just that the maid there said she couldn’t find them.’

‘Oh? Well, I don’t have them.’

‘You must understand there is no possible way you can return to Italy.’

Bella nods.

‘You have committed a serious crime, travelling on false papers, taking a child from the country, not to mention money and other valuables. You will be arrested before you get down from the train. No matter which papers you use. Do I make myself clear? You will put yourself and the baby at risk.
And
you will also jeopardize whatever steps have already been taken to help the boy.’

‘Yes, I see, sister.’

The nun waits for a moment. ‘The man who was with you was also arrested, although we understand he is to be sent to the south of Italy where he is to be detained indefinitely.’

‘To
confino
?’

’
Confino
- is that the name of a place?’

‘No, it’s a sort of Italian exile to a remote place, usually in the south. The conditions are not - well, some say it’s worse than prison.’

‘In that case, yes, it is
confino
. Would you like a drink of water, Mrs Barrett?’

‘No, thank you.’

‘You have a choice. You may give the baby to me and I can see that she is taken care of in one of our convents here, that is until such a time as her mother reappears. Or…’

‘Or?’

‘Are you sure I can’t get you a glass of water? You’re very pale.’

‘No, sister. Honestly.’

‘Or you can keep the baby, but only if you agree to go to your father’s house where we can find you, when we need to do so.’

Bella reaches out and holds the handlebar of the pram. She feels it rock and slightly squeal under her hand. ‘Yes, I’ll do that.’

‘Which, Mrs Barrett?’

‘I’ll go to my father’s house.’

‘If you’re sure? It is quite a responsibility looking after someone else’s child.’

‘Yes, I am sure.’

‘Very well. I’ll need your father’s address, Mrs Barrett. I’m afraid we don’t have it. As your employer is missing and your papers were unavailable.’

‘Of course, yes.’

Bella stands up. ‘Will he be all right?’

‘The boy?’

‘Yes. Will they take care of him?’

‘Oh, I’m sure—’

‘You see, he’s very, he’s a little nervous, not too good with strangers and—’

‘I’m sure they’ll treat him kindly, Mrs Barrett.’

‘Thank you, sister.’

‘The address, Mrs Barrett? Your father’s address?’

‘Oh goodness, yes of course. I’m sorry.’

The nun puts a piece of paper and a pen on the table. Bella notices then the red crescent mark from her fingernail is embedded into her wrist. Yet her hand as she writes is rock steady. She is careful not to hesitate, not even for a second.

‘There you are, sister,’ she says, holding out the paper.

The nun smiles and accepts the false address.

*

In a downstairs room Gracie Fields is yelling out of a radio. From the house next door comes the yap of a highly strung dog. Bella stands at the window in her room, breathless from her journey up the stairs; the weight of the baby in her arms, and the weight of fear in her chest. And she hears that too: her breath, the dog, Gracie Fields, her fear, louder and louder.

Soon the baby will wake. Gradually Bella calms herself, turns from the window and washes her face. She lays the baby on a towel on the bed and opens the nappy to a sharp, warm smell of ammonia. The skin on the scrawny little backside is raw. Bella folds the nappy into itself and puts it in a basin on the floor. Then she opens the baby book and begins to follow step-by-step instructions: washing, drying, plastering with cream, squirting clumsy puffs of talcum powder on what is referred to as ‘the area’.

Intent on this task she doesn’t notice the baby has woken until she happens to glance up and find her little eyes watching her.

‘What?’ she says. ‘What are you looking at?’

At the sound of her voice the baby begins kicking her arms and legs. At first she moves slowly; deep, concentrated movements. The longer Bella looks at her the more force and speed she uses, until it looks as if she’s running for her life.

Bella holds one tiny foot in the palm of her hand, feels it push and push again. For the first time she really looks at this baby: Alec’s half-sister, the Signora’s daughter. This Italian, half-Jewish child lying on the bed watching her.

Bella stands up and goes to the mirror. Her skin, tinged a slight yellow, almost back to its old pasty self. She sees her father’s green eyes in a face that might have been pretty but somehow never quite was. It’s her mother’s face now: thin, hard, worried. It shows every day of its thirty-seven years, and perhaps a deal more.

‘I will never be married,’ she says to it. ‘I will never have my own child.’

Behind her, through the mirror, the baby croons away to herself, still joyously waving her arms and legs.

Bella goes back to the child, dresses, reswaddles her, leaving the hands free, before putting her into the big bed. She tidies everything away, washes her hands, then gets in beside the baby. She knows now if she goes home to Chelsea her father will make her do the right thing, give up this baby. And even if he can be persuaded to let the baby stay on, one day a knock will come on the door. And even if it doesn’t, she will always, always be waiting.

There is a winter chill in the darkening room, the coils on the electric fire beam orange onto the rug. Outside on the street she can hear the giddy chatter of trainee typists coming from the Pitman’s college down the road. Further out is the purr of traffic on the Bayswater Road. A gate clicks out on the street.

When she looks down again the child is sucking the thumb of one hand, and has laid the other hand on Bella’s shoulder. A baby gesture that means nothing, but there is something companionable about it, something reassuring and comical.

‘Oh, Katherine,’ Bella says, and kisses her on the forehead.

A few seconds later, the baby is asleep.

It grows dark and Bella gets up and puts on the light. She goes out to the landing, pulls all the luggage from the walk-in cupboard, hauls the two full suitcases up onto one of the single beds, unstraps them, then pushes their lids back.

The first sight comes as a shock: seaside stripes, Alec’s bent plimsoles, his brand new tennis sweater still wrapped in tissue with the name of the shop,
Farini di Bordighera
, printed on it. Bella snaps the lid down and has to sit for a few moments on the corner of the bed with her back to the suitcases. Her mind is dazzled with grief. She waits for a while, then gets up and empties both cases.

Now she is moving. Deciding what can and cannot be taken as she goes along, she hears her voice say, ‘Yes. No. Yes. No. No. No. Yes.’ Two separate piles begin to grow. Whenever she comes across a money-tuck she puts it on the double bed beside the baby. She doesn’t stop until the larger of the suitcases is refilled, restrapped and dragged back out to the cupboard.

She comes back to the room and sees, behind a hedge of money-tucks, the shape of the sleeping baby.

Much later, after Katherine has woken again, been fed and put down for the night. After she has spent her hour with Mrs Mains, told her she has decided to go home to Bournemouth and asked for permission to leave one of the suitcases for a more convenient time. After she has said her goodbyes, drunk her cocoa, said her goodbyes again - she comes back to the attic room and opens Edward’s knapsack.

Her hand goes over his few possessions: shirts, collars, underwear, socks, cigarettes. She removes nothing, except for one silver sea horse from a pair of cufflinks and a long page with writing on it that she comes across almost by accident, folded into an inside pocket. It’s the letter she wrote to him on her last night in Bordighera on Signora Tassi’s handmade Amalfi paper. She unfolds it and sees he’s written a reply on the back of the page. She has never seen so much of his writing at once. Every inch of the page has been used, starting at the top and bringing it right down to the bottom and his initial. She goes back to the top and wonders why his letter should begin mid-sentence, until turning over the page she finds his first words there, his ‘My dearest Bella’ starting his letter, where she had ended hers.