Known to Evil (28 page)

"He doesn't know the truth, and the one who does is fidgety . . . ready to fly."

"You got some record, McGill," Plumb told me. "I had a New York cop tell me to hold you on one'a my special writs. He promised me he'd come up with charges that would stick."

"Yeah. I could make a castle out of a single grain of sand."

"This stuff is straight?"

"I'll put Sharkey's lawyer on the line."

49

A
t 9:47 I parked my classic green-and-white 1957 Pontiac down the street from John Prince's door. I had with me a new MP3 player that was specially made by Bug Bateman and loaded with thousands of songs that I had listened to while living out my childhood, such as it was, on the streets of New York.

I had modern music, too. The first song that cued up through the shuffle function was "Helpless," written by Neil Young and sung by k.d. lang. It was a good cover--a lot better than my fancy-ass car.

But I wasn't trying to hide that morning. Nobody was looking for me yet. Patrick was locked away, I was sure of that. Rinaldo might have been limited by his distrust of his minions, but he was still the most powerful man in New York City.

Sitting there, I wondered if Patrick's and my blood was still on the street. Nobody paid much attention to small patches of street blood. That was just a now-and-then occurrence in a city with so many people living and dying in such a small space--you had to bleed somewhere.

My plan was to break into Prince's apartment once I was sure that he and Angie were out. I could bug the phone, search her things, and plant mikes in various rooms. I would call later, but first I needed to rest. I'd phone Prince at a decent hour--10:30. Before the appointed time I could sit, peacefully listening to music and enjoying my life--while it lasted.

Katrina called me at a little after ten.

"Where are you?" she asked after the one-word pleasantries were done.

"In my car on Twenty-seventh, staking out a young couple."

"What have they done?"

"Nothing that I know of."

"Have you heard from Dimitri or Twill?"

"I thought D called you?"

"I mean since then."

"No, but I spoke to D's girlfriend. She passed through town and we had a little sit-down."

I wanted to go from there to where I had met with Tatyana and from there to who I had seen bringing Katrina the flowers that she set in a bowl before me as if to mark the spot where the cuckold supped. But for some reason the words stuck in my throat.

"What was she like?" Katrina asked.

"Serious."

"Pretty?"

"No," I said, thinking that it was true. Tatyana was beautiful.

"Is Dimitri all right?"

"Twill has done an excellent job looking out for his brother. He'll be home when he told you he would."

Again I tried to mention Bertrand, but a feeling of exhaustion took the place of my words.

"I'm glad Dimitri has found love in his life," Katrina said. "Everybody needs love."

At that moment John Prince, accompanied by Angelique Tara Lear, emerged from his apartment building door.

"They just showed up, Katrina. I'll call you later."

I disconnected the cell phone and climbed out of the car.

I recognized her waif's body and even her careless gait, though I had only seen hints of it in stills. Her loose tan dress was half covered by a dark-brown suede jacket and her shoes were flat and tan. Her pocketbook was bright red and her hair combed but still, somehow, unruly. I would have recognized her out of the corner of my eye.

John Prince wasn't quite six foot. Apart from that, his slender physique was well proportioned. His wool slacks were gray and his shirt cream. The faux army jacket probably set him back five hundred dollars, but he still wore sneakers.

They turned in the opposite direction from where I stood. This pointed them toward Seventh Avenue. She had an olive backpack hanging from her shoulders and he was carrying a medium-sized pink suitcase.

I followed at a safe distance. If they both got into a cab I knew that I'd have at least thirty minutes to toss the apartment. The problem was that both bags were probably hers and so there wouldn't be much to search.

A block north on Seventh they went into a fancy chain coffee shop. For a moment I considered waiting outside. The less chance they had of seeing my face, the better. But I was remembering something that Mr. Nichols of Plenty Realty had told me--that Angie had argued over the rent rate he offered even though it was well below the market price. And so I blundered in after the couple, stopping at the doorway to scope out the seating arrangement at the coffee house.

The small tables were mostly occupied, and the line for espressos and cappuccinos was long. There were two small tables in a far corner that were empty; one, which had yet to be bussed, still had a paper coffee cup on it.

I settled at the messy table, moving my chair so that it seemed that I was taking up both spaces. I lifted the paper cup, pretended to drink, and waited.

"Is this table taken?" a young man asked. There was another man behind him. They were both mustachioed, wearing suits and ties.

While asking, he moved forward as if he were going to sit.

"Yes it is," I told him.

"I don't see anybody."

John and Angie were talking. She took the suitcase from him.

I pulled the vacant table next to me and stared into the young white-collar worker's eyes--my meaning as plain as a guard dog's sneer.

As the young men moved away, Angie waded into the pond of busy tables, holding the suitcase with both hands.

I took a sip of the leftover coffee. It was cold, both sweet and bitter--a perfect brew for New York.

"Is this table taken?" she asked me.

Sometimes things work out.

"No," I said. "My two friends just left."

We smiled at each other and I pushed the table toward her. She shrugged off the backpack and pushed the suitcase up against the glass wall.

"That looks heavy," I said.

"My whole life," she told me, thumping the backpack with her small white fist.

I smiled at her words and pulled out my souped-up MP3 player. I set the device down on the table and inserted the earbuds. Then I pulled out a book,
The Chrysalids
by John Wyndham, and turned to a dog-eared page.

Bug's little device, which looked very much like an iPod, was what Twill would call "way cool." It worked as a regular player unless I pressed a button on the side. Once activated, the device itself gave off, from one side, the mild sounds of whatever song was playing while the left side worked as a directional microphone. All I had to do was point the thing at Angie's table and turn my back with my nose in the book. The sound emanating from the device would seem to be coming from the earpieces, and so she and Prince would be lulled into a sense of privacy.

And that's just how it worked. John came with their coffees and the two moved close together and whispered.

"I wish you'd let me come with you," he said.

"What would Michele Lee say about that?" she replied, sounding bravely playful.

"This isn't funny," he said. "We should go to the police."

"How could I explain it to them? They'd throw me in jail for the rest of my life."

"That's better than being killed."

"No it isn't," she said.

They'd been quiet for a long while when he said, "At least get in touch with me so that I know you're okay."

"I'll have to wait for a while," she whispered.

"How long?"

There was silence and then the subtle rustling of clothes. I imagined that they were kissing.

"I love you," he whispered.

"Go on to work, John."

"I'll go with you to the train station."

"No."

"Why not? These bags are heavy."

"I'm going to have to get used to carrying them on my own and, and I don't want you to know anything about where I am. This way you won't know if I left by train or bus . . ."

Or plane, I thought.

"I can't just leave you here," he said.

"Yes you can. Go on now."

That loop in the conversation went on for ten minutes or so. Finally she got him on his feet and shuffling toward the door. Their parting was melodramatic but there was real feeling behind it.

When he was gone I took off the headphones and turned so that I could look upon my unsuspecting client.

SHE SIPPED HER COFFEE and stared ahead. I did the same. I wasn't worried about disease from the used cup. One thing I was certain about--at least most of the time--my death would sneak up on me, a master thief that I'd never see coming.

Seemingly staring off into space, I wondered. One thing I knew for sure about Alphonse Rinaldo was that he expected his instructions to be followed without question or variation. I was not supposed to talk to Angie. Breaking this rule would at the very least sour my relationship with the Big Man.

Yes . . . definitely . . . I would be a massive idiot even to entertain such an idea.

"Excuse me, ma'am," I said.

"Yes?" Her smile was immediate and natural.

"Um . . ." I hesitated, or at least pretended to. "Let me show you my card."

I took out my antediluvian red-brown wallet and produced a card printed with my real name, occupation, address, and office and cell-phone numbers.

She read the information and handed the card back.

"Yes?" she said again.

"I just stopped by here to get some coffee," I said. "I've been working a couple of cases at the same time and needed the stimulus. But it seemed to me that you and your friend were very upset."

Her eyes said that I was right but that she couldn't talk about it. There was an intimacy to this communication that I had expected from the girl.

"I understand," I said. "Here I am, a stranger. But you've read my card. We're both here, living completely different lives . . .

"I solve people's problems for a living. Before you finish that coffee, you could ask me a question, without giving any details, and I could give you my opinion on the situation."

I could see it in her expression, the unguarded belief that anything could happen. That was why she wasn't suspicious when her rent turned out to be one-third the going rate in Manhattan. In Angie's life good things, like me, just happened.

50

O
n the surface it really was a good offer. I had seen the distress in her conversation with John Prince but I couldn't have overheard them. And even if I had, they hadn't said anything that would identify her or her specific problem.

Staring at me, Angie saw a chubby, bald black man in an off-the-rack dark-blue utility suit. I could have been an MTA manager or a door-to-door vacuum cleaner salesman in the old Midwest. I certainly was not a criminal mastermind or anybody who had anything to do with her life up until that moment.

"What if a client came into your office and told you that they had been associated with a crime but they were innocent?"

"I'd ask why they'd come to me rather than go to the police."

This, I could see by her breathing, was the right answer.

"And if they told you that they had done . . . something, and the circumstances might make her look guilty?"

"I'd say that the police are really very good at their job and that they can usually sort out the innocent from the culpable."

Angie sat back and smiled. It was a real smile, hinting at mirth.

"You don't seem to want to get hired by this woman," she said.

"This is a perfect situation," I replied. "If some rich woman with an emerald necklace and a little lapdog walked into my office I might be more persuasive. But this is just a busman's holiday."

She liked the collegiate language.

"What if I told you the woman in question had been threatened by a man already and when she went to the police they told her to call again if he did something else?"

I sighed and shrugged.

"Yeah," I said. "I'd believe that."

"And then if she told them that men had tried to kidnap her in front of her house but still the police did nothing?"

"Nothing?"

"They came to her place and went through the motions. They said that they'd look into it but never called back. I . . . she called them, but they never even returned the call."

I sipped my secondhand coffee and wondered. The direction I had imagined for the morning had done a U-turn. I had to choose my words very carefully.

"The main job of the private detective is an emotional one," I said.

"What does that mean?"

"There's an insecurity in the client's life and it's my job to advise them on how to alleviate the anxiety. A cheating spouse or an embezzling employee, it doesn't matter. I have to shed light on the uncertainty. Sometimes the cause is money, and other times it's love."

"There's no love in this situation," Angelique Lear said.

"I can see that."

"So what advice would you give your client?" she asked a stranger.

"That depends on the nature of the criminal situation that this hypothetical client has been drawn into," I said. "If it's a physical crime I'd ask if there was any way that the evidence can point at the client. Could there be any witnesses? Someone who might have seen her, even in passing? Did she touch anything or leave any physical evidence like hair, handwriting, or maybe a bill from some purchase? Like I said, the NYPD can be very efficient. And a serious crime will have a bright light shone on it.

"It might take years, but the wheels of justice do turn and often they catch onto some scrap that the client has left behind."

Angie had to swallow before asking, "And, and if it's not a physical crime?"

"I don't think that's a question in this case."

"Why not?"

"The hypothetical client has been threatened with violence twice. And, if there's no love involved, the crime would almost have to be a physical one."

I waited patiently, wondering where I'd be taken from there while Angie assessed her life along the lines that I had presented.

"So, Mr. McGill," she said at last, "how would you advise your client in this situation?"