Lars Kepler 2-book Bundle (14 page)

As the assistant is wrapping his purchase in dark-red shiny paper, the cell phone in Erik’s pocket begins to vibrate, resonating against the little wooden box with the parrot and the native. He answers without checking the number on the display.

“Erik Maria Bark.”

There’s a strange crackling noise, and he can hear the distant sound of Christmas carols. “Hello?” he says.

A very faint voice can be heard. “Is that Erik?”

“Yes,” he replies.

“I was wondering …”

Suddenly Erik thinks it sounds as if someone is giggling in the background. “Who is this?” he asks sharply.

“Hang on, doctor. I need your expert advice,” says the voice, dripping with contempt. Erik is about to end the call when the voice on the phone suddenly bellows, “Hypnotise me! I want to be—”

Erik snatches the phone away from his ear. He presses the button to end the conversation and tries to see who called, but it’s a withheld number. A beep tells him he has received a text message, also from a withheld number. He opens it and reads:
CAN YOU HYPNOTISE A CORPSE
?

Bewildered, Erik takes his purchase in its red and gold bag and leaves the jewellery department. In the lobby he catches the eye of a woman in a bulky, black coat. She is standing underneath a suspended Christmas tree, three storeys high, and she is staring at him with a hostile expression. He has never seen her before.

With one hand he flips open the lid of the wooden box in his coat pocket, tips a codeine capsule into his hand, puts it in his mouth, and swallows it.

He goes outside into the cold air. People are crowded before a shop window where Christmas elves are dancing around in a landscape made of sweets. A toffee with a big mouth sings a Christmas song. Nursery school children dressed in yellow vests over thick snowsuits gaze in open-mouthed silence at the scene.

The mobile phone rings again, but this time he checks the number before answering. It’s a Stockholm number.

“Erik Maria Bark,” he says cautiously.

“Hi, there. My name is Britt Sundström. I work for Amnesty International.”

“Hi,” Erik says, puzzled.

“I’d like to know whether your patient had the opportunity to say no to the hypnosis.”

“What did you say?” asks Erik, as a huge snail drags a sledge full of Christmas presents across the window display. His heart begins to pound, and a burning acidity surges up through his gut.

“The CIA handbook for torture that leaves no trace does actually mention hypnosis as one of the—”

“The doctor responsible for the patient made the judgment.”

“So you’re saying you bear no responsibility?”

“I have no comment,” he says.

“You’ve already been reported to the police,” she says curtly.

“I see,” he says feebly, and ends the call.

He begins to walk slowly toward Sergels Torg, with its shining glass tower and Culture House, sees the Christmas market, and hears a trumpeter playing ‘Silent Night.’ He turns onto Sveavägen. Outside the 7-Eleven he stops and reads the display boards showing the headlines from the evening papers:

‘
I KILLED MUM AND DAD
’

Hypnotist Dupes Boy into Confession

IN YOUR HEAD

Doctor Risks Boy’s Life to Coerce Admission

BARK WORSE THAN BITE

New Hypnosis Scandal for Tarnished Doc

OUTRAGE!

Stumped Cops Enlist Hypnodoc, Scapegoat Victim

Erik can feel his pulse begin to pound in his temples and hurries on, avoiding looking directly at those around him. He passes the spot where Prime Minister Olof Palme was assassinated back in 1986, walking home with his wife from the movies. Three red roses are lying on the grubby memorial plaque. Erik hears someone calling after him and slips into an exclusive electronics shop. Although only a few minutes ago he’d been so tired he felt almost drunk, that feeling has been replaced by a feverish mixture of nervousness and despair. His hands shake as he takes yet another strong painkiller. He feels a stabbing pain in his stomach as the capsule dissolves and the powder goes into the mucous membranes.

The radio in the shop is broadcasting a debate about the extent to which hypnosis should be banned as a form of treatment. A caller is telling the story of how he was once hypnotised into thinking he was Bob Dylan.

“I mean, like, I knew it wasn’t true,” he drawls, “but it was like I was kind of forced to say what I said, you know? I knew I was, like, being hypnotised. I could see my buddy was, like, sitting right there, like, waiting for me? But I still thought, like, I’m Dylan! I was even speaking English. Like, I couldn’t help it; I would’ve admitted to just about anything.”

The Minister for Justice says in his Småland accent, “There is absolutely no doubt that using hypnosis as a method of interrogation is a violation of the rights of the individual.”

“So Erik Maria Bark has broken the law?” the journalist asks sharply.

“We expect the Prosecutor’s Office to conduct a thorough investigation of the legality of his actions.”

By the time Erik reaches Luntmakargatan 73, sweat is pouring down his back. He punches in the code to open the door. With fumbling hands he finds his keys as the lift hums its way upwards. Once inside the apartment, he staggers into the living room and tries to take off his coat, but the pills have made him dizzy. He topples onto the sofa and switches on the television.

There is the Chairman of the Swedish Society for Clinical Hypnosis sitting in a TV studio. Erik knows him very well; he has seen many colleagues affected by his arrogance and his ruthless ambition.

“We expelled Bark ten years ago and we won’t be welcoming him back,” the chairman says, with a tight smile.

“Does an incident like this affect the reputation of serious hypnosis?”

“All our members adhere to strict ethical rules,” he says superciliously. “Moreover, Sweden has laws against charlatans.”

Erik finally takes his outdoor clothes off with clumsy movements, piling them on the sofa beside him. He closes his eyes for a moment to rest but opens them immediately when he hears a familiar voice coming from the television. Benjamin is standing in a sunlit school playground. His brow is furrowed, the tip of his nose and his ears are red, his shoulders are hunched, and he looks very cold.

“So,” asks the reporter. “What’s it like living with the hypnodoc?”

“I don’t know,” says Benjamin.

“Has your dad ever hypnotised you?”

“What? No way.”

“How do you know?” the reporter persists. “If he had hypnotised you, there’s no guarantee that you’d be aware of it, is there?”

“I guess not,” replies Benjamin with a grin, surprised by the reporter’s pushy approach.

“How would you feel if it turned out he had hypnotised you?”

“I don’t know.”

“Pretty mad, I bet,” suggests the reporter.

“Yeah,” agrees Benjamin. His cheeks are flushed.

Erik turns off the television and goes into the bedroom, where he takes off his trousers and sits on the bed, placing the wooden box with the parrot on it in the drawer of the bedside table. He doesn’t want to think about the longing that was aroused in him when he hypnotised Josef Ek and followed him down into that deep blue sea. He lies down, reaches out for the glass of water by the bed, but falls asleep before he has time to drink.

Still half asleep, Erik thinks dreamily about his father when he used to appear at children’s parties, wearing his specially prepared suit, the sweat pouring down his cheeks. He would twist balloons into the shapes of animals and pull brightly coloured feather flowers out of a hollow walking cane. When he had moved from the house in Sollentuna to a nursing home, he would talk of putting an act together with Erik. He would be the gentleman thief and Erik would be the stage hypnotist, making people sing like Elvis and Zarah Leander.

Suddenly Erik is wide awake. He sees Benjamin in his mind’s eye, shivering under the scrutiny of the TV camera and the reporter, there in the school playground in front of his classmates and teachers. He sits up, feeling the searing pain in his stomach, reaches for the telephone, and calls Simone.

“Simone Bark’s gallery,” she replies.

“Hi, it’s me.”

“Just a minute.”

He hears her walk across the wooden floor and close the office door behind her.

“What the hell’s going on?” she asks. “Benjamin called and—”

“The media circus is in full swing.”

“The
media circus
? What are we, rock stars? Erik, what have you done? Why are reporters grilling our kid on television?”

“I haven’t done anything. I was asked to hypnotise the patient by the doctor who was responsible for his care.”

“I know that part. The whole world knows; it’s all over the news. You hypnotised some poor victimised kid and coerced a confession—”

“Can you listen to me for a second?” he broke in. “Can you do that?”

“All right. Talk.”

“It wasn’t an interrogation,” Erik begins.

“It doesn’t matter what you call it.” She falls silent. He can hear her breathing. “Sorry,” she says quietly. “Please finish.”

“It wasn’t an interrogation. We thought he was a victim. And the police needed a description, anything they could go on, because they thought a girl’s life depended on it.”

“But—”

“The doctor who was responsible for the patient at the time judged that the risk was low. I wouldn’t’ve done it otherwise.” He pauses. “We were just trying to save his sister.” He stops speaking and listens to Simone breathing.

“What have you done?” she says shakily. “You … you promised me you wouldn’t practise hypnosis any more.”

“It’ll sort itself out. No harm done, Simone.”

“No harm done?” she snaps. “You broke your promise, but you don’t think any harm has been done? Erik, all you do is lie and lie and lie.”

Simone stops herself, and falls silent.

Erik stands rock-still for a moment, hangs up the phone, then turns and enters the kitchen, where he mixes a soluble analgesic with antacid and swills the sweet liquid down.

Joona looks out into the dark, empty corridor. It’s evening, almost eight o’clock, and he’s the only one left in the whole department. Advent star lamps shine from every window, and the electric Christmas candles create a soft, round, double glow, reflected in the black glass. Anja has placed a bowl of Christmas sweets on his desk, and he eats more than his fill as he writes up his notes on the interview with Evelyn.

On the basis of her having lied about Josef visiting the cottage, the prosecutor made the decision to arrest her. Joona knows perfectly well that Evelyn’s lie does not mean she is guilty of any crime, but it gives him three days to investigate what she is hiding and why.

He writes up the report, addresses it to the prosecutor, places it in the outgoing mail, checks that his pistol is safely locked away, and leaves the police headquarters in his car.

When he reaches Fridhemsplan, Joona hears his mobile phone ringing, but it’s slipped through a hole in the lining of his pocket and he has to pull over in front of the Hare Krishna restaurant to shake it loose.

“Joona Linna.”

“Oh, good,” says police officer Ronny Alfredsson. “We have a problem. We don’t really know what to do.”

“Did you speak to Evelyn’s boyfriend?”

“Sorab Ramadani. That’s the problem.”

“Did you check where he works?”

“It’s not that,” says Ronny. “We located him easy. He’s right here in his apartment, but he won’t open the door. He doesn’t want to talk to us. He keeps shouting at us to clear off, that we’re disturbing the neighbours, and we’re harassing him because he’s a Muslim.”

“What have you said to him?”

“Fuck all, just that we needed his help on a particular matter. We did exactly what you told us to do.”

“Good,” says Joona.

“Is it all right if we force the door?”

“Just leave him alone for the time being. I’ll come over.”

“Should we wait?”

“Yes, please. Outside in the car.”

Joona signals, swings the car round in a U-turn, and makes his way onto Västerbron. All the windows and lights of the city are shining in the night, the sky a grey, misty dome up above.

He thinks once again about the crime scene investigation. There’s something odd about the pattern that is emerging. Certain elements are simply irreconcilable. While waiting for a light to change, Joona opens the folder on the passenger seat and flips through the photographs from the football pitch. Three showers, with no partitions between them. The reflection of the flash from the camera shines on the white tiles; in one picture he can see the shower scraper and the large pool of blood, water, and dirt, strands of hair, plasters, and a bottle of shower gel.

Next to the drain in the floor is the father’s arm; the white ball joint is surrounded by ligaments and severed muscle tissue. The hunting knife with its broken point lies on the floor.

Nils Åhlén found the point with the help of computer tomography; it was embedded in Anders Ek’s pelvic bone.

The mutilated body is on the floor between the wooden benches and the battered metal lockers. A red tracksuit top hangs on a hook. Blood is everywhere: on the floor, on the doors, the ceiling, the benches.

Joona drums his fingers on the wheel. A locker room, of all places. The technicians have obtained hundreds of partial and complete fingerprints, thousands of fibres and strands of hair. They are dealing with DNA from hundreds of different people, much of it contaminated, but so far nothing can be linked to Josef Ek.

Joona asked the forensic technicians to concentrate on looking for blood from Anders Ek on Josef. The large amounts of blood covering his entire body from the other crime scene mean nothing. Everyone in the house was smeared with everyone else’s blood. The fact that Josef had his little sister’s blood on him was no stranger than the fact that she had his blood on her. But if they can find the father’s blood on his son, or traces of Josef in the locker room, then he can be linked to both crime scenes. If they can just link him to the locker room, they can begin proceedings.